Posts By Brad Moore

1 Tim Wallace

Evolution – Growing Without Losing Direction
Next year will mark my business celebrating its 10th year, and it has been a roller coaster that’s for sure. It all started at my dining room table with a blank sheet of paper, no knowledge at all of Photoshop, and no clients. From there I mapped out a company called AmbientLife that I wanted to create, a business that would be based around high end transport and high end prestige cars.

When I first started out the research phase, lots of people said I didn’t have a chance because I was too old to be starting a totally new career, I didn’t live in London, and even a few that said I would need to change my style of photography because my own natural style was, “Too dramatic and artistic,” to be commercial. I had a pretty good knowledge of business having worked in high level management positions in blue chips. I also had a background before that serving in the Royal Marines which gave me the greatest edge, the belief that I could achieve and conquer anything if I pushed myself hard enough and trusted myself not to be afraid to be “different.”

2 Tim Wallace

So here we are 9 years on, and it’s fair to say that hard work pays off! I have clients across most continents and I have been fortunate enough to work with some amazing people and see some truly stunning places all in the call of duty.

I have been commissioned to shoot some of the world’s most expensive and desirable cars, I have hung out of helicopters shooting super yachts, and I’ve been responsible for creating the photography for some huge campaigns like the recent “fractal” prototype car that my client Peugeot launched recently.

3 Tim Wallace

4 Tim Wallace
BTS from the Fractal Shoot in the Paris Studio inside Peugeots Headquarters

7 Tim Wallace

Some completed work for the cars launch that took place at the Frankfurt Motor Show when it was unveiled to the World for the very first time

So things are all great and everybody is smiling… And that’s great, but for me it was time for a change. It felt like it was time to push out and allow my business and style to evolve more. This might seem a little strange to some people because, why change a formula that’s working?

The simple hard fact is that the world never stays the same, markets change, politics change and industries change. Even though I am a commercial photographer, I am also a businessman, so I keep a close eye on what’s happening around the world and take note of things that can change or affect the industries and sectors that I work in. The most effective business models are those that ‘lead the way’ and those that ‘recognize change’ and are not afraid to adapt to it and be prepared for it. Apple probably being one of the most famous examples of this.

The high end car market is going through change, this is brought on by exchange rate changes globally, unrest politically in some regions of the world and also the changes that we have seen in oil, its cost, and the downturn in profits for those areas involved in producing it. All these factors will have an impact.

So I’m just a photographer, why should I care?
Well I guess that’s the key message here; being a photographer is great, and if it’s your passion and even your natural gift in life then it’s a superb space to exist in. But you also need to make a business work, and good business comes from knowing your market and having the right cassette in your head to deal with it. It’s about knowing how to ask yourself the right questions and it’s also about being able to be honest enough with yourself that you will answer yourself honestly.

I have been talking about this ‘journey’ in my business talks at Photoshop World with KelbyOne for a few years now. Every time I do they get massive positive feedback and requests for bigger and longer seminars on this ‘massive’ subject. This year I will be in Vegas and will be actually doing a whole workshop on this to talk through the process, but also the mindset of how to approach this. I can’t tell you all the answers, but I can help you to understand what the right questions are that you need to ask yourself and base your business development on.

8 Tim Wallace

I’ve been doing live shoot seminars for years now across the world from the US to the deserts of Dubai. It’s great to help people understand how important lighting can be, and also how lighting and your style of lighting can impact so much on the overall feel to your actual visual style. One thing that has grown massive over the last three years from a seminar point of view is the whole conversation around ‘succeeding’ and understanding your path as a working photographer.

You see, the thing here is that we invest a huge amount of our lives in creating the very best work that we can, we love it, it’s our passion, it’s our purpose, it’s what drives us. It’s that thing that makes us feel like a kid on Christmas morning to get out there and do a great shoot of something that we love. If you can learn to match that passion and drive with your business side, then you achieve one HUGE thing moving forward… You take control of your future rather than letting commissions dictate what you are shooting and how that’s being presented. One of the most important factors for a photographer’s work is your style. This is yours, nobody but you can create it. And only you can take that and grow and evolve it into what you ‘feel’ that it should be next.

