Posts By Scott Kelby

When I posted this behind-the-scenes iPhone pic yesterday on FB and Twitter, and mentioned I was using Lightroom Mobile (that it running on my iPad), I had lots of questions of how and why we used so I thought I’d tackle that here today on the blog.

Why Lightroom Mobile?
First, I know there are lots of apps (OK, at least a few) that will let you transfer your images from your camera over into your iPad so you can see them during a shoot. In fact, Terry White had a great article on shooting straight from an Eye-fi Wireless SD card, through an App, right over to your iPad (here’s the link), but I wanted more than just being able to see them. I want this to be a part of my workflow to make my job easier and faster so I thought Lightroom Mobile might do the trick.

Above: Here’s a test shot I took the night before seen here in Lightroom Mobile. You can see the Develop Module Basic Panel adjustments shown here, like White Balance presets; Temp and Tint, Auto Tone, Exposure (you swipe to the left to see all the rest). 

Above: Here’s one of the shots from yesterday’s shoot seen in the wide orientation view of Lightroom Mobile. Dig that Histogram in the upper right corner. The buttons across the bottom take you to (from L to R), a Filmstrip view; the Basic Panel editing; Develop Module presets, and Cropping. By the way: Amazing dress rented from

Here’s the advantages LR Mobile gave me:

(1) I was tethered directly into Lightroom during the entire shoot, and I could have the images I tagged on my Laptop in Lightroom transfer wirelessly to my iPad, which worked great. But that part’s a given.

(2) Because the images were now on my iPad, I can hand this iPad to anyone on the set. The Art Director can have this right in her hands, and when she sees a shot she likes, just can flag it as a Pick and her choices are sent right back over to me in Lightroom on my Laptop. That is slick! Also, she can be looking at different images than I’m seeing on my screen, so I don’t get in the way of what she’s looking at on the iPad, and vice versa.

(3) I can edit those images right on my iPad, even when I shooting in Raw! If we’re looking at a shot and the Art Director (or client, or MUA, etc.) notices a light stand in the shot and says “Can your crop that out?” I can crop it right there on my iPad while they watch. I can brighten it, darken it, add Clarity, open up the shadows, apply Presets — all the same things I’d do in Lightroom in the Basic Panel are all right there for me in for real time, and those changes are sent right back to Lightroom without me having to do anything.

(4) Any changes I make to an image once it comes into Lightroom on my Laptop (cropping, brightness, Vibrance, all that stuff and more) â” those get sent directly over to the person holding my iPad so they see my changes right after I make them. Sweet!

(5) I don’t have to pay anything extra for any of this â” I don’t have to buy special wireless SD cards, and I don’t have to use a camera that uses SD cards (some of my camera’s can’t use SD cards), and I don’t even have to buy an App. Lightroom Mobile is part of the $9.99-a-month Photoshop and Lightroom Creative Cloud bundle deal from Adobe. If you have the full Creative Cloud subscription instead (I do), you still get Lightroom Mobile, so either way you’re covered.

(6) Lightroom Mobile is on my iPhone, too.

Those are the reasons I wanted to try-out Lightroom Mobile at the shoot, and I was tickled with the results. I’ll be using on set from here on out (plus, it has a lot of “cool factor” — it’s pretty slick to hand someone an iPad and there are the images they just saw being made).

Above: Here’s one of my own Behind-the-Scenes shot, seen in Lightroom Mobile’s Basic Panel layout (see the controls along the bottom?). Weird but true: This was actually taken with a real-life DSLR (instead of an iPhone) â” I just zoomed out wide to catch this BTS view. That’s Adam on the left, our Steadicam operator and genius video guy with Kristina, our awesome New York City-based model, whose eyes are closed so I can only imagine that Adam has bored her into a sleep state. Be that as it may, I have to say, I’ve never seen Adam look more radiant. Or was it resplendent? 

