Good mornin’ everybody! OK, so I had planned on posting my field report on the Canon 100-400mm today, but I haven’t finished it (it’s been a really busy week), and now I’m off to tape some classes at the studio, and blah, blah, blah â” it’s not done. Totally my fault (it’s the old “too much on my plate thing”).
My plan is to run the field report tomorrow, but of course that was the plan for today, so I’m just keeping my fingers crossed that I’ll get everything done I need to get done, to finish it up. Now, if you come here tomorrow and you see something entirely different, then you know how that went down. ;-)
Hope you all have a spectacular Monday (there’s an oxymoron to start your week â” “spectacular monday”) and we’ll see you here tomorrow come rain or come shine (I have no idea why I just wrote that last part).
1) How to Sharpen Portraits of Women in Lightroom Since I took over the helm over at LightroomKillerTips.com I’ve been posting lots of new content, including this short tutorial about I question I get asked a lot. Here’s the link.
2) Peter Hurley is our in-studio guest tomorrow on “The Grid’ at 4pm. Peter’s here wrapping up his “Mastering the Headshot” book, and he’s recording a class on “How to find the “one” (how to know which shot out of an entire shoot is “the one” and while we’re here, you know RC and I have to get him on “The Grid.’
3) You Can Download a PDF Version of my Gonzo Holiday Gear Guide Really handy for giving “hints.” ;-) Here’s the link.
4) Congratulations to the 10 folks who won my “Photoshop for Lightroom Users” Book To see if you’re one of the lucky winners, click on over here. (Thanks to everybody who entered)
5)Fascinating Insights from Photoshop Senior Product Manager Bryan O’Neal Hughes RC had Bryan on as a guest on his weekly show “Photo Tips & Tricks” and Bryan shares some insight into how features like Brightness and Contrast, Adaptive Auto, have evolved over the years. His segment is around the 10:15 mark in the show.
Hope that helps you kick off your Monday! :)
P.S.I got a chance to field test Canon’s new 100-400mm f/4.5 to f/5.6 lens on an NFL game recently and I’ll be posting the full report on Friday here on the blog.
When I posted this behind-the-scenes iPhone pic yesterday on FB and Twitter, and mentioned I was using Lightroom Mobile (that it running on my iPad), I had lots of questions of how and why we used so I thought I’d tackle that here today on the blog.
Why Lightroom Mobile? First, I know there are lots of apps (OK, at least a few) that will let you transfer your images from your camera over into your iPad so you can see them during a shoot. In fact, Terry White had a great article on shooting straight from an Eye-fi Wireless SD card, through an App, right over to your iPad (here’s the link), but I wanted more than just being able to see them. I want this to be a part of my workflow to make my job easier and faster so I thought Lightroom Mobile might do the trick.
Above:Here’s a test shot I took the night before seen here in Lightroom Mobile. You can see the Develop Module Basic Panel adjustments shown here, like White Balance presets; Temp and Tint, Auto Tone, Exposure (you swipe to the left to see all the rest).
Above:Here’s one of the shots from yesterday’s shoot seen in the wide orientation view of Lightroom Mobile. Dig that Histogram in the upper right corner. The buttons across the bottom take you to (from L to R), a Filmstrip view; the Basic Panel editing; Develop Module presets, and Cropping. By the way: Amazing dress rented from DreamShootRentals.com
Here’s the advantages LR Mobile gave me:
(1) I was tethered directly into Lightroom during the entire shoot, and I could have the images I tagged on my Laptop in Lightroom transfer wirelessly to my iPad, which worked great. But that part’s a given.
(2) Because the images were now on my iPad, I can hand this iPad to anyone on the set. The Art Director can have this right in her hands, and when she sees a shot she likes, just can flag it as a Pick and her choices are sent right back over to me in Lightroom on my Laptop. That is slick! Also, she can be looking at different images than I’m seeing on my screen, so I don’t get in the way of what she’s looking at on the iPad, and vice versa.
