Category Archives News

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(1) My Lightroom 5 Book is in-stock
Most folks who pre-ordered have already received their copies, but now the online bookstores (and brick and mortars) also have it in-stock, and I hope you’ll check it out. Here’s the link to it on Amazon and Barnes & Noble. Get your copy today and be one of the “cool kids” (that alone won’t actually do it, but it certainly won’t hurt). ;-)

(2) My Jesus Book is Sold Out Again
It’s sold out again at Amazon, but more copies are already on their way. Now, if you just said to yourself, “Scott wrote a Jesus book?” Here’s a link to the video where I announced it, which explains it all (and who the book is for). It is still available as an ebook for the iPad or iPhone from Apple’s iBooks store, and we’re working on a Kindle version (have been for a while, but we are finally getting close. It’s a long story). Anyway, more print copies are on the way.

http://youtu.be/fTnku5i7X6c

(3) Today is the cutoff for the $100 Early Bird Photoshop World Conference discount
I know Brad mentioned that it was today yesterday, but today’s today. Here’s the link if you want to join us in Vegas next month for a career-changing, earth-shaking, technique-learning, fun-loving’ Photoshop love-fest, here’s the link. Sign up today and snag that $100 discount (and get a full 12-months of the full Adobe Creative Cloud for free).

Plus, you’ve always been dying to go — now’s your chance. Airfares to Vegas are cheap, we’ve got a great deal on the hotel (stay where the instructors stay, the Mandalay Bay Resort & Casino, the home to Photoshop World Vegas), and today you save another $100. Say it with me, “This is the year. I’m going!”

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(4) If you missed Brian Smith on “The Grid” you missed a lot!
Brian totally rocked the Grid this week and we’ve gotten a flood of comments on how useful, informative, and just plain great that episode was. The topic was “The secrets of great portraits” and some are calling it one of our best episode ever. You can watch it all right above.

(5) SmugMug gets the “Big Buzz” award of the week
Everybody was raving about SmugMug’s new relaunch this week, and their debut of some seriously beautiful new portfolio layouts, a much-improved back-end, and an all new…well…everything. They totally nailed it, and if you haven’t checked them out this week, jump over there right now and see what all the fuss is about. Congrats to the crew at SmugMug on the hugely successful big launch!

(6) Speedlights vs. Battery Powered Strobes
Really great article in photographer Michael Clark’s latest newsletter on Speedlights vs. Battery Powered Strobes. I always enjoy Michael’s newsletter and he often covers topics you don’t see covered that frequently, which I think is great. This one is an excerpt from his book, and he makes some really great points. Plus, lots of great photos as always. Here’s the PDF edition: http://bit.ly/15gY770

(7) You can now view “Cool Photography Stuff” (my Flipboard magazine) on The Web
I just learned that you don’t have to have a tablet to read the Flipboard 2.0 magazine I curate anymore — you can now read it right in your web browser (and the layouts transfer very well, as seen above). I curate my “Cool Photography Stuff” magazine every day, and it’s free, free, free to subscribe! Here’s the “view on  the web” link: http://flip.it/ErwfT (of course, it’s still available within the free Flipboard App itself as always). So, if you want to stay up on what’s going on daily, check it out.

Well, that’s my seven quick things for this Friday.
I’ve got a really cool review planned that I think will help a lot of folks. Hope you all have a great weekend, and we’ll see you back here on Monday. Cheers, -Scott

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(1) Guess who is our in-studio guest on “The Grid” tomorrow?
Oh yeah–#shebang — it’s the man himself — Peter Hurley (wild cheers ensue!). The master of the headshot (see above) is in the house!

Here’s here working on a project with us, and he’s our guest tomorrow at 4:00 pm ET LIVE on the air. We might (I have to confirm with Peter first), do our blind critiques episode (in which case, it would be portraits only), so keep an eye out on my Facebook, G+ or Twitter pages tomorrow for the link to upload your images in case we go that route, but ya never know. Here’s the scoop:

Who: Peter Hurley, live in-studio
What: Tomorrow’s episode of “The Grid” (our weekly photography talk show)
Where: http://www.kelbytv.com/thegrid
When: 4:00 pm ET (New York Time)
Why: Because we do this every Wednesday at 4:00 PM ET

Join in the fun (and for the occasional crushing of people’s hopes and dreams).

