Posts By Brad Moore

When I was a teenager, I was a Canadian expat living in a US border town whose main interest outside of a rapidly growing fascination with photography primarily consisted of the acquisition and digestion of as much music as I could get my hands on. I mainly listened to a lot of punk, and even as I grew up there were certain things about that movement that stuck with me: bits of lyrics, simple lessons, a strong DIY ethic, etc.

But it was the saying Talk – Action = 0, a slogan of Vancouver band D.O.A. that always resonated with me most. Even though it was originally meant to relate to politics and activism, the idea of words that aren’t backed up by taking real action being meaningless always felt appropriate when I thought about my photography and other creative endeavors, and I think it's a lesson that a lot of photographers would benefit from taking to heart.

We've all run into the photographer who has a million good ideas and two million excuses as to why they'll never pull them off:

“Plane tickets are too expensive.”
“I don’t have a studio.”
“My camera isn’t good enough.”
“I need better lights.”
“People won't like my images.”

They can talk themselves out of anything before they even get close to starting. Others might be so tied up in their past successes that they spend most of their time talking about a shot they took years ago and might have difficulty moving on to new projects. Sometimes the reasons for not pursuing ideas are more internal and might be due to dealing with some issues related to self-sabotage or impostor-syndrome (both of which can affect photographers at any time in their career, not just emerging shooters), that can leave them frozen in place and verbally beating themselves up, talking more about why they think their work sucks rather than making new images or improving their skills.

There's a good chance that all of us, at one point or another, are going to deal with some of these issues. It's a natural part of being in a creative career, and despite our best intentions and discipline we sometimes slip into bad habits and negative patterns of thought that can really throw us off our game. Some people talk about their work and creative issues as a therapeutic and cathartic action, seeking advice and working through problems with others so that they can move forward, and having a discourse about how photography interacts with culture, commerce, and art is hugely important. But, sometimes, we start to use talking about our work as a surrogate for actually making it. People tend to take the path of least resistance. Talking about making work is a lot easier than actually doing it, and it takes a lot less effort to sit still than to start walking. But as Mark Twain supposedly said, “The best way to get ahead is to get started.”

Up until very recently I shared a studio with a guy who is a perfect example of putting your money where your mouth is. Scott Gable has self-funded a number of high risk trips around the world to capture some amazing stories. He's traveled to Alaska to photograph the commercial salmon fishing season, and most recently he spent four months trekking through China, Taiwan, Laos, Cambodia, Thailand and Vietnam to create a series on the rice harvest (the first part in a planned trilogy about the world's staple food products of rice, corn, and wheat).

Photo by Scott Gable

I could think of a million reasons someone might talk themselves out of going to China, Alaska, or even across their own state – people can talk themselves out of anything, especially when money is on the line. But rather than looking for reasons to say no, Scott wholeheartedly said yes to every opportunity he had, and where he didn’t have them, he made them.

Don't speak the language? Scott took Mandarin lessons for months leading up to the trip.

Don't have a client willing to send you? Scott saw this as an investment in his work and funded these projects himself, often with his credit card (he calls it his most valuable tool).

Don't know where to start? Scott reached out to programs like the Cornell Rice Intensification program who helped make introductions with several of the programs and contacts he worked with during his trip. He also hit the books, doing extensive research on rice production in the region.

Photo by Scott Gable

Sometimes you have to get dirty to chase the images in your head. This wasn't a trip full of luxury hotels and creature comfort, on the contrary. And despite all of his careful preparation, Scott often found himself hiking inaccessible footpaths for days at a time, being sheltered and fed by people he met on his trip, and getting close to his subjects.

The results were unbelievably intimate portraits of people in all aspects of rice production, from rural cultivators to industrial workers in larger cities who were involved in the later stages of the process. Scott created stunning portraits of the people he met and created gorgeous landscape images of farmlands and valleys where huge amounts of the world's base nutrition come from. He's also created a short film about his work and experiences on this trip.

While you may not be in a position right now to self-fund a trip across the world to photograph the rice harvest of a half dozen countries, the spirit of what Scott did is accessible to everyone, at any point of their career.

