Posts By Scott Kelby

Cowboy Stadium has been at the top of my list for stadiums to shoot for a few years now, and yesterday I finally got the chance.

I had only seen it from the outside, a few years ago when I was doing my “Light it, Shoot it, Retouch it” tour in Arlington — it’s within walking distance of the convention center where we hold my classes, and it’s just an amazing feat of architecture and design, and when I found out I I’d be here a day early, I reached out over Twitter to find a contact with the Cowboys, and before you know it I was talking with Shannon Gross, Social Media powerful overlord for the Cowboys (and as luck would have it, a photographer).

Our shoot was set for 2:00 pm yesterday, and I was planning out my shoot in the morning when I realized that the massive overhead high-def screens would be black, I shot off a quick last-minute email to Shannon asking if we could get the Cowboy’s logo up on the screens for our shoot, and I would need a helmet (for the shot you see above), and Shannon scrambled to make both happen. This were some of the first dedicated stadium shots the Cowboys would have since the new AT&T branding (It’s now AT&T Stadium) and so I wanted to make sure there was something on those big screens.

These shots were taken with a Canon 5D Mark III using an 8-15mm Fisheye zoom lens, and I usually had it zoomed out to between 14mm and 16mm on a Gitzo tripod with a Really Right Stuff BH-55 ballhead. Contrast and Clarity added in Lightroom (except for on the turf field itself).

This shot was taken at the 50-yard-line, up high with a super-wide angle lens â” the 16-35mm set at 16mm.

The stadium itself was just amazing. The screen….well…what can you say about the HD screen — it’s just insane, but the whole facility is incredibly well designed, well thought-out, and just so focused on creating the ultimate fan experience.

Above: Brad snapped this iPhone shot of me during the shoot.

The Cowboys offer daily guided tours of the stadium, and so we’d wait until the short break between on-field tours to take our shots, so we’d get set up, check our email and stuff until the tour headed for the locker-room tour and then we’d have a nice empty field all to ourselves. We’d shoot, pack and move to another location and shoot until the next tour hit the field, so it was a pretty relaxing shoot, and we still had everything wrapped up in about two hours from start to finish.

Here’s one for the road, shooting right down the handrail toward the corner of the field. I have lots more shots, and some great stories, but I’ll have to save those for next week’s episode of “The Grid,” ’cause it’s time to hit the hay — big day tomorrow here in Dallas with my tour tomorrow, and I hope I’ll see some of you there.

A big thanks to Shannon Gross and the gracious folks in the Cowboys organization for the wonderful opportunity to take some shots for them (and for me) and I hope to see you all again real soon! Cheers. :)

Sorry for the late post this morning — I’m behind on….well….pretty much everything. LOL!! :)

So, last week we started something new for us over at — each week we’re broadcasting one of online classes from Kelby Training Online for free, all-day long, continuously for free. Last week we aired my Travel Photography Class (filmed on location in Paris, France), and this week, we’re airing PART TWO, which is where I do all the post-procesing of the shots taken in Part One using Lightroom and Photoshop, and I go through my entire workflow.

Each week, we’ll be continuously airing a different class, because we’re betting you're going to watch a couple of classes and you'll learn so much that you'll totally want access to the rest of our more than 300 online photography classes (it's only $199 a year for unlimited access or $24.95 a month). I hope you’ll jump over and check out Part Two of my class right here. Here’s the link. 

OK, I’m off to Detroit & Dallas for my seminars this week. If you read this blog, I hope you’ll stop me and say “hi.” I always get a kick out of meeting my readers in person. Cheers everybody to a great Tuesday!

Above: One of my favorites from the game. Shot at 6,400 ISO. No noise reduction.

OK, it wasn’t a pretty game, and it didn’t end the way I was hoping, and we had a long rain delay (well, Lightning delay), and I got home hours later than I expected, and I’m still pretty damp from the rain, plus I forgot some important stuff, and just overall….I loved it! :)

Above: Here’s an iPhone shot of my “Office” for game day. Ahhh, the glamour of sports photography. They really spoil us with perks like free power outlets and fold-up metal chairs in the workroom. There’s almost enough for everybody. ;-)

I actually have lots to share about the game, the gear, my new fancy-dancy multiple card reader, and my long list of mistakes off the field and in my post-processing, but unfortunately, it’s pretty darn late at night, and I’ve got a super-busy day tomorrow before I head out to Detroit and Dallas for my seminars there this week. I might have some more details for tomorrow — it just depends on how today goes. :)

Above: This was taken at 10,000 ISO with ZERO noise reduction, in JPEG mode. 10,000 ISO! The 1Dx is seriously insane! Loving it more every time I shoot it. Learned more cool stuff about it too from my buddy Rob Foldy, who was there shooting the game for USA Today Sports Images. He also had some helpful tips for Photo Mechanic. Rob rocks. He’s “Rockin’ Rob.” (sorry, dude). 