(2) Help me find some place to go (be kind, kids)
My awesome, awesome wifey got me the most amazing birthday present — a photography trip (with my brother Jeff as my shooting buddy) anywhere in the world I want to go (as long as it’s someplace she wouldn’t want to go, so going back to Paris is probably out. LOL!).

My first thought was to go back to Dubai (It’s been like five years since my first visit), but this time I’d head to Abu Dhabi as well (which is a short drive), but now I’m thinking maybe I should go someplace else since I’ve kinda already been there. So, if you’ve got any ideas for really cool shooting locales that aren’t 25+ hours of flying time from Florida, I’m all ears (remember, if you can picture my wifey there with me, it’s probably off the list, so Bora Bora, Fiji, France, Spain, etc. or any place exotic or European is probably out). I’m thinking Moscow could be cool. Maybe Namibia (but my brother makes a frowny face when I mention Namibia). Anyway, I’m open to any cool ideas that won’t take me too far away for too long (five days would be ideal).

(3) My Lightroom 5 Book is Almost Here!
My Lightroom 5 book is on-press (well, it’s been on press for a while so it’s probably off press by now, or any day at the latest), and it’ll be winging it’s way to stores very soon (and by winging I mean just riding in a truck but that doesn’t sound nearly as exciting as winging), and I have reason to believe it will be arriving sooner than the bookstores online have indicated (just a hunch. Wink). Anyway, you can pre-order it right now if you’d like to over at Barnes & Noble, or Amazon, who both have screamin’ deals on it (around $34. Cheap!). Anyway, be the first on your block (heck, be the first on any block), to get your copy by pre-ordering now.

Well, that’s it for today. Hope you all have a great Tuesday and we’ll see you back here tomorrow for Guest Blog Wednesday-a-roonie (and don’t forget The Grid with Peter tomorrow).

Cheers,

-Scott

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(1) Photoshop World Vegas registration is Now Open!
What’s Photoshop Vegas like? Watch that video, and then come join us in September. LOTs of cool new classes, new instructors and new stuff to learn. Here’s the link with details.

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(2) Cool new class on Lifestyle photography from Erik Valind
This new class  is getting lots of great feedback (Erik is a really great teacher, and he’s handling a really tough, but really common program and of course, he makes it easy and understandable). Erik explains the class in the video above.

Here’s the link with details on the class. (you can rent the online class for three days for just $9.99, but if you’re already a Kelby Training Online subscriber, of course it’s free).

(3) Thanks to everybody at Henry’s “Exposure Show” in Toronto
Man, what a great show! A big thanks and shoutout to everybody who came out to my Keynote Presentation at the Exposure Show in Toronto last Sunday. Just had such a great time! Really great event from top to bottom. Super diggin’ it!

(4) The New issue of Lightroom Magazine is now available
Issue #5 of our fastest-growing magazine, Lightroom Magazine, is now available on the App Store. There’s a very cool tutorial on portrait retouching in Lightroom, Matt has a great article (and video) on combining images; Rob Sylvan shows you how to use Target Collections (and why they’re so handy), plus a whole lot more. Hope you check it out.

(5) Into Flipboard? Into Photography? Check out my Flipboard magazine “Cool Photography Stuff”
I curate a Flipboard 2.0 magazine called “Cool Photography Stuff” and each day I update it with exactly that. I search a bunch of different online photography resources and when I see something cool, interesting, helpful, or just a really beautiful image, I ‘flip” it into the mag so it’s always very up-to-date (I often update it numerous times a day). Anyway, it’s free, it’s fun, so just search it on Flipboard App (for IOS and Android) When you search, look for a mag from “skelby” — that’s me!

Thanks for stopping by!

Cheers,

-Scott

P.S. Don’t forget to join me Thursday at 7:00 pm for our “Beginners Start Here” free Webcast with a ton of photography tips, giveaways and fun stuff to launch our biggest online initiative yet! See you then. 