What about color management? 
I saw a couple of comments asking about this, and of course (I hope this goes without saying), but iPads and iPhone don’t have a color management system. Well, they may have one, but you can’t touch it or adjust it or match it to anything. I’m totally 100% fine with this, because like pretty much everybody these days, about 99.5% of my images are going to be posted on the Web â” in my portfolio, or here on the blog, or on Facebook, or G+ or Twitter. Which means my images will look different on every single person’s computer on earth. Want to test this one? Go to BestBuy and stand in the monitor department and watch the self-running demos that appear across the screens. The color is different on every single monitor and these are brand spankin’ new monitors! Same thing with TVs.

Every screen, everywhere, looks different, so sweating stuff like color management (unless you are indeed making a print), just isn’t practical for me. I’m not telling you not to worry about color management on your iPad â” I think this should be at the top of your list of worries, especially since you can literally do just about nothing about it, so if you want to lose sleep over this stuff like this, have at it. Me? I’m cool with my iPad’s screen looking different than my iPhone’s screen, and my Laptop’s screen, and every other screen on earth and I don’t sweat it, and I sleep great at night. (ARCSI)

Above: We set up a two-monitor workstation on the set so I could proof, and approve clips for a behind-the-scenes video, while the model was in make-up for the next look. Even those two monitors, from the same manufacturer, don’t exactly match color-managment wise. 

Learning more about Lightroom Mobile
We created a FREE Lightroom Mobile Learning Center with lots of videos that literally take you through the entire App and teach you exactly how it works. Here’s the link. If you’re a KelbyOne subscriber, we have a similar online class there. Of course, since we did that, Adobe just came out with some nice improvements and enhancements to Lightroom Mobile, so if you want to hear about those, just watch the video below from our own Matt Kloskowski, who by the way is on vacation in Hawaii, so I’m not in the mood to give him much more love than that, strictly due to extreme jealously. There. I said it.

So, that’s it. I’m not an expert at Lightroom Mobile (yet), so hopefully I’ll uncover some new things the more I use it (and I’m happy to share anything I learn along the way), but for now, I’m just super digging’ it.

Ya know what else I’m super digging?
The fact that it’s Friday. I’ve had a super-mega busy week, that started with a trip to Canon’s HQ up in New York City, and ended with a majorly delayed flight. I had The Grid the following day; I had a spate of non-stop back-to-back meetings at the office, I had a mini-shoot Wednesday night; I had a major shoot yesterday, and now my friends, it’s Miller Time. Well, it’s actually still morning, so it’s not exactly Miller Time but you know what I mean.

Here’s wishing you all a relaxing, fun-filled, helium-filled weekend!



Above: That’s me. Not the print. That’s me holding the print. You know what I mean. 

So many times I get Facebook or Twitter or G+ comments, even emails, that start off by saying, “To the person who comments for Scott” or “To whomever answers Scott’s emails” or “To the intern that responds to comments on Scott’s blog” and stuff along those lines, so I thought I’d do a quick Q&A to let you know when it’s me and when it’s not me. Here goes:

Q. If I post a comment on your Facebook page, and I see a response from you, who is it that is actually writing that response?
A. Me.  

Q. So who answers for you on Twitter and Google+, then?
A. Ummmm…that’s Me.  

Q. What about here on the blog?
A. Me. Still, me. 

Q. Is it ever anyone else?
A. Nope. If you heard from me…that was me. 

Q. So Brad doesn’t answer as you? Not ever?
A. Never. If Brad answers anybody, he says “Hey, it’s Brad here⦔

Q. How do you have the time to answer all these people directly?
A. I try and answer as many people back as I can, and some days that means I get to answer 40 or 50 people, and some days that means just two or three, and sometimes none at all (it really depends on my schedule at home and at the office, and if I’m traveling or out of the country). It also depends what they’re asking. If it’s something I can answer quickly, I try and answer, but if it’s something drawn out that takes more time I often run out of time. In fact, I seem to run out of time a lot. Lol!

Q. Do you respond to private messages on Facebook or G+ or DM’s on Twitter?
A. Honestly, I rarely check those, if ever. I’m trying to check the Facebook ones more now, but maybe just once at week at best.

