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  • Category Archives Events

    Today's it's official, as we announce the date for Scott Kelby's 2nd Annual Worldwide PhotoWalk™ to celebrate the upcoming release of "The Digital Photography Book, Volume 3," and you're invited to be a part of this global, social photography event. Here's a quick Q&A with all the details. Q. When is the official PhotoWalk™ day? A. It's Saturday, July 18th. Q. What exactly is a PhotoWalk? A. Watch the short video clip on the home page over at the official Worldwide PhotoWalk Website (here's the link). Q. Is there a fee to participate this year? A. Once again it's free---there is no fee to join this year's walk---just come and have a ball! Q. Do you have any cities signed up with PhotoWalks yet? A. We already have 183 cities around the world which have scheduled PhotoWalks. Q. How did those cities gets walks…

    Just a reminder; I'll be in Denver, Colorado on Wednesday with my "Lightroom 2 Live!" tour, then I'll be in Portland, Oregon (for my first time ever), on Friday with the tour, so I hope I'll see you in one of those cities for a day that will change the way you sort, edit, show, and print your work. Here's the link with all the details. If you're coming and you read the blog, make sure you come up and say "hi." (I met all kinds of great readers when I was in DC----I love it!).

    The blurry photo above was taken with my iPhone just a few minutes before the doors opened to my new Photoshop seminar. It shows the calm before the storm. On Friday, in our nation's capital, I met some of the most gracious, patient, and downright forgiving people on earth, because for two hours, at the kick-off of my "Photoshop Down & Dirty Tricks," at the Washington Convention Center, I had absolutely the worst audio problems I've had in the 16 years I've been doing live Photoshop seminars. I am not kidding. Before the doors opened, we had tested, tweaked, and toned the center's audio system (I took the photo above during the soundcheck. That's Corey Barker walking through the ballroom as we were tweaking the audio. Luckily, we were in such a large ballroom that the in-house A/V company had an audio tech right…

    So after I shot the Honda Superbike Races on Sunday in Birmingham, I hopped a flight (well, two flights), up to Kitty Hawk, North Carolina to be a part of Moose Peterson's DLWS (Digital Landscape Workshop Series) "Outer Banks" workshop, which kicked off Sunday night (I'm not teaching; I just came to shoot and hang out with my buddies Moose, Joe McNally, and Laurie Excell, and I had a blast (That's right; I did this morning's sunrise shoot then headed to the airport to head back home). They're still going to shoot sunset today and sunrise tomorrow, but I've got to head back home, see the kids, and then get ready for my Down & Dirty tour in DC (which was sold out last Friday with over 700 people for the day). Also with me was the 'Bad Man' himself, Brad Moore (who used…

    Hi gang. Here's what's up: Shooting the Sun & Fun Fly-in Last Friday my buddy, and co-workshop instructor, Bill Fortney hooked me up with media credentials to shoot one of the largest aviation events in the nation, the Sun & Fun Fly-in, in Lakeland, Florida. I was pretty psyched because that afternoon they had an airshow, and I had amazing access (right next to the runway), and what I was really excited about was shooting a squadron of F-16s. They were scheduled to take off around 5:00 pm, so we shot some classic warbirds and stunt planes while we were waiting, but then my cell phone rang and sadly my mother-in-law Barbara was on her way to hospital, so I immediately packed up my gear and headed back home (after all, there will be other airshows, but my mother-in-law is very precious to me).…

    I'm sitting at my desk one day---the phone rings, and I hear, "Hey, ya Mook; it's McNally." He told me he called to tell me that he was putting together a special week-long small-flash lighting workshop in the amazingly beautiful, lush, tropical island of St. Lucia down in the Caribbean, from July 5-12th. He told me that it would be limited to just a hand-full of students, and each day we'd all be shooting on location, including hands-on shoots on the beach, in the jungle; we'd be shooting all around the tiny island, and lighting everything from mountain bike racers to professional models, and that he was going to just immerse the class in how to absolutely nail location lighting with small flash. He said he'd cover his techniques for mixing flash with available light, how to incorporate reflectors and diffusers, how to work…

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