 

Hi Gang: It’s Tuesday. Here’s what’s up:

(1) Thanks Seattle and LA — you guys rocked it!
A big thanks to the nearly 1,200 photographers who came out to hang with me for the day at my “Shoot Like a Pro” tour in Seattle and Los Angeles last Thursday and Friday. What fun, gracious crowds we had, and I met so many awesome folks (and even saw a few friends like Concert Photographer Alan Hess, and Kelby Training Instructor Mike Kubeisey who came out to the LA gig). I’m very grateful to every one who came out and supported the tour — I hope you picked up some things that will help you on your photographic journey, and I hope to see you all again soon! (Photo of the crowd in LA above by Brad Moore).

(2) I have found a killer Wedding font: Parfumarie Script
I always have photographers ask me about fonts I use in tutorials or photo books, and last week I found this new one I really like called “Parfumerie Script OT” (I found it at MyFonts.com for $29). It’s an Open-Type font so I went in to Photoshop and made some examples. The top part is just different examples of the fonts upper/lowercase, and the lower part shows the first letter of each word; normal; with Swash version applied; and with Stylistic Alternates applied (you access these in Photoshop’s Character panel, in the pop-out menu up top, under “Open Type”). Hope you find this helpful.

(3) I am super-psyched to be on the Cover!
I cannot tell you how thrilled I was to see that that the Int’l Society of Aviation Photography (ISAP) chose one of my shots for the cover of their annual Symposium program

That’s my wide shot of an FA/18 at sunset in the center and they chose another for inside the program (that’s mine top left corner on the right page). Truly an honor to be alongside such amazing photographers. I heard the event was just incredible (as always). My humble thanks to the ISAP for the honor (especially as a proud ISAP member). :)

(4) I wanted to like the new flickr. I really did.
I Love the way it looks — I hate the way it works. It’s a beautiful, clunky, “let’s bury the command they’ll be looking for at a level that would make Adobe engineers proud” kind of place that, once you learn all the ins/outs is probably OK, but I just don’t have to time to play “site hide-and-seek.” I so hate sitting there thinking, “I just want to delete this photo” and all the obvious ways to do it don’t work (I eventually found it), but I had to Google numerous topics.

You shouldn’t have to use one site to research how to use another (especially when G+’s own great-looking galleries have gotten so good, and so much more intuitive). Oh well, flickr — it was worth a shot, I guess.

(5) Zack Arias’ new class on Kelby Training Online 
Zack is one of the most insightful and thought-provoking photographers out there today, and if you’re a Kelby Training Online subscriber, Zack’s presentation in our Photography Art & Inspiration series  just went live and you can watch it right here.  (Note: Zack was taping two more Kelby Training Online classes this week, one in Atlanta and one up in NYC. Can’t wait for these!). 

http://youtu.be/ABj99qaS_vY

(6) OK, the flickr thing is a bust, but 500px.com has all the buzz
Check out Matty K’s quick walkthrough above (it’s just four-minutes and somethin’ long) and you’ll see why there’s a lot of great buzz about 500px’s launch of new online portfolios for photographers. Hats off to ’em!

(7) Tim Wallace and the 2013 Aston Martin Vanquish 
Master of Automotive photography, Tim Wallace, did a shoot for Aston Martin’s new 2013 Carbon Fibre Vanquish…and as expected, he got some really amazing images. He did a blog post about it, and if you’re in to automotive photography (and beautiful luxury sports cars), here’s the link: http://www.ambientlife.co.uk/articles_261439.html

(8) I’m on my way back from a quick get-away to Vegas
After my back-to-back Seattle and LA seminars, I snuck off to Vegas to meet my wifey, who snuck off to meet me there (The trip was a gift last year from my publisher, Peachpit Press, for being named the world’s #1 top-selling author of books on photography. Thanks Peachipt — we love you guys!). We had three glorious days of R&R, with some great shows, delicious meals, sleeping-in late, and no work or responsibilities whatsoever. Oh well, it’s back to reality now — as you read this we’re already on the way back home and back to work. Hey, it was fun while it lasted. :)  Photo above [the view from our room at the Aria hotel] by Kalebra with her trusty iPhone.

