Posts By Brad Moore

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Master FX: Real Movie Poster Effects with Corey Barker
In this course Corey Barker will take you through building a Hollywood movie poster effect starting with a simple studio shot. Ready to learn the techniques used to build a typical Hollywood movie poster? Join Corey as he leads you step-by-step starting with a simple studio shot and building it into a full design. Check it out today at KelbyOne.com!

Leave a comment for your chance to win a free 1-month KelbyOne membership!

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What Makes Twilight So Vital to Great Architectural Photography
As photographers, we have a special relationship with the sun. Its availability and character defines our schedules, our styles, even our equipment. If you think about it, our relationship with the sun is almost poetic. We’re driven by its rise and fall, celebrating these golden hours with the applause of the shutter.

The golden hour and twilight are important to most of us, but they’re absolutely vital for architectural photographers. Beyond the dramatic skies and soft, directional light, there’s one important factor that is almost exclusively important to architecture:

At dawn and dusk, the interior light of a building is as bright as the ambient light of the sky.

It sounds simple, but it’s worth reading that statement twice. Why is this balance of light so valuable? Throughout the rest of the day, the light of the sun is dramatically brighter than the power of any interior light, and it takes a lot of labor, gear and technique to create an artificial balance.

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Ulele Twilight Exterior, a commercial image for a lighting company. Photographed with a Nikon D600 DSLR and a Sigma 35mm f1.4 lens at f7.1, ISO400, ½ second exposure.

How an Architectural Photographer Creates an Artificial Balance
Between dawn and dusk, the core of an architectural photographer’s job is to create that artificial balance of light with equipment and technique. When photographing an interior space, it’s our job to create a realistic, inviting image of a room. The challenge is that the natural dynamic range of the human eye far exceeds the capability of modern DSLR sensors. To counter this, we use software to blend bracketed exposures or we use complicated off-camera lighting techniques to create balance.

There are pros and cons to either of these common techniques. HDR photography cannot distinguish between color casts from different light sources, and interior spaces often appear dusty and overcooked when processed. Off camera lighting is difficult to learn, labor-intensive to execute and easy to get wrong. No matter what technique a photographer uses, the ability to create a realistic, balanced image is the central challenge of the job.

At twilight, the challenge is easiest to conquer. As I said earlier: at dawn and dusk, the interior light of a building is often as bright as the ambient light of the sky. A photographer can capture a usable image of a space without as much reliance on complicated technique.

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Restoration Hardware Penthouse – Shot handheld with a Nikon D610 and a 24mm PCE lens at f3.5, ISO 3200, 1/40th of a second exposure.

Twilight in Practice: How to Let The Light Work for You
Both the golden hour and twilight are valuable for both indoor and outdoor architectural photography. In most cases, architectural photographers use twilight to capture exterior images of a building. It can be just as valuable indoors, as dramatic views can be pulled into an interior space without as much emphasis on technique.

Outdoors, the relative brightness of interior lighting allows the camera to capture detail that it couldn’t see during the day. During full daylight, windows appear nearly black relative to the bright exterior light. The scene is completely different when the ambient light of the sky is on par with interior light. This adds a different dimension to the image, leading the eye from the scenery around a building to the space within.

While there is plenty of opportunity to improve an image with lighting technique at twilight, a photographer really only needs one tool to capture a great exterior image at dusk — a strong, sturdy tripod.

Indoors, twilight can be just as valuable to an architectural photographer. The light of the setting sun is more likely to be in balance with interior lighting. Rooms with large windows and doorwalls can benefit from golden hour light. A sunset creates a more vivid and enjoyable scene, but it also allows for a natural balance that is tough to find during the day.

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A commercial image for a luxury home builder. Shot with a Nikon D610 and a 24mm PCE lens at f11, ISO 320, 1/13th of a second exposure.

Advice for a Beginner: Focus on Timing, Not Technique, for Your First Architectural Shoot
I’m often asked for advice from photographers who have a space to shoot but don’t quite know how. They ask if they should try HDR or use a speedlight, and I usually direct them away from both. Why? HDR is very easy to do poorly, and off-camera lighting is like learning a new language. So I suggest that my friends avoid trying new techniques the first time, and instead focus on shooting at the right time of day.

If you find yourself tasked with photographing a building or a home, consider scheduling for the golden hour and twilight. Pick your shots well, because time flies and the exposures can be long. Shoot brackets to have a few base images to choose from, and always shoot raw. You’ll have a lot of leeway with the shadows and highlights sliders in Lightroom, so if your shot is naturally in balance thanks to evening light, you might be pleased with how great your shoot looks after a little bit of massaging.

The value of twilight is an important lesson not only for beginners, but for professionals alike. No matter how well you master the techniques of architectural photography, timing will always be of the essence.

