Category Archives Photo Gear

A few weeks back I got a chance to try out a pre-production model of Canon’s new 100-400mm f/4.5 – f/5.6 USM II lens shooting on the sidelines for an NFL game (Eagles vs. Titans) up at Lincoln Financial Field in Philly, and I thought I’d deliver a field report here in a quick Q&A format. It’s not a technical look or in-depth review, just my initial thoughts after shooting it for a game. Here ya go:

Q. How is the physical size of the lens?
A. It’s really close to the size of Canon’s 70-200mm. It’s just a little bit wider but I was surprised to see it’s actually a little bit shorter than the 70-200mm. However, with the large lens hood attached, it definely looks beefier than the 70-200mm.

Q. How was the weight compared to the 70-200mm?
A. If I handed you the two lenses, you’d think they weighed about the same, but I think technically the 100-400mm weighs about 2 or 3 ounces more.

Q. Which other lenses did you use during the game?
A. None. I shot the entire game using just this one lens.

Q. What was it like shooting with just one lens?
A. It was absolutely awesome!! I cannot tell you how sweet it was using just one body, just one lens, no monopod needed and so lightweight compared to what I’m usually lugging along the sidelines (two camera bodies, a 400mm f/2.8 and a 70-200mm f/2.8 and a monopod). Shooting on a monopod definitely limits you, and affects your shooting angles, so it felt like it does when I shoot my 70-200mm, so that was really nice.

Q. Did the lens get heavy to hold up as the day went on?
A. Not at all. Like I mentioned, it’s about the same as size and weight as my 70-200mm (which I shoot quite often, and it’s usually on my 2nd body at games anyway) so the weight wasn’t an issue.

Q. How’s the overall sharpness of the lens?
A. I felt it was a very sharp lens (especially for the money). It was super-crazy sharp at 300mm and under, and only slightly less at a full 400mm, but I was using a pre-production model on loan (just for that one game) so it didn’t have all the final tuning and adjustments the shipping model will have, but even at that it was still very crisp. I called a buddy of mine who is one of the tech gurus at Canon and he said that the Canon engineers internally are saying the final shipping version of this lens is really close in overall sharpness to the Canon 70-200mm f/2.8 (which I think is one of the sharpest lens ever made by anybody), and for a 100-400mm at this price, that’s saying something.

Q. When is it supposed to ship?
A. I believe B&H Photo is shipping their pre-release lens orders today, so I’d say “any day now.”

Q. How was the overall “feel” of the lens?
A. Well, in the first quarter of the game I was surprised how tight the zoom barrel was on this lens (the older version of this lens was a push/pull lens â” you didn’t rotate a barrel to zoom â” you pulled the lens outward or pushed it in). Luckily, between quarters I saw a circular adjustment that lets you set the exact amount of tension you want, so I set it right then to how I like it (which is a looser zoom than the default setting).

Q. Did you use it on a full frame or crop sensor body?
A. I shot on a full frame Canon 1Dx, which is why I could get away with using just that one lens all day.

Q. So, is there a downside to using it on a cropped sensor body?
A. I wouldn’t say it’s a downside, because you gain something but you also lose something â” it’s more of a tradeoff. On a crop sensor body, you’d gain 60% reach, so your 400mm lens suddenly has the reach of a 640mm lens on a full frame body, which is awesome (especially if you’ve ever priced a 600mm lens). However, that means when you zoom all the way out to 100mm, on a crop sensor that’s the equivalent of a 160mm and that would be too tight once the players get close to where you’re shooting from. So, if you’re shooting on a crop sensor body, you would want to have a 2nd lens to switch to for when the team gets inside the 20-yard line (something like a 24-70mm would probably be ideal).

Q. How did the auto-focus perform?
A. I was impressed â” it was pretty snappy! I’m used to shooting some really high-end lenses and this one still felt pretty quick overall.

Q. Who is this designed for lens for?
A. I’d say it’s really designed for daytime sports photographer and for wildlife photographers, but of course it will take a picture of whatever you aim it at, so you’ll see everybody from wedding photographers to portrait photographers using this same lens, especially at its size/weight and price (B&H Photo has it for $2,199).

Q. Is it a Daytime only lens?
A. Well, it’s like this: it’s an f/4.5 to f/5.6 lens, so unless you’re shooting a body with really great high-ISO (low noise) performance (like the 1Dx I was shooting at this game) you’re going to have some really noisy images after dark, or inside a gymnasium or an arena. For wildlife photographers, this probably won’t be much of a problem, but for sports photographers this is something you have to consider, which is why I say it’s a daytime lens. During daylight, it rocks! I set my f/stop to f/4.5 and didn’t change it all day. I had Auto-ISO turned on and set it so the slowest shutter speed it would ever take would be 1/1000 of a second, so the ISO would climb as high as it needed to get that shutter speed. It worked awesome. It would be less awesome (at f.4/5 to f/5.6) at night or indoors.