Hope you have a kick-butt Tuesday!
It sure beats the alternative. Cheers, and I’ll see ya here tomorrow for Guest Blog Wednesday featuring the one and only, Guy Kawasaki himself. Don’t miss it!

–Scott

I saw loads of questions and comments all over the Web yesterday about Adobe’s announcements. The new features part got lots of love. Adobe’s new subscription-only plan for their Creative Cloud software, not so much (and that’s being kind), so I thought I’d do a quick Q&A giving my take on it all.

Q. Scott, should I be freaking out?
A. Absolutely not. I saw a lot of nasty comments yesterday (I’m sure you did, too), but a lot of what I read was based on mis-information or was just plain wrong. 

Q. Can you give me an example?
A. Sure. I read a bunch of people in forums claiming that Adobe isn’t going to release any bug fixes for Photoshop CS6. Actually, Adobe said just the opposite. They said they would be updating CS6 with bug fixes as necessary — they’re just not adding any new features (well, technically they did go back to CS6 and add a major new feature —- they added the HiDPI support for computers with high dpi displays, like the Retina display on the MacBook Pro, but you know what I mean).

Q. So, Adobe isn’t going to add any new features to Photoshop CS6?
A. Um…no, but that’s not new. I don’t remember Adobe ever going back and adding new features to a previous version of Photoshop once a new version has been announced. 

Q. So they announced a new version of Photoshop?
A. Yup. It’s called Photoshop CC (for Creative Cloud), and it’s got a bunch of new features, and it’s the 2nd feature update they’ve issued for the Creative Cloud. 

Q. I heard we have to subscribe to get these new features. Is that true?
A. Yup. The new features aren’t being added to the old version of Photoshop (CS6), so to get the new features you’ll need to subscribe. 

Q. So I have to pay $50 a month to get these new features!!!!
A. Nope. For some reason, everyone is acting like you have to subscribe to the complete Creative Cloud program to get the new features in Photoshop. Actually you subscribe to just Photoshop by itself for $19.95 a month (Adobe calls this a “Single App subscription”). By the way, this $19.95 Photoshop-only subscription thing isn’t new (it just seems like nobody really knows about it, so everybody’s all focused on the $50-a-month thing). 

Q. But Photoshop CS6 came out just over a year ago. Now I have to shell out $20 a month?
A. Nope — they have a discount for folks who already bought CS6 (or CS5, CS4 even back to CS3) — they get a one-year intro-deal on a Photoshop CC subscription for just $10 a month and they get all the new features (along with any new ones that are released, for as long as they’re subscribed). 

Q. So then I don’t actually have to pay $50 a month for Photoshop?
A. That’s right — the $49.95 monthly subscription is only if you want the full Creative Cloud, which gives you all the Creative Suite Master Collection Applications as well, like InDesign, Illustrator, Premiere Pro, After Effects, Muse, and on and on, plus a bunch of new Cloud-based services.

Q. Yeah, but if I bought CS6 and now I want to move to the full-blown Cloud, I’m hosed right? 
A. I
f you bought CS6 and want to move up to the complete Creative Cloud, there’s a deal where you can get the whole shebang for just $19.95 a month (same price as just Photoshop alone, but you have to already be a  CS6 user to qualify). Here’s a link to the page where I found it.

Q. But I’m a photographer and I only use Photoshop. This doesn’t sound like a very good deal.
A. If all you use is Photoshop, I agree, and I wouldn’t get the complete $49.95 monthly Creative Cloud subscription — I’d just go with the $20 Photoshop-only monthly subscription instead. 

Q. What if I use Photoshop and Lightroom. Is it a good deal then?
A. I think it will be before too long (Adobe sneak peeked some cool stuff for photographers on “The Grid” last week), but honestly right now there’s not a really strong case for photographers with the complete Creative Cloud. For example, you could buy the Lightroom 5 upgrade for $79 (I’m assuming it’ll be $79 ’cause that’s what it cost last tim), and then if you’re already a Photoshop user using anything from Photoshop CS3 to CS6, just spend the $10 a month on Photoshop.