(3) I can edit those images right on my iPad, even when I shooting in Raw! If we’re looking at a shot and the Art Director (or client, or MUA, etc.) notices a light stand in the shot and says “Can your crop that out?” I can crop it right there on my iPad while they watch. I can brighten it, darken it, add Clarity, open up the shadows, apply Presets — all the same things I’d do in Lightroom in the Basic Panel are all right there for me in for real time, and those changes are sent right back to Lightroom without me having to do anything.
(4) Any changes I make to an image once it comes into Lightroom on my Laptop (cropping, brightness, Vibrance, all that stuff and more) â” those get sent directly over to the person holding my iPad so they see my changes right after I make them. Sweet!
(5) I don’t have to pay anything extra for any of this â” I don’t have to buy special wireless SD cards, and I don’t have to use a camera that uses SD cards (some of my camera’s can’t use SD cards), and I don’t even have to buy an App. Lightroom Mobile is part of the $9.99-a-month Photoshop and Lightroom Creative Cloud bundle deal from Adobe. If you have the full Creative Cloud subscription instead (I do), you still get Lightroom Mobile, so either way you’re covered.
(6) Lightroom Mobile is on my iPhone, too.
Those are the reasons I wanted to try-out Lightroom Mobile at the shoot, and I was tickled with the results. I’ll be using on set from here on out (plus, it has a lot of “cool factor” — it’s pretty slick to hand someone an iPad and there are the images they just saw being made).
Above:Here’s one of my own Behind-the-Scenes shot, seen in Lightroom Mobile’s Basic Panel layout (see the controls along the bottom?). Weird but true: This was actually taken with a real-life DSLR (instead of an iPhone) â” I just zoomed out wide to catch this BTS view. That’s Adam on the left, our Steadicam operator and genius video guy with Kristina, our awesome New York City-based model, whose eyes are closed so I can only imagine that Adam has bored her into a sleep state. Be that as it may, I have to say, I’ve never seen Adam look more radiant. Or was it resplendent?
What about color management? I saw a couple of comments asking about this, and of course (I hope this goes without saying), but iPads and iPhone don’t have a color management system. Well, they may have one, but you can’t touch it or adjust it or match it to anything. I’m totally 100% fine with this, because like pretty much everybody these days, about 99.5% of my images are going to be posted on the Web â” in my portfolio, or here on the blog, or on Facebook, or G+ or Twitter. Which means my images will look different on every single person’s computer on earth. Want to test this one? Go to BestBuy and stand in the monitor department and watch the self-running demos that appear across the screens. The color is different on every single monitor and these are brand spankin’ new monitors! Same thing with TVs.
Every screen, everywhere, looks different, so sweating stuff like color management (unless you are indeed making a print), just isn’t practical for me. I’m not telling you not to worry about color management on your iPad â” I think this should be at the top of your list of worries, especially since you can literally do just about nothing about it, so if you want to lose sleep over this stuff like this, have at it. Me? I’m cool with my iPad’s screen looking different than my iPhone’s screen, and my Laptop’s screen, and every other screen on earth and I don’t sweat it, and I sleep great at night. (ARCSI)
Above:We set up a two-monitor workstation on the set so I could proof, and approve clips for a behind-the-scenes video, while the model was in make-up for the next look. Even those two monitors, from the same manufacturer, don’t exactly match color-managment wise.
Learning more about Lightroom Mobile We created a FREE Lightroom Mobile Learning Center with lots of videos that literally take you through the entire App and teach you exactly how it works. Here’s the link. If you’re a KelbyOne subscriber, we have a similar online class there. Of course, since we did that, Adobe just came out with some nice improvements and enhancements to Lightroom Mobile, so if you want to hear about those, just watch the video below from our own Matt Kloskowski, who by the way is on vacation in Hawaii, so I’m not in the mood to give him much more love than that, strictly due to extreme jealously. There. I said it.
So, that’s it. I’m not an expert at Lightroom Mobile (yet), so hopefully I’ll uncover some new things the more I use it (and I’m happy to share anything I learn along the way), but for now, I’m just super digging’ it.
