Posts By Brad Moore

Painting Portraits in Corel Painter 2017 with Heather Chinn
Turn your photographs into beautiful paintings! Join Heather the Painter as she introduces you to Corel Painter 2017, and shares her tips and workflow to show you how to easily create custom paintings from your photos. Using a Wacom tablet for greater control and a natural brush stroke, Heather starts with an orientation to Painter, how to customize brushes, and how to configure your Wacom tablet for optimal settings. From there she expertly steps you through her workflow as she transforms a portrait photograph into a stunning painting. Whether you are painting for yourself or your clients, you’ll have a great foundation for getting the most out of Corel Painter.

In Case You Missed It
This class is all about photographing kids! Tamara Lackey covers the technical side of working with natural light, reflectors, and her go-to gear, as well as the critical people skills needed to recognize personality types, handle tantrums, and roll with the range of moods your subjects will exhibit. Check out Contemporary Children’s Portrait Photography on KelbyOne today!

I know this is a line that’s probably really expected from me, but I’m gonna say it anyway:

I am so EXCITED!!!

Why, you ask?! Because I just recently got back from spending an amazing week down in Tampa, Florida with the KelbyOne crew filming my new class, and somehow, by the power of the god of lightning and those little greek shoes with the wings on them that make things go really fast, the video has already been edited, made into magic and released!!!

We designed this new class around the one question that I get asked most often when people see my images:
“How are all the dogs you photograph so incredibly well-behaved?”

You want to know the big secret? They’re not. :)

We thought – what a brilliant idea it would be to take a look behind-the-scenes, to pull back the veil and show you what it’s truly like to photograph dogs in real world situations. (And not just any dogs – no, we’re talking extra challenging, extra wild, extra wacky dogs!) The class was an absolute blast to make and, harkening back to my earlier sentiment, I am SO excited to share it with you! Here’s a quick way to get there if you’re dying to see!

I thought – before I get into telling you about all the things I really want to tell you about today – it would be fun to share a few behind-the-scenes shots from the class filming. (forgive the quality of these photos, they’re just iPhone snaps. Because, you know, why would you use one of the 6 or 7 high end DSLRs that were just hanging around within a 10 foot radius of you when you could use a cell phone? HA!!) Oh, and you should be especially excited about that puppy. Because I am.


Now let me get in to what I’m here to talk to you about today:

The Immeasurable Importance of Personal Work

This is a really, really good time for me to be writing this blog post and I’ll tell you why.

In January, everything feels new. I get to start again, wipe away the slate and build everything even bigger and better than I ever have before (of course, I could do this at any time, during any month or any day of the year  – but like the rest of society, seeing January 1st pop up on my calendar usually kicks my butt into gear in a way that any other date on the calendar could only dream of). So all of this being said, in January, I tend to do a lot of dreaming. I do a lot of thinking up big ideas, of making tremendous plans and setting goals that are so high they scrape across the sky. I have all these wild schemes to travel here, to journey there, to chase the last bits of yellow light across faraway landscapes, to follow my heart to shelter dogs across the world. I want to share more stories and give a voice to countless more voiceless.

I guess what I’m trying to say is; I have a heck of a lot of things I want to do. :)

So what’s my point here? When I think about all of these big dreams and adventures, I realize that almost every single one of them wouldn’t fall under the category of ‘commercial’ or paid client work. I suppose that’s the thing about chasing down that flickering light that’s causing such a burning in your heart – its intentions come from a place unmotivated by money or material things.

So, I have this great big pie-in-the-sky dream for this year. And that is to do more personal work.
And when I say ‘personal work,’ I’m talking about the kind of work that sets my soul on fire. The kind that makes my heart beat just a little bit faster. The kind that fills my stomach with little yellow butterflies just thinking about it.

See, here’s the thing about commercial and private, commissioned work. That stuff is great. Brilliant, actually – and I’m endlessly grateful for it. It pays the bills, keeps me sheltered and warm during these miserable New England winters, and keeps my favorite little four-legged dude’s bowl full of food.

However, commercial work can be creatively limiting. Commercial work means having a client that you have to please and whose preferences and opinions must be considered. There are deadlines and invoices and approvals. And most times, this translates to creativity and vision being controlled and ultimately, compromised.

But personal work? You know what’s so impossibly beautiful about personal work? It’s all up to me. I can make magic as big and as colorful and as absolutely unapologetically ‘me’ as possible. It’s limitless.

