I wish I had better news about this one, but due to Sandy (the massive storm), most of DC and the surrounding areas are in a state of emergency and we had no choice but to postpone today’s event (my Photoshop for Photographers seminar).
We’re working with the Convention Center to reschedule a new date as soon as possible, and I’ll keep you informed as soon as we know the date. Of course, we’re very disappointed, and we know many of you are, too — thanks for understanding, and we’ll be back on a sunny day real soon.
If you are registered for the event, keep an eye on your email for more details. In the meantime, stay safe everyone and know that our prayers are with you.
(Above: iPhone shot of Nikon’s huge booth right at the front door of the expo hall).
This was a quick trip: up one day and right back home the next, but it was totally worth it (plus I got to do a session on “Photoshop for Travel Photographers” at B&H Photo the night before, and it went really great — thanks to everyone who came out, and to the awesome team at B&H Photo for the honor of letting me teach there. I had a wonderful crowd and met some really nice folks.
(Above: This was taken right before my class at B&H Photo started — photo by my buddy Dave with his iPhone).
I didn’t have any sessions at the show itself, (just a few meetings) so I got to do my two favorite things: (1) Check out all the latest gear from the vendors, and (2) watch some demos and presentations at some of the booths (that totally rocked — more on that in a minute).
I was loving the Nikon Theater Right when you walked in the door, Nikon had a theater where they featured presentations from a number of Nikon shooters and it was fantastic (by the way: Canon had a presentation stage as well, but their stage was more set up for training with live shoots, whereas Nikon’s was more for inspirational talks and teaching. Both were packed. Both were awesome).
I spent a lot of the day at the Nikon theater, first watching the adventure photography of Corey Rich. He chronicled his 14-day project in Mexico creating promo stills and a DSLR movie for Nikon’s launch of the D4. His presentation was really great in that his point was, “Look at this amazing video, just a few regular guys made, you can do this, too!” Of course, I wouldn’t repel down a waterfall to shoot a pro-kayaker going over waterfalls” but outside of that, he showed that it was just some guys with the D4 (and a lot of talent) can make something special (and his video and still both were awesome). Very good presentation all around (and his movie is below — you’ll dig it).
Later in the day I sat in on a Beauty/Fashion presentation from award-winning photographer Dixie Dixon and she was just terrific. She’s got really beautiful images, very cool behind-the-scenes videos (really well produced), and a very genuine, fun presentation style. She’s doing big work for big agencies and corporate clients, and creating some really wonderful images, and she’s just 22 years old. I picked up a few great ideas and tricks from her presentation, too! The crowd was totally with her the whole time (I already asked her to do a guest blog here, so you’ll hear more from her here soon). In the meantime, here’s one of her behind-the-scenes videos:
After that, two Nikon DSLR movie makers took the stage and brought up a slide showing that they created their movie using a crew of 120 people, and they had to close off like 8-blocks of a big city (and just how hard that was to do), and they listed all their expensive gear, and on and on. They basically took the opposite approach of Corey. Instead of saying, “Hey, you guys can do this!” they basically said “You’ll never be able to do this, so just sit back and soak in our awesomeness.” I’m sure their movie was amazing, but I left right then (Since I’ll never be able to do any of what they’re about to show, anyway).
(Above: Another iPhone shot — that’s Robert Beck in the Nikon Theater).
Lastly, I made it a point to come back and catch Sports Illustrated’s staff photographer Robert Beck and his presentation and it was terrific. He has some absolutely iconic sports images (it’s wild to see the image full screen first, and then in the next slide you see it on the cover of Sports Illustrated) and his stories and insights were awesome. Lots of great learning moments there, too (he said a few things that really resonated with me). Really glad I got to see him present.
All-in-all, I learned a ton in just those presentations and it was totally worth the trip up just for those.
The Gear Ahhhh, the gear. I wish I had had more time to visit booths and check out stuff, but I spent too time learning (LOL!!!). Here’s some cool stuff I did see:
(Above: It’s really exciting to come around a corner at the trade show and see one of your shots really big on the wall. This is the Elinchrom booth — iPhone photoby Matt Kloskowski).