9 Tim Wallace

It’s based on your view of the world and how you record what you see in front of you. It’s based on your imagination, and it’s also based on all the things in your life that influence you. What I mean by the last part there is that I believe that photography is in some ways a view inside your own mind. It’s guided by choices that you make, and these in turn are a result of things that influence you and your attitudes. When I am traveling to a gig, I will often listen to music; music I choose that gets me into the right frame of mind for the type of shoot that I am about to take on. I work hard to remove as many negative influences and people from my day to day world, “mood hoovers” is the affectionate term I use to refer to such people ;)

Your personal life, and what is contained within that, can duly have a massive impact on your work, its growth and its creativity. In October last year I got married to the love of my life, my wife Angela. We were married in a 17th century castle in the Highlands of Scotland, a setting that’s been used a few times in Bond films… the irony!

Anyway, we had a perfect day in every way and we have an amazingly happy and stable life. My wife works really hard at what she does and we respect each other’s stresses and commitments to our career roles. She is my rock but she’s also my best friend. When you’re a photographer, especially in the early years, having that support can make a massive difference to the probability of you driving yourself forward and succeeding in the way you want to.

10 Tim Wallace

So how did I decide what ‘Evolution’ was required?
If I’m honest, and people who know me know that I say things as they are, a little too much sometimes… But this was a lot harder than I first thought. So I found my own way by first starting to look at my entire work to date as a single body of work. What was my strongest work? What did I have a natural ability or infinity to shoot? And where were the gaps…?

Over the recent years a huge amount of my work has been location based. It’s popular, and one epically huge point here that I want to make is that you can ‘evolve’ without losing or moving away from what you’re good at or what is popular. Think of it as having a guitar with only three strings… You’ve learned over the years to bang out some pretty awesome tunes on that and people love them, but its time to maybe get another two strings and see what you can do with those added!

11 Tim Wallace
Land Rover Defender – French Alps: One of the last ever Expedition Defenders made before Land Rover stopped the range to move forward with new models

My approach to look at my work was to force myself to put together a body of just 40 pieces of work that I would then use to have a bespoke portfolio book made from. This book would then be used in subsequent months when I was in meetings with new clients and also agencies as I pushed forward into new ground with new clients. WOW that’s a tough thing to do, and after about 3 days I started to see the gaps, my interiors work was okay but not driven forward that well compared to the other work. I have a reputation for being able to shoot detail really well and the interiors usually come off the back of doing that. But I hardly ever did any shoots that were just based on getting amazing interiors.

12 Tim Wallace 13 Tim Wallace

It also became very apparent to me that I was really spending all my time out on location, and whilst I had spent time ‘in studio,’ it was only about 10% of what I was doing. The result of this is that whilst my studio work was on the money for what the clients wanted for their brief, I had not really explored enough of this part of my work to develop my own unique style around it. A big reason for this is that I was shooting a massive amount of work for Aston Martin, and indeed many people had started to refer to me in magazine interviews as ‘the guy that shoots all the Astons…’ Hey, I know there are worse things in life, but this was a driving factor that was stopping me evolving to some degree. Last year I made the radical decision to back away from Aston. While that might may seem like madness, it has been the very best thing that I ever did.

Over a period of months between client commissions I pushed myself hard to plug the gaps that I felt were there. I spent a lot of time in studio developing my own work, but also most importantly developing my own lighting techniques so that my work was ‘different’ than other work that was shot in studio. There is no point at all in just trying to reproduce what somebody else does no matter how well you do it. You need to own it, make it yours and do that in such a way that people will look at it and think of you.

Agencies looking to commission high value shoots for campaigns are 90% looking for ‘style’ when they view work from photographers. They want to see your view of the world and if it’s something that fits in with what their vision is for the campaign. If it is, then it’s a no brainer that the shoot is heading your way and costs etc have little impact, as long as it’s nothing silly of course!

