Posts By Brad Moore

Digital Art: The Inspirational Series with Bert Monroy
During Photoshop World, Mia McCormick had the opportunity to sit down with Bert Monroy, an insanely talented pioneer in digital art, to get his perspective on art and what inspires him to keep creating. Bert has been an artist his entire life, and is a master in Photoshop and Illustrator with impressive roster of clients and his work hung in galleries around the world. Bert and Mia touch on topics ranging from how he sees digital fitting into the world of art to the impact his work has hard on others, and so much more! Check it out at

KelbyOne Live
Want to learn from Scott Kelby or Joel Grimes live in person? Check out these seminar tour dates to see if they're coming to a city near you!

Shoot Like A Pro Tour with Scott Kelby
Mar 9 - Sacramento, CA

The Photographers Creative Revolution Tour with Joel Grimes
Feb 23 - Indianapolis, IN
Feb 25 - Atlanta, GA
Feb 27 - Arlington, TX
Mar 25 - Washington, DC
Mar 27 - Minneapolis, MN
Apr 17 - New York, NY
Apr 22 - San Antonio, TX
Apr 24 - Houston, TX

Leave a comment for your chance to win a free ticket to one of these events!

Last Week’s Winner
KelbyOne Live Ticket
– Al

If that’s you, we’ll be in touch soon. Have a great Thursday!

An imperfect pub shot is both a rare portrait as well as a great memory

Recently the Ethernet support on my DroboPro stopped working so I thought I lost access to 12 terabytes of archived photographs. I had used Drobo's dual disk redundancy feature to make sure I was covered if a drive crashed, and I had seen this work flawlessly several times over the last few years. However, I didn't count on the connection between the computer and Drobo dying. After multiple attempts to get help from Drobo that went unanswered I started to panic!

Photos from fun days with our family are irreplaceable

I used to have all my images backed up "in the cloud", but after spending nearly a year getting all of my images upload my service providers rate went from $9.99/mo to nearly $400/mo so I cancelled the service. I kept saying to myself that I'd take care of this problem next week, but I kept procrastinating. When the iCloud hack happened I also began to get concerned about having my images in the cloud, so that had me reconsidering my local backup solutions again.

Priceless expression photos are the ones I treasure the most

This experience really got me to think deeply about what had happened and what I'd do if I could go back in time. The funny thing is that I didn't think much about losing my money making commercial photos that had provided for my family. I did think about losing the snapshots and videos taken of my family and I was sick to my stomach about it! My older children were born when I still shot film so I had negatives to fall back on. However, my youngest (age 5) was born in the digital age so the only backups were electronic!

Kids grow fast, so milestone shots remind you of those fleeting moments

After racking my brain I remembered that all wasn't lost because of the work that I had done for my printing series a few years back. While I certainly hadn't printed enough, I did have some prints of some of my most cherished moments with my family. I also had some images stored on Facebook as well as my very rarely used sites on 500px and Flickr. I don't like storing my best images on social media so all that was really there were a bunch of cell phones shots or stuff that I didn't care as much about.

This unexpected pose from my grandma "in-law" is a priceless treasure

What was missing for both print and online were the personal photos that captured memories of my favorite life experiences, few of which would be considered works of art - ha, ha! It was for this very reason that I hadn't taken the time to print those, because even I don't want to wallpaper my house with photos from my kids' birthdays, pictures of my meal from a great anniversary dinner, or the incredible hotel room in Asia with the jaw dropping view. These aren't works of art, but they are more valuable to me than my photos which had built my career. In the old days these were printed out as 4×6" photos and stored in photo albums, but the cost of film and printing limited how much I actually kept. In addition, negatives in a safe deposit box offered a plausible backup for the print photos that I'd toss for lack of storage space for them.

I never throw away old hard drives, so I did find a few years worth of photos on my fireproof ioSafe, as well as some scattered across loose drives. About a week after thinking the rest were lost, I remembered that my DroboPro not only had my normal iSCSI Ethernet connection, but also a USB connection. I plugged it in and I was back in business, albeit slower than before.