Above: Saints Quarterback Drew Brees (or “Breezy Drew” as my wife calls him), threw this one right to me. I jumped up about a foot over the corner to catch it and I tacked-on 11-positive yards after the catch. Either that, or it was a short pass to New Orleans Saints wide receiver (and 5th round pick) Kenny Stills (as seen in the shot taken a moment later below), I can’t remember which. 

Above: Yeah, that’s probably what happened. He caught it though. He didn’t bobble it a bit (like I did). ;-)

Hope you all have a great Monday, and I hope to meet over 1,000 of you this week in person at my “Shoot Like a Pro” tour. Cheers everybody (I’m headin’ to bed. Zzzzzzzzz).

Greetings from beautiful Miami Beach. OK, that’s about all I’ve got today. I had planned to run some videos from Photoshop World in Vegas, but they weren’t ready, so……so….I’ve got nuthin’.

Hope I see you here today in Miami at my seminar today. Hope you have a great weekend (hey, that’s something. Kinda).


A guy with nuthin’ on his blog today

While we were teaching at Photoshop World last week, we launched a brand new way for people to experience the awesome online training we’re producing over at Kelby Training Online — now you can join us each week for a new, completely free, online training course, taught by a who’s who of the world’s top pro photographers. Come and go as much as you like and watch whenever it’s convenient, 24-hours a day, 7-days a week.

We kicked things off this week by airing my class “Shooting Travel Photos Like a Pro” filmed on-location in Paris, France and you can jump over and watch it right this very minute (it’s a continuous free broadcast all week long, until Wednesday and then a new class will start airing).

I hope you’ll check it out, because I’m betting you’re going to watch a couple of classes and you’ll learn so much that you’ll totally want access to the rest of our more than 300 online photography classes (it’s only $199 a year for unlimited access or $24.95 a month). I do hope you’ll watch my travel photography class and see what you think.

Cheers everybody, and don’t forget to check back here tomorrow for a very special September 11th Guest Blog post from none-other-than Joe McNally. You don’t want to miss it.

Since Adobe announced their Creative Cloud subscription-only business model, I’ve been saying the same thing again and again — “… the deal just isn't there for photographers yet.”

Well, that all changed during the opening keynote at Photoshop World last week in Vegas when Winston Hendrickson (Adobe’s Vice President of Engineering for Digital Imaging, and a serious sports photographer himself), announced a better deal than I was ever expecting: if you have any previous version of Photoshop (all the way back to CS3), you can get the combo of both Photoshop CC and Lightroom 5 for just $9.99 a month (as long as you take them up on the offer by Dec 31, 2013).

Much better than I was expecting
I had been talking with Adobe about a deal like this for photographers since they first announced the subscription-only plan, and the number I had been hearing was $19.99 for the two. I had been pulling for (and hoping) they would offer it at just $14.99 instead which I thought was a very fair price. $9.99 wasn’t even on my radar at all. When I heard, just a few days before the keynote, that they were going to offer both at $9.99 a month, I was pretty stunned. I never saw a price that low coming. That’s about 33¢ a day for Photoshop. And Lightroom. The latest versions. I know we waited a while for this deal, but at least it was worth the wait.

Doing The Math
To upgrade Photoshop to the latest version was usually $199. Lightroom’s yearly upgrade is around $79. That’s around $280 every 18th months to stay up to date. Now it’s just $180 over 18 months and you’re always on the latest version of both with all the latest features. Plus, you get 20GB of online storage (if you want it), and a ProSite membership as well. The math works.

I’ve talked to a lot of photographers since the deal was announced last Wednesday, and they all really felt Adobe stepped up on this one, and that this was a more than fair deal. I totally agree.

So, how long does that price hold?
Forever! (OK, Adobe didn’t use the word “Forever” because there’s no way their lawyers would ever let them do that, so this is just me talking, but my understanding is they will hold that $9.99 rate for anyone who gets in on the program before that cutoff date, as long as they stay as subscribers. If they drop off at some point, and they want to come back into the program, they’ll have to come back at the regular price of $19.99. Again, that’s not Adobe talking, that’s just my understanding, but that is my understanding. That being said, I can’t image that in the year 2525, if man is still alive, that it won’t shoot up to $11.00 or $12.00 a month, but I believe they plan on holding it there for the foreseeable future).