I have had the lucky privilege of traveling quite a lot and working all over the world. Throughout my adventures, I’ve been blessed to have met a lot of talented photographers. But here’s one thing I’ve found quite commonly in a lot of the creatives that I meet: It strikes me to discover that a lot of photographers seem to forget the immeasurable, unmatched value of personal work – only shooting for their clients, but never for themselves.

So here’s my secret for you: You don’t have to be being paid to be shooting. Just go outside and shoot.
When I was sitting in my studio today, thinking about all of the things I wanted to say in this blog post – something really big hit me. But don’t worry, I’m okay. …

(That was a joke. How’d I do?)

I realized that I have built my entire career on a foundation of personal work. It is at the very core of how I got to where I am today.

Say Whaaat?!

It’s the truth. I got my start in photography by volunteering my time at my local animal shelter. There was no motivation for money. There was no end game or specific intention to do anything other than share the stories of the animals that I loved so much. I watched them as they patiently waited for their families to come find them and I was fueled by passion. I was fueled by the way I felt when I looked through the bars of those cages and saw the big, round eyes of the forgotten looking up at me. Nothing more, nothing less.

If you have enough passion for the thing you’re photographing – for the moments that you’re capturing –  being paid or not being paid to make those images is an irrelevant detail. Because you can’t fake passion. You can’t change it. You can’t control it. And that is what’s so brilliant about it. That kind of authenticity brings people from miles. When you’re shooting personal work – you’re shooting something you’re passionate about – no rules or restrictions or regulations. It’s the closest you’ll ever come to your one true voice as an artist. And thats why it’s just so damn important.

So you’re reading this and you’re probably saying — “well, this is all well and good Kaylee, but I’m a professional photographer, and I need money to live, I can’t just be shooting personal work all the time.”

You’re right.

But here’s the thing. Personal work pays off in a huge, huge way. It’s the magic in your body of work that moves the hearts and minds of clients.

It’s the icon – the face – that defines you and what you stand for. It’s the visual representation of exactly what it looks like on the inside of your heart, and it will very likely be the most moving reason that a client will dig into their wallets and hire you.

You know when you wake up in the middle of the night with an idea? And that idea is so big it fills your head and spills over the edges of the piece of paper you’re furiously scribbling on to document every last detail? And you think of it for days and days and it makes your heart beat faster and it makes your head buzz with the feeling of possibility? That’s where the magic is! Put your finger on it and hold it right there!!! That’s exactly the thing that you need to be shooting! Money or no money. You go, you chase that idea down and grab it by its tail and you create it. You breathe life into it. JUST SHOOT.

So, getting back to that whole ‘extreme value in personal work thing…’ I thought, sure, I could write this blog post and rattle off all my thoughts and feelings and leave you with a million pretty adjectives about why I think personal work is important, but maybe I should put my money where my mouth is and actually show you some real life examples of what personal work has done for me.


This sweet girl here is Abby. I met Abby last year when I was visiting a friend’s ranch property down in Southern California. We were there to relax. Hike. Have campfires. Walk under the stars. You know, just generally get away from the madness of business and emails and deadlines, etc. We were there to be simple. To ‘vacation’.

Here’s the thing though — a funny little thing I’ve found throughout the years —  you can’t take a vacation from passion.

I saw Abby happily chasing the rancher’s tractor as she was transporting bails of hay out of the barn. I looked up and saw that fairytale sky – those sweeping clouds, dancing through the deep blues of the late afternoon. The California sun was sparkling overhead, swirling through Abby’s fur and warming our skin. When I have moments like this — moments where inspiration strikes me like a dagger in the chest – they feel so familiar. My heart begins to slam against my rib cage in a syncopated rhythm – reminding me that moments like this don’t come twice. So I shoot. I just need to shoot. That’s passion. There’s no rhyme or reason or formula that can make any sense of it. No. It’s nonsense of the absolute best kind. It’s actual magic. So, I did what I needed to do and was suddenly on a mad chase back to my cabin as quickly as my feet would carry me to grab everything I needed to make Abby’s photo.

I spent about 20, maybe 30 minutes, photographing Abby that day. The resulting images brought me no money, no fame, no special awards or accolades — they just brought me joy in my heart. They simply brought me pride and satisfaction for bringing and idea to life and capturing that spirit of canine that I love so much. That’s all.