Whereas Scott is fairly established in his niche, I also want to talk about a photographer who is just entering this business. Valerie Kasinski is one of the most exciting young artists working in Western NY right now. She recently graduated from Villa Maria College's photo program and has been an active part of WNY's ASMP chapter, which is where I first met her. Val even interned for me for a little while, and I've always been really impressed by her work and her dedication to making the images in her head real.

Photo by Valerie Kasinski

While Scott Gable has traveled the world to document and connect with other communities, Valerie has had her own share of journeys and adventures in her efforts to connect with a community she already belongs to. Part of a loose group of creatives that she originally met through Flickr, Val and her online friends have become something of a real life photographic family.

At a time when a lot of students were focusing on taking the easy way out with their work, or focusing only on their given assignments, Val was taking days long cross-country train trips to create work and collaborate on projects with this group. When other photographers can't find a reason to interact with their local photo community, Val has traveled all over the United States and Canada to create work that explores portraiture, nature, and her own fascination with self-created worlds. Her current project, Together We Are, has grown out of the relationships that she's built and the community she's worked hard to be part of.

Photo by Valerie Kasinski

She could have stayed home.
She could have slept late.
She could have decided to try something easier.

But she worked at it, built those relationships, took those long trips to get where she wanted to make the images she was chasing. I know thirty-year veterans of this business that aren't that dedicated to their work, who won’t pick up their camera unless they're getting paid for it.

I've seen too many photographers with ambitions like Scott and Valerie stall. They talk a good game about what they want to make, where they want to go, the endgame is right there for them. But the product never seems to materialize – It's like their own goals are outrunning them. Eventually it starts, that litany of excuses that we talked about; a million reasons why they can't, won't, or shouldn't see their vision through. They can't go anywhere because they never really get started. They’re so mired in the holes that they have dug themselves into mentally.

But you have got to remember that big things start with small steps. So send that email, set that date, take that first shot – do whatever you have to do to build momentum. Yes, there are going to be walls, but you can break through them, if not all at once, then brick by brick. And once you start, once you begin to generate that momentum it is so much easier to break through those walls, the ones that circumstance puts there, and more importantly, the ones we put in our own way.

So right now, this second, make a commitment to yourself to stop talking about that project you always wanted to pursue, and take those first actions towards actually doing it.

Luke was kind enough to share the work of other photographers he admires here today, and you should also check out his work at, and follow him on Instagram, Twitter, and Facebook.

Kicking Off 2015 with Joel Grimes on The Grid!
If you missed last week’s episode of The Grid, the first of the new year, with Joel Grimes, it’s one you’re going to want to go back and watch. Joel is always full of great advice and wisdom, and he didn’t hold back on this episode. If you’re looking for inspiration to jump start your creativity this year, look no further!

DSLR Filmmaking: Creating slideshows with Adobe Premiere with Brandon Ford
Learn how to harness the full creative control provided by Adobe Premiere Pro CC 2014 to create custom slideshows. Join our own Brandon Ford as he walks you through the fundamentals of getting started with Premiere, then takes you through every step in the process of creating dynamic slideshows complete with motion, animation, transitions, music, and text. By the end of the class you'll be ready to create your own slideshows that can be exported out of Premiere and shown to the world.

Squarespace Snapshot By Matt Kloskowski
Join Matt Kloskowski as he sits down with Shon Dempsey from Squarespace to provide you with an overview of how to get up and running with your own custom Squarespace-hosted website quickly and hassle free. Shon and Matt take you through every step in the process from choosing a template through customizing it to make it match your style. With the look and feel of your site designed you can easily enable features like e-commerce, forms, and a cover page. Shon wraps up the class with a series of tips and tricks to ensure you get the most from your Squarespace experience.

KelbyOne Live
Want to see Scott Kelby live in person? Here are the first three dates for Scott Kelby's Shoot Like A Pro Tour for 2015! If you're in one of these cities, come check it out:

Jan 26 - Columbus, OH
Jan 28 - Richmond, VA
Jan 30 - Raleigh, NC

Leave a comment for your chance to come to one of these events for free! And keep an eye out for soon to be announced dates for our brand new tour featuring Joel Grimes!

