Posts By Brad Moore

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Speed of Light: Motorcycle Photography with Tim Wallace
Tim Wallace is a commercial photographer known for his stunning automotive photography, but he is no stranger to all modes of transport. From super yachts to trucks and motorbikes Tim has worked with them in all corners of the world. In Speed of Light: Motorcycle Photography, Tim walks us through a studio shoot with a 100% custom Harley-Davidson V-Rod. From building the set to placing the lights, and from making his selects to putting together the final composite, Tim shares tips and insights into the way he works at each step of the process.

Leave a comment for your chance to win a free rental of this class!

The Business Side of Dave Black: Get Paid Shooting What You Love
Join KelbyTraining.com's own Larry Becker and world renowned sports photographer Dave Black as they sit down to discuss what it takes to succeed as a sports photographer in Dave’s latest class, Get Paid Shooting What You Love. Dave's love of sports combined with his love of photography and his ability to continually improve his game has fueled a career that spans three decades and sports coverage all around the world. Over the course of an hour Dave shares stories, advice, and practical tips on topics that range from how to embrace the transitions that will happen in your career to how to keep raising the bar on yourself to remain competitive, and from choosing your gear to challenging yourself to find ways to produce a different kind of picture.

Leave a comment for your chance to win a free rental of this class!

http://youtu.be/MCBEsCPuIsw

Photoshop World
Ever wonder what Photoshop World is like? Watch the video above to see what people have to say about the conference! And if you need to convince your boss (whether at work or at home) to let you go, we’ve put together something to help you out! And don’t forget, if you register before August 2, you save $100!

Leave a comment for your chance to win a full-conference pass!

Kelby Training Live
Want to spend a day with Scott Kelby, Joe McNally, Ben Willmore, or Matt Kloskowski? Check out these seminar tours!

Shoot Like A Pro with Scott Kelby
July 29 - Colorado Springs, CO
Aug 16 - San Antonio, TX
Aug 21 - Indianapolis, IN
Aug 27 - San Jose, CA

Photographic Artistry with Ben Willmore
July 22 - Cleveland, OH

One Light, Two Light with Joe McNally
July 31 - Virginia Beach, VA
Aug 7 - Charlotte, NC
Aug 9 - Pittsburgh, PA

Lightroom 5 with Matt Kloskowski
Aug 2 - Hartford, CT

Leave a comment for your chance to win a ticket to one of these events!

Adobe Photoshop CC: Classroom In A Book
From the Adobe Creative Team comes Adobe Photoshop CC: Classroom In A Book, the book that takes you into the latest version of Photoshop and covers all the basics, along with extra tips and techniques to help you become more productive with the program!

Leave a comment to win a free copy of this book, or head over to Peachpit.com/kelbytv to get 40% off until July 15!

Budapest Master Class Workshop with David Ziser
Join legendary photographers David Ziser and Clay Blackmore for a week in Budapest, September 9-16, for their Master Class Workshop! They’ll be showing you everything from composition and lighting techniques to camera gear and posing, all in exotic locations. You can find out more over at David’s blog, and sign up right here.

There are only three spots left for this workshop, so sign up sooner than later so you don’t miss out! And leave a comment for your chance to win a free rental of one of David Ziser’s classes on KelbyTraining.com.

Winners
Photoshop World Pass
-Marty Fox

Copyright Essentials Rental
-Pedro Oliveira

Kelby Training Live Ticket
-Gregg Lowrimore

If you’re one of the lucky winners, we’ll be in touch soon! Have a great Thursday!

ART, For the Sake of Passion

My story of passion would not be complete unless I took you back 10 years ago when I met my husband. I was 16 years old. We decided suddenly, instantly, and permanently that we could not live full lives without one another. It was at 16 years old that I threw myself into a love and passion and life that would keep me sustained for all my years to come.

Why is this important, and how does it relate to photography? Everything that I knew stemmed from that electric moment that I connected with my husband. In ways that he may never understand, he introduced me to the art that I love, the way I like to create, and the courage to believe in those things wholeheartedly. The story of meeting my husband is important because it was the first time that I had believed in something so much that I never doubted it for a moment. I learned to believe in my photography because of the confidence I gained from believing in love.

Photography, art, and creating in general are no different from making that type of commitment. So often people say to me, "It is almost like you aren't a photographer, but instead an artist." I believe that all photographers have the potential to be artists, and there is only a fine line between photographer and artist when there is a gap. What is it that puts that fine line into play? Passion.