I also spent time investing in my BRAND. I designed and had my portfolio book handmade after sourcing all the materials, and that has been a very worth while investment because my brand has to give out the right message. Agencies and clients need to feel that I really care about what I do and how I produce it. It’s true that they are hiring you to shoot photography for them sure, but it’s also very important to understand that they are investing in YOU…

15 Tim Wallace

My 2016 Portfolio book became a reality and is made of the finest materials, all of which have some relevance to my industry. It’s a pretty big beast, but when it lands on an art directors desk it’s like an event opening it (that’s a quote from 3 recent art directors). It’s that sort of message exactly what I wanted to send so for me I am really happy with that.

16 Tim Wallace

Updating a portfolio once a year is not enough for me. I’m busy, and whilst some of my work is under embargo because of the nature of what I shoot, there is plenty that is not. Every quarter I update a digital version that can be mailed anywhere in the world as a link, as a PDF book or whatever is required. It’s a carbon copy of the physical book but it’s updated as the year progresses and I shoot more and more work. Clients and agencies absolutely love this because not only does it keep them up to date with what you’re doing and how your work is moving forward, but its also gives them insight into the fact that you are ‘a very busy boy’ and you’re in demand. That is a key factor and it’s also related to human nature, but the fact is that if you are busy and people are chasing you for shoots, then you become more desirable.

Remember…
Your Professionalism is your logo

Your Personality is your business card

How you make your clients feel is your Trademark

The whole human nature thing is pretty big for me, and it’s something that I talk about a lot in my business seminars because it not only allows you a better understanding of yourself truthfully, but it also give you ‘superpowers’ when it comes to negotiating and winning contracts. If you want to hear more, then you are going to need to join me at Photoshop World in Vegas for my Business Workshop ;)

The last 8 months…
In the last eight months several things have happened, and I would like to think that has been because I took control and allowed myself the time to evolve.

I’m taking on a lot more new clients, I’m doing more diverse and interesting work that is pushing me both creatively and technically, and also the business returns on that mean that I am pulling in more revenue as I grow.

17 Tim Wallace 18 Tim Wallace

I am finding my own unique approach to shooting studio based work. I am also finding that having those ‘extra strings’ is really paying dividends with both my current clients, and also new ones that are seeing this for the first time. Agencies are recognising that I have the ability to ‘bang out some new tunes’ whilst maintaining my own unique style, and, most importantly, stay focused on a continued direction for my brand and my business.

19 Tim Wallace 21 Tim Wallace 20 Tim Wallace

Finally I am finding the time to shoot for myself, shoot personal projects, and experiment with things. Photography may well be my business and my living, but it’s also a passion. I still get a massive amount of fulfillment from just getting out there and shooting stuff for no other reason apart from finding out what that looks like shot!

Assured Park Venison Producer, selling Scottish native Red Deer. Also,a Quality Meat Scotland Assured Pedigree Whitebred Shorthorn cattle breeder, Gledpark, Scotland, UK.
Red Deer in the Highlands of Scotland: I stalked these over 15 miles and 4 hours, lucky for me that Royal Marine training paid off…
23 Tim Wallace
Seascape, shot using a Big stopper on a small Fuji!
Death Valley, USA
Death Valley, USA

The road ahead…

The Last Word…
Thanks for reading through my blog, and I hope its been entertaining and perhaps some of it will open up a few questions within your own life that you may have been thinking about. If you would like to learn more about lighting cars in different ways or hear me talk about business and what inspires me, then you can do so right now by hoping over to KelbyOne where I have 7 video seminars and 2 interviews recorded for those that can’t make it to live events. I hope these help you guys.

If you are planning on attending PSW 2016 in Vegas then it would be great to see you there and if you would like to attend my Business Workshop then see you there!

Whatever you do, be passionate about it, believe in yourself and what you can achieve, and above all else accept that ‘failure’ is just part of the learning process and it’s moving forward that counts!

I think you can always tell the size of a man by the size of the things that bother him…

Stay positive, be mindful of the things that influence your space in this world and if you really want to do something, go out there and get it with all you have!

You can see more of Tim’s work at AmbientLife.co.uk, and follow him on Facebook, Twitter, Instagram, and Behance.