Ya know what else I’m super digging? The fact that it’s Friday. I’ve had a super-mega busy week, that started with a trip to Canon’s HQ up in New York City, and ended with a majorly delayed flight. I had The Grid the following day; I had a spate of non-stop back-to-back meetings at the office, I had a mini-shoot Wednesday night; I had a major shoot yesterday, and now my friends, it’s Miller Time. Well, it’s actually still morning, so it’s not exactly Miller Time but you know what I mean.
Here’s wishing you all a relaxing, fun-filled, helium-filled weekend!
In the most recent update to Creative Cloud users, Adobe did something I just did not see coming, and it’s designed to allay the concerns of some Lightroom Creative Cloud subscribers (or potential subscribers). Watch the video above first (it’s really short) which explains what they did, then I did a short Q&A below, which will only make sense after you watch the video:
Q. Does this affect me if I bought Lightroom outright, rather than subscribed? A.Nope. Not at all. This only affects folks who are using Lightroom through a Creative Cloud subscription (either the full subscription or the Photographers Bundle).
Q. So, if the scenario plays out like you said in the video, can I still import photos into Lightroom? A.Yup. You can import and export (so, if you’re working with Raw files, you can still export out JPEGs or Tiffs. you can even print your images!).
Q. Why do you think they disabled the Map module? A.That one had me stumped at first, but my guess is â” they would owe royalties to Google for part of the Map integration and if they’re not collecting subscriptions they probably don’t want to pay royalties. I haven’t confirmed that with Adobe, but that’s my guess.
Q. Do you think they’ll do something similar for Photoshop CC? A. If you had asked me Monday, I would have said no. Today, I’m thinking they might do something similar. Makes sense to me, but again â” that’s just my guess (have not asked Adobe if this is in their plans).
Q. Does this mean that every time that I’ve opened either LR or Photoshop 2014 that its checking with Adobe to see if I’m paid up?(This question from Dave Cooley over on my Facebook page). A.No. It checks just once a month.
Q. Hey Scott, I just bought your Photoshop for Lightroom users book! It’s great thank you!(that’s another comment from my Facebook page, this time from Monika Rohfeld). A.Monika, that’s not a question, but I’m going to let that slide because any comment that refers to my “Photoshop Book for Lightroom Users” should be highlighted here as an example of “the perfect Facebook comment,” so thank you Monika. My Publisher thanks you. My children’s college fund thanks you. I thank you.
Q. If I already have Lightroom, can I still subscribe and get PS also? And if I cancel, the only gone for me would be PS? (another from my Facebook page. this one from Kellie Durbin Carey). A.OK, that’s a toughie. You can subscribe to just Photoshop, but I believe it’s actually more expensive (like double) the cost of the Photographer’s Bundle of Lightroom & Photoshop and Lightroom Mobile for $9.99 a month, so here’s what I’d do: Go with the Bundle deal for $9.99, but keep using your current Lightroom for now (don’t update it to the Creative Cloud version of 5.5). That way, if you cancel, you’ll still have a fully functioning Lightroom. However, when Lightroom 6 comes out (whenever that is), then you’ll pay the full upgrade price.
Q. Can you still write xmp data to file? Then you can use Bridge/ACR with settings that were applied in Lightroom? (Facebook comment from Susan Koppel) A.I haven’t tested it myself yet, but you can still write XMP files (that’s a Library module function) so theoretically you could do just what you’re saying. Again, haven’t tested it, but it makes sense. Good thinking by the way, Susan.
Q. This has nothing to do with Lightroom, but I heard Joe McNally’s new online class came out yesterday. Is it as good as everybody says? A. It’s better. This is a comment on Joe’s class I saw on Google+ from Martin Gleixner “Hands down – the best class ever I’ve seen on #kelbyone. Joe is unbelievable. Thank you so much for this great evening with Joe McNally.” Saw this one on Twitter from @irishmikenyc: “Wow! Thank you so much scott & joe, this kind of info is just as or more valuable than settings n’ gear.” This one from Facebook from Jill Martin, “I didn’t want to have my hopes up when you talked about it on the grid a week ago, but no worries, it was everything you claimed it would be. Very good class. The entire year’s subscription would have been worth it just for this one class.” Yes, it’s that good. Here’s the link: http://kel.by/TV6fFV
Q. You are so incredibly lucky that someone asked that question about Joe’s class, right? A.Ummmmmm, yeah. That was lucky, right? (cough, cough).
