Hey everyone! RC here. Are you in Los Angeles on Tuesday Nov 17 from 6PM to 8PM. If you are, I would love to spend some time with you at the Canon Experience Center.
The folks at Canon are holding an open house/shoot to showcase this center and host the imagePROGRAF Pro-1000 printer. They will have a studio setup with a 5DS and a suite of lenses, and you can shoot and print right on the spot! If you want me to help you with some post processing, Photoshop, or Lightroom stuff I’m all yours. You can even bring your own images to the event too.
This is going to be my first time going out to the Canon Experience Center – and from what I hear the place is HUGE! I intend on doing a post from there when I get there on Tuesday. But if you’re in the area, I’d sure love to see you. Click on the link for more information:
Hey everyone, RC here reporting from Adobe MAX in Los Angeles California. Over 7000 people are in attendance here to check out what’s new from the world of Adobe – and they are not disappointing over here.
For those who were not able to make it to Los Angeles, Adobe streamed the keynote live for all to see – a full 2+ hours. There were a slew of updates that were posted so let me share with you a couple of the ones that really stood out to me.
ADOBE CAPTURE CC IS HERE
In the Photoshop space for Mobile – Adobe has merged the powers of their current apps Adobe Brush, Adobe Shape, Adobe Color and Adobe Hue into one app called Adobe Capture CC. Using the camera, you can create shapes and color themes and use them as jump points into your creative projects. I could totally see this being useful in one app.
SAY HELLO TO ADOBE FIX
Following the grouping of powerful components together into apps, we see now Photoshop Fix – a new program that brings together great features like Liquify, smoothing, and content aware healing into one application.
LIGHTROOM FOR PHONES AND TABLETS
I think Fix will go over very well in a roundtrip scenario with Lightroom for the tablet and phone. Both of these apps got a new release as well. In addition to including Dehaze, you can now use the Targeted Adjustment Tool to make selective changes in color or make changes in black and white. Adobe has even included a camera inside of the app which i thought was another solid add.
THESE APPS ARE ALSO FREE
I think this is a great move by Adobe here. There are a lot of people using phones and tablets – individuals that could totally benefit from powerful apps on their computers. By offering their apps on mobile devices for free- you can get a bunch of people interested in the Adobe ecosystem, and make them more willing to become members of the Creative Cloud. Big props to them here for that.
SEND PICTURES TO ADOBE CLIP
The photos that you have on the mobile app can be sorted by date, and can be sent over to Adobe Premiere Clip – a program designed to make videos. Now, you have a picture to slideshow workflow right from within your phone.
NEW IMPORT SCREENS FOR LIGHTROOM
The Lightroom Desktop did get two updates as well. First – the import process has been improved, giving you a multi screen view helping you select pictures from your devices and place them into the areas that you need them. You’ll also get access to Dehaze on an adjustment brush – a welcome addition since Dehaze was just a global adjustment previously. Very helpful. Make sure you check out the Lightroom Killer Tips website soon as we start playing around with these new additions.
VIDEO NOW IN ADOBE STOCK
The Adobe Stock service will now add videos to the list of assets that you can use in your projects. You’ll also have the option to browse for the collateral you’ll need right from inside of the Creative Cloud Libraries of Dreamweaver CC, Muse CC, and Flash CC (though they were already available in places like Photoshop, Illustrator, and Indesign)
The other big thing for me was the introduction of Adobe Portfolio. This tool appears to have some underpinnings in Bechance and aims to let creatives set up their portfolios with little ease. I could see this trying to go toe to toe with the likes of Squarespace but time will tell. As soon as I get into the program i’ll go ahead and kick the tires on it.
There are plenty of things to see here in Los Angeles. With Corey Barker and Pete Collins also out here, We’ll keep our eyes peeled for things that we can share with all of you. If you want to check out a full list of all of the things that were released, you can see the full press release here!
I also wanted to share with you a little bit about the project – and why I was even happier to participate once I knew the social media involvement in it – not having it be about me.
More Than Just Us
The project came about as a partnership with Canon to have people more familiar with their large format imagePROGRAF printers (if you want to learn more about the imagePROGRAF printers, click here) . To me, the print really is the final step in the process, and no matter where you do it, you really owe it to yourself to see your image in this final form. I tend to want to see my images as big as possible. I feel like it really gives a user the feeling of being wrapped in the process.
Canon’s idea was to create a gallery around the concept of “Embrace” – giving you a very wide latitude of shooting subjects that let you jump in on that as well as show off some work. To that end, they asked if I would be willing to go and shoot some images and submit some of my earlier work to share in the gallery.
This however was just the start.
They also asked if I would reach out to other Canon shooters as well – asking if they would like to share images they felt would fit in this theme. I shared the information over social media and many people participated in the project. Out of the many entries that were submitted, we had the job of bringing these images to two winners.
Erin’s shot of a father and child really took the embrace concept literally and let us step into a touching moment shot perfectly well. The use of black and white really lent to the feeling of the image, and its something that definitely warranted being seen on a much bigger scale.