Landscape Photography: Post-Processing with Moose Peterson
Learn how to harness your software to process your landscape photos the way you felt in your heart when you took the photo. Join Moose Peterson as he shares his favorite techniques, tips, and ways of thinking, to help you get the most out of your post processing workflow. Using primarily Photoshop and Camera Raw, with the occasional trip through Nik plug-ins, Moose helps you understand the connection between your camera, your software, and light, so that you are in control from the moment the shutter clicks to when you move software sliders later on. From bringing out the best in dramatic skies to making black and white photos with impact, Moose focuses on both the technical and the inspirational components you need to address to not only make your photos look great, but to infuse them with passion and romance. By the end of the class you’ll be thinking more about how you capture photos with your post processing workflow in mind.

In Case You Missed It
Make sure you also check out Master Compositional Class for Landscape Photographers with Richard Bernabe!

brad_0022_web2
Photo by Peter Hurley

The Rebirth of Underoath, Part 2
So back in March, I did a guest post here that showed the beginning stages of The Rebirth of Underoath, a band that had called it quits a few years ago and decided to reunite to tour for the 10th and 12th anniversaries of their two biggest albums. Since then, the band has done their six week tour, and I was able to document parts of it in St. Petersburg, Nashville, and Orlando.

Tim McTague Underoath takes photos before soundcheck on March 16, 2016 at Jannus Live in St. Petersburg, Florida
Tim McTague Underoath takes photos before soundcheck on March 16, 2016 at Jannus Live in St. Petersburg, Florida
Spencer Chamberlain and Aaron Gillespie of Underoath prepare for soundcheck on March 16, 2016 at Jannus Live in St. Petersburg, Florida
Spencer Chamberlain and Aaron Gillespie of Underoath prepare for soundcheck on March 16, 2016 at Jannus Live in St. Petersburg, Florida
Grant Brandell of Underoath meets with fans on March 16, 2016 at Jannus Live in St. Petersburg, Florida
Grant Brandell of Underoath meets with fans on March 16, 2016 at Jannus Live in St. Petersburg, Florida
Spencer Chamberlain, Aaron Gillespie, Tim McTague, James Smith, and Grant Brandell of Underoath meet before their show on March 16, 2016 at Jannus Live in St. Petersburg, Florida
Spencer Chamberlain, Aaron Gillespie, Tim McTague, James Smith, and Grant Brandell of Underoath meet before their show on March 16, 2016 at Jannus Live in St. Petersburg, Florida
Underoath and Josh Scogin of '68 make a toast before their show on March 16, 2016 at Jannus Live in St. Petersburg, Florida
Underoath and Josh Scogin of ’68 make a toast before their show on March 16, 2016 at Jannus Live in St. Petersburg, Florida
Spencer Chamberlain of Underoath performs soundcheck on March 16, 2016 at Jannus Live in St. Petersburg, Florida
Spencer Chamberlain of Underoath performs soundcheck on March 16, 2016 at Jannus Live in St. Petersburg, Florida
Elizabeth McTague watches as Underoath performs soundcheck on March 16, 2016 at Jannus Live in St. Petersburg, Florida
Elizabeth McTague watches as Underoath performs soundcheck on March 16, 2016 at Jannus Live in St. Petersburg, Florida

The guys kicked their tour off at Jannus Live in St. Petersburg, Florida, the same place they played their final show in 2013. Since it was the first show of the tour, they were also taking pictures of everything for themselves and getting back into the swing of doing sound check and meeting with VIP fans. And of course, the VVIPs, their families!