Q. Hey, wait a minuteâ¦you didn’t ask that last one yourself did you? A.Would I do something like that? (don’t answer that â” you’re already out of questions).
Q. So does the LR news also mean any PSD files aren't orphaned & can be seen/exported via LR if you loose PS w/o a subscription?(On my Twitter page from Steve Brazill – @razz2) A.Yes, but your PDS files weren’t orphaned even before this news because you can open PSDs and view and print them in a dozen different programs. LR does like you resave as a JPEG, but there are probably others that do, too.
Q. I’ll stay with my non subscription version on my Mac.(David Hays from my Facebook page). A.Thanks for letting me know. That’s really helpful?
Q. Adobe listened when a lot of us were bellyaching when CC was released. Kudos to them. Great company! (from Kevin Graham over on my Google+ page). A.Not a question Kevin, but I’m still running it here because I’m happy to see someone acknowledging that Adobe made a big positive step by doing this. This is a good thing â” it adds a safety net for subscribers â” many of whom I felt had a valid concern and I’m glad Adobe addressed it the way they did. A little amazed, but glad. Still surprised they left the Web, Slideshow and Print modules intact.
OK, that’s the big news from yesterday â” (well, that and Joe’s class which I think was pretty big news). Hope you all have a fantastic weekend, and we’ll see you back here on Monday. :)
A few years ago, Matt and I started a project to answer a question we’ve been asked again and again: “I already have the Bridge & Camera Raw â” why should I switch to Lightroom? " or "I thought Lightroom was just the same as the Bridge and Camera Raw." Uggh! It kind of like saying “I already have a kit lens â” why would I want anything else?”
It's particularly frustrating because Lightroom has so many advantages over the Bridge & Camera Raw â” it’s a whole different world, but Matt and I know there’s just no way to explain that in just a few words, and that’s why way back in Lightroom 3, we created this side-by-side comparison called “100 Ways Lightroom Kicks The Bridge (and Camera Raw’s) A$$!” where we created 100 short, straight-to-the-point videos (30 to 60-seconds each) that make it all crystal clear.
That way, people could go directly to the topics that interested them most (since I doubt anyone would watch all 100, or would be willing to sit through 100 when they only needed a few to change their mind). NOTE:There is a little forward button at the top right corner of each video, which you can click to take you to the next video, in case you want to watch all 100.
Why Now? Because it came up once again on last week’s episode of “The Grid” (the same old questions and misconceptions) and with Adobe’s Creative Cloud Photographer’s Bundle now a permanent part of Adobe’s product line (You get Photoshop CC, Lightroom 5 and Lightroom Mobile for $9.99 a month), I thought it was time to revisit that list, even though Lightroom has added tons of new features since we created that original site (at the very least, watch the short intro that Matt and I put together to get you started).
By the way, you can download a free 30-day fully-working trial version of Lightroom 5 from Adobe, and give it a whirl yourself (download link for Mac & Windows) â” you’ll super-dig it ( I cannot tell you how many emails we've gotten from people around the world who have thanked us for turning them on to Lightroom over the years). Hope you find it helpful.
Above:Our crew in the control room getting ready 15-minutes before air.
Thanks to everybody who tuned in last night â” we had lots of great questions and discussions, plus RC did an amazing job handling the biggest number of giveaways we’ve never done (including two Wacom tablets, four $100 B&H Gift Cards, loads of books from Peachpit Press, A Canon Pixma Pro 1 printer, and a Canon point-and-shoot, and more). Really a great night and we got loads of great feedback from people who are now ready to make the jump to Lightroom.