Well, fast forward a few months later – I got a call from the editor of one the biggest dog magazines in the industry. My heart skipped a beat when they told me they had seen Abby’s photo and wanted it on their cover. Not only did that opportunity bring me a paycheck – but it also brought me that unbelievable feeling of walking into a Barnes and Noble and seeing my work staring back at me from the shelf.


How about this next one? This is my own dog Joshua. That basically means that every photo I take of this magical little creature is really just personal work. It’s me wanting to document every moment of silliness and joy that he so selflessly brings me on a daily basis, just as one would want to document their wedding or vacation. No one is paying me to photograph my own dog. When I create his images, all I know for sure is that, while not getting paid in dollars, I’m getting paid in beautiful, tangible memories that I’ll be able to put in my pocket and hold close to my heart for the rest of my life. And that’s all I need for motivation.

Well, one hot Summer day, I took Joshua to his favorite lake for a swim. We got into the water and started splashing around, playing fetch and just being generally silly and carefree, as we like to do. But then, minutes in – I got that familiar feeling again — that pang in my heart and that pounding in my chest when I know I absolutely must capture a moment. So right then and there, I left Joshua with his Dad and I hopped in the car, wet bathing suit and all, and went flying back home to grab my gear just as quickly as I could so I could return and make this image.

Since then? Not only has this image brought me countless smiles on a personal level – but it’s also been featured in multiple commercial ad campaigns across the world – – bringing me a sum of well over 5 figures in licensing fees to date.


If you’re not convinced on personal work yet, hang tight, I have a few more for you…

Here’s Joshua again. It was another one of those times – the kind of vision that would wake me in the middle of the night. An idea that brewed in my head, taunting me in every quiet moment, until I took the time to give it life. I took Joshua to a local park, bought a comical amount of balloons from the local party store on the way, and with the help of one of my best friends  – made this image. (If you’re thinking ‘it cant be that simple’ – you’re right — don’t let me fool you –  this image was an absolute marathon of frustration and obstacles and audible cuss words to make. ha! But I suppose that’s another post for another day.)

Now, I have this photo of Joshua as a 40 x 40 piece of artwork hanging in my studio. I look at it everyday and his joy and spirit infiltrate and inspire me like absolutely nothing else does. But, what has this image done for me, professionally, you ask? Fair Question.

Last year, it was featured in an ad campaign by a large pet food company bringing me income and brand awareness. It was also the cover image on The Unexpected Pit Bull calendar — an organization whose work I care very deeply about.

It was an interior image in my 2016 calendar ‘Pawsitive Thinking’, it’s in circulation on the front of a Birthday greeting card, and it’s printed on the new Dog Breath Photography clothing line that was just released this past Fall. WHEW! (oh, and shameless clothing line plug: BOOM!)


Okay. As I said above – what’s all this personal work talk without real life examples, right? Right. So, I saved the best for last, because here’s my favorite one ever.

A little while back, I took a special trip down to a quiet little city in Florida called St. Augustine to visit my grandmother. When I was in town, I got in touch with an old friend of mine who I knew lived in the area and we made time to meet. This friend of mine has 4 beautiful dogs and we decided to take them on a walk. I casually brought my camera along, thinking I might be able to do a little practicing of photographing multiple dogs together while we were out there. I snapped this photo on the forest path just as we started walking in. I delighted in the image as I looked at the back of my camera, but then counted that moment as nothing more than a documentation of a special afternoon with a dear, old friend and 4 beautiful canine souls. And that was all I needed.

I never, in a million years, would have imagined that this image from our walk in the forest would soon be solely responsible for making one of my longest-standing, most surreal dreams come true. Earlier this year, I was contacted by National Geographic who had seen this image and wanted it as their cover photo for the premiere issue of their brand new magazine  – Nat Geo Wild. (hang on a second while I go sob joyfully and uncontrollably for like 30 or 40 minutes..…)


So, here’s the thing. Personal work MATTERS. It matters more than I can ever say. It creates untold opportunities. What is inside your heart is far more important than any client plan or commercial call sheet for any shoot that could ever happen. So, that’s why, this year, I plan to do a heck of a lot more of it.

If I could recommend one thing, it’s this: Don’t sit back and watch your email inbox, waiting for something big to happen to you. You go happen to IT. Go make yourself opportunities. Go find those dreams.

‘Cause heres the thing about dreams; they can be elusive, sneaky little devils — but take it from me, if you chase them down with every last breath in your chest – you can catch them,

…and they do come true.