Q. How did the f/4.5 to f/5.6 range affect you for this game?
A. At first, at the 1:00 pm kick-off it didn’t at all, but later in the game some cloud cover rolled in and my shutter speeds started dropping. Then the game ran long (lots of penalties) so by around 4:30 pm it looked like dusk and the stadium lights were on, and my Auto ISO started climbing. Take a look at the shot up farther on this page â” the shot where Titan’s Lineman Mike Martin is pulling on Sanchez’s jersey  â” that was shot at 1,600 ISO and it’s just 4:41 pm in the afternoon. Lenses with these higher f/stops make you shoot at higher ISOs when it’s not bright sunshine â” it’s that simple, and that’s why I call it a daylight lens. Just my take on it.

Q. Wasn’t there (ahem) an “incident” during this game? Something to do with a bullet pass?
A. Next question, please.

Q. Did you sharpen any of these images?
A. Of course. Every image you see from a pro game is sharpened (I applied an Unsharp Mask filter with these settings: Amount: 90; Radius 1.5, Threshold 0 – to the full-sized images). I didn’t think it would be a fair comparison to put un-sharpened sports images from any lens up against the sharpened sports images you see every day.

Q. Can’t you post an unsharpened image?
A. Sure. Here ya go (below) â” this is an un-edited, un-cropped, tilty, unsharpened, JPEG shot straight out of the camera that needs straightening, brightening, cropping and sharpening. Still looks nice and sharp, but outside of this blog post I would never post ANY sports image without, at the very least, applying sharpening first.

Q. Did you shoot in RAW or JPEG?
A. I shoot all my sports in JPEG, so these are all JPEGs. 

Q. Anything else strike you about it?
A. Not really. I think Canon did a nice job with this lens, and I think at this price, it will make a lot of people happy (especially since the old version was introduced about 10-years ago). What was most memorable for me about shooting with it was just how awesome it was shooting an entire game with just one lens. Shooting without a monopod gives you a big advantage, so that was a big thing, and not ever having to switch bodies or lug all that gear was a real plus for me. I took all my gear to the game, and was expecting to switch to my regular much (ahem) high-priced lens for the 2nd half, but I was enjoying the freedom, size, weight and results so much I decided to just stick with it, and I was really happy with the results.

Q. By the way, who won?
A. The Eagles won 43-24.

(Above: Although I was shooting for the Titans that day, my buddy John Geliebter shoots for the Eagles and I snapped this one of him during a time out. After the game he drove me to the airport in record time to catch my flight, so I owe him several beers next time I see him). 

(Above: That’s my buddy Donn Jones, Titan’s Team Photographer and just one of the greatest guys out there. However, I feel like his iPhone is outdatedâ¦wellâ¦especially since my 6-plus just came in last night. I’m not sure Donn and I can be friends any longer). ;-)

This weekend off I’m to shoot with the Falcons on Sunday for their home game against the Steelers. Might do a few remotes (you know I love that!). I have some shots from the game next week. :)

Hope you all have a great weekend (#gofalcons, #riseup) and we’ll see you back here on Monday.

Best,

-Scott

 

Welcome to my "9th Annual Gonzo Holiday Gear Guide" (yes, last year I brought the "Gonzo" back after a brief break because just calling it a "Holiday Gear Guide" lacked that certain, I dunno, "gonzoness.") So, I now bring you the blog-version of my "Gonzo Holiday Gear Guide" (which appears in the current issue of Photoshop User magazine, seen above) whose light burns brighter than a thousand suns (insert dramatic pause here), featuring an unbridled collection of 100% absolutely necessary gear that there's no way we can see clear to live another minute of our hopeless, desperate lives without. (I gotta tell ya, you have to search far and wide to find any holiday gear guide that uses the terms "hopeless" and "desperate" in the opening paragraph, which is more irrefutable proof that this guide truly stands alone.)

Before we get to the list, remember that the holidays aren't about which gifts you get. They're about how many gifts you get, and the person who dies with the most gifts wins. (By the way, you can now add "dies" to "hopeless" and "desperate," making this the most riveting of all gear guides ever!) Okay, folks, watch your Geschwindigkeitsbegrenzung, because here we go!

THE RULES:

These are my self-imposed guidelines for which products make it into the guide. It's just two rules actually. First, to be listed here they have to be products that I use myself, and that I absolutely love, and now can't live without (well, I could live without them, but I wouldn't want to). Second, if a product makes the guide, it has to be one I would recommend to a close friend without hesitation, especially if my friend is a personal injury attorney (kidding).