 How come?
A. It’s because if I added those other three contact points to my daily inbox of literally sometimes over 200 emails, I would never get any work done; I wouldn’t be able to write books; or see my kids, see my wife, occasionally visit the restroom, sleep, drive, play guitar, ya know…stuff like that. I try to answer as many emails as possible, but I generally don’t even get through a day’s worth. My inbox is pretty scary looking. 

Q. So what’s the best way to get ahold of you?
A. Hit me up on Twitter. I check it several times a day, but again… I’m not checking DMs –  just public Tweets where you’re calling me out in the Tweet. I can’t answer them all, but I get to quite a few each day. Sometimes I get behind and catch up a day or two later.  

Q. Do you have a public email address?
A. I do, but those emails go first to my assistant Lynn. A number of those she answers back directly, BUT NOT AS ME! She answers back as Scott’s assistant Lynn (so you know it’s coming from her). A lot of times people are asking for something that Lynn can send them or help them with, or get them to the right place or what have you and she does an awesome job of all that routing. Every day Lynn also forwards me emails she thinks I would want to see so I can answer those folks back directly, and I answer those daily (well, at least within a day or two). By the way, if you’re lonely and feel like talking to Lynn first, my public email is

Q. Can I call you?
A. Sure. My office number is 813-433-5000

Q. Will I get through?
A. I doubt it. I mean, someone will answer the phone, but then eventually you’ll wind up with Lynn and she’ll tell you I’m “unavailable” which is true since I’m not there. Well, at least not now anyway, but just so ya know … it’s easier squeezing toothpaste back into the tube than it is to get past Lynn. She’s like that USA Goalie Tim Howard, but with phone calls. By the way, she never falls for that, “I’m an old high school friend of Scott’s” trick. I had no friends in high school. Just my typewriter, and a stick and a ball of yarn.Well, those and Ken Toney. 

Q. Do you actually read all your comments on social media and here on the blog?
A. I read every single one. 

Q. But I sent you an email and I never heard back?
A. That’s because as much as I’d like to, I can’t answer every email I receive, even if you have a legit question or idea or concern or just want to chat about something happening in the industry (I get quite a lot of those and again, depending on my schedule, I answer as many as I can, which isn’t as many as I get). Also, shorter emails are MUCH more likely to get read. If you start your email with, “I started photography at the age of nine⦔ there’s a good change I won’t make it into your teens.

Q. So who writes all your blog posts?
A. I write the blog on Mondays, Tuesdays and Fridays. On Wednesday, it’s “Guest Blog Wednesday” and I turn over the blog to someone else in our industry, and I’m so thankful to Vincent Versace for coming up with the idea, because over the years some amazing posts from some incredible people have blossomed there thanks to his idea (which is why each year Vinnie returns with a Guest Blog post of his on the anniversary of “Guest Blog Wednesday”). On Thursday it’s “Free Stuff Thursday and Brad writes that post totally himself, and he finds something to give away every Thursday as well. On Thursdays we feature any workshops or projects our friends or doing, or anything we have coming up that’s fun or interesting here at K1. I’m very grateful to Brad for shepherding Wednesdays and blogging for me on Free Stuff Thursdays. He works really hard on both and he rocks it like a boss!

 OK, so you answer your social media sites and you write your blog three days-a-week, but can you please tell me who writes your books? 
A. Ugh! I’ve heard this one for years (even from other authors in our industry). but I write all my own books. Always have. My Publishers and Editors all know it, but I know nobody believes it. My wife surely knows it. It used to make me mad, but now I’m pretty much at peace with it, but if you see my name on the cover, I wrote ALL of it. Even the captions, even the forwards, all the intros — even though it kind of drives my in-house editor’s a bit nuts, because I know they’d like to help out but I’m just kind of anal about that stuff, so I feel like I have to do it myself. It’s probably some character flaw or something, and my life would sure be a lot easier if I used a ghost writer or an intern or just paid somebody to write my stuff, and while my life would be easier, I wouldn’t be happier. I joke around a lot, and I have a quirky, often sophomoric sense of humor, but I take the education part of my writing, and my life, very seriously.

