Location Shoot With The Lastolite EZYBox
I’m finishing up the update to, “The Photoshop Elements 7 Book for Digital Photographers,” (co-authored with Matt Kloskowski) and each time I update a book, I always use all new photos throughout the book, which means I have to be shooting pretty much all the time (which gives me a great excuse to use with my wife, “Honey, it’s for work.” ;-)
Anyway, I shot a number of new images just for the book, and I thought it would be cool to do an on-location sports portrait of some local kids who play Soccer (which is called football about every place else on the planet). My buddy Jim Workman is president of the local Soccer (football) league and he set-up a shoot for me with a family that had three talented, fun, and really sweet kids.
This was my first location shoot with Brad assisting me, and we had an awful lot of fun. One of the highlights was watching these little kids blast the ball past Brad, who is a much better photographer than he is goalie, and then watching him chase the ball all over the field.
LIGHTING: We used one Nikon SB-800 off-camera flash, with a hot-shoe EZYbox softbox, (the one I talked about last week) mounted on a sturdy C-stand (if I had used a shoot-through umbrella, the wind would have taken it down about half-a-dozen or so times). Because this was a sunset shoot, we taped a 1/2 cut of CTO gel over the front of the flash to warm up the color. When the sun was completely gone, we added a second SB-800 on the opposite side of the player, with a HonlPhoto 8″ Speed Snoot to keep the light from bare flash really small and concentrated on the right side of the subject’s face.
We did the shoot at a local playing field, rather than in a big stadium, and there were some unattractive maintenance buildings and a parking lot in the background, so I had to compose the shots to keep all that ugly stuff out of the frame. I took nearly all the shots lying on the ground shooting up toward the kids. I positioned the kids so the setting sun was behind them putting great color into the clouds (we got lucky having such great clouds that night—the next night there wasn’t a cloud in the sky). The field was pretty plain, so I made sure the goal was in most of the shots, so it would be more obvious that we were on a field. I also tried to included some of the field lights in the shots, to give more of a stadium feel.
CAMERA INFO: All the shots were taken with a Nikon D3, using a Nikon 14-24mm f/2.8 lens at 200 ISO. I shot in Manual mode, and most shots were taken at f/9 at 1/200 to 1/250 of a second (I used a higher shutter speed to minimize existing light and darken up the clouds).
I’m planning on doing a special bonus video for people who buy the book on how to set-up a similar location shoot.