Gear Guide Categories:

In sacred Gonzo tradition, I'm breaking things into three distinct categories:

1: Stocking Stuffers (You can also use these as actual holiday gifts if you're not that crazy about the person.)
2: Great Value Gear (Stuff that's a really good deal for not a lot of money, but he or she will totally dig it.)
3: Cha-ching! (Stuff you buy for the doctor/lawyer/rap mogul on your holiday gift list. This is the stuff that makes them burst into spontaneous tears of joy. Well, at least I would.)

STOCKING STUFFERS


Really Nice Photo Paper

If the photographer on your holiday list has a printer, this is a gift she will truly love because you can never have enough paper (or ink for that matter). Recently, I saw some absolutely beautiful papers from Freestyle Photographic Supplies when I was at Photoshop World in Vegas. You can get an Epson Premium Photo Paper Glossy for $11.99. Sweet!

PRICE
Starting at around $11.99


Remote Shutter Release (Wireless or Wired)

This is one of those gifts that every photographer at one time or another will need, but it's one of the last things we think to buy, which is what makes it such a great gift. You'll need to know the make and model of his camera so you get the right type of connector. Prices start at around $18 for a Nikon or Canon wireless release. Sadly, the better DSLR he has, the more the cable release that works for that camera costs, so just hope he has a lower-end model.

PRICE
Starting at around $18


Spare Battery

I love this stocking stuffer because even if he has a spare battery, he would still love another one. It's one of those can't-go-wrong stocking stuffers. They're usually fairly inexpensive (from around $40-60), unless of course, he has a high-end camera like a Canon EOS-1Dx ($165) or a Nikon D4s ($149), in which case this gift may test the limits of your friendship. Just sayin'.

PRICE
Starting at around $40


Collapsible Rubber Lens Hood

This is a really great stocking stuffer because your photographer will love it. They're awesome because they save space while protecting her lens from damage and lens flare, and it looks like it costs a lot more than it did. They start at $4.95. Of course, the price depends on the size of her lens measured in millimeters. For example, a typical 70-200mm lens uses a 77mm size lens hood, which is still only $19.95 at B&H Photo if you buy the B+W brand, and less than half that if you buy the General Brand lens hood.

PRICE
Starting at $4.95


Some Cool Books

He will love Night Photography: From Snapshots to Great Shots by Gabriel Biderman and Tim Cooper (around $16 on Amazon), or how about Matt Kloskowski's awesome eBook Landscape Photography Workflow Using Lightroom and Photoshop for $9.99 on Amazon. (It's an eBook for Kindle or the Kindle app on your tablet or smartphone.) Hey, he might like my new book, part 5 of my The Digital Photography Book series (just $15.80 on Amazon in print or $9.99 for the eBook version), or if you want to splurge a little (and he shoots portraits), get him Picture Perfect Posing by Roberto Valenzuela (around $30 at Amazon).

PRICE
Starting at $9.99


GREAT VALUE GEAR


Macphun Tonality Pro

The king of black-and-white conversion plug-ins had always been Nik Software's Silver Efex Pro (now part of the Nik Collection by Google), and it's still a great plug-in, but there may be a new king in town. Macphun has created a killer black-and-white conversion tool at less than half of the price of buying the Nik Collection. The Pro version is $69.99 and it totally kicks butt! If your photographer is into black and white, this will become her new tool of choice. (The only caveat is that it's Mac only, so make sure she uses a Mac first.)

PRICE
S69.99


Think Tank Photo Airport Roller Derby

It's a four dual-wheel roller camera bag that she will absolutely go bonkers over! It holds a ton of gear, and it glides through the airport like it's on rails. Lots of room for lots of gear, and a very well-thought-out bag all the way around (plus, it fits in the overhead bin with no problem). However, fabulous eight-wheeled bags don't come cheap: it's around $390. Give it to someone you love, or someone you want to love you who doesn't yet, but will after you give her this.

PRICE
$389.75


MagMod Modular Flash Modifiers

There are a lot of great flash modifiers out there, and MagMod is a new player in this market, but I gotta tell ya, their magnetic system of flash modifiers is so incredibly easy to use that you'll be a hero when the photographer on your list uses this system for the first time. The MagMod Basic Kit is $89, which comes with the MagGrip, MagGrid, and MagGel (magneticâ”it just pops on and off) but then you (or he) can buy accessories fairly inexpensively like $19 for the Creative Gel Set or $25 for the MagGel 2 Slot Kit. Cool stuff!