Now, if you see TWO names on the book title, that means I have a co-author and we split the book in half (for example, he did 5 chapters — I did the other five) with the exception of my Elements Book which I co-author with Matt Kloskowski, where Matt now does the Lion’s share of the book (and he kicks butt at it).

Q. Do you ever delete people’s comments on FB, G+ or here on the blog?
A. Rarely, but if someone is mean to me, calls me names, or if they’re mean to someone else commenting, I do sometimes delete a comment. How often? Maybe one every six weeks. I let a LOT of stuff slide, but if someone crosses the line I have no problem with hitting the delete button. I wound up deleting two or three in a day once, but that was just a crazy day. Also, if you say really naughty words, that’ll get that button hit as well. Luckily, most folks here on the blog, or who follow me on social are pretty cool, so thankfully I don’t have to do it very often. Hey, I just realized — it’s been over two months now. Somebody’s probably due. LOL!!

Q. What topics bring out comments that might get deleted?
A. If I mention I’m buying a new iPhone — that’s #1. Now, understand, I’m not telling other folks to buy one — if I just merely mention “Hey, Apple announced a new iPhone — can’t wait to get it” you can almost count the seconds until someone gets deleted. It’s a lock. Look for that post around September, then step back a few feet so you’re not caught in the blast zone. It gets really personal, really fast. I wake up with my finger on the Delete and Block commenter button. 

Q. Are you, in fact, Ken Toney?
A. It’s possible.

Q. Really?
A. Anything’s possible.

Q. Come on?
A. OK, Ken Toney and I are actually separate people living in separate States (for legal reasons), but I love the guy like a brother. 

Q. Have you ever had to delete one of his comments?
A. Oh, all the time. He has a mouth like a sailor — his comments read like the transcript of an Andrew Dice Clay stand-up routine. 

Q. Really?
A. Anything’s possible. ;-)

Well, that’s it in a nutshell (this is me, in a nutshell). [did anybody get that reference?]. Anyway, I hope that clears the air a bit, so you know once and for all; if you hear from me — it’s me. :)

Have a fantastic Tuesday everybody. This has been an automated message. ;-)


-Scott #214a

Last week I heard about this Tedx talk given by photographer Kevin Gilbert on the importance of protecting your photographic memories (I don’t want share too much more than that, because I really want you to hear it from him).

His talk, titled “The Lost Generation,” is around 16-minutes long but it flies by because of the wonderful images, the funny and often touching stories, and his engaging, fun presentation style.

I promise you, this it will be worth your while. Not only will it make you think, it will probably put some great things in motion for you, and it’s sure to start your Monday with a smile.

Here’s wishing you all a fantastic Monday (if, ya know, there is such a thing. It’s kind of like Bigfoot and the Loch Ness Monster).



In the most recent update to Creative Cloud users, Adobe did something I just did not see coming, and it’s designed to allay the concerns of some Lightroom Creative Cloud subscribers (or potential subscribers). Watch the video above first (it’s really short) which explains what they did, then I did a short Q&A below, which will only make sense after you watch the video:

Q. Does this affect me if I bought Lightroom outright, rather than subscribed?
A. Nope. Not at all. This only affects folks who are using Lightroom through a Creative Cloud subscription (either the full subscription or the Photographers Bundle).

Q. So, if the scenario plays out like you said in the video, can I still import photos into Lightroom?
A. Yup. You can import and export (so, if you’re working with Raw files, you can still export out JPEGs or Tiffs. you can even print your images!). 

Q. Why do you think they disabled the Map module?
A. That one had me stumped at first, but my guess is â” they would owe royalties to Google for part of the Map integration and if they’re not collecting subscriptions they probably don’t want to pay royalties. I haven’t confirmed that with Adobe, but that’s my guess.

Q. Do you think they’ll do something similar for Photoshop CC?
A. If you had asked me Monday, I would have said no. Today, I’m thinking they might do something similar. Makes sense to me, but again â” that’s just my guess (have not asked Adobe if this is in their plans).