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A commercial image for a group of licensees. Shot with a Nikon D610 and a 24mm PCE lens at f11, ISO 100 and a 1.6 second exposure.

Seamus Payne is a Tampa, Florida based architecture photographer. You can see more of his architecture, food and editorial photography projects at SeamusPayne.com, and feel free to follow him on Instagram and Facebook. Beyond his work as a photographer, Seamus produces short documentary films and writes about design on TheCoolist.com.

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Inspirational Interview with Professional Dog Photographer Kaylee Greer
Join Mia McCormick and Kaylee Greer as they sit down to discuss Kaylee’s fast and fabulous rise as a commercial pet photographer. Kaylee’s passion for dogs is contagious, and her energy, love, and compassion for dogs just radiates from her work. Her unique approach to dog photography has resulted in growing list of commercial clients and her pet portrait calendar is booked out a year in advance. Over the course of this hour Mia and Kaylee discuss how she got her start, where she gets her inspiration (hint, the dogs), how she creates much of her signature look in-camera, and so much more!

This class will be released later today, so keep an eye out for it at KelbyOne.com. Leave a comment for your chance to win a 1-month KelbyOne membership so you can watch this class for free!

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Photo by Levi Sim

Your Calendar Isn’t Your To-Do List… It’s Who You Want To Be.
Last week I was in a conversation with my pastor, Tommy, who was talking about counseling people regarding their lives and relationships. He mentioned talking with people who have these big aspirations of things they want to do with their lives… Become a pilot, get their black belt, write a book, etc. Yet when he asks if they have the steps toward doing those things on their calendar, they don’t. And that’s when he said the thing that’s stuck with me since… “Your calendar isn’t your to-do list. It’s who you want to be. If they were serious about these things, they would be scheduling time for them. Otherwise they’re just pipe dreams.

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Tommy Phillips at Watermark Tampa

Every year, Tommy and his wife Sarah map out their family calendar to be sure they make time for the important things: Date nights with each other, family time together, one on one time with each of their three kids, evenings on the porch remembering the past and discussing the future. They’re not just going about their lives and marriage haphazardly. They’re being purposeful about it and planning for the future they want together.

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A not very well planned month

So all of this got me thinking about my own life. Am I just taking things a day at a time, or am I planning and taking steps to become the person I want to be? Am I saying yes to the things I want to do and that are important to me? Am I saying no to the things that are just distractions and won’t mean anything a year from now? Have I been taking advantage of my free time and using it to better myself and accomplish the things I want to accomplish in life? Or have I been wasting it away in the vast, bottomless, never-ending (though very entertaining) vacuum that is Netflix and giving in to every distraction that pops up?

As we draw near to the end of 2015, I’m going to invite you to join me in making a plan for 2016. Grab a calendar and think about the things you want to accomplish in the next 12 months. Then figure out the steps you need to take each month, week, and day to accomplish those things and put those steps on the calendar. And along the way, say no to the things that are just distractions from accomplishing those goals. If you get to the point where you have so much on your plate that you can’t handle it all, learn to ask for help and delegate the things that don’t require your full attention to others.

If you know you have a habit of starting strong but not finishing, plan for that. If one of your goals is to get in better shape, maybe just joining a gym isn’t enough. Maybe you need to take the extra step of hiring a personal trainer or enlisting a friend who will hold you accountable. If you want to up your photography game, watch some classes and read some books, but don’t stop there. Actually schedule shoots and make time to experiment with new techniques. Explore other genres of photography outside of what you normally shoot to see what looks and techniques you can apply to your own work.

What if you’re not happy with where you are but you don’t know where you want to be? Ask the people in your life to describe you. What traits do they see when they think about you? Are you a strong leader? Do you find joy in helping people? Are you happiest when you’re working by yourself or with others? Do you like variety or repetition? Ask yourself the age old question… What would you do if you could do anything and money didn’t matter? Then figure out what steps you can take now to start working toward that.

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Make time for the important things, both personal and professional

This isn’t a set of New Year’s resolutions that are going to be abandoned by March. Put the steps on your calendar and stick to them. Seek support through friends, family, prayer, community, and any other ways you can stay accountable to yourself. Learn to adjust to the things that life throws at you without abandoning what’s important to you. Let’s make 2016 our best year yet!

You can see Brad’s work at BMOOREVISUALS.com (or BradsBeard.com), and follow him on Instagram and Twitter.

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How To Photograph & Create Fun Holiday Cards
This year, instead of going to the mall and taking that same-ole’ Santa pic, why not put your photography and Photoshop skills to the test and create something truly special?! In this KelbyOne holiday course, RC Concepcion takes us on location to a local playground, where he shows us how to do an easy, one-light photo shoot, and then how to work those images into a fun holiday creation with Corey Barker. Coming Soon to KelbyOne.com!