Chris Dudley of Underoath performs on March 16, 2016 at Jannus Live in St. Petersburg, Florida
Chris Dudley of Underoath performs on March 16, 2016 at Jannus Live in St. Petersburg, Florida
Spencer Chamberlain of Underoath performs on March 16, 2016 at Jannus Live in St. Petersburg, Florida
Spencer Chamberlain of Underoath performs on March 16, 2016 at Jannus Live in St. Petersburg, Florida
Aaron Gillespie of Underoath performs on March 16, 2016 at Jannus Live in St. Petersburg, Florida
Aaron Gillespie of Underoath performs on March 16, 2016 at Jannus Live in St. Petersburg, Florida
Chris Dudley, Tim McTague, Spencer Chamberlain, Aaron Gillespie, Grant Brandell, and James Smith of Underoath perform on March 16, 2016 at Jannus Live in St. Petersburg, Florida
Chris Dudley, Tim McTague, Spencer Chamberlain, Aaron Gillespie, Grant Brandell, and James Smith of Underoath perform on March 16, 2016 at Jannus Live in St. Petersburg, Florida
Grant Brandell of Underoath performs on March 16, 2016 at Jannus Live in St. Petersburg, Florida
Grant Brandell of Underoath performs on March 16, 2016 at Jannus Live in St. Petersburg, Florida
Spencer Chamberlain of Underoath performs on March 16, 2016 at Jannus Live in St. Petersburg, Florida
Spencer Chamberlain of Underoath performs on March 16, 2016 at Jannus Live in St. Petersburg, Florida
Spencer Chamberlain and Grant Brandell of Underoath perform on March 16, 2016 at Jannus Live in St. Petersburg, Florida
Spencer Chamberlain and Grant Brandell of Underoath perform on March 16, 2016 at Jannus Live in St. Petersburg, Florida
Spencer Chamberlain of Underoath performs on March 16, 2016 at Jannus Live in St. Petersburg, Florida
Spencer Chamberlain of Underoath performs on March 16, 2016 at Jannus Live in St. Petersburg, Florida
Chris Dudley of Underoath performs on March 16, 2016 at Jannus Live in St. Petersburg, Florida
Chris Dudley of Underoath performs on March 16, 2016 at Jannus Live in St. Petersburg, Florida
Grant Brandell and James Smith of Underoath perform on March 16, 2016 at Jannus Live in St. Petersburg, Florida
Grant Brandell and James Smith of Underoath perform on March 16, 2016 at Jannus Live in St. Petersburg, Florida
Chris Dudley of Underoath performs on March 16, 2016 at Jannus Live in St. Petersburg, Florida
Chris Dudley of Underoath performs on March 16, 2016 at Jannus Live in St. Petersburg, Florida
Spencer Chamberlain of Underoath leaves the stage on March 16, 2016 at Jannus Live in St. Petersburg, Florida
Spencer Chamberlain of Underoath leaves the stage between albums on March 16, 2016 at Jannus Live in St. Petersburg, Florida
Chris Dudley and Tim McTague of Underoath perform on March 16, 2016 at Jannus Live in St. Petersburg, Florida
Chris Dudley and Tim McTague of Underoath perform on March 16, 2016 at Jannus Live in St. Petersburg, Florida
Fans cheer and sing along with Underoath as they perform on March 16, 2016 at Jannus Live in St. Petersburg, Florida
Fans cheer and sing along with Underoath as they perform on March 16, 2016 at Jannus Live in St. Petersburg, Florida
Tim McTage, Spencer Chamberlain, and Grant Brandell of Underoath perform on March 16, 2016 at Jannus Live in St. Petersburg, Florida
Tim McTague, Spencer Chamberlain, and Grant Brandell of Underoath perform on March 16, 2016 at Jannus Live in St. Petersburg, Florida
Underoath perform on March 16, 2016 at Jannus Live in St. Petersburg, Florida
Underoath perform on March 16, 2016 at Jannus Live in St. Petersburg, Florida

The guys played as if they’d never taken a break, and the crowd loved it.

(more…)

PhotoRecipesFashionLighting

Photo Recipes: Fashion Lighting with Scott Kelby
The Photo Recipes series continues with a focus on fashion lighting! Join Scott Kelby as he takes you through three different fashion lighting setups, from start to finish, to show you everything you need to know to recreate these fantastic looks. A lot of fashion photography is done with just one light, so whether you are using studio strobes or speedlights, you’ll learn how to position the light, which lighting modifiers to use, and how to direct your subject to get each shot. The differences in each look can be subtle, but knowing how to craft each one will give you the tools to perfect the one you like best as you practice it on your own. Once the shooting is done Scott demonstrates key steps in his post-processing workflow to finish the photos for delivery to a client.

In Case You Missed It
Need help coaching your models? Make sure you check out Coaching The Model And Making It Work from Frank Doorhof!

13047650_10153696502643565_4514435854184700319_o

I was overjoyed to be asked by KelbyOne to be this week’s Guest Blogger! Kelby Training/KelbyOne has been a fantastic help to me over the years, and it has always inspired me to improve, setting a benchmark for where I would like to be in the future.