Now that I’ve inundated you with some of my favorite images, I would LOVE to see some of the personal work that you’re most proud of. Post away in the comments and I’ll be keeping my eyes peeled for your work! I’m excited to see what you’re all up to!! :)

From the very bottom of my heart, thank you for reading this and for filling this world up with color and creativity. Grateful to be living, breathing and creating alongside all of you!

-Kaylee

You can see more of Kaylee’s work at DogBreathPhoto.com, and follow her on Facebook, Instagram, 500px, and Twitter.

Dog Photography: Overcoming Challenging Situations with Kaylee Greer
Learn how to overcome challenging situations in dog photography! Join Kaylee Greer as she shares her tips and techniques for dealing with a variety of canine personality types. From wild untamed puppies to shy rescues, you’ll see how Kaylee sets up the situation, how she interacts with the subjects (and their human companions) to get those impactful pet portraits that clients love. Kaylee also demonstrates how to deal with doggie group photos and the exposure challenges that can come with combinations of light and dark colored dogs. Each lesson is a real world scenario on location, and Kaylee talks through the approach she takes every step of the way.

In Case You Missed It
Time to let the dogs out! Join the fabulous Kaylee Greer, a private and commercial pet photographer based in Boston, as she shows you how to capture the best dog photographs you’ve ever taken. In this class Kaylee works with four different dogs in different locations, ranging from the local park to the local animal shelter, and shows you her tips and tricks for engaging with her subjects to bring out their unique personalities and create portraits their owners will love, or that can help a shelter dog find a forever home. The locations and lighting are not always ideal, so Kaylee teaches you how she works with whatever situation she finds herself in to locate those hidden gem spots that provide the perfect backdrop for your dog. You’ll need to be prepared to get down on the ground and make silly noises, but the effort will show in the fantastic photos you can create.

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Commercial photographers are tasked with producing salable imagery in a client-driven environment; we’re hired to help create an image that itself is a product, and that often means that we’re working to a client’s specifications. In a busy year that could mean you’re constantly reacting and trouble-shooting ideas and concepts without a break to recharge your own creative battery. Many photographers take the time to fit in their own creative projects to do this. These personal projects can also lead to more work.

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Shot to spec | Client: BrazeauSeller Law, Agency: McMillan
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Client/Photographer collaborative | Client: Kettleman’s Bagel Co.

I love what I do and so I typically only take breaks when they’re presented to me, like a slow period when I’m not booked for any shoots and have few deadlines. I typically take this time to watch movies, read, and play video games which all can act as alternate sources of visual inspiration outside of photography. Of course, unplanned breaks can also have unplanned interruptions.

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Environmental Portrait | Client: Career Cruising

My last shoot of 2016 was local artist working out of his home-studio. We had a fun session and I came away with some environmental portraits that I was happy with. I tweeted my thanks for everyone’s support over my fifth, and best, year in business. I unpacked my bags at home, uploaded my photos started some edits, welcomed my kids home from school and heard the scream and cries as one of them broke his left femur.

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Waiting in Emergency

I wouldn’t consider myself a documentary photographer or photojournalist, but I instinctively grabbed my Fuji x100t – I bought this little camera after I found myself taking fewer photos of my children – and away we went to our local children’s hospital, CHEO.

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Pre-Surgery

From Emergency, we went to traction. From traction, we went to Surgery, and from surgery we stayed, filling the hours with Lego and Advil.

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Days before Christmas, Santa even came to visit the children, some of whom wouldn’t be home for the holiday.

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All the while I was taking photos. Not something client-driven. Not a personal project. Just documenting a part of my son’s life because. “Because?” Because it’s what we do. Downloaded and edited on my iPhone. I updated his journey with friends and family. Letting them know he was well and, eventually, home.

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Home for Christmas

When I was asked to do a guest-blog post I thought maybe I’d write about the process of managing a commercial photoshoot, or a click-bait list of useful gadgets I use. I had a whole week on break to come up with it, but a different kind of break changed everything. A sort of personal project in a style that I rarely ever do. Something not technically motivated, but personally. Something that is likely to outlast anything I create for a commercial client. Something just for me and my son.

You can see more of Justin’s work at JVLPhoto.com, and follow him on Instagram, Facebook, and Twitter.