So, take the $79 plus $120 for the Photoshop CC  Single App subscription, and you’re around $200. If you went with the complete Creative Cloud subscription you’d be paying $600, so by just getting those two programs (upgrading to Lightroom 5 and subscribing just to Photoshop CC), you’re saving $400 by going this way, and you still have the latest versions of the best image-editing duo on the planet. 

Q. So when does the complete Creative Cloud subscription math work out?
A. As soon as you find yourself using two or more programs (not including Lightroom). So, if you use Photoshop and InDesign, or Photoshop and Premiere Pro, or Photoshop and Muse or any other couple of Adobe programs, the deal goes from “Meh” to “Hey!!!” For example, our in-house video team thinks the complete Creative Cloud is the best thing since sliced bread because they use lots of Adobe applications. For our graphic designers, it rocks for them too because none of them uses just Photoshop. The more programs you use, the more sense it makes. This is why, right now, I don’t think it makes that much sense for photographers, who are going to use just one or two programs (if you count Lightroom, which is included in the complete Creative Cloud) but I think that will change in the future as Adobe adds more photographer-centric features. 

Q. But what if Adobe raises the price on me?
A. I doubt I’ll be in my 60s and the price for the Creative Cloud will still be the same. At some point, it’ll probably go up, but any company can raise the price of any of their products at any time, just like the US Post Office does with the price of a stamp (and most companies do pretty regularly, which is why everything costs us more today  from milk to gas to coffee). Also, just like any product, you don’t have to buy it if they do raise the price. 

Q. So what happens if I can’t pay my subscription one month?
A. The same thing that happens if you can’t make your car payment. Two big burly guys come to your house in the middle of the night and take back your copy of Photoshop.

Q. Really?!
A. Well, they don’t come to your house per se (they do it digitally), but why chance it?

Q. I read that the Creative Cloud apps run in a Browser. Is that true?
A. I can’t believe I keep reading this, but no. No, no, no. They don’t run in your browser. All the Adobe desktop apps in the Creative Cloud  (like Photoshop, InDesign, Illustrator, etc.) run like they always did — on your desktop. But instead of getting a box shipped to you, you just download the software from “The Cloud.”

Q. I also read you always have to be online because it checks every day to see if your subscription is current. What if I’m not online when they check each day?
A. It’s my understanding that if you’re an annual subscriber, it only checks once-a-month to confirm your registration — not every day, all day, and annual subscribers can actually be off-line for up to 99 days straight and it still keep their subscription active (but I can’t remember ever meeting anyone who was offline for 99 days. I did hear stories of a Grandmother in Wyoming once though). For monthly subscribers, I think you can be offline for around 37 days, but still — I don’t know where this whole “check every day” thing came from either, but my advice would be; when they come to check, quickly turn out the lights and hide behind the couch.

Q. Will that work?
A. I’m not certain, but again, why chance it?

Q. Why is Adobe the only one doing this?
A. Actually, they’re not (look at AutoDesk, Audible, Microsoft, iTunes Match, Amazon Prime, etc.), and I imagine within just a couple of years (or less), this subscription model will become the norm. Don’t shoot the messenger. Shoot Brad instead.

Q. Hey, I bought CS6 last year. Aren’t I entitled to these feature updates for free?
A. Well, every time Adobe releases a new version of their software, only people that buy the new software get the new features. If you look in your copy of CS5, you won’t find any of the CS6 features in there — only the people that bought CS6 get them. When you bought CS6, you bought it based on the features that were in there at the time, and that’s exactly what you got. There was no promise that if Adobe came out with new features that you’d get them — new features always go in the next version of the software.

Q. Well, that’s not exactly true. Creative Cloud subscribers got those features free!
A. That’s true, because subscribers get new features free, as soon as they’re ready, so they’re always on the latest version of the software.

Q. So basically, Adobe is using that as a marketing thing to get people to subscribe to the Creative Cloud?
A. Wellâ¦yeah. Cloud subscribers get the new features free as soon as they’re ready. It made me want to subscribe.

Q. That’s not fair!
A. You seriously need to find the person who, at some point in your life, mistakenly told you that life was fair and clonk them with that round cardboard tube that comes inside Christmas wrapping paper.