Rachel’s fine art approach to the subject really made me look at the image over and over again. The posing of the subject against the lines really drew you in and the overall feel of the piece really gave this classic art feel to it – begging to see it in a bigger scale. Just great work!
Rachel and Erin will each get to bring a guest and be flown to NYC, put up in a hotel, and get to see their work featured alongside mine on the gallery on June 13. I loved how we were given the opportunity to reach out to all of you to share in this moment – and I have a greater amount of joy to know that Rachel and Erin both will get to share in that experience. Your images deserve it!
If you are in the NYC area on the 13th, I would really dig it if you came down and said hello. There will be plenty to see in the gallery beyond my stuff – and the day can serve as both inspiration and an opportunity for me to say thank you to all of you for letting me do what I do.
Hey everyone. RC here. I’m happy to announce that Snapseed by Google just got a MAJOR upgrade and is now live!!! We figured – this is a great time to get some facetime with Google themselves to talk about it!
In this bonus episode of The Grid – Scott Kelby and RC Concepcion are joined by Nils Kokemohr of Google to debut the release of this awesome app.
Want to See a Whole Class on Snapseed 2.0?
I’m a huge fan of the work Google has done with this app. To make it for free takes it to yet another level. How about if we gave you a whole class on using it for free?
Hey everyone, RC here. At KelbyOne we were excited to spend some time with the new Profoto B2 packs as well as the new OCF Modifiers. In this video, I go over the details on this new portable pack system.
Hey everyone – RC here. If you have spent any time on this blog or at KelbyOne, you have more often than not come across of Joe McNally. With over 30 years in the business, he is one of the most sought after photographers out there working today. He’s shot for Sports Illustrated, Newsweek, LIFE and National Geographic – winning a dizzying amount of awards in over 60 countries.
But the best honor for him yet happens this October 3 – November 23 2014 at the Monroe Gallery in Santa Fe, New Mexico. He will have his first solo show! I figured it would be neat to share why Joe’s one of my photographic idols – and why I cannot wait to make the trek to New Mexico for opening day. (Click on this link for more details on this)
The Tenacity of Being a Photographer
I’ve been a fan of Joe’s work for a long time – long considering him one of my photographic idols. His ability to work with flash has always been second to his tenacity for wanting to get an interesting shot. Here he’s working on a rooftop in Russia photographing a ballerina. Why? Because that’s where the picture was.
I’ve always thought of Joe as one part Ernest Hemingway, one part Hannibal Smith from The A-Team. When he has an idea – it would seem that there is not much that will get in the way of him getting it. Just yesterday, I saw a location here in St. Lucia (we’re teaching a workshop out here) and thought to myself “Man, this one cave/vine area would be a great location to make a picture. But man, that looks like a bit of a climb. I wonder how dangerous that climb is….”
Telling Joe about the location? “Yeah, I made this picture up there a couple of years ago when I was…”
The next time I get there, you’ll be sure that I won’t hesitate climbing to that location to make a shot. Because that’s where the picture is.
The Storyteller in the Photographer
The quest to tell a story has brought him around the world. This is a picture of a girl in Mumbai in 1999.
This picture was a part of a series he did called “The Panorama of War.” That series won him the Alfred Eisenstaedt Award for Journalistic Impact. Eisenstadt. A giant in the photographic world.
I often look back at my own work and think about how much excess I throw into a picture to try to make a point. To try to help the caption that I have under the picture. I want the effects that I place in the file to help move the reader to the conclusion I want them to see.
I’ll often look back at pictures like this and get inspired to find a story. Forget about the effects and the software. Just walk around and find one picture that doesn’t need a single caption. I’m completely OK with the fact that I am not there yet. This isn’t a race. I just want to make sure that I am on the right track. In this – I see Joe as a beacon.
The Dreamer in the Photographer
Imagine going into a shoot with Michelle Pfeifer. Most people would be freaking out about having to make a picture with an actress of that stature.
Joe’s response? Oh lets make a custom jewelry case, and make a picture with the Hope Diamond.
As a photographer you don’t really need an actress or the Hope Diamond. But – how many pictures have you had in your own head that you’ve never really given yourself permission to create? How many ideas stay stuck in your head – a victim of “Oh that will never work.” I think that one of the biggest challenges that one can have as a photographer is to know that sometimes you have to shift from capturing whats in front of you to realizing a concept. I am horrible at that. I relegate my creative experience to making something cool of a situation in front of me. I get extremely timid, however, telling people “Oh… I have this idea in my head… Let me tell you what it is.” In that, I feel like I don’t move myself along. I should. But I don’t. But looking at Joe’s work makes me want to. In that, he’s my inspiration.
Walking into this place feels like you’re walking into a hallowed hall. As a photographer, I think it’s so important for you to look back into these founts for inspiration and bearing. To be surrounded by the work of someone we all admire, is a big call for celebration – and we are all so happy for him because of it.
Hopefully I will see you guys there on opening day!!
(Big thanks to Joe for letting me use your pictures)