Moose Peterson Is Heading To England!
If you’re in London, or just want a reason to visit, Moose Peterson will be there in April doing a presentation, workshop, photo walk and more! If you’re interested, you can get more details right here.

Last Week’s Winners
KelbyOne Live Ticket
– Alan Norfleet

Photoshop Elements 13 Book
– David in Signal Mountain
– smilingmike
– Kean Reardon

If you’re one of the lucky winners, we’ll be in touch soon. Have a great Thursday!

5 Lessons From A Nomadic Photographer

I didn't intend to become a travel photographer. In hindsight, perhaps it was obvious, but it wasn't something I originally set out to do.

In March 2007 I turned over the keys to my house and set out to travel around the world for a year.  Like many people who travel, I purchased an expensive SLR that I didn't know how to use in the theory that an expensive camera will take better photos.

I was wrong.

After only a few weeks on the road, I quickly realized that my camera wasn't going to take good photos on its own. I was committing all the rookie mistakes: shooting in jpeg, shooting in program mode, not editing my photos and not putting any thought into my images.

Over the next several years I slowly figured out what I was doing by reading blogs and forums, and a whole lot of experimentation. I went through all the stages which most photographers go through, including an HDR phase.

Since I started traveling, my year around the world has turned into eight, with no end in sight. I've been to over 170 countries and territories around the world and all 7 continents. I've done photography underwater, in caves, and from helicopters.

I've shot dog sleds teams in the Canadian Yukon, and sand dunes in the Namib Desert. I've captured holy week in Jerusalem, a Holi Festival in Singapore and New Year's Eve fireworks in Sydney.

My work over the last 8 years was eventually recognized when I was named Travel Photographer of the Year by both the Society of American Travel Writers and the North American Travel Journalists Association.

What I have learned over the last eight years of traveling around the world and growing as a photographer is something which any photographer can benefit from.

Lesson One: Be Brutally Honest With Yourself
You will never improve unless you are honest with yourself about where your photos are at. This doesn't mean simply being hyper critical with your own work, but also recognizing when you've created something good. You also then have to try to distill what made a given photo good or bad, so you can try to replicate those techniques in the future, or at least when circumstances are similar. Simply pressing the shutter button isn't going to improve your craft unless you are pressing it in a conscious manner. Every time you go out you need to be conscious of what you are trying to accomplish and how you are trying to accomplish it.

Lesson Two: You Don't Need A Lot of Gear
I've spent the last eight years traveling around the world with a single camera body, 3 lenses and a tripod. That's it. My camera isn't even a full frame camera, which shocks many photographers. While there are some limits to what I can do because of my gear, there aren't many. Cameras and lenses are technical items designed to solve technical solutions.

Unless there is something you physically cannot do with your current gear, upgrading probably won't do much for you. Technique and being at the right place at the right time will do more than new equipment ever will. When I do need a longer lens or something I can't carry with me, I will just rent it.

Lesson Three: Get Out And Shoot
All the gear and technique in the world won't help you take a great photo of a landscape or an animal if you aren't there. At the end of the day, the great photos are taken by those who are willing to go out of their way to get great photos. Opportunities for great images will not come to you. Photographers tend to obsess about gear and settings and forget that in the end, you have to be in the presence of a great photo opportunity.

Many of the most iconic photographs of the 20th Century are not technically perfect. They are slightly out of focus, overly grainy, or suffer from other problems. What makes them great is that they captured a moment in time which was special, and that couldn't have happened if the photographer wasn't there.

Lesson Four: Make Your Work Public
For over 7 years now, I have posted a daily photo on my website. Over 2,500 consecutive days of making my photos public. Not every one is a home run, but the fact that I know I have to show my photos to the public is a huge incentive to improve and make sure I'm taking quality images. If no one sees what you are doing, you'll never know if you are getting better and it allows you to coast.

Because I travel full time, I never had the benefit of being part of a photography club or other network of other photographers. I was able to get feedback by sharing my images with the public, which in many ways is a much stronger feedback mechanism than even sharing with friends.

Lesson Five: Love Your Subject
I love traveling. I'd travel even if I couldn't carry a camera with me. I know many wildlife photographers who would go and spend time observing wildlife even if they couldn't capture an image. One of my persuasions is photographing UNESCO World Heritage Sites and North American National Parks. Whatever it is you are shooting, if you have a passion for the subject, it will improve your images.