Q. Does this mean that every time that I’ve opened either LR or Photoshop 2014 that its checking with Adobe to see if I’m paid up? (This question from Dave Cooley over on my Facebook page).
A. No. It checks just once a month.

Q. Hey Scott, I just bought your Photoshop for Lightroom users book! It’s great thank you! (that’s another comment from my Facebook page, this time from Monika Rohfeld).
A. Monika, that’s not a question, but I’m going to let that slide because any comment that refers to my “Photoshop Book for Lightroom Users” should be highlighted here as an example of “the perfect Facebook comment,” so thank you Monika. My Publisher thanks you. My children’s college fund thanks you. I thank you. 

Q. If I already have Lightroom, can I still subscribe and get PS also? And if I cancel, the only gone for me would be PS? (another from my Facebook page. this one from Kellie Durbin Carey).
A. OK, that’s a toughie. You can subscribe to just Photoshop, but I believe it’s actually more expensive (like double) the cost of the Photographer’s Bundle of Lightroom & Photoshop and Lightroom Mobile for $9.99 a month, so here’s what I’d do: Go with the Bundle deal for $9.99, but keep using your current Lightroom for now (don’t update it to the Creative Cloud version of 5.5). That way, if you cancel, you’ll still have a fully functioning Lightroom. However, when Lightroom 6 comes out (whenever that is), then you’ll pay the full upgrade price. 

Q. Can you still write xmp data to file? Then you can use Bridge/ACR with settings that were applied in Lightroom? (Facebook comment from Susan Koppel)
A. I haven’t tested it myself yet, but you can still write XMP files (that’s a Library module function) so theoretically you could do just what you’re saying. Again, haven’t tested it, but it makes sense. Good thinking by the way, Susan.

Q. This has nothing to do with Lightroom, but I heard Joe McNally’s new online class came out yesterday. Is it as good as everybody says?
A. It’s better. This is a comment on Joe’s class I saw on Google+ from Martin Gleixner “Hands down – the best class ever I’ve seen on #kelbyone. Joe is unbelievable. Thank you so much for this great evening with Joe McNally.” Saw this one on Twitter from @irishmikenyc: “Wow! Thank you so much scott & joe, this kind of info is just as or more valuable than settings n’ gear.” This one from Facebook from Jill Martin, “I didn’t want to have my hopes up when you talked about it on the grid a week ago, but no worries, it was everything you claimed it would be. Very good class. The entire year’s subscription would have been worth it just for this one class.” Yes, it’s that good. Here’s the link:

Q. You are so incredibly lucky that someone asked that question about Joe’s class, right?
A. Ummmmmm, yeah. That was lucky, right? (cough, cough). 

Q. Hey, wait a minuteâ¦you didn’t ask that last one yourself did you?
A. Would I do something like that? (don’t answer that â” you’re already out of questions). 

Q. So does the LR news also mean any PSD files aren't orphaned & can be seen/exported via LR if you loose PS w/o a subscription? (On my Twitter page from Steve Brazill – @razz2)
A. Yes, but your PDS files weren’t orphaned even before this news because you can open PSDs and view and print them in a dozen different programs. LR does like you resave as a JPEG, but there are probably others that do, too. 

Q. I’ll stay with my non subscription version on my Mac. (David Hays from my Facebook page).
A. Thanks for letting me know. That’s really helpful?

Q. Adobe listened when a lot of us were bellyaching when CC was released. Kudos to them.  Great company! (from Kevin Graham over on my Google+ page).
A. Not a question Kevin, but I’m still running it here because I’m happy to see someone acknowledging that Adobe made a big positive step by doing this. This is a good thing â” it adds a safety net for subscribers â” many of whom I felt had a valid concern and I’m glad Adobe addressed it the way they did. A little amazed, but glad. Still surprised they left the Web, Slideshow and Print modules intact. 