I don’t have all the answers about specifics like “What if I’m already subscribed to Photoshop CC by itself?” or any of the myriad of questions existing subscribers might have, but Adobe published an FAQ with lots more details and specifics right here.

However, Here are five things I think you should know about this deal:

(1) Don’t let the word “Cloud” throw you off
You don’t run Photoshop or Lightroom in a browser (huge total myth). In fact, just forget the word “Cloud” altogether — think ” App store” instead, because the only time you’ll use your browser is to download Photoshop and Lightroom onto your computer, where they work and run just like always (unless you choose to use their online storage option).

(2) You don’t have to stay connected to the Internet
Another myth. It just checks once a month. One time. Just a few seconds.

(3) There is a difference between “Limited Time Offer” and an “Introductory Price.”
Adobe is making this deal available until the end of the year. That’s a “limited time offer” not to be confused with an “Introductory Price” which is a price that goes up at some point, like after a year (this deal doesn’t do that, but I’ve seen a lot of folks confusing the two). Also, a lot of folks didn’t realize that Adobe added Lightroom to to the CC offering a while ago, but you can still buy it outright if you want to own it for $149. But then when Lightroom 6 comes out, it’ll cost ya another $79 to upgrade. You’d be better off to take Adobe up on this $9.99 deal.

(4) Adobe heard you
Adobe’s own Photoshop Senior Product Manager Bryan Hughes did a great job of explaining how Adobe is listening to its customers at the closing ceremony at Photoshop World. They are totally tuned-in to what’s happening with their 5-million+ Facebook followers; what’s being said in the Adobe forums, out in the field one-on-one and in blogs and social media throughout the industry. What you’re seeing here is Adobe doing something really meaningful, really significant, and really affordable for photographers. $10 a month. Two cups of coffee to use software programs designed for professionals. That’s incredibly fair.

(5) But Adobe isn’t going back
I know no matter what Adobe does, no matter how good an offer, there will still be some people who are going to post angry comments here, yet again, about how they don’t like the subscription model and that they’re not buying into it and so on. I have news for you. Adobe is NOT going back to selling Photoshop as a stand-alone product.

These folks think if they keep relentlessly complaining that Adobe will change their mind and go back to the old plan. I can tell you this — that is simply not going to happen. They also think everybody is mad about this subscription plan. That’s because they’re not actually reading business news about Adobe. They’re basing this on what they’re reading, and posting, at the same sites where other angry users hang out — and not on what what’s actually happening business wise at Adobe, or they would know that a year ago Adobe’s stock was in the low $30s. Today they’re near their yearly high and approaching $50 a share.

Back in June Adobe announced they had over 720,000 paid CC subscribers. This month when they announce their quarterly earnings where do you think those numbers will be now? I wouldn’t be surprised to see them at nearly a million paid subscribers. That’s an insane number.

Adobe’s Creative Cloud business plan is working big time for Adobe and for nearly a million of their customers, and now they have a killer deal for photographers (the one group that had been left behind). This is Adobe’s business plan going forward, and they’re not looking back.

The deal we’ve been waiting for…
Photographers have been waiting a while for a CC deal that makes dollars and sense and now it’s finally here. You jump up to Photoshop CC (so you get all the new Upright Lens features, and the ability to apply Camera Raw as a filter [my personal favorite], and the Shake Reduction filter and more, plus whatever else Adobe dreams up as soon as its ready — not 18 months from now). Plus you get Lightroom 5 and whatever’s next for it, automatically, all for $10 a month. A ton of photographers will take advantage of this,  and I can’t wait for the opportunity to teach them all the cool new stuff in CC.

Then there are “the other guys.” To them, the only thing Adobe could do to make them happy is go back to the old way, which isn’t going to happen for the reasons outlined here, and for other reasons we have yet to discuss (but we’ll be talking about on “The Grid” this Wednesday at 4:00 pm).

So that’s my take on it
Adobe just invited the rest of us (photographers using some previous version of Photoshop) to the party with an incredibly fair deal. A better deal than I ever dreamed they’d offer. 33¢ a day. Amazing! They also showed the roadmap of  products and services they’re developing for photographers, and we’ll have access to in the coming months. Sadly, a few folks will still keep posting angry comments and complaining on and on (and I’m certain we’ll hear from them here today), but with this deal, a lot of new folks will now join CC to take their place. I hope you choose the other route and start using the coolest software Adobe’s ever made, and at the best price in their history. It’s a day to celebrate, and I’m doing just that.

Cheers everybody, and here’s wishing you your best Monday yet! :)