1_SianRobertson

This got me thinking about the past five years and where I began, where I hoped I would be by now and where I see myself going from here. Reflecting on your career history makes you stop and think about past achievements, failures and what you can do to keep pushing ahead to reach your next goals.

If like me you always want to achieve more, sometimes you pass over the goals you reach because you have already set new ones. I always said five years ago that as soon as I became a published photographer I would feel like a success, except, my work got published and I still wasn’t happy and felt that I could improve.

It seemed that as soon as one goal was met, it was already surpassed with a new one – a harder one – to continue to push myself and to try and stay in the forefront of people’s minds.

2_SianRobertson

Recently, I was approached to be sponsored by a brand but I realized that it wasn’t what I wanted, so I turned it down. “Is she crazy?” I hear you ask… Maybe! The fact was, even though they have great products, their business goals didn’t match with mine and I could see there being conflicting interests later on down the line. I could have said yes, and who knows where this may have led? But my instincts were telling me to hold off and continue under my own name, not someone else’s.

After nearly six years in the industry, I am at a point now where I can choose what opportunities I feel will be best suited to me individually and my personal development and growth, and that is exactly what we should all be doing.

3_SianRobertson

We all have our own journeys and each path we take is our individual decision and shapes our future accordingly.  We have all been guilty of taking below average offers because we thought that was all we were worth at the time. When you first start out, there is a necessity to do unpaid work to gain valuable experience – but the key is to not let it stay that way!

Thankfully, we all improve quickly thanks to technological advances in equipment and software, but especially with online learning platforms such as KelbyOne and seminars and hands-on workshops.

4_SianRobertson

You should be able to see the improvement in your work, even if it might take you longer to see it than others.  A great way to track progress is to keep a separate portfolio of your best 5-10 images each year and just explain a little next to it why you chose those images. They don’t have to be the ones that you were paid for or that someone else liked – this is for YOUR own development.

I found that once I looked back and saw how far I had come, it gave me a sense of self-success, a feeling I hadn’t stopped and appreciated before.

5_SianRobertson

We all get down days, and in this industry there are many. This is why we need to stop and look at our own achievements, however small they might seem at the time, and notice our own incredible abilities and self-worth.

Plans and goals are important to make but I got so wrapped up in trying to always achieve the next goal that I forgot about just enjoying the here and now and really taking it all in.

Photography is horrendously competitive and can be exhausting at times to maintain, especially keeping up with social media too. Your online presence (both website and social media) is incredibly important and that is an area I am working on improving this year.

My next goal will be offering workshops in Beauty and Fashion Photography after my ‘test’ workshop days went wonderfully well. Teaching is something that has always interested me but has taken a little time for me to feel confident and ready – now that I am, I am excited what the future will bring!

6_SianRobertson

Lastly, please remember that we shouldn’t measure ourselves against others; we should only measure against where we were, where we are and feel excited about where we will be next.

So take a moment today, look at your amazing portfolio of work and remember, we all are continuously learning on our own individual journeys- just make sure you enjoy every moment of yours!

You can see more of Sian’s work at SianRobertson.com, and follow her on Facebook, Twitter, and Instagram.

LarrysGearSolutions

Inexpensive & DIY Photography Gear Solutions with Larry Becker
Whether you are a professional or a hobbyist, there’s no getting around the fact that photography gear can be expensive. Join our own Larry Becker as he shares all kinds of cool ways you can save money on a wide range of photographic accessories. Larry is always thinking of clever alternatives to conventional gear and do-it-yourself ways to make the things you need at a much lower cost. Sometimes we can save money just by learning from the cautionary tales told by our peers. In this class Larry has gathered up a ton of his favorite tips, tricks, and projects to help you find low cost solutions for things all photographers need and use. By the end of the class you’ll be ready to head out to your local hardware store and start experimenting with your own solutions and alternatives, so that you’ll have more money to spend on the important things.

In Case You Missed It
Don’t forget to check out our class on Transforming Your Home Into A Professional Photography Studio from Rick Sammon!

Close