....none other than Jeremy Cowart. I totally dig Jeremy's work (and I also love the way he has his portfolio categorized into the types of shots by their style --- Mood, Light, Texture, Atmosphere [my favorite] -- rather than the usual categories we see day in, day out). Besides his amazing work, I'm equally impressed with the kind of person he is, and how he gives back (like what he's done with Help Portrait), and while I can't wait to see what he has in store for us tomorrow (it's truly an honor to have him back once again as a guest blogger). Why don't we all take a quick moment right now to jump over to his portfolio, and check out his work? It'll get you in the mood for tomorrow (and it will make you want to grab your camera and start…
First off, it is an honor to be featured on such a great photography blog. As long-time readers, we've often enjoyed reading the "Weekly Guest Blogger" feature so it's a bit surreal to be taking part. About a year ago, we all came together (from various freelance backgrounds) with a strong desire to share our strengths in close community with one another. The idea behind us being a "collective" is that we believe that together we can create work at a higher caliber than we could as individuals. We all fill different roles at different times, which is something that helps us grow individually and as a functioning unit. It is a spectacular feeling to share in both the struggles and triumphs with people who you not only consider artistic peers, but friends as well. Here's a video that walks through a recent shoot…
The news of the flooding in and around Nashville began hitting the local media Saturday afternoon. Speculation held that we would receive at least eight inches of rain in a twenty-four hour period; however, the estimates were off by nearly ten inches. I woke up Sunday morning to a phone call informing me that the farmers market four blocks from my apartment had sustained massive flood damage. Ignoring the requests by law enforcement to stay home, the defiant adventurer in me decided to grab my gear and go. My original objective was to take still photos of the happenings in and around my neighborhood, but I quickly realized that still photos wouldn't have done much justice. I saw shop owners wading chest-deep in murky water, trying to save what was left of their livelihoods; contents of their shops floating all around them. I saw…
...Nashville portrait photographer Michael Deppisch! With the recent flooding in Nashville and the surrounding areas, I thought it would be timely to invite Michael to share the short documentary he made over the weekend that shows the devastation they're facing right now. Check back tomorrow to see the moving video and a bit of the story behind it. In the meantime, you can donate to the recovery efforts at NashvilleRedCross.org and check out Michael's work at DeppischFoto.com.
First, thanks Scott for having me back; my postings here have afforded me an opportunity to reach thousands of passionate Photoshop users and in the case of JDI, I even had a mechanism to communicate with all of you and help turn some of your ideas into features. I’ve spent the better part of the last year showing early glimpses of Photoshop CS5 to people under NDA…I cannot tell you how nice it feels to discuss the release openly! There’s a whole lot to talk about…
The vast Photoshop ecosystem and Adobe.com have seen to it that our major feature set has been explained extremely thoroughly. You won’t have to look far to figure out what CS5 means for photographers, retouchers, illustrators, creatives, designers, 3D artists and much more – we have strong stories for all of them. What I’d like to do here is tell you about some of the tricks, polish and little known tweaks that went into making these features so magical – the inside scoop from the perspective of a product manager. Fear not…I’ll give you some great links to the big stuff too ;-)
Camera Raw 6.0
For any of you playing around with Lightroom Beta 3, you know all about the major changes to raw processing (better color, sharpening, noise, vignetting and effects – as before Camera Raw retains feature parity with Lightroom’s Develop module)…but one of my favorite ways to use noise reduction is in REVERSE. In the image below, you can see that heavy noise reduction and little (to no) detail can soften the image to the point where it almost looks like an illustration. Reversing Clarity is a popular way to soften skin, I think this will be too.
Another new feature in version 6.0 is Additive Grain; yes, it can be used to mimic TMAX 3200, etc. – but I think the real strength is establishing a bit of grain consistency prior to compositing images. Have you ever noticed how synthetic a 100 ISO image married to a 3200 ISO looks? With a sprinkle of additive grain (and it really doesn’t take much), the unbelievable is suddenly very realistic.
Last note on raw, while we have support for ~300 proprietary formats, all of the above (and more) could just as easily be done to a camera phone image (JPEG) or a scanned file (TIFF).
For those of you who liked the File Browser, you’ll love Mini Bridge (I know I do). From full-screen previews (spacebar) of any file (including your DSLR video) to multi-file operations like Panos, the new HDR Pro, batch, etc. – “MB” has you covered. Mini Bridge runs in a panel, so it’s right there in Photoshop…fast, convenient, scalable (MB can be an icon, stretched panel…even a photo tray – great for multi-monitors). I drive everything from Mini Bridge.
There is SO much to say about HDR; re-imagined from start to finish…but I want to focus on the most minor part of the UI and one of the most major parts of what makes the new Merge to HDR Pro so unique – “remove ghosts.” I believe that much of the abuse of HDR imagery (we’ve all seen it ;-) ) stems from a want to camouflage artifacts (namely moving leaves, branches, water, clouds, etc.)…”remove ghosts” solves that problem in a single click. I think this feature combined with a host of other major changes will allow people to shoot HDR; shooters that haven’t until now because of the compromise in quality (I count myself amongst them). In the case of ghost removal, the problem was so unique that we went beyond Adobe’s walls to an expert who focused solely on this one problem – thank you Greg Ward!
What about all of the people who like the dramatic aesthetic of HDR imagery, but either have older, single images or don’t want to bother with bracketing? You can thank Scott himself for insisting that we
Parental Sports Photography – My most Fantastic Voyage
Where do I start? Yeah that’s the same question I have been asking myself since Scott and Brad offered me the chance to be a guest blogger. First I am under no illusions that I am anywhere near a good enough photographer to share the same forum as Bill Frakes, Mike Olivella or any of the other fantastic photographers that have preceded me. I am just a very proud Dad who started out trying to take pictures of his son playing soccer. So I am both humbled and honored to have this chance and I hope that maybe a few of you will enjoy my ramblings and a few of my shots.
I started getting into photography about six years ago when my son was in the 6th grade and became starting goalkeeper for his middle school soccer team. I bought my first digital camera without much knowledge or thought. A Panasonic FZ-20, 5MP 10x zoom and I thought I was ready for SI! At first I was happy with my choice because I could take pretty good pictures of my son standing still in front of the goal.
But as soon as I started taking action shots the ball was blurry or my son was blurry and I never seemed to get the shot I wanted.
I wanted my pictures to just look