OK, that’s the big news from yesterday â” (well, that and Joe’s class which I think was pretty big news). Hope you all have a fantastic weekend, and we’ll see you back here on Monday. :)

A few years ago, Matt and I started a project to answer a question we’ve been asked again and again: “I already have the Bridge & Camera Raw â” why should I switch to Lightroom? " or "I thought Lightroom was just the same as the Bridge and Camera Raw." Uggh! It kind of like saying “I already have a kit lens â” why would I want anything else?” 

It's particularly frustrating because Lightroom has so many advantages over the Bridge & Camera Raw â” it’s a whole different world, but Matt and I know there’s just no way to explain that in just a few words, and that’s why way back in Lightroom 3, we created this side-by-side comparison called “100 Ways Lightroom Kicks The Bridge (and Camera Raw’s) A$$!” where we created 100 short, straight-to-the-point videos (30 to 60-seconds each) that make it all crystal clear.

That way, people could go directly to the topics that interested them most (since I doubt anyone would watch all 100, or would be willing to sit through 100 when they only needed a few to change their mind). NOTE: There is a little forward button at the top right corner of each video, which you can click to take you to the next video, in case you want to watch all 100.

Here's the link.

Why Now?
Because it came up once again on last week’s episode of “The Grid” (the same old questions and misconceptions) and with Adobe’s Creative Cloud Photographer’s Bundle now a permanent part of Adobe’s product line (You get Photoshop CC, Lightroom 5 and Lightroom Mobile for $9.99 a month), I thought it was time to revisit that list, even though Lightroom has added tons of new features since we created that original site (at the very least, watch the short intro that Matt and I put together to get you started).

By the way, you can download a free 30-day fully-working trial version of Lightroom 5 from Adobe, and give it a whirl yourself (download link for Mac & Windows) â” you’ll super-dig it ( I cannot tell you how many emails we've gotten from people around the world who have thanked us for turning them on to Lightroom over the years). Hope you find it helpful.

Have a great Tuesday everybody! :)



DISCLAIMER: This story has nothing to do with photography, or Photoshop or Lightroom or anything like that. It’s just about my birthday, which was awesome because I have an awesome wifey, which is what the story is about. Just so you know. 

It actually started Saturday nightâ¦
So, the wifey and I are sitting around the kitchen table Saturday evening when I see an email come in with those words from Delta I long to hear⦓Your upgrade is now confirmed.”  I assumed it was for a business trip I have coming up to New York in the next week or so, but then I look at the dates and it says Sunday, July 6th.

I’m  looking at it,  and I say out loud to Kalebra, “Could I have accidentally booked a meeting on my birthday?” She doesn’t answer but when I look over at her she has this big smile on her face. She says “Tomorrow morning I’m taking you and our son up to New York City to celebrate your birthday!!!”

Well, I was psyched!!! First, I love birthday surprises (especially the kind Kalebra plans!!!) and I love to travel, and I love New York, and I just about to burst! Now, just to give you an idea how perfect this day is about to become, all three of us got the free upgrade, and my son is only Silver Medallion (Delta’s lowest loyalty ranking for frequent flyers), but he still got the upgrade. That rarely happens! This day is so gonna rock! :)

I didn’t bring a cameraâ¦
It was a birthday trip, so I left all my camera gear at home and took these shots with my iPhone (that’s looking up at Rockefeller Center. Also known as 30 Rock, or the GE Building, and it’s also home to NBC).

First stop â” Top of the Rock!
My son hadn’t been to New York since he was a little boy, so our first stop was to visit the rooftop observatory on the top of Rockefeller Center so he could see the magnificent skyline.

Above: I have to admit I was a little stunned when I picked up the tickets for the elevator ride to the top and saw it was $87 for the three of us. Ack! Apparently that deterred no one â” it was packed up there and there were long lines  just to go up and again to come back down. It made me want to get in the observatory business. ;-)

But what a view up there!
I’ve always gone up to the top of the Empire State Building in years past, but then you don’t get a view of the coolest building in the skyline, because you’re standing on it. At 30 Rock, you see the whole shebang (Note: Shabang is a registered trademark of Peter Hurley Industries and is used under a written agreement signed in blood during a ritualistic conclave for the Royal Order of the Sacred Squinch).

