Photoshop Hall of Famer John Paul Caponigro has started a "Co-Blogging" wave of coverage for Photoshop World, and you can find the latest info, and links to all the co-bloggers right on his blog. Plus, JP shares some of the details about the "next" version of Photoshop that were revealed during yesterday's opening keynote. You can find all of that right here. Â
I had hoped to get a post up during the day yesterday, but things were crazy (in a good way). Here’s some shots from the opening keynote (photos by Brad Moore).
Adobe Senior Vice President of Creative Business Services, John Loiacono, during his keynote presentation.
“Johnny L” gave the audience on hand a sneak peek at some very cool new technology coming soon!
I'm coming to you from the Mandalay Bay Resort in Casino in Las Vegas, as we kick off Photoshop World tomorrow morning with an opening keynote presentation from Adobe. One of our instructors, Photoshop Hall of Famer John Paul Caponigro came up with a very cool idea (actually, he calls it an experiment) which he calls "CoBlogging Photoshop World." Here's how he describes it: "1 - Invite movers and shakers at Photoshop World with blogs to make one short post a day during the event highlighting something that excited them that day. 2 - Invite those movers and shakers to invite other movers and shakers to join. 3 - Invite attendees to participate by commenting on the movers and shakers posts and include links to their blogs in their comments." And then he lists a bunch of the instructors who've agreed to Co-Blog the…
If you've been wondering how the Westcott TD-5 Spiderlites you always hear me talking about here on the blog, work---I'm doing a live demo of them at the Westcott booth on the Expo Floor at 1:30 pm on Thursday (the opening day of the show). I'll be using the brand new brighter fluorescent bulbs, and I'm going to show how I use them, some of the set-ups I use in the studio, some of the accessories I use, and other stuff like that. I hope you'll stop by and catch this "mini-session." IMPORTANT: Westcott will be also giving away one of my Westcott "Scott Kelby Studio Kits" (sold by B&H Photo) during the show, so even if you can't catch my class, make sure you stop by and sign up for the drawing (hey, the total prize package is worth around $1,300 and comes…
[kml_flashembed movie="http://www.youtube.com/v/wNRjhKK1BWw" width="425" height="350" wmode="transparent" /] It's finally here---Photoshop World Week, where thousands of designers, photographers, developers, video editors, and Photoshop freaks (like me) all gather for a Photoshop love-fest. I can't wait! Here's a couple of things to keep an eye out for, as we head into the conference: First, if you're going to Photoshop World, check out the short video above from NAPP's Executive Director Larry Becker called "Getting the most out of Photoshop World." He created it for NAPP members attending the show, but anybody going to the show will get a lot out of it. Adobe often uses the Photoshop World keynote to announce a new product, or give us a sneak peek at some new unreleased technology (for example, at the last Photoshop World they announced the Lightroom 2 Public Beta). Well, Adobe's VP of their Creative Business Unit,…
As I sit here in the early morning hours, I can’t tell you what a challenge it’s been choosing the winner, and runners up for contest part of my Worldwide PhotoWalk.
I was so impressed with the winning entries from around the world, and honestly, you could make a case for nearly any one of them being the winner, because what I was looking at was a collection of 237 local winners from around the world. These photographers images were already good enough that their local leader had chosen them as their best shot from their city, and now I was looking at nothing but winning shots. It’s harder than you’d think.
I’ve been a judge for many photo and design contests over the years, including my stint for years as one of the judges for the Photoshop World Guru Awards, and I had to lean on some of what I learned in that role. One thing that always stood out to me was now a particular image would “hit” everyone at the same time. For example, when we judge the Gurus, we sit in a darkened room and bring up the images on a projector screen one by one (with the entrant’s name hidden from view). As an image would appear on screen, usually you heard silence. Every few images you’d hear one of the judges say, “I like that one!” or “That’s a nice shot” but mostly it was silent. Then, an image would come up, and almost simultaneously, the whole room would go, “oooooohhhhh.”
It wasn’t always the sharpest image, or the one that was technically perfect, but it was always a photo that had some sort of emotional impact. Whether it was color, or texture, or composition, or whatever it was, it had it enough that the whole room was moved at the exact same moment to say, “ooooohhhh!”
So, when I was going through these images, I waited to hear my own “ooooohhh.” They’re all great photos, but I wanted the ones that made me personally go, “ooohhhh.” Each time I saw one of those, I marked it as a potential runner up. I could only choose 10 runners up (each of which wins a copy of Lighroom 2), and of course, I marked more than 10, so I then had to back through those and find out which ones moved me the most.
Then it came down to choosing just one image from that group to be the Grand Prize Best of Show. I thought from the very beginning that one single image would literally stand out from the crowd, but unfortunately it just wasn’t that easy. As I said, you could make a case for any of them, and I knew that no matter what I chose that, because this is such a subjective thing, that other photographers would say, “He chose that one?” because I’ve done that same thing about the winning choice in other competitions I’ve seen. But at the end of the day, I had to make a pick.
So, how did I make that pick? I asked myself this, “If I could only choose one of these 10 runner’s up to have framed and hang on my wall, which one would it be?”
For my Grand Prize winner, (drum roll, please) I chose Suhaimi Abdullah’s shot from the Singapore walk, of a bird flying overhead an industrial-looking street. To me, everything from its composition to its colors told a story. It looked almost surreal, and at the same time, totally believable because we’ve all been in a concrete jungle and have been suddenly reminded of nature and it’s inclusion (or exclusion), and I thought this image just portrayed that beautifully. In the end; I just couldn’t stop looking at it, and it is the one I’d want hanging in my home or office. For whatever reason, it just spoke to me.
So, congratulations to Suhaimi, who takes home the Adobe Creative Suite Premium, Lightroom 2, a $500 B&H Photo Gift certificate, a Wacom tablet, the Peachpit Book Bundle, and MPIX prize package, and more!
Here are my comments about the 10 finalists (who each won a full copy of Lightroom 2; courtesy of Adobe Systems):
(1) Hakon Senderland’s photo of the guards in Oslo, Norway (above)
I really like the reflection in the car’s window; the motion of the guards, and particuarly the way one is looking at the camera. I loved the dark moody sky, and the way all the colors in the photo worked so well together. I also like the fact that you could see past the reflection into the car itself. Just a very clever shot.