A rare shot of a my wife and her mother who are now a half a world apart

With access to my photos restored, the first thing I did was export my entire collection from Lightroom as JPEG's that were large enough to print at 8×12". After a couple of days of my computer chugging away, this shrunk my massive storage needs down to a more manageable 500 GB. This gave me "at least something" I could hang onto if all were lost again. I also took this time to go back and look at some of the photos that I had feared were lost forever. This sent me down the rabbit hole of editing some photos that I never planned to edit where I discovered another problem - some of my images shot in only RAW format were no longer readable by current raw processors from major camera makers. Sure, I could see the thumbnail but that's just a small jpeg. However, the ability to use that precious raw image data was gone. Using older versions of their raw processors that I thankfully still had backed up on CD worked - but only after I found an external CD drive to use to install them!

The last pre-puberty shot of a camera shy son isn't art, but it's important to me

Last year I saw this article entitled "This may be the oldest surviving photo of a human." Earlier this year I also read this great article about "Why your digital photos might die before your grandkids see them," and as I was writing this article the web was buzzing about an article entitled "Print Your Photos or Risk Losing Them to the Digital Dark Age, Internet Pioneer Warns." In the end, all of these great articles say basically the same thing - the most certain way for your photos to outlive you and deprecated technology is to print your photos (using archival worthy ink and paper). However, I have hundreds of thousands of photos! I have neither the time nor the financial means to print them all, much less space store them all!

As a result, I've decided to go about solving this problem in a more manageable way.

  1. I'm returning to storing my photos locally on one ioSafe drive for each year as I used to do back when I got a new ioSafe each year. This spreads my risk to only one year per drive and protects me against fire, water, and connection problems between the drive and my computer. I already break my Lightroom catalogs up by year, so this old system is one I will get back into the habit of doing again.
  2. My backup software will now backup all of my drives to a new NAS. Currently I'm considering the ioSafe NAS powered by Synology. This gives me a solution for the big backup of everything that is available for quick access and recovery, yet protected from on-site disasters. This isn't a cheap solution and it may not be for everyone, but with my 12 TB of data that will likely double in the next couple years it works for me - for about the cost of a new camera body.
  3. I'll use one a 1 TB drive to hold JPEG's large enough to print at 8×12 for my whole collection, and I'll store that drive in a safe deposit box. This will be my digital photo album of everything that uses a format that should be around for decades and saves me the hassle of sorting through tons of photos for what needs to be backed and what doesn't.
  4. I'll definitely start printing more of the memorable photos at 4×6 again with a printer that uses archival ink. I wrote an article about Getting Great 4×6 Prints Without Any Hassle for those "honey, can you just print this" scenarios that never seem to go as smooth as we hope. It's time for me to stop waiting for my wife to ask me to print and just get in the habit of doing it at least monthly. I'll also take a few extra minutes at import into Lightroom time to mark the photos that need 4×6 printing so they are easy to find when I'm ready.
  5. These images that I flag to print will also get uploaded to my Zenfolio account in the form of a private password protected gallery. This experience made me and my wife realize how many photos we take that the world never sees simply because there's just not enough time to edit them (even with Lightroom).

A day with the gators is a trip that we still all talk about

Caution, Don't Be Too Ambitious
Decades from now when people see your meaningful family photos they will care less about the color, cropping or distractions you removed in in Photoshop. Even today my mom still can't understand why I don't put my subject in the center of all of my shots so she sometimes thinks the unedited shots are better - ha, ha!

When doing your archive printing I also recommend that you print any of the photos that you haven't already edited straight from the in-camera JPEG (if you have it, otherwise the from the RAW). I learned this lesson long ago which is why I just buy extra memory cards and shoot RAW+JPEG. This allows me to have a JPEG that matches what I saw on my rear LCD when I took the shot, not today's software interpretation of how it should process the RAW file (which does change over time and not always for the better).

Like many people, I have many photos that are awaiting the final step – printing

Since I love printing, I've never had a problem printing the photos that I've taken hours to edit as that's my favorite part of the creative process. To hold a print in my hand rendered exactly as I intended gives me the ultimate satisfaction. I don't have to worry about other's poorly calibrated displays or web browsers rendering things differently than I intended as you see the image exactly as I envisioned on a substrate that adds to the experience. As a result, I can take a little time to mark the photos that I'd like to give this attention to later, but the key point here is to not let yourself get bogged down trying to edit while you archive print. If you do, archive printing will be so cumbersome you'll never get it done.