You may think I am some crazy, new-age hippie. Admittedly I can be, and my headbands and oversized clothes add fuel to the fire, but what I preach is what I believe: Passion is the life-blood that runs through any artist, and every photographer has the capacity to capture it.

When I began photography I did not understand the world of art. I did not understand the world of photography any better. The only thing that I knew was what I liked and what I didn't like. I knew what made my heart skip a beat and what I cared not to think about. I knew up from down within my little bubble of creating, but nothing outside of that. Knowing nothing turned out to be my greatest asset in my journey as a photographer. Because I didn't understand how the business of photography worked, I had no constraints to work within. I began photography out of passion for telling stories, and so I started out doing just that: creating the stories I wanted to tell.

I had no preconceived notions of how much money I should be making, how I should be making my money, or how to run my business. When I started realizing that money would be a good thing to have if I wanted to continue to grow in my craft, I began thinking in terms of business; yet it wasn't business as usual. I was working a full-time job. I had entered the "real world" of "grown-up work," as I began photography just after I graduated from college. I was working as a receptionist, and then as a legal assistant. I understood one fundamental thing about the jobs I held: I didn't want to do them. When I started looking at photography in a way that could lend itself to a sustainable business, I asked myself one very important question that has continued to define how I run my business: What do I want to spend my time doing?

I set very simple and very straightforward goals for myself. I wanted to show in galleries. I wanted to teach workshops. I wanted to write a book. No task seemed too big or too small. It was simply what I wanted to do with my time, and with no idea of how to achieve these goals, the weight of living up to someone else's standard was taken away. I did things my way, for better or worse.

I have always viewed creating images in the same way. I knew nothing about photography when I started except that other people had stood where I was and had succeeded. I knew that someone had mastered Photoshop, and that others knew their cameras inside and out. I wasn't interested in their methods, but simply in the inspiration that it could be done. I began creating self-portraits to practice photography and get the ideas in my mind out into the world.

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When I began photography, it was in an effort to tell stories that I loved thinking about. I have always had stories in my mind, and still feel as though, even if I turned out images like a machine, I could never tell the amount of stories I have floating in my mind. Photography allowed me an outlet to make my imagination a reality. I approach photography the same as business. I do not have to live up to anyone else's standards but instead set my own standards that I can judge myself against. Instead of looking to others for inspiration, I look inward and figure out why I love telling stories and how I can do so effectively.

From my first image that I captured in December 2008 to now, not much of my process has changed. I still create self-portraits. I still shoot with almost no budget. I am still inspired by the same props, wardrobe, and themes that ignited the spark of passion then. My creation process is quite simple, but what I love about creating is that it can be different for everyone. There is no right or wrong way to create. There is no industry standard, and if someone says there is, I can only believe it is a myth. There are endless paths leading to the same end goal. My end goal is to create an image that I am passionate about, and while my methods may be unconventional, I still get from point A to point B.

So often I walk out of my door with my equipment on my back, carrying props in my arms while wearing a fluffy dress, ready to create an image. My neighbors watch skeptically as I walk down the street and into the forest, to be alone in nature and to create something that inspires me. So often people walk past, watching, and ask questions, like if I know how silly I look, or sometimes offer to help. There is something so special to me about knowing that I am creating in a way that is personally fulfilling. Even if nothing comes of the photo shoot I just did, the experience made it worthwhile.

A large part of my process is editing, and I consider Photoshop just as much of a journey. Indeed, I am not going on a trip to the forest and jumping about as I take pictures, but I am re-visiting that feeling. I get to be back in the forest with my character. I get to immerse myself in the process that turns a picture into a whole new world. I think of everything that I do as a journey; business, shooting, editing, and even networking. They are all a way of creating a meaningful experience so that I, and hopefully others, can live a more passionate life.

I believe that finding passion is not as difficult as keeping it. Finding passion can be as simple as being honest with yourself about what you love and why you love it. Once you know that, the hard part is keeping that passion alive. Life gets in the way. Money gets in the way. Self-doubt and self-worth play into the equation of keeping passion running strong.

One of the most motivating thoughts that I have is remember how important my own happiness is. I believe that if I am pursuing my dreams, others will be encouraged to pursue theirs. I want nothing more than for everyone to be able to live their dream, and I would be a hypocrite if I weren't trying to do the same. I am motivated to be happy because everyone around me will be happier for it.