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Travel Photography: A Photographers Guide to London with Scott Kelby and Larry Becker
Consider this your very own photographer-friendly guide on where to go for the best photographs of London, England. Join Scott Kelby and Larry Becker as Scott shares his favorite locations to shoot, along with the kind of veteran traveler tips that will help you capture images that you’ll be delighted to bring back home. Timing is everything, so you’ll not only learn where to go, but what times will yield the best chances for great photographs. This is strictly a travel guide for photographers (including a downloadable PDF), so there’s no Photoshop or Lightroom involved, just the kind of information that will aid you on your photographic journey and inspire you to get out there and shoot.

In Case You Missed It
Join Jay Maisel and Scott Kelby for a week in Paris! As they stroll the streets, cathedrals, and cafes, with cameras always at the ready, Jay shares his thoughts on everything from why you shouldn’t have a plan to what gesture means to him, and all the while Scott asks the questions that keeps Jay delving deeper into each topic. This class will challenge the way you think about your photography and leave you itching to head out into the street.

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Drones! Why Aren’t You Flying One Yet?

Thank you so much to Scott and Brad for having me write the guest blog this week! I feel that I should begin by being upfront with all of you and saying that, although I know that this is a photo-centric blog, and I take thousands of photographs per year, I wouldn’t consider myself a traditional photographer. All those photos that I take are turned into timelapses which end up the films that I create. Yes, I am (gasp) a filmmaker, not a photographer.

But that said, I do believe that I have something of relevance to talk about today that bridges the world of photo and video. A new tool that is capable of being used for both. I’m speaking of course, about drones: the flying cameras that will become sentient in 2030, form Skynet, and take over the world.

During the Holiday season of 2015 an estimated million drones were sold in the U.S., and this year I would expect many more to find their way under trees across the country. Some of you may already own one or be planning to purchase one soon, and I am betting that once you see how fun flying a drone can be, you’ll consider using it for aerial photography. Photographers (and filmmakers) are always looking for new angles, new lenses, new ways of seeing the world. Aerial drones offer the ability for us to see and capture moments in ways we never would have dreamt of 10 years ago.

Think of the possibilities! Landscape photography of mountains, but from 300 feet up. A newly married couple kissing in a field, as a bird overhead would see them. Panorama photos of a city, from skyscraper height. Most drones support 4K video, as well as raw photos, meaning you can now capture any moment from any elevation.

In the Summer of 2015, I had the opportunity to travel to the Pacific Northwest and film the mountains, beaches, and forests of the beautiful country there. My film “Pacific” was the result. These landscape views wouldn’t be possible in any other way.

Who Needs A Drone?

About 9 years ago, before I was even considering pursuing a career in making videos, I entered a video contest put on by Texas A&M University called “Why I’m an Aggie.” My entry featured fellow students speaking about why they chose Texas A&M and what they enjoyed about the university. Throughout the video, I featured pretty shots of campus that I shot with my trusty Sony HDR-UX1 – recording to mini-DVDs mind you, SD cards weren’t fast or large enough yet.

The shot that set my contest entry apart from the others though, was an aerial video of campus that I filmed from a plane. Yes, I actually rode in a plane over campus to get a shot for my video! This blew away the judges considering that aerial video was still relatively rare (unless you happened to have a pilot father – thanks dad).

An Aerial Video Revolution

Nearly a decade later, aerial video is now mainstream. People are buying Millennium Falcon camera drones, stuffing their dead cats and turning them into quadcopters, and anyone with a cell phone can purchase a flying camera for as little as $22 on Amazon. My aerial video in 2008 that took so much effort and timing, could now be accomplished by any kid with a drone Christmas present. Go to YouTube and search for any landmark in the world, and there is most likely an aerial video filmed of it with a drone. Do the same thing with Flickr and you’ll find nearly as many aerial photos of the same landmarks.

Due to the slow speed of government, there were several years where drones were allowed to be flown nearly anywhere. Half Dome in Yosemite, the Eiffel Tower in Paris, the Taj Mahal in India, and many more places around the world required no permission, red-tape, or license to fly. People were starting to see things from an entirely different perspective, and getting a bird’s eye view was becoming downright cheap. In addition, there were no requirements for commercial use; meaning anyone could fly a drone and be paid for it.

Playing catch-up in 2012, the Federal Aviation Administration (FAA) passed the FAA Modernization and Reform Act. Under section 333 of this act, the FAA was now in charge of regulating commercial drone usage in the United States. With no way for drone pilots to fly their drones legally for commercial usage, many of them chose to ignore this rule and continue to make money.