You don't have to travel around the world to improve your photography. The skills I've learned from 8 years on the road can be replicated by anyone with a camera and a passion for photography.

You can see more of Gary’s work at, and follow him on Instagram, Facebook, and Twitter.

The Inspirational Series with Jay Maisel
Jay Maisel is an internationally acclaimed photographer who is equally gifted in his ability to distill the wisdom earned from decades of capturing light, color, and gesture through the lens of his camera. Join Mia McCormick as she spends an hour as a guest in Jay's iconic home discussing topics that range from the aspirations of his youth to how the transition from film to digital opened the doors to new photographic opportunities. Over the course of their conversation Jay reflects on lessons learned from professional assignments, personal projects, and life itself. Jay is a true living legend, and getting the chance to hear him speak will leave you amused, inspired, and reaching for your camera.

Photographing Cityscapes with Matt Kloskowski
There is tremendous beauty to be found in cities throughout the world. Join Matt Kloskowski as he demonstrates various ways you can photograph a cityscape. Starting off with some tips on how to research locations before you go, Matt takes you through the gear and camera settings he uses before heading out into the field to show you how to pull together all of the key ingredients for an absolutely stunning photograph. From long exposures to dramatic black and whites, Matt shares the post-processing tips in Lightroom and Photoshop that you'll need to know to create these killer looks.

KelbyOne Live
Want to see Scott Kelby live in person? Here are the first three dates for Scott Kelby's Shoot Like A Pro Tour for 2015! If you're in one of these cities, come check it out:

Jan 26 - Columbus, OH
Jan 28 - Richmond, VA
Jan 30 - Raleigh, NC

Leave a comment for your chance to come to one of these events for free! And keep an eye out for soon to be announced dates for our brand new tour featuring Joel Grimes!

The Photoshop Elements 13 Book for Digital Photographers
We just got our first copies of the brand new Photoshop Elements 13 Book for Digital Photographers by Scott Kelby and Matt Kloskowski in! This book breaks new ground by doing something for digital photographers that's never been done before-it cuts through the bull and shows you exactly "how to do it." It's not a bunch of theory; it doesn't challenge you to come up with your own settings or figure things out on your own. Instead, it does something that virtually no other Elements book has ever done-it tells you flat-out which settings to use, when to use them, and why.

You can pick up your copy here, or from wherever great books are sold. And leave a comment for your chance to win one of three free copies we’ll give away right here next week!

100,000 on YouTube!
We want to thank all of you on YouTube who subscribed to our channel, we hit 100,000 subscribers on New Years Day and now have a total of over 9 MILLION VIEWS! You can catch us on YouTube and you can also view all of our shows at

KelbyOne Live Ticket
– Terry Gardner

If that’s you, we’ll be in touch soon. Have a great Thursday!

I'm with the band. Not just tagging along to take photos of a live show, I'm literally in the band. I'm Chris Hershman from Chicago and I'm a rock n' roll filmmaker, photographer, and musician. Being the bassist of my Chicago-based band, Tall Walker, doesn't always make it easy for me to film or photograph my own band. After all, I'm the photographer and filmmaker that produces nothing but rock n' roll content for a living and here I am now facing the challenge of having to visually brand the band, all while playing my instrument and being equally as effective as a musician; A challenge that I imagine faces many photographers who are also musicians.
Nikon Cinema: Filming a Music Video Feat. Tall Walker

I'm honored to be asked to speak on the Kelby Guest Blog. I'm 27 and I've have lived through some really excellent adventures all due to picking up a camera. So I'd love to share all the things that seemed most important to my success as a young creative making a living with his camera alone!

I've been shooting stills since my junior year of high school, so it’s been a full decade of working with DSLRs. Photography was only a part time job for me, and I was working at a music store selling instruments to bands like Mos Def, Sigur Ros, Angus Young and even Slash. It was a great place to be surrounded by musicians but I knew I was meant to take my photography to the next level and turn my passion into my profession. I figured it was time, and I was done making excuses for not becoming a professional photographer, so I went to a federal credit union and took out a loan for my first semi-professional camera body. And that’s when much like the Fresh Prince Of Bel-Air, my life got flipped turned up side down.