If you are reading this, I can only hope that photography, or something else that is wonderfully meaningful, has come into your life to give you happiness. It is important to remember that your passion is worth pursuing. You never know how many other people will be touched by your dedication.

You can see more of Brooke’s work at BrookeShaden.com, and follow her on Twitter, Facebook, and Flickr.

First I want to thank Scott and Brad for allowing me to be a guest on his blog.

I became aware of Scott some 20 months ago after too many soccer/running injuries. I had ankle surgery that kept me out of work for 6 months, so I signed up for Kelby Training to really learn about Photoshop, and this is the best thing I have ever done.

I am the Chief Sports photographer of The Sun Newspaper in London, England. The Sun has the ninth-largest circulation of any newspaper in the world and the largest circulation of any daily newspaper in the United Kingdom. It has an average daily circulation of 2,409,811 copies in January 2013, and it is my job to fill the pages seven days a week with the best sports pictures. I have covered six Olympic Games, five World Cup football finals, and more World Title boxing fights than I care to remember.

It all didn't start at The Sun. I finished my final year at school at the age of 16 years in 1980. I am now 49. I went to work on the Monday morning after finishing school on the Friday before, starting at the very bottom of the tree. I was cleaning and scrubbing out developing and fixer tanks, and everyday, between making the morning tea and coffee for the boss and delivering the day's pictures to the national newspapers that was located in Fleet Street very close to the office, three years later I started covering soccer with that agency with my first Nikon that I saved up for.

Then the big break⦠I was called up to the big office on the 4th floor and told, "There is your new kit. You are going into the big wide world of show business news and sports photography." I continued to do this for 3 to 4 years and then moved on to an agency called Alpha which specialized in photographing the Royal family. You may say that is a big difference, but really it's like sports photography, waiting around for that one moment and using very long lenses, but this helped me for what now has become my profession.

This month is a milestone for me. I have just clocked my 24th season in sports photography at The Sun. As I write this blog in my hotel room in sunny Israel, after being away covering England’s end of season tour to Rio de Janeiro, Brazil for 7 days and on to Tel Aviv for another 7 day, knock-out tournament with England’s under-21 soccer team, I write this blog in my hotel room after 16 days on the road.

I am going to share one great moment with you, and it involves somebody you may have heard of: David Beckham once of Manchester United, Real Madrid, and LA Galaxy. Here is the story⦠A classic moment when England captain David Beckham scores with a sensational 30-yard free kick, three minutes into injury-time.

http://www.youtube.com/watch?v=t0GESlaVNdE

Because Germany only drew with Finland, the goal means England automatically qualified for the 2002 World Cup finals. Later that year I won sports photographer of the year with the picture from that game. Beckham was training with England and I had a copy of the picture and presented it to Beckham, and of course he signed one for me. He joked with me that is was a great picture, but I joked with him that he did all the work. A month ago Beckham announced his retirement, and I felt I wanted to pay tribute to a great ambassador to the game, so I posted this tribute of my own. Later that night my inbox had a message via David's agent thanking me for the tribute.

Last thing I want to say in this blog is my other love is boxing. I get to spend many hours covering boxers training, starving themselves to make weight for their bouts, putting their minds and body through so much pain. I was once allowed into a gym to cover a training session with a boxer who I will not name, but he was fighting for a world title. It was a routine training and sparring when suddenly he was hit by a freak right hook and knocked to the ground. Now, you may think what a picture weeks before a fight, but being very good friends with that boxer, I never mentioned a word or printed the picture that could have ruined him and ruined his chance of winning the title. He went on to win his dream fight and the title. After the judges declared him the winner he came over to me and thanked me for not mentioning what had happened. All the other journalists and photographers asked what was going on, but I kept our secret safe.

To see more of Dickie’s work, visit DickiePelham.com.

http://youtu.be/WnRzAJhGs8A

Lightroom Conference at Photoshop World
If you’re a photographer, chances are you’re using Lightroom in your workflow (and if you’re not, find out why you should be right here). Did you know that there’s a whole Lightroom Conference that takes place at Photoshop World? It includes three days of classes taught by the top Lightroom instructors in the world including those from Kelby Training (Scott Kelby, Matt Kloskowski, RC Concepcion, and Pete Collins), Adobe (Tom Hogarty, Bryan Hughes, Julieanne Kost, and Terry White), and more! It’s all taking place in Las Vegas from September 4-6 (or come a day early and sign up for the Lightroom 5 Crash Course workshop with Matt Kloskowski).