Q. What if I don’t want to subscribe? What if I don’t want to “rent” my software?
A. You don’t have to. You can still buy the retail version of Photoshop CS6 just like always, and you’ll own it and there’s no monthly fee. 

Q. Well, how much does Photoshop CS6 cost?
A. I believe it’s $700 (ish).

Q. Wow. Renting doesn’t sound so bad now. 
A. I know, right?

Q. I know you said we can still buy Photoshop CS6, but I just scoured Adobe’s Website and I can’t find any link to it at all.
A. Me either. I searched all over, even got friends to help search with me, and I couldn’t find it for a long time (apparently buying CS6 includes a game of “needle in the haystack” first) but eventually I uncovered it. Here’s the link.

Q. So Scott, what do you think is a fair price for a bundle of both Photoshop CC and Lightroom 5?
A. A bunch of folks watching our live broadcast with Adobe’s Tom Hogarty thought the sweet spot for a bundle of the two of them would be $20, and I agree — that would be ideal. Probably isn’t going to happen, cause that would be both at about $10 a month, and one costs $700 and one costs $149. If you’re thinking, “Hey, $15 sounds great” I wouldn’t hold my breath for that either. I think $24.95 would still be really reasonable, but of course it’s not up to me. 

Q. So have you talked to Adobe about all this new pricing stuff?
A. Absolutely. I’ve been out there for meetings, I’ve had numerous conference calls, I’m on an Adobe advisory board, and I’ve been in close contact with Adobe over all of this and I’ve given my opinion to the point that I can’t believe they would actually continue to take my calls. But at the end of the day, I can only offer advice and give them the perspective of the 70,000 NAPP members I represent, but I’m not the Adobe CEO, and product pricing is not my call to make.

This is the product direction Adobe chose going forward, made by people with a much higher pay grade than me. I’m glad they asked at all. Most companies wouldn’t have. I also think they really listened (not just to me, but a wide range of industry influencers and longtime customers and I think that’s why some of the pricing deals and discounts are as low as they are. $10 a month for the latest Photoshop? That’s a pretty unbelievable price honestly — lower than I thought they’d ever go). But the software market has changed tremendously in the past few years and they have to do what they feel is best course for their products and their company going forward. By the way, this subscription model isn’t just where the future of software in general is going. It’s already here (as I mentioned earlier).  

Q. Do you think Adobe will change their mind about this?
A. No. This isn’t a decision they made two weeks ago, and Adobe knows there are a ton of people who already subscribe to the Creative Cloud (the last figure I heard was over 500,000 subscribers and growing, which is pretty staggering) and there are a ton of people who absolutely love the Creative Cloud, the tools it brings and the opportunities and doors it opens. I run into people while I’m out on tour who wouldn’t go back to the old way if you paid them, so while it may not be perfect for everyone just yet, this is pretty much just “Creative Cloud 1.0.” I’m honestly surprised at what Adobe has added in just one year, and I’ve seen some things that are coming, and I imagine before too long everybody will want to be in on this because Adobe is working on some truly groundbreaking stuff. 

Q. I know, I know, but I’m just so mad about all this!
A. Change freaks a lot of people out, and all the misinformation out there hasn’t helped either. But just know that you still have lots of options, so don’t feel like you’re being forced down one particular road. You can subscribe to just Photoshop. You can buy and own Photoshop CS6. You can join the whole Creative Cloud, or not. You can keep the software you already have and keep using it for years. You can sit on the sidelines and just see how this whole thing plays out, but regardless, you still have options. 

Q. So what are you going to do?
A. I subscribed to the Creative Cloud about two weeks after Adobe announced it, and I love it. I do use more than just Lightroom and Photoshop (I’ve been using InDesign all day today), and for me, and for my company, it not only makes sense, it saves me money. I’ve spent my entire career waiting 18 to 20 months for Adobe to release new Photoshop features. Now, I get them as soon as they’re ready. The waiting is over, and the decision was an easy one, but again, I had options. You do, too. 

I hope that helped to clear some things up.

Best,

-Scott

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