Leave a comment for your chance to win a 1-month KelbyOne membership and watch this class for free!

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Death Valley Landscapes and Night Sky Workshop Trip Report
I just finished up the Death Valley workshop and we had an amazing time! I was unsure of what to expect due to the recent floods in the park. All the roads were closed due to flood damage except the main road. Going to some of my favorite places like The Racetrack and Badwater would not be an option with all the water damage! I shifted gears and decided to go to Valley of Fire instead for part of the workshop, but the night before the workshop started, we got news the Racetrack was now dry and we could walk on it! Plus the road to Badwater and Devil’s Golf Course opened up, just in time. The workshop was back on track in Death Valley as planned!

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Sand Dunes at Sunrise: Photographed at F/16, 1/13 to 1/200- second, ISO 100, EF 11-24mm f/4L USM lens at 11mm, Canon EOS 5DS R. See below for how I reduced the lens flare.

We spent our time with lectures on night photography and out in the field photographing the stark, but beautiful landscapes and night scenes. One night, we headed out to the Rhyolite Ghost Town and had a blast light painting the old buildings. We used red, blue and green lights to paint the abandoned town with the stars providing a beautiful backdrop. Out of nowhere, a donkey hee-haws across the street from us. It was so loud! Perhaps it was telling us that we were disturbing its sleep. We finished our night photographing an old car with the stars in the background and then headed back to our hotel for some much needed rest.

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Rhyolite: Light painting for about 4 or 5 seconds with an orange gel on a flashlight for the back wall and a red headlamp for the interior room. Photographed at F/2, 20 seconds, ISO 2500, EF 24mm f/1.4L II USM, Canon EOS 5D Mark III.
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Bank Building at Rhyolite: I painted with a red headlamp for 5 seconds on the building. Then taking another photograph, I painted the inside of the building with the red headlamp for about 10 seconds. I combined light painted images with a layer mask in Photoshop CC. Photographed at f/2.8, 20 seconds, ISO 6400, EF 16-35mm f/2.8L II USM at 16mm, Canon EOS 5D Mark III.
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Star Trails: This is a stacked star trail with fifteen, 4-minute exposures for at total time of 1 hour. These were combined in Photoshop CC. Photographed using an intervalometer set to 4 minutes, f/2.8, ISO 800, 15mm fisheye lens, Canon EOS 5D Mark III.

The morning light was beautiful at Zabriskie Point. We enjoyed seeing the pink glow of twilight, known as the Belt of Venus. Watch for the pink glow in the sky about 10-20 degrees above the horizon, just before sunrise or after sunset.

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Zabriskie Point: I chose an aperture of f/8 because it is one of the sharpest one the lens. Generally two to three stops from wide open will be the sharpest aperture for the lens.  I didn’t have a close foreground therefore I didn’t need f/16 for more depth of field. Photographed at f/8, 1.6 seconds, ISO 100, EF 24-70mm f/2.8L II USM at 28mm, Canon EOS 5DS R.

We took a road trip to The Grandstand and The Racetrack, renting jeeps to protect our tires. It was cold and breezy but we photographed the racing rocks through sunset and then stars, despite the cold!

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The Racetrack: Photographed at F/16, 1/60 second, ISO 100, TS-E 17mm f/4L, Canon EOS 5DS R.

I love the sand dunes. The forms and shapes have endless possibilities for compositions with sand patterns, animal footprints and s-curve shapes. We photographed at twilight and then with the sun, as it rose over the dunes.

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Sand Dunes: Photographed at F/16, 1/30 second, ISO 100, EF 11-24mm f/4L USM lens at 12mm, Canon EOS 5DS R. I converted to black and white using Nik Silver Efex Pro 2.

Our last evening had howling wind gusts throughout the park. We decided to stay inside and did some additional lectures. The following morning was our last shoot. The weather report predicted even stronger winds but it was beautiful and calm. The hexagonal shapes, created by the drying salt, made for a delightful pattern. There were storm clouds hanging above Badwater adding drama. We saw some mammatus clouds, meaning breast clouds, that you can see in the gallery of images below. They have a cellular pattern of pouches that are under the base of another cloud. Overall, a great last photographic outing and a wonderful trip!

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Badwater: I angled the camera downward to emphasis the hexagonal shapes in the foreground. This makes it look larger in the scene. Photographed at f/16, .3 second, ISO 100, EF 16-35mm f/4L IS USM at 18mm, Canon EOS 5DS R.

Happy Star Trails,
Jennifer

You can see more photographs of night photography and Death Valley, as well as Jennifer’s other work at JenniferWu.com. Make sure you check out her KelbyOne class Photographing the Moon, Stars, and Milky Way, and follow her on Facebook and Twitter.

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