Manfrotto (Elinchrom and Lastolite) I went by Elinchrom’s booth and they had the new updated strobes that are replacing my beloved BXRI 500’s (the new ones are just BXR 500) and they have a few nice new features and will be shipping next month if I remember right. Lastolite had some very clever new flash modifiers (snoots, brackets and stuff), and a very interesting gobo rig with drop-in patterns for creating interesting backgrounds. They also had some cool resizable softboxes (they convert from strip banks to rectangles, and octas and stuff). I’m continually impressed at Lastolite’s innovation in modifiers — they are really kind of leading the way these days.
Broncolor Lighting Broncolor and Hasselblad had an off-site exhibit (about a 10-minute walk from Photo Plus) called “Shoot NYC” and it was in this hip location where they set up all these different lighting set-ups (all based around a Ducati motorcycle, so they had the cycle lit, a cool helmet for a product shoot, and a racing boot at another shoot, and it was just a really cool theme and layout). I got to see the new Broncolor packs they intro’d at the show and I was really impressed.
F.J. Westcott They had introduced a 1000-watt LED-powered continuous light (it was small and round, more like a regular studio light) that looked really interesting. They’re going to send me one to review and I’ll let you guys know how it works but it was really incredibly bright and I’m looking forward to giving it a whirl.
Sony DSLRs They had a big presence again (though it didn’t seem nearly as big as last year’s), but they had a couple of presentation stages and I watched part of a session on shooting babies and they had an adorable, very well behaved little cutie there and the woman doing the shoot for Sony (Sorry, I wish I had her name), was very good and made some wonderful images live in the front of the crowd. Almost made me want to shoot babies. Almost. ;-)
(Above: You can see Canon’s Live Learning Stage on the left, with Wedding Photographer Denis Reggie giving a presentation. Great presenter and of course, fantastic wedding photographer).
Canon Canon’s booth was jammed, and they had lots of levels of depth, and a very cool “Car crash” scene you could film with their DSLRs. I only did a brief walk-through, but they had the type of booth you felt like you could really spend some time in just exploring. I can’t imagine what it cost.
(Above: A quick snap of Nikon’s Mad Science Lab set and actor. This guy would go non-stop for hours. Don’t know how it did it. Maybe he is “mad”).
Nikon Nikon was jammed as well, and they had a Nikon 1 stage with Salsa dancers, and a Fosse-like tap dancer (among others) and over at the DSLR side they an elaborate “Mad scientist’s” lab with an actor playing the part to a “T.” RC did an HDR of it, but here’s a quick snap from my iPhone in the meantime. They also had a tall platform where you could look through some really long glass, of course they had that awesome theater up front when you walked in the door.
Other booths Epson’s booth was big and hopin’; Peachpit Press had a booth and they were so busy I could only get one of them to even look my way. We had a NAPP booth there and I heard from our crew it was doing really well, so that was cool (stop by and see my brother Jeff — coolest brother ever — plus they have some show specials). Olympus had a fairly good size booth, but it was kind of buried behind the massive Nikon booth so unless you were standing in just the right place, you couldn’t see them. I saw the Sigma booth and they had a good crowd and a shooting theater too. Tried to get to see it, but got swept into an impromptu meeting and never got back over there.
Maddening Inspiration One thing that always strikes me about Photo Plus Expo — there are a LOT of fabulous images everywhere you look (they’re literally lining the walls of the Epson booth, and at MPIX Pro, and at every paper company, and on every flat-panel display in about every booth). It’s really inspiring to see so much great work, but at the same time, so much of it is so good that it makes me want to take all my gear and toss it in a dumpster. Weirder yet, simultaneous to feeling all that, I want to just run out and shoot (which is probably why my gear went with me on the plane instead of in a dumpster at 28th and 8th, which I briefly comtimplated). I would have like to spend another day or two there wrapped up in this “inspirational self-loathing” (hey, I coined a new phrase — I have a reason to live!) just to catch some more sessions and looking more to learn more.
