Here’s how we describe Jeremy’s new class:
In this class we get a behind-the-scenes view as Jeremy creates unique and dynamic setups in the most unlikely locations, with Scott at his side asking him all the questions that you'd want answered.
Jet away to South Beach, Miami, Florida to meet up with Scott Kelby for the next segment of our On Location Photography with Jeremy Cowart series. Jeremy has an amazing ability to clear away clutter, eliminate distractions, and make his subject the primary focus in just about any setting you can throw his way. You'll be amazed at what can be accomplished with minimal gear and a creative mindset that will surely change the way you view new locations.
For those of you who have seen Jeremy’s two classes we shot a couple of years ago out in Venice Beach, California, you know what I’m talking about — Jeremy is just amazing at find portrait locations just about anywhere, and then he uses simple light (just one light), and directs his subject to come up with amazing on-location portraits.
As good as he previous classes were (and they were a HUGE hit), honestly I think this class is even better! If you’re a KelbyOne Online Subscriber, I’d definitely try and watch his class this weekend. If you’re not already a subscriber, you can Rent it, Buy it, or Subscribe (and watch as many classes as you’d like). Here’s the link.
I’ve got some fun stuff to share on Monday or Tuesday, so I hope to see you back here then. Hope you all have an awesome weekend.
Here’s some cool free stuff from me that you might have missed, so I thought I’d share it here in honor of it being ‘Seis de Mayo’ and all. ;-)
(1) Download My FREE Lighting Recipes iPad App
It’s an App dedicated to teaching different lighting set-ups — The cool thing is, it's not just a couple of lighting setupsâ¦ There are 13 lessons in all, showing you the finished image and production shots, a lighting diagram, and my own audio commentary so you can see how each one is set up. It’s been downloaded about a bazillion times — it’s has nearly 700 reviews on the iTunes Store and it’s rated 4-1/2 stars (Whoo hoo!!!). Anyway, it’s free from the App store (or you can use this link).
(2) Take my FREE online class on creating custom photo books in Lightroom
That’s right â” it’s my full-length class on KelbyOne.com where I take you through the entire Lightroom photo book-making process from beginning to end and you’ll see exactly how it’s all done (and learn lots of helpful tips and hints along the way.
Here's how it works:
Our online classes are also available as downloadable 3-day rentals (just like you'd download a movie rental), and that's the case here, but you'll notice that instead of there being a $6.99 rental fee, the rental button says FREE (well, technically it says “RENT NOW” but you’ll see that the rental price is actually $0.00, and $0 means F-R-Double-E Free!).
Here's a link to the free online class, and I hope you find it helpful (photo books are easy to get hooked on â” make one and you'll fall in love).
(3) Watch my online class called “Crush The Composition” for Free!
This is the free rebroadcast of my talk at the Google+ Photographer’s Conference about why so many of us struggle learning photo composition and I introduced a new way to teach composition that breaks with the traditional methods and it has just really struck a chord with a lot of people. In fact, I probably get more email from fans about this class than any I’ve ever taught. It’s been viewed over 200,000 times and you can watch the entire class free (I’ve embedded it right above).
Well, there ya have it folks â” three free things from me! :)
Hope you find this stuff helpful and if it moves you even just a few more feet down the road, then I’ll be a happy man. Have a great Tuesday everybody. Hope it’s your best one so far this year! :)
The video above explains the new ebook (and it’s short and sweet, just like the book), but I just wanted to reiterate: this ebook is designed for photographers who are shooting on assignment and have to get their images sorted, tagged and uploaded on a deadline. But don’t buy it without watching the video above (important!).
It’s $9.99 (cheap!)
Hope you find it helpful. :)
When I recently got the chance to shoot the Audi R8, I only had an hour from start to finish, so I figured I’d give the new Priolites a try because of their “run and gun” wireless capabilities for on-location shooting, and they worked amazingly well. Check out the video to see ’em in action (and to see one amazing car)!
I love natural light
Love it! I don’t talk about it a bunch here on the blog, because it seems like I’m always lighting something, but you might be surprised that I don’t always walk into every situation thinking I’m going to light it. Oh, don’t get me wrong, we always bring a flash or two, but in most cases I’d prefer to use natural light. Why? Three reasons:
(1) It’s easy
(2) It’s free. (Well, mostly)
(3) It’s fast (that’s really a biggie for me)
If there’s available natural light I try to use it first
That was the case with the shot you see above (that’s a two-page spread in a wedding book I’m working on). This is up in the balcony and there were all these beautiful old wooden theater-looking seats (great looking, but not particularly comfortable) and to the right of the scene above is just this huge window. Huge! So of course my first thought was â” let’s just use natural light.
The problem is: natural light isn’t always beautiful light
Sometimes, even indoors like this with a big beautiful window with a shade streaming natural light, that light can still be really harsh, dappled and unflattering (or in our case, all three).
If we think we might have the opportunity to use natural light, I have Brad bring at least a 1-stop Diffuser (something that goes between the direct sunlight and our subject, like the Lastolite 1-stop TriGrip diffuser you see above, to spread and soften the sunlight). The sunlight at this time of day (around 3:00 pm) was so bright and harsh that even when we diffused it, our bride was still squinting and the light was still kinda harsh. Look at the light on the chair to the right of her and you can see how harsh that light is.
You’d think the light would be even….
But we soon realized that while we could diffuse the light somewhat (we really needed a 2-stop diffuser), we’d still have very strong dappled beams of light landing right next to her so we wound up chasing down these beams and positioning the diffuser in different places (that’s John our 2nd assistant on the shoot jumping in front of some dappled beams).
This is why I always bring a light. Or two.
I just wasn’t happy with the natural light, and our inability to control it, so I called down to Brad to bring up a flash head with a small softbox (it’s a 27″x27″ square softbox). I have to tell you, it’s pretty frustrating to be standing in a room with this much light and still have to bring out a flash, but we were having such a hard time getting the light where we wanted it. We finally moved the bride to a different location, hoping for better luck by placing her back a few rows into an area that wasn’t getting much harsh light, but we still had to use the diffuser to keep some of the direct beams from falling on her, or near her.
The idea was to have her in a dark part of the chairs, and then just put a little light on her, and have everything else look pretty dark and dramatic, and this new set-up seemed to work OK. It’s not great light. It’s not amazing light or anything — it was more like just having a problem, solving it to some extent, getting a decent shot so we could move onto another location with the groom waiting downstairs. Once we got it “in the ballpark” I took the shot using a super-wide 14-24mm lens, and rolled out of there. I basically cut my losses because although I felt like with another 15 or so minutes I could have probably nailed the lighting, I didn’t have another 15 or so minutes.
In the end….
I think the shot works in the two-page spread you saw at the top of this post, even though with that cool of a set-up (with a gorgeous stained-glass window on the far left, and these wonderful old chairs wrapping around), I really thought I could come up with something really special, but just didn’t. I played the hand I was dealt and we both folded. I didn’t win, and the harsh light didn’t win, but I lived to light another day. Hopefully next time, it’ll be later in the day, and I’ll be by a north-facing window —- one that hasn’t been washed in an awfully long time. :)