Seattle-based photographer, John Keatley. A while back, I (Brad) put out a tweet asking who people's favorite photographers were. Among the responses I got was Mr. Keatley. I took a look at his site and immediately contacted him about doing a guest post. For those who know me, you know that I have a fairly sarcastic/dry/twisted sense of humor, and John's work is right up my alley. He does a number of commercial and editorial assignments that are fairly straightforward. But his personal work tends to be a bit off-kilter, in a good way. His clean and simple style is also very appealing. For tomorrow, he has a great story about one of the first people who helped him decide to pursue a career in photography. It's a great reminder that we influence the people we come in contact with every day, whether we…
Photo by Bill Frakes I grew up in a family of storytellers. My grandfather, Bub, could tell a story better than Tom Brokaw. In fact, he was Tom Brokaw’s first boss at WSB-TV in Atlanta. My mom was a popular news anchor in Jacksonville, Fl, for 25 years. She taught me the importance local activism and the difference it can make. My dad is the quieter type. He was a news reporter in his younger years but is now a small business owner and avid amateur photographer. He gave me my first camera and taught me how to use it. My background is what ultimately drew me to photojournalism in college. It was the culmination of telling stories and making images. The big question mark over my future suddenly disappeared. Professional photography was where I was headed. While a student at the University of…
There is no off position on my visual switch. I am constantly watching, thinking, calculating, enjoying. For me this is a marathon, not a sprint. I want the images I make to have meaning now, and later. I am as engaged and passionate about the work now as I was that first magical time I saw a print pop up in the developer. And that was a few million images ago. I fully enjoy technology. Okay, I LOVE technology. It’s fun to have, hold and appreciate just for itself. But what’s important about it is that it allows me to constantly upgrade the way I work. For me using new stuff to make my work easier is just being lazy. I need to use it to make the storytelling better. I carry Nikon cameras that can see in the dark. I’m amazed at how…
Legendary sports photographer and photojournalist Bill Frakes. I (Brad) have been a fan of Bill's work since before I knew his name. His images and stories have always left an impression on me as a growing photographer. He's a staff photographer for Sports Illustrated, and has photographed everyone from President Obama to Michael Jordan to Tim Tebow. In his blog for tomorrow, he discusses the transition from film to digital, his love of technology, and his passion for storytelling. He also includes a heart wrenching, yet inspiring multimedia piece on the story of his friend who lost her leg to cancer early in life, but has gone on to live her dream. Bill was also one of the first people to get his hands on a D3s and created the video below for Nikon. So come back tomorrow and enjoy what Bill has in…
Being an artist sucks. Being an artist is awesome.
Trey’s new book “A World in HDR” has just been released. Besides a practical tutorial on HDR, there is ample discussion on new ways to look at art and the internet. This experiment started a number of years ago when he first got started sharing his HDR Tutorial. Below is an extended exposition on some of these thoughts. Send him your thoughts on Twitter at @TreyRatcliff .
How have we all gotten ourselves into this situation? What is going on with being an artist on the Internet anyway?
Let’s face it. There are multiple people that live inside of us. One of us cares what other people think. One of us could care less what other people think. One of us really wants to make money. One of us really does it for the art.
I grew up in the 70’s and 80’s, when having “multiple personalities” was seen as something horrible and possibly dangerous. We all know one of Sybil’s personalities was a bloodthirsty murderer, and if we couldn’t control them, what could we possibly do when we have the occasional dire thought?
I’m here to talk about all these personalities and why the cacophony can be an incredible source of inspiration and drive.
Just Find Some Beauty
I’ll start this article by telling you the important conclusion: root out the beauty from the chaos. Throughout this treatise, I’ll sprinkle in pretty images I’ve taken over the years. Despite all the psychological delving herein, it’s nice to be reminded that beauty exists. Some of you may know that I am heavily influenced by the Impressionists of the late 19th century, and in particular by Auguste Renoir, who said, “To my mind a picture should be something pleasant, cheerful and pretty. Yes, pretty! There are too many unpleasant things in life as it is without creating still more of them.”
Why do we care what other people think?
Aren’t we independent thinkers? Do we really care if
[Ed. Note – Some of the imagery within this post contains artistic nudity. If you prefer not to view these images, don’t click the “Read the rest of this entry” link.]
There never is a dull moment, because every moment is meaningful.
Howard Schatz: Photographer, Retinal Specialist M.D.
Howard Schatz is a man not easily described. His interests and passions run deep and broad. His choice of photographic subjects is wide ranging, from pregnancy, to newborns, to athletes and dancers and people with rare talents. He studies and photographs the human body and the way it moves, as well as light, water and fauna. Howard photographs stunning models flaunting their freakish beauty in extraordinary settings one day, and rare flowers exhibiting pure grace the next. Prima ballerinas underwater at his custom designed pool in a dream of weightlessness, and breakdancers on the stage of his versatile New York studio.
He photographs actors famous the world over as well as those not yet known anywhere. He directs them for his lens from no more than two feet away. Prisoners at Sing Sing, the homeless on the streets of San Francisco, club goers in New York, Cirque Du Soleil in the ring, and boxers, both retired and still fighting, the world over all make appearances in his camera. He paints fonts with light and creates other fonts out of nimble and acrobatic dancers. He shoots campaigns for Sprite, Showtime, Ralph Lauren, Epson, Neil LaBute and Macdonalds. He shoots editorials for Sports Illustrated, Newsweek, Vanity Fair and Time to name just a few. He does all of this with an exactitude fitting a surgeon. His photographs are exhibited at museums and galleries in the Netherlands, Germany, Switzerland, Austria, Italy, Canada, Argentina, New York, San Francisco, Honolulu, Tokyo, Edinburgh, Brussels, Stockholm, Paris, Cannes, Florence, Antwerp, Milan, Lausanne, Lisbon, Kiev and on and on…
Myself: Bart Babinski, Howard’s assistant; Aspiring Photographer
Born in Poland, grown up in Libya, Italy, Germany and northern New Jersey; BFA in photography NJCU; Cinematography student at The New School and the Kieslowski Film Dept. of Silesia University; Passionate about looking, seeing, and making images, plus life, people and the world, in all its color.
We all know what it is, but what is it really?