Wrap Up Overall show seemed crowded everywhere I went, and everybody seemed to be having a great time (I sure did). I wish I’d had a chance to see more of the booths, but before I knew it, it was time to head for the airport (Matt and RC are still there tomorrow though, so keep an eye out for them, and trip them if you get a chance. They’re young. They can take it). By the way: Peter Hurley took an incredible headshot of Matt while he was up there. Matt actually didn’t look horribly grotesque, which I think says volumes about Peter’s work. ;-) By the way; we have a class coming out on Kelby Training Online from Peter that will totally rock!!!
I’m off Washington DC on Monday I’m already back home now (I told you it was a quick trip), and I’m off to Washington DC on Sunday (no football game — the Redskins on are the road) for my “Photoshop for Photographers” seminar on Monday (hopefully, I see some of you there: here’s the link if you want to come join me for the day), and I hope you all have an awesome weekend!!!
I’m going to have more than 300 photographers at my “Photoshop for Photographers” seminar on Wednesday in Sacramento, but if you haven’t signed up yet, I’ll save a seat for you. I’ve only had the opportunity to teach in Sacramento one time, back in 2008 so I’m really excited to be back, and I hope you’ll come out and join me (here’s the link).
>> It’s only $99 for the full day, or just $79 if you’re a NAPP member).
The video below tells you all about the tour and what you’ll learn. Also, if you’re closer to Denver, I’ll be there the following week, so I hope to see you at one of these two cities really soon!
How can you not love a town that has rocking chairs in their convention center!!!
Man, did we pick the right city to kick off my Photoshop for Photographers tour!!! The people in Nashville ROCK!!!! We had such a fun day (and nearly 300 photographers from all over Tennessee, Alabama and Kentucky showed up), and they were the most fun, most gracious, and just downright into-it crowd you could possibly ask for to kick off a tour. I loved every minute of it, and met some really great, down to earth photographers. Thanks for the warm welcome Nashville!!!
On to Philadelphiaon Friday and then New York City on Monday! I hope you’ll come out and catch my new tour. LOTS of cool new stuff to share!! Here’s all the details:
Hey, whatdayasay we give away two tickets each to Philly and New York! If you’d like to attend either my Philly seminar on Friday, or New York on Monday and can’t afford to go, just leave me a comment here, and tonight I’ll be two people for each city to come and spend the day at the seminar for free.
Hope I get to chance to show you all the cool new stuff I’ve been working on in Photoshop (and the amazing stuff in CS6), in just a few days. Have a great Tuesday everybody and thanks again to everybody who came out to join me in Nashville (including my buddy Big Donnnnnnnnnn Jones!), I sure had a blast (and I hope you did, too!).
My buddy RC Concepcion is the Guest Instructor at Joe McNally‘s St. Lucia workshop, which is just the most amazing location (and hotel — see above) for a workshop ever!.
This is one of those “once in a lifetime” opportunities to learn from two of the best in the business, and if you want the full scoop, Joe just put a post over on his blog (here’s the link). If you get to do this, just know up front â” I’m totally jealous!!!!
P.S.I’m giving all attendees to Joe & RC’s workshop a copy of my “Lightroom 4 book for Digital Photographers.”
Joe’s brand new tour (produced by Kelby Training) kicks off in Canada next month and today on Joe’s blog he wrote about how the tour came to be, and what he’ll be teaching during this incredible workshop.
Seriously, Imagine spending the day learning all the amazing things you can do with the simplest of lighting set-ups, using just one flash (or maybe two), from the magical unicorn of hot shoe flash himself (OK, that last part is what I call him, but I don’t think I’m alone). ;-)
Here’s how Joe described the tour in his blog post today:
“The point of the day is keeping it super basic, super simple and super fast. “
> If you’re like me and you’re thinking, “Hey, it’s Joe. I’m “in!” then here’s the page with all the info and sign-up form.
We’re working on the dates for Joe’s US Tour right now and they’ll be announced very shortly, but if you’re in Toronto, Montreal, Ottawa, Calgary or Vancouver, you’re in for an incredible day of learning. It’s just $99 ($79 for NAPP members).
Congrats to Joe on launching the new tour and I can’t wait till he comes near me — I”ll be there for sure!