I was 24 and a proud owner of a Nikon D300s and a 50mm f/1.4. It was time to start making my mark and defining myself as a photographer, not just a music retail employee. One day when I was managing the drum shop, a fresh professional walked in doing some tire kicking on some drums. After striking up conversation, he mentioned that he was from out of town and here to supervise a photoshoot. I immediately lit up! I was talking to a professional photographer, perfect! I'll never forget the moment he said, "I work for Nikon." All of a sudden, this man became the greatest rock star that I had ever met in my music store. I had so many questions and so many awesome things to tell him about my new camera and my journey into professional photography. After working around so many professional musicians and famous rock stars, I learned that the key is to keep it cool. So, I kept conversation light and just made mention of my new camera purchase and that I'm excited to test it out. Right before he left he handed me his card and said, "Keep in touch." Little did he know, he just gave me the open door that would change my career forever.

I bought the D300s because it was one of the cameras in my price range to offer video recording features. My brother was a video editor so I figured if I shot some video maybe he and I could work together one day or at least I had someone to go to if I needed help with video. It was time to test out the video function on my camera so I asked a good customer friend of mine from the music store if I could film his band performing live at their next show in Chicago. He granted me all access to film them where ever I'd like. On stage, off stage, in the green room, full access! I had overheard them say that they've been wanting a music video for one of their new songs so I made sure to film the singer as much as possible when I heard the song they mentioned begin to play. Since I only had one camera but all access I filmed from every possible angle of this venue to make it feel like I was using several cameras. I wanted to have a surplus of footage to fool the viewer into thinking this was a live multi-camera shoot. I shot behind the drummer on stage, from the balcony, and everywhere imaginable on the main floor of the venue. By the end of the night I had captured about an hour of this band’s performance. I took the entire next day to edit the video and ended up staying put for over ten hours mashing together footage and syncing it all together to look like a proper multi-camera shoot! I had caught the fever, for more video!

That day I had created my first music video. After delivering it to the band to check out, they immediately asked if they could use it as their official music video and post it online. I said, "heck yes!" Soon after, that band went on to compete for the chance to be featured on the cover of Rolling Stone magazine. The competition lasted several weeks and drew a lot of attention to the band. The best part of it all is that they submitted the video I shot of them to be in their band's bio for the Rolling Stone competition. Which is how, in a strange round-about way, my first music video made it straight to! This is when I started feeling like filming bands and music was going to be a big part of my next move to become a professional photographer who recently tagged on "and filmmaker" to the end of my title.
Empires "Hello Lover" Live in Chicago

I immediately sent the video to the Nikon executive that I had met in the music store and sent him a link to the video. He then told me he was passing it around internally and everyone was really enjoying it. The important thing to remember is that Nikon was specific to still photography cameras up until recently when they began releasing video into their cameras. They're not like Canon who have always made video cameras, printers, scanners. They were just still photographers at corporate and were happy to see what people were doing with the video features in their cameras. This was also at the beginning of their introduction of these features in the cameras and they were not quite meant for professional filmmaking. The camera only shot 720p and had no manual control over the exposure of the video.

After my new Nikon friend started passing my video internally, he suggested that I add it to Nikon's Vimeo Cinema group. Its a collection of videos that users on the Vimeo platform can add their videos to if they were shot on a Nikon. After posting the video another Nikon employee commented on my video and asked me how many cameras I shot this music video with. I replied by saying that it was shot with only one camera. He then replied again saying that we have to get lunch and talk about how I put that video together.

That’s when Scott Diussa, Nikon Professional Services Field Manager, became my new best cinema friend. Scott was kind enough to make some time to sit me down and encourage me with my work, letting me know that I was onto something and he also said the he was excited to see where all this will lead me. He was onto something himself by making that statement and 5 years later, I'm here getting to the story of how I quit my day job to follow my passion and to make visual art my career.

