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  • Category Archives Lighting

    A few weeks ago I got to do a photo shoot with a group of U.S. Army Black Hawk helicopter pilots from an Army Reserve Medevac unit. During the shoot my 2nd assistant on the job, Chris Cox, looks at me and says, "Is there any place where you feel less like a man than when you're a civilian at at Army base?" We both just cracked up (because it's true!). We stuck out for sure, but this was just really cool! Black Hawks. Army Base. We're guys. What's not to like? (click on the photo above for a larger view). Brad and I had already done a scouting trip to the base a week earlier (in fact, it was through Brad that I got this opportunity in the first place, as one of his friends is not only a Black Hawk pilot, but…

    Last week Mark Astmann from Bogen Imaging came by our studios, and showed us one of the coolest, and most anticipated, new battery-powered strobe systems ever, and well...you've just gotta watch the video below to see what all the fuss is about (Note: this is the same kit that Joe McNally was using for his shot of the diver in the water last week at his workshop in St. Lucia). UPDATE: I just learned that the first shipment of these is due to hit B&H photo any day now, and they're acceptings orders right now. Here's the link to the "S" head two-head kit I talked about on the video, but you can find all the Quadra gear there by searching for "Ranger Quadra."

    I'm sitting at my desk one day---the phone rings, and I hear, "Hey, ya Mook; it's McNally." He told me he called to tell me that he was putting together a special week-long small-flash lighting workshop in the amazingly beautiful, lush, tropical island of St. Lucia down in the Caribbean, from July 5-12th. He told me that it would be limited to just a hand-full of students, and each day we'd all be shooting on location, including hands-on shoots on the beach, in the jungle; we'd be shooting all around the tiny island, and lighting everything from mountain bike racers to professional models, and that he was going to just immerse the class in how to absolutely nail location lighting with small flash. He said he'd cover his techniques for mixing flash with available light, how to incorporate reflectors and diffusers, how to work…

    I know a lot of you already watch Larry Becker's weekly NAPP news report, but for those of you who haven't caught his show yet, one thing I like about it is that he always covers different stuff from one week to the next. He just did a great interview with Corey Barker about the new Intuos4 tablet, and he's always got some new deal or discount cooking, usually along with what's going on in the industry. Anyway, the reason I'm bring this up is today; this week one of his stories is about where to get less expensive photography gear and studio lighting for advanced amateurs who can't drop $500 or $600 right now on something like a Westcott TD5 Spiderlight, but want something similar. Anyway, you can watch the show right here today (above), or if you're a NAPP member, each weekly…

    I finally got around to covering a question that I get asked so often from readers here on the blog, and that is: "What is the difference between off camera flash (like a Nikon SB-800 or SB-900, or a Canon 580 EXII), and a Studio Strobe?" If I have time, I sometimes answer people back with a direct email, but I've gotten this question so many times, I haven't been able to answer them all. So, I thought I'd put together an example to show you my typical response to the question, which is purely my own opinion on the subject. What I usually say is something along the lines of: "Whether you use a small off-camera flash, or a studio strobe, what you get is a bright flash of white light aiming toward your subject." I know that sounds pretty simplistic, but that's…

    I got a few comments on Friday asking how I did the "beauty style" headshot featured in Westcott's new Lighting catalog, and so I thought I'd show how to light it here. The shot you see in Westcott's catalog (which was taken with 2 Spiderlite TD-5---scroll down to the next post to see the shot), was taken before Brad started working with me, so unfortunately I don't have any production shots from that particular shoot. However, I recently did a shoot using that exact same "beauty look set-up" (the shot at the top of this post is from that shoot) but I used strobes instead, and luckily this time Brad was there to capture the production set-up, which is shown below. So, just to clarify: what you're seeing is the same exact position for the lights---which is what this post is all about---but in…

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