Are Your Images Really Safe?
I've had conversations about backing up with fellow photographers and geeks many times over the years. Nearly everyone I talk to falls into two camps: those who think they have it all figured out; and those who know they are screwed if something bad happens. To find out what camp you are in, consider the following ways your data could be lost:

  1. Your computer hard drive crashes and you lose the photos you spent the last couple days editing. Imagine your client is threatening legal action if they don't get their images today no matter what your signed contract says.
  2. Your house destroyed by a natural disaster (fire, tornado, flood, etcâ¦). What if the disaster was so bad your hard drives can't be found (mudslide, etcâ¦)?
  3. A hacker gets remote access to your computer without your knowledge and unleashes a virus that corrupts every file to every computer connected on your network and those connected to them remotely.
  4. The file format your raw files are stored in stops being supported and the current operating systems (perhaps a new future smartphone OS) you use can't run the old software? What if all software dropped support for DNG 10 years from now because it wasn't popular enough? What if PSD was an unsupported file format 20 years from now?
  5. Your computer and external drives are physically stolen and lost forever.
  6. You die and nobody knows how to get to your images.

The joy of my son who sees his dad for the first time in 3 months

I know that I have work to do to really protect my data, so there's not really just one solution to address all the possibilities. I'll have an offsite backup solution with a regular schedule for updating and storing that drive offsite (TIP: having two to rotate between is wise). I'll also print to make sure my most cherished photos are archived saved for future generations to protect against technology challenges. Finally, I'll store those 8×12 sized images of my most cherished photos online in a private protected gallery for family members so that there's zero chance that they'll never be seen.

I hope this article inspires you to think about the true value of your non-portfolio shots to yourself and your family. I also hope it helps you to put together a plan to make sure those images outlive you by many decades or even centuries to come!

You can see more of Ron's work at, keep up with his blog at, follow him on Facebook, Google+, and Twitter, or learn about his Printing Series, right here!

Today, February 19, 2015, Adobe is celebrating it's 25th Anniversary for Photoshop!

Originally an idea by Thomas Knoll, "Display," a pixel imaging program from the late 1980s was purchased by Adobe and the rest is history. Read more about how Photoshop got started here.

And here's a special video from the Adobe YouTube channel:

"To celebrate the tool that has helped shape creativity, artists from all over the world contributed their most amazing dreamsâ”and their working files with layers."

Today at 2:00pm ET, we will be airing a special episode of Photoshop User TV with Scott, RC, Corey, and Pete sharing their fun stories and experiences with Adobe Photoshop over the years. See you there!

The Lightroom Show is #1!
Our brand new podcast, The Lightroom Show with Scott Kelby and RC Concepcion, is the #1 video podcast on iTunes! If you haven’t watched the first episode yet, it’s just under 10 minutes long, so you can check it out now and see why it’s at the top of the charts. If you use iTunes or the Podcast app on your iOS device, subscribe now to make sure you don’t miss an episode!

Double Play Sports with Dave Black
In his latest KelbyOne class, Double Play Sports, legendary sports photographer Dave Black takes you through his approach and process for covering baseball and volleyball. Dave explains all of the types of gear he uses for each sport, then walks through his approach for getting on site early to capture details and candids, as well as setting up remote cameras, and all of the possible scenarios you might encounter as the action unfolds.

KelbyOne Live
Want to learn from Scott Kelby or Joel Grimes live in person? Check out these seminar tour dates to see if they're coming to a city near you!

Shoot Like A Pro Tour with Scott Kelby
Mar 9 - Sacramento, CA

The Photographers Creative Revolution Tour with Joel Grimes
Feb 23 - Indianapolis, IN
Feb 25 - Atlanta, GA
Feb 27 - Arlington, TX
Mar 25 - Washington, DC
Mar 27 - Minneapolis, MN
Apr 17 - New York, NY
Apr 22 - San Antonio, TX
Apr 24 - Houston, TX

Leave a comment for your chance to win a free ticket to one of these events!

Last Week’s Winner
Mastering The Model Shoot by Frank Doorhof
– Dan

If that’s you, we’ll be in touch soon. Have a great Thursday!

What’s going on, I am Justin Wojtczak with 375 Photography from Atlanta, Georgia. We are commercial photographers who do 40 weddings a year, have been voted Best of Weddings for the past three years and I’m an instructor at

As a commercial wedding photographer, light can be your best friend or worst enemy. We have been doing this for almost 10 years now and I have found that what has helped stand out is the ability to light and get the shot that the bride and everyone at the wedding will remember and talk about. At the beginning we relied on speed lights. They were great and easy. But there were so many times where we went out to light a shot and the speed lights did not fire. They became to us an unreliable light source.