Find out more over at PhotoshopWorld.com, and leave a comment for your chance to win a full-conference pass!

http://youtu.be/kSxfDAh-KRA

Copyright Essentials for Today’s Photographers
In the latest addition to the KelbyTraining.com course library, Copyright Essentials for Today’s PhotographersMia McCormick is joined by special guests Jack Reznicki, a commercial photographer, and Ed Greenberg, an intellectual property attorney, to discuss the most pressing, need-to-know copyright information for photographers in front of a live studio audience. Over the course of 2 hours, Ed and Jack answer questions from the audience, do a live walk through of how to register your copyright online, and share a wealth of wisdom, tips, and stories that will inspire you to take the necessary steps to protect your work.

Leave a comment for your chance to win a free rental of this class!

Kelby Training Live
Want to spend a day with Scott Kelby, Joe McNally, Ben Willmore, or Matt Kloskowski? Check out these seminar tours!

Shoot Like A Pro with Scott Kelby
July 29 - Colorado Springs, CO
Aug 16 - San Antonio, TX
Aug 21 - Indianapolis, IN
Aug 27 - San Jose, CA

Photographic Artistry with Ben Willmore
July 22 - Cleveland, OH

One Light, Two Light with Joe McNally
July 31 - Virginia Beach, VA
Aug 7 - Charlotte, NC
Aug 9 - Pittsburgh, PA

Lightroom 5 with Matt Kloskowski
Aug 2 - Hartford, CT

Leave a comment for your chance to win a ticket to one of these events!

Winners
Beginner Sports Photography Rental
– Meg B.

Kelby Training Live Ticket
– Scott Weintraub

Digital Photography Book Vol. 1, Second Edition
- crisdarocha

If you’re one of the lucky winners, we’ll be in contact soon! I’m off to Tennessee tomorrow to visit family for a week and enjoy the musical stylings of Milk Carton Kids and Josh Ritter tomorrow night with my brother, so we’ll be skipping Free Stuff Thursday next week (plus it’s Independence Day, so we’re closed anyway). See you right back here in a couple of weeks!

-Brad

Thank you, Scott and Brad for providing this opportunity to share my work and some thoughts. It’s amazing to have a chance to share with this audience. I hope my words are strong, for I chose a camera, not a typewriter as my medium of communication. So please bare with me, poor grammar and all.

Words have never been my friend, they tire me with the duration it takes to visualize a story. Think about how long a writer must spend describing the visual for his audience. There is a reason people read to fall asleep. Images on the other hand are immediate. They can take your breath away in an instant and shatter stereotypes in a heartbeat.

As I sit here staring at a blank white screen hoping something inspiring dribbles out, I am wishing I could just show you my images and they would tell my story. I enjoy the guest blogs where photographers share insight or philosophy into the craft. So, I really would like to share a few things that I hold onto at the core of my process.

The concept that my images are my voice guides me.  Images are the way people know me, therefore they must speak about what I love, how I am, see, and feel. Just as the audible words flow from ones mouth and give insight into the person behind them, so too should my images. Create images that are true to your own voice, who you are, what you stand for and what you love.

I love sports, I am intense, focused, driven, saturated with passion, outspoken and not afraid to share my opinions. If you look at my portfolio, I think you’ll see exactly that. If your images align with your voice, they will be full of soul and very powerful to an audience.

With that said, one of my favorite sayings is, “If my images are my voice, then I never want to be an echo.” I owe most of that to my Father, who always pushed me to be different, think differently and most importantly see uniquely. Today, our industry is overloaded with excellent, technically perfect image makers. One can learn how to do anything photographically online from numerous venues. The competition for work is fierce, so the easiest way to stand out is to do something so different that it demands attention.

Spend time thinking about ways to create images no ones ever seen before. These images stand out, everything else is just an echo.  Echoes are always a more hollow empty sounding version of the original voice. What I see most in image making these days are echoes, sad but true. When I do see someone’s work that is unique, I get so stoked. It’s those people that have careers heading in the right direction.

If your images are unique and true to your voice, then you must truly value them. One of the most frustrating experiences for every photographer is when a client wants to trade images for photo credit. My bills have never been paid with photo credits. Your unique vision has value, otherwise people would not want to pay money for ink and paper to print them. Doing assignments for less than market value creates great industry erosion. If we love what we do, we must protect the industry and each do our part to keep value in our product. Otherwise we will all suffer.