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Time For Safety And Order

This “wild west” of drone flying continued until May 2014, when the FAA began accepting petitions of exemption for Section 333. Any pilot could fill out some paperwork stating their business, why they wanted to fly a drone, and how they would be safe while doing it. Within 120-ish days, the FAA would reply with (hopefully) a grant of exemption allowing these pilots to fly a drone legally for commercial use. This exemption came with one HUGE caveat though, the person operating the drone must possess, at minimum, a private pilot’s license.

Yes, if you wanted to fly a small plastic drone the size of a shoebox commercially, the FAA expected you to know how to fly a full sized plane. This requirement led to greater attendance at many flight schools across the country, and also resulted in people exploiting loopholes such as getting their hot air balloon license. If you thought knowing how to fly a full sized plane didn’t apply much to knowing how to fly a tiny drone, try dangling from a basket suspended under two tons of canvas, air, and fire. Speak to many drone pilots from the “section 333” years though, and most of them ignored the rules and flew without a waiver.

Thankfully, the Section 333 exemption process was merely a band-aid while the FAA finalized their official rules for commercial drone usage. Finally, two years later in August of 2016, the FAA passed Part 107 of the Federal Aviation Regulations – rules that govern the usage of small unmanned aircraft (aka drones). These rules were far more comprehensive than Section 333, did not require a petition letter, and most importantly, did not require an actual pilot’s license to fly a drone commercially.

Tests? I Hate Tests…

This massive drop in requirements from Section 333 to Part 107 made a lot of sense. Someone at the FAA realized that drones were not planes, and they shouldn’t require the exact same certification of their pilots. Drones are smaller, slower, and significantly easier to fly than a full sized plane, but below the surface, there are still many similarities between the two.

Both planes and drones are at the mercy of the weather, and no pilot of plane or drone should fly through a thunderstorm. Concepts such as center of gravity and g-forces apply to an aircraft no matter the size. Different classes of airspaces around airports exist to keep tabs on all aircraft in their vicinity, and keep pilots safe. These similarities, as well as many more, are why the FAA requires drone pilots under Part 107 to pass a knowledge test to become certified commercial pilots.

As someone that finished college five years ago, and has subsequently structured their life so they don’t have to take any more tests (or wear a tie for that matter), I was not excited about the prospect of taking a test. But, faced with the alternative of hanging up my drone for anything except fun unpaid videos in my backyard, I knew I would need to take it and pass.

How To Study For The Test…

We’ve now arrived at the main point of this blog post: a video I created which is all about why you should take the knowledge test, and how to study for and pass it. In the video, I detail the exact (free!) resources that I used to pass the Part 107 knowledge test.

If you find that self studying isn’t for you and a classroom setting works better, I would recommend checking out Remote Pilot 101 and Drone Pilot Ground School. Both offer classes with videos, articles, and teachers that are willing to answer any questions you have.

But if you’re like me and you have a month or two to study in your spare time, I would recommend the following resources. You can read them below in the order I spoke about them in the video:

BASIC DRONE KNOWLEDGE

PART 107 TEST COURSES & CLASSES

AMERICAN FLYER’S TESTING CENTERS

FAA OFFICIAL STUDY GUIDE

FAA Advisory Circular

SECTIONAL CHARTS VIDEOS

FAA TEST SUPPLEMENT BOOKLET

COMMERCIAL DRONES FM PODCAST EPISODE 6

FAA PART 107 PRACTICE TEST

JONATHAN RUPPRECHT FAA PART 107 PRACTICE TEST ANSWERS & STUDY GUIDE

3D ROBOTICS PART 107 PRACTICE TEST

OTHER RESOURCES NOT MENTIONED IN THE VIDEO

That’s it! Read and study these articles, listen to the podcast, take the practice test, and when you’re ready, go and take the real thing. If you take your time and prepare, you’ll pass like I did.

Is It All Worth It?

After having spent a month and a half studying, reading pages of material, and fully immersing myself in sectional charts, weather reports, and drone knowledge, I would say that it is completely worth it. There wasn’t a single bit of knowledge that I studied for this test that I didn’t find useful in some way. I know now that I am a more well prepared pilot, and that I will handle my drone safer than I would have before. I hope this study guide is helpful to you and has opened your eyes to the world of drone filmmaking and photography.

If you have any questions about drones, timelapses, or any other aspects of filmmaking, feel free to get in touch!

You can see more of Matt’s work at WhoIsMatt.com, and follow him on Instagram, Facebook, Twitter, Vimeo, and YouTube.

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