So in 2012, we got introduced to Profoto by Lee Morris and Patrick Hall of Fstoppers. Ever since then, we rely on the D1 Air light kit. With these lights we can light any situation that we encounter during the timeline of a wedding day.

Let’s get right down to the good stuff and break down three shots.

The Moment
At 375, we get to know each client on an emotional level throughout the wedding day reading their body language and how they react to certain people.  With this shot, I knew in advanced that she and her dad had a great relationship. Knowing your subjects allows you to anticipate these moment so you’re ready when they happen.

The Breakdown:
This was a two-light shot.  We had one behind the bride and dad set to 4.0. Then we had our key light behind the camera with a shoot through umbrella pointed at ceiling.  TIP: Use the ceilings to help bounce the light to light your couple. This will make a big difference in your shot.

Last Light
This is actually two shots. With this wedding, it was all after dark. We did not get to the wedding location till 5:30pm, which was 15 minutes after sunset. I knew beforehand that catching any sort of sky would be critical to making the pictures beforehand memorable. After rushing down the stairs to the front of the house and getting the bride in place, we started to shoot. When trying to capture the sky, I wanted to draw in as much ambient (natural) light as possible.

Tip: Your shutter speed controls the ambient light in a shot when using flash. We had one Profoto with a shoot through umbrella at 7.0. as high as we could go, angled down. Look at the difference between the next shot as the umbrella being high and just facing the bride:

Umbrella facing the bride

Umbrella above and angled down toward the bride

The simple change of the angle of the umbrella made all the different in the feel of the image.

5D MkIII at 1/20 sec, f/3.2, ISO 200
Key light: D1 Air at 7.0 with shoot through umbrella
Lens: Sigma 35mm f/1.4

Having been to amazing venues all over the southeast, I’ve learned that it is critical to build trust with your bride and groom so when you see a shot that takes a little bit of time to get to, they know that you are asking for the best shot possible. This was up a ridge at her parents’ 1,000 acre farm. We had to take a truck to the parents’ house, then run down the fence line to the gate, then sprint to the edge of the ridge. It was well worth it!

The breakdown:
What made this shot was the height and angle of the umbrella. I wanted the umbrella just out of frame, right above their heads angled down so it illuminates the bride and groom but then to get a little spill onto the grass. I love the how the bride and groom and the grass give you a feel of the location and for the background.

5D MkIII at 1/20 sec, f/3.2 ISO 200
Key Light: D1 Air at 4.5 with shoot through umbrella
Lens: Sigma 85mm f/1.4

Shooting weddings every weekend and being in sometimes remote places, it is critical that our ability to light any moment is not hindered by our light source not working for a mysterious reason. Since shooting with the Profoto D1 Airs, we have not missed a moment. They are reliable, consistent and add value to our final product. Using the D1 Air has advanced our understanding of light and has enabled us to capture moments every time where in the past it was a frustrating hit or miss moment. Capturing these moments in the way that 375 does helps to add to the bride and groom’s experience which goes well beyond the wedding day.

Thanks to Brad Moore, Pete Collins, Justin McGough and Grant Norwood for the help of this video, and to Scott Kelby for giving us this platform to share with each other!

You can see more of Justin’s work at, and follow him on FacebookTwitter, Instagram, and Vimeo.

It’s Fashion Photography Month at KelbyOne!
This month at KelbyOne, we’re sharing our passion for fashion! We just launched Lindsay Adler’s brand new class, Shooting Fashion on a Budget, and we also have classes from Lou Freeman and Joel Grimes.

And this month only, if you sign up for KelbyOne, not only do you get a one-year membership for just $199, but you also get Frank Doorhof’s book, Mastering The Model Shoot for FREE!

You can find out about all of this right here, and leave a comment for your chance to win a free copy of Mastering The Model Shoot.

Moose Peterson Is Heading To England!
If you're in London, or just want a reason to visit, Moose Peterson will be there in April doing a presentation, workshop, photo walk and more! If you're interested, you can get more details right here. He also just posted more details about the Warbird Photography Workshop, for which you can now register.

Last Week’s Winner
KelbyOne Live Ticket
-Michelle Walker

If that’s you, we’ll be in touch soon. Have a great Thursday!