That's the story of how I transitioned into what I'm doing now, professionally. I took so much time going into detail about it because I think there are several extremely valuable and pivotal things that happened in that process. It was about surrounding myself with what I love, what makes me happy, and inspires me the most: Music! I listened to my heart and followed the opportunities that opened once I applied myself. The funny bit of it all is that I began this journey to become a photographer, not a filmmaker. However it was a hidden talent and once discovered, became the most valuable skill I had acquired. I used my ability to socially network to reach the people who could help me reach the next level in my career. The people at Nikon have been so kind to believe in me so much, that it's been like having an entire company mentor me and cheer me on as I take on new territory. You never know who you're going to meet and what that connection might do for your life. So smile, shake some hands and be genuine about getting to know people. Establish authentic relationships with people and they'll see that you're someone they can trust and invest in.

Let’s fast forward to right now. We just rang in the new year and it’s 2015. I'm currently several days away from giving a presentation at the CES show in Las Vegas. One of the world's largest consumer electronic shows. I'm speaking on making music videos with Nikon cameras in the Nikon Theatre set up in the Nikon Booth. I love speaking and sharing all the great information I've learned throughout the past few years and I feel that its equally important to share what I've learn to others eager to learn about it.

Back to my opening paragraph… I mentioned being in a band and needing to create content for my own band’s branding needs. That was the result of me creating an entire presentation earlier in 2014 about how I had stepped out from playing in my band for a day so that I could create our live music video. It was a collaboration I did with Nikon and their Cinema Blog, which is amazing and full of inspiring articles from excellent filmmakers that use Nikon cameras specifically for cinema use. It’s a great resource if you're looking to learn all about what you can do with Nikon cameras when you flip them into video mode. Nikon asked me to speak at NAB earlier in 2014, and that’s when I gave my first presentation as featured director at the age of 26. I had only begun using video features on my camera four years previous to that moment.

From the moment I began making videos on my Nikon camera to right now, I've created over 400 videos consisting of live performances, interviews, gear demos, and inspiring music performances like the one I made called "100 Riffs." This video is super simple, just one guy, one camera, and in one take plays 100 guitar riffs in a row without stopping or messing up. This video has over 10 million views and continues to be one of the most inspirational videos to many aspiring musicians.
100 Riffs

The fun doesn't stop there! Nikon reached out to me again in summer of 2014 and asked if I thought it would be possible to make a music video using the Nikon 1 v3. However, I wouldn't be able to use the video function. They wanted me to use rapid fire burst of RAW images and string them together like video clips to make a full music video. Well I wasn't going to say no before I had even tried it, so I took on their challenge and ended up creating a 4K music video that is made completely out of still images. This took several months and over 20,000 RAW images to create. There is a whole article and behind the scenes look at how we accomplished this film.
Tall Walker "Dance All Night" 4K Music Video

I've been a massive fan of a band called Switchfoot. I grew up listening to this band in High School and probably attended upwards of 8-10 of their shows. I was a huge fan. Recently, my aspiration has been to travel and document rock n' roll tours. So one day I reached out to the band and asked if I could join them for a small leg of their tour to take photos and videos of whatever they needed. Several emails later I ended up snagging a bunk on their bus and joining them on the road. I've worked some of the band members on projects outside of their band, so we were not complete strangers by any means. Establishing a relationship previous to scoring that tour was totally needed in order to make that happen.

Every night I would get to stand right in front of these guys pouring everything they got into their music and performance. It reminded me of why I fell in love with this band in the first place, because they were the definition of rock n' roll to me. All musical taste and preference aside, you can't attend a Switchfoot show and leave there without your heart pumping and your neck sore from rocking out with the band. The frontman, Jon Foreman, surfs crowds and runs through crowds to make them part of the experience. When you watch this band, you understand that music performed live is incredibly special. It's worth buying tickets and experiencing in person. To actually "feel" their music and the sound waves rush through your body is not something you can get in your car or through headphones. Ever since that tour I've gotten the itch to do it again to help preserve the live performances of bands and the lives they live on tour.

A lot of these opportunities happened, not because I'm the best or most talented creative out there, but I can contribute some very important attributes that I learned about myself that helped get me to where I got in my career in visual art. There will also always be someone better than you, more qualified than you. But if you let those things cloud your vision, you're unable to realize that talent doesn't always get you there. People don't care how talented you are if working with you is a pain in their ass because of your attitude or rude behavior. One of the most important things I've ever been told was by my mentor at the age of 16. He said "Chris, talent gets you there, but character keeps you there." I have found this to be more and more true as I get older and further both in my musical and visual career. I work hard on keeping healthy relationships and a balanced lifestyle so that no matter where I am with my career, I'll always maintain a level of professionalism and believe in myself that will keep me working hard toward accomplishing my professional goals.