Above: I did some iPhone panos, too but I liked this regular ol’ shot best. The iPhone is great in nice daylight.

Above: Next stop â” Carmine’s on West 44th (Mmmmmmmm, Carmine’s!). It’s my favorite restaurant anywhere! (I know, I know, there are better Italian Restaurants in NYC, blah, blah, blah, so there’s no need to tell me [again] that it’s just  for tourists and then tell me where I should go next time instead and all that, because I just love that place! The wifey and my son love it, too. Their Chicken Scaloppine is insane!).  Anyway, they just opened one in Vegas (in the Caesar’s Palace Forum Shops) so I might get to eat there again in September. Whoo Hoo!

Above: The wifey got this shot of me in Carmine’s basking in the glow that is Carmine’s!

Lunch was just incredibly delicious, but after lunchâ¦
It was off the Sam Ash â” the amazing musical instrument store. By the way; we have a number of Sam Ash stores right in my hometown, but not like the original one in New York. It was guitar heaven!

Above: iPhone pano of the fancy room with guitars that I never buy. The guitars I buy are out in the main showroom â” this is where they keep the “good stuff.”

Above: That’s me with my birthday present â” a brand new, 120th Anniversary Edition, Gibson Les Paul Classic! I was pretty blown away (to say the least).

Above: Here’s a closer look. If you’re coming to Photoshop World Vegas, you’ll see me playing it on stage at the attendee party where I’ll be playing with my band, “Big Electric Cat.” 

That’s right â” “Kalebra for President!”
She takes me in the room with “The good stuff” so I can pick out a guitar as my birthday present. How awesomely insane is that!!!!

I had been looking at this very same Les Paul online (I’ve always wanted a black Les Paul ever since I saw Peter Frampton playing one during his original “Frampton Comes Alive!” tour which I caught in Lakeland, Florida back in like 1976, though his actually has three pickups â” there’s an extra one in-between the two you see here). Anyway, it’s being shipped to me today â” should be here by Wednesday. Mega-psyched!

Above: the cast of “Motown: The Musical.” I took this iPhone shot (I didn’t use a flash or anything) and an usher ran over to me and about took my head off, and while she’s yelling at me, flashes are going off throughout the audience. I didn’t argue or anything (especially since the iPhone isn’t great under these types of lighting situations) I just put my phone away, but just so you know, I did stick my tongue out once she was gone and made a grumpy face. That’ll teach her! ;-)

Time for a Broadway Show!
After Sam Ash, the wifey takes us to see “Motown: The Musical.” It was awesome and she got us just great seats â” six rows back from the stage, center, on the aisle! Fantastic music (of course), good story (learned lots of things I didn’t know about Barry Gordy and Diana Ross and the Motown family). Plus, really great dancing and staging. Really a fun show all the way around (my son really loved it)!!!!

One more thing! A quick stop at Junior’s for Cheescake!
The weather was beautiful (about 82° with a nice breeze and low humidity), so we sat outside at Junior’s and it was a perfect end to the day (and I split an awesome slice of cheesecake with my son).

Having my son come along (our daughter stayed home with Grandma â” she’s still a little too young for a whirlwind day like this, and a long Broadway show of songs she’s never heard), really made this day so special for me (and he totally loved the trip; especially the show, and the drum department at Sam Ash, and Carmine’s andâ¦heck, he liked it all. He’s a lot of fun to travel with).

Even a perfect day comes to an end
After Junior’s we headed right back to the airport where we had landed just nine hours before. Before you knew it, we were back home (where I’m sitting on the couch writing this now).

Although we definitely celebrated yesterdayâ¦
â¦today’s my actual birthday, so I’m taking the day off today to recoup. LOL! Hey, you only turn 38 once, right? ;-)

Thanks for letting me share this story with you today
â¦the story of my mega-awesome wife surprising me with a perfect day â” and one I’ll never forget!

Hope your day today is every bit as good! (but without the whole getting older part, which we can probably do without, though Kalebra says getting older sure beats the alternative). :)