I live in southern California, and some of the best photographers in the world are surf photographers. Unfortunately the surf industry which is built mainly on “image” pays incredibly small amounts for incredible photography. Photographers themselves are to blame for year in and year out, new photographers are willing to trade their images for credit. Once the value is gone it never comes back.

Always make better images. It is impossible to be perfect, and I often call our craft the “illusive search for perfection.” So with each and every assignment, I approach it as a chance to snatch perfection. I never catch it, but I always believe that I will. This keeps me learning, searching, pushing and innovating. When I settle for good enough, it’s time to hang it up.

A fellow photographer once said that his clients did not know the difference between good enough and perfect. I never worry about whether the client knows the difference. I do, and that’s all that matters.You are only as good as your last shoot, and make every assignment an opportunity to make a portfolio piece.

Finally, the only thing about this industry you control is your images. If you spend your time making incredible images, you won’t have to spend very much time doing all the things we hate doing like marketing. Strong images speak for themselves and the internet tends to find them and spread them around to all the right people. You can craft the most killer promo piece in the world and send out a million, but if your images are not unique, strong and filled with your soul, it’s going right in the trash.

To learn more about me please take some time looking at my work. Like Richard Avedon once said  “My portraits are more about me than my subjects”, hopefully you’ll come away knowing me.

To see more of Tim’s work, visit TimTadder.com, and follow him on Facebook, Twitter, and Google+.

Beginner Sports Photography with Scott Kelby
If you're interested in learning how to shoot sports like a pro then Beginner Sports Photography with Scott Kelby is the class for you! Join Scott as he teaches you everything you need to know to take your sports photography to the next level. The same basic principles apply whether you are shooting your kids on the weekends or covering a professional sporting event. You'll learn about the gear you need to bring the viewer into the heart of the action, the camera settings that allow you to stop motion and achieve tack sharp focus, compositional techniques you can use to tell the story of what is happening in the game, how to get started on the road to gaining greater access to shooting professional level events, and so much more!

Leave a comment for your chance to win a free rental of this class!

Kelby Training Live
Want to spend a day with Scott Kelby, Joe McNallyRC Concepcion, Ben Willmore, or Matt Kloskowski? Check out these seminar tours!

Shoot Like A Pro with Scott Kelby
July 29 - Colorado Springs, CO
Aug 16 - San Antonio, TX
Aug 21 - Indianapolis, IN
Aug 27 - San Jose, CA

Photoshop CS6 for Photographers with RC Concepcion
June 21 - Calgary, AB
June 26 - New Orleans, LA

Photographic Artistry with Ben Willmore
July 22 - Cleveland, OH

One Light, Two Light with Joe McNally
July 31 - Virginia Beach, VA
Aug 7 - Charlotte, NC
Aug 9 - Pittsburgh, PA

Lightroom 5 with Matt Kloskowski
Aug 2 - Hartford, CT

Leave a comment for your chance to win a ticket to one of these events!

Ron Martinsen’s Review of The Digital Photography Book Part 1, Second Edition
Photo blogger Ron Martinsen recently wrote a review of Scott’s update of his best-selling The Digital Photography Book, Part 1. You may remember Ron from last week’s 100th episode of The Grid, where he joined Scott and myself (Brad) to tackle viewer requested topics like Lightroom 5, copyright law, photography role-models and more. In the review, he talks about Scott’s approach to sharing photography tips, shares what’s new in the book, and gives a chapter-by-chapter synopsis, along with his thoughts on the book.

Head on over to RonMartBlog.com to see the review and even get some great discounts on stuff like Kelby Training, NAPP, and Photoshop plug-ins! And leave a comment for your chance to win a free copy of The Digital Photography Book, Part 1, Second Edition!

Photography & Photoshop Training from Serge Ramelli
Our good friend and Paris-based photographer Serge Ramelli has just released a new class that covers his entire workflow from shooting to post processing. Join him as he goes on location in Paris and Israel to capture beautiful images, then takes them into Lightroom and Photoshop to finish them. He even gives you the RAW files so you can follow along as you’re watching the 3+ hours of training!

You can check it out right here, and use the discount code kelbyblog to get an extra 15% off this and any of his other classes!

Winners
Dave Black Class Rental
– Ray Fitzgerald

Kelby Training Live Ticket
– Phil Berg

Signed Photography Q&A Book from Zack Arias
– Gerg1967

If you’re one of the lucky winners, we’ll be in touch soon. Have a great Thursday!

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