F#@& Fear!
If there is ONE, just one thing you walk away with by reading this article, it should be that you cannot let fear stop you from the flood gates of awesome opportunities waiting to swing open and pour out into your life. I have countless people ask me daily how I snagged certain opportunities like joining a tour or filming a music video for a popular artist, and I always some back to same answer, which is to live bold and without fear.

Fear can so quickly prevent you from reaching out and taking what you want. Whether it’s getting photo passes for a show you want to cover, or a band interview you want to do, or if you want to join a band on tour and live on their bus. We don't ask, mostly because we fear they will say no, resulting in some form of embarrassment. I can live with embarrassment, but what I can't live with, is regret. If I hadn't taken bold moves in reaching out  to people who seemed very out of reach or intimidating, I wouldn't be writing you, I wouldn't be shooting photos and videos for a living. I'd be retreating back to living at my parents’ place in rural Indiana, working behind the counter of a music store! Which is exactly where I started and loved working there, but just knew I had a passion for photography and video that needed to be pursued in order for me to feel completely fulfilled with my work.

Living with the parents is not a negative thing for all people, however I moved to downtown Chicago eight years ago, immediately after high school, to surround myself with other artists and musicians. I knew that I was meant for something bigger than what a rural town could offer me when it came to opportunity. If I had decided to give up and move back when things got tough and full of financial struggle, I wouldn't have been able to sneak into greenrooms at my favorite Chicago rock-venues. I wouldn't be able to be surround myself by bands, music industry professionals, and rock shows that occur every night of the week in our lovely city. I threw myself into the music scene by boldly introducing myself to bands after their sets. Not to just tell them about how great they sounded, but that I'd love to work with them and help create a video with them next time they pass through town. I reached out to bands’ management and shot them emails to ask questions like, "Would your band like some new press photos when they swing through Chicago?" or let them know, "I have a studio that your band is welcome to come film and perform live in to make a music video." Even if they didn't have time to film a video or take some new photos, I'd ask if my band could open for theirs.
Alabama Shakes "Hold On" Official Music Video

The most inspiring thing about what I do has got to be the fact that anything I work on, is based around my first passion and love, music. If I'm using my camera to film or shoot stills, you can bet it’s mostly music related. Press shots, live shots, music videos or tour updates. At some point you realize what kind of work brings you the greatest joy, and you try to focus in that arena. Mine was music and I made the decision to not try and be the jack of all trades, but to pick one direction that I knew inspired me the most and to strive to be come an expert in that thing, which for me, became anything related to rock n' roll!

One of my favorite quotes, which originally came from a Nuclear physicist named Niels Bohr, brilliantly phrases his opinion on what its means to be an "Expert". It goes as such: "An expert is a man who has made all the mistakes which can be made in a narrow field." This rolls into my second point of what contributed to me getting from where I started to where I am now with my actual skill level. I didn't go to film school or take photography classes. I just picked it up and messed with every knob on the damn thing. Ten years later I still have not tried every available function on my camera or in my editing software. However I try on nearly every photo to take a different approach. I know that I have to push myself to learn the things I don't know, and for me I learn through personal discovery and attempting it on my own. I don't think I've nailed down my exact post process, however I try every which way to edit and to snap an image with a different approach. And yes, sometimes I make massive mistakes, but each time I screw something up, I learn what not to do next time around. And I'm not afraid to make "mistakes" by being bold with new approaches to finding angles or for coloring images, because through that process I've found all the different and small characters that are embedded in my films that make people enjoy what they see in my work.

Live Performance Music Videos
Small examples that led to me having my signature "Chris Hershman look and feel" were things like putting large DSLR cameras directly over top of the drummers drum kit in my live music video performances. As a musician I have a huge appreciation for musicianship and I don't like to "glam" up a live music video as much as I want to clearly show just how talented a band's performance can be, not just by showing cool rock moves from low positioned wide angles but showing close-ups of the musicians actually playing their instruments. Their performance is the important factor in live music videos. So by focusing on the actual musicianship of the band by choosing angles and positioning cameras in places that you can show a musician's precision and actual talent to play their instrument, I think you're putting more purpose, more heart into what you're filming. People need to be captivated and that doesn't have to be by flashy lights and awesome denim jackets, but by giving them the reason why they came to watch the live performance video, to see music performance with authenticity displayed in a way that respects the music and musician. Of course they need to look cool in the process, but if you stay true to capture the honest and real moments that happen in live music performances, you get to show the love that musicians have for music, and again, add purpose to your work.
Brian Blade and The Fellowship Band (Live) at Chicago Music Exchange

Find Your Fight
Are you happy with what you do? Are you madly in love with the work that you’re producing, and if not, why not?! It's just my opinion, but I firmly believe that photography and filmmaking is one of the most enjoyable jobs to ever have. But I've been in places where I was working with my camera and still wasn’t completely satisfied with what I was doing. A good example of how often I see this is when I asked one of the young photographers I mentor to tell me what she's hoping to accomplish in the next year of her life when it came to her work. She began with a dollar amount, then broke that dollar amount into how many gigs and of what sort that she'd need to do in order to hit that goal. I stopped her right there as she was sighing about how much time she spends on gigs that she has no aspiration or drive to do, just to make a dollar figure. I asked, "Why are you shooting things that you don't enjoy?" I explained that I think she could keep that kind of mental attitude toward photography for about a year before she would become too burned out on photography that she may never want to pick her camera up again. Don’t let photography always be the source of your income, but the source of your inspiration.

When you talk about what makes you happy, I think it’s important to ask yourself, what's going to continually make you happy and have longevity? To answer that I think you can just look at happiness when it comes to your work, however it's inspiration that continues to constantly drive ourselves to keep going, keep growing, to keep feeling like the work that we're doing matters most to us as artists.

I have to look at what I'm doing all the time to make sure the work I'm accepting is work that’s inspiring me, not dragging me down and wearing me out. That may mean less work at the beginning, but when you find what you're most passionate about, you quickly thrive in that area and can end up becoming an "expert" in that field. When you find your deepest aspirations in the work you choose, you find that it's somewhat that that can sustain you, fill you with propose and drive you further than you ever thought you could go before. So find your fight, find what makes you truly driven, and make sure that every time you pick up a camera, you realize that you have the best job in the entire world.

You can see more of Chris’s work at, and follow him on Instagram and Twitter,

8 Krazy Deals
Today is day 7 of our 8 Krazy Deals, and for today’s deal we’re offering a KelbyOne Annual Membership Plan with Bonus! In addition to your full year of all access to KelbyOne online training and all of the things that come with it, you’ll also get a free portfolio review from industry professionals! For more info, check it out right here.

Photographing Groups: Small to Large with Tony Corbell
Our newest class is by none other than Tony Corbell! Tony has photographed three U.S. presidents, 185 World Leaders, 65 Nigerian Heads of State, about 600 brides and grooms, a couple of NASA astronauts and lots of famous and not so famous faces.

Tony’s class is called Photographing Groups: Small to Large. If you’re a member you can watch this class tonight and if not a member, you can watch a preview and see if it’s a fit you want to add to your photography education.

New Addition to the Team
Julio Aguilar is our newest addition to the KelbyOne team. Julio will be managing our KelbyOne Blog and making sure we get you the latest and best info on Photography, Photoshop and Lightroom. Check out the blog and say hi to Julio at, and follow him on Twitter!

Scott Kelby’s Shoot Like A Pro Tour
We just announced the first three dates for Scott Kelby’s Shoot Like A Pro Tour for 2015! If you’re in one of these cities, come check it out:

Jan 26 – Columbus, OH
Jan 28 – Richmond, VA
Jan 30 – Raleigh, NC

Leave a comment for your chance to come to one of these events for free!

Last Week’s Winner
The Fuji X-System User’s Guide from Bill Fortney
- Neoh Soon Hueng

If that’s you, we’ll be in touch soon. Have a great Thursday!