PRICE
Starting at $89


BlackRapid CURVE (RS-7) Strap

I learned about this strap about four years ago on one of my photo walks and I've been using one ever since. The strap wraps across the body (great for safety since a thief can't just grab it off your shoulder and take off), and the camera hangs upside-down at the side ready to slide up the strap and shoot at anytime. Really can't say enough about 'em. Around $62 at B&H. Totally worth it.

PRICE
$61.95


Cactus Wireless Flash Transceiver V5

These are so inexpensive it probably should have been listed under stocking stuffers, but don't let the low price fool youâ”these puppies work amazingly well. They're used for firing your flash or strobes wirelessly and they do a great job of it, even if they're not the prettiest wireless units out there. A set of two is around $75 (and yes, he'll need twoâ”one goes on top of his camera in the hot-shoe mount, the other attaches to the flash itself).

PRICE
$74.95 for two


SmugMug Portfolio

It's never been more important to have an online portfolio, and SmugMug's gorgeous, newly designed templates have taken the world by storm. If the photographer on your holiday list doesn't have an online portfolio yet (or if she does and she has dreamed of selling her work online), this is the ticket. Their Basic plan is just $40 for a yearâ”so get her a year plan. She'll love you for it!

PRICE
Starting at $40/year


3 Legged Thing Punks - VYV Magnesium Alloy Tripod & Airhed

I started using one of these British tripods this year and I really love it, and the photographer on your gift list would totally love one, too! It makes an awesome travel tripod and it comes with a ballhead. It has reversible legs so it folds up really small, and it's super lightweight, but amazingly sturdy. B&H carries it for $199. You'll get lots of love in return.

PRICE
$199


Battery Grip

This is one of those gifts that he will love you for forever because it's so handy, and it will make his camera look and feel more like a high-end pro camera. It also gives him a second battery holder and a shutter button for when he's shooting vertical. They start at around $50 for a third-party grip, but if you buy a Nikon or Canon brand, expect to pay at least two to three times as much, so give the Vello brand at B&H a serious look. You'll be a holiday hero for this one!

PRICE
Starting at $49.95


MPIX Modern Metal Print

Want to really make a photographer lose her mind? Gift her one of her own images printed on metalâ”it's like seeing her image in HD for the first time. Just remarkable! (By the way, this isn't metallic paper; this is printing on actual metal.) MPIX rocks at these metal prints and you will rock for giving them. They start at $33.99 for an 8×10 (the 12×18 is a good deal at $59.99).

PRICE
Starting at $33.99


B&H Gift Card

Not sure exactly what to get him? Yes you do. Get him a B&H Gift Card. I don't know anyone who doesn't want something from the greatest photo store on earth, plus this way he can get whatever he wants (within the limit of how much you put on the card, of course). You can order them directly from the B&H site. They send a card and a catalog so it looks pretty substantial.

PRICE
Starting at $20


Westcott Zeppelin

While this isn't nearly the most expensive gift in this gear guide, it's the biggest, so it may have the most physical impact. It's quite properly named because this mammoth softbox will give you maximum impact as it slowly casts a shadow over the studio space. Okay, I may be overdramatizing the size, but not the impact. Through a clever design, this new softbox allows you to focus and shape the beautiful light by sliding the actual strobe inside the softbox. She will love you for it. Westcott Zeppelin lights cost $399.90 for the 35″ model; $499.90 for the 47″ model; and $699.90 for the 59″ model, which looks like it's the actual size of the Goodyear Blimp when you see it live.

PRICE
Starting at $399.90


Lightroom + Photoshop CC Photography Bundle

For around $120, you can get her a one-year subscription to Adobe's Creative Cloud Photography Bundle where she'll get the latest versions of both Photoshop and Lightroom, plus Lightroom mobile (for iOS), as well as some other goodies. Love will rain down upon you for this gift!

PRICE
$119.88


CHA-CHING!


Profoto B1 500 AirTTL

Every photographer who shoots studio strobes on location dreams of two things: working on location without hauling around a battery pack, and shooting Profoto gear. The new Profoto B1 500 AirTTL fills both dreams at once because the battery is built into the sleek body (so no hauling a separate battery pack around). Profoto is the cream of the crop for performance, and they're gear is built like a tank (which is why most rental houses offer Profoto as their main line). But the price of the B1 500 AirTTL isn't for just anyone at $1,995â”definitely for pros or for the Wall Street insider on your holiday gift list.

PRICE
$1,995


Synology NAS (Network Attached Storage) Backup

This is a very important and powerful gift because this will house your holiday photographer's entire photo collection in a safe, rock-solid storage system (the same one I use myself), plus it will give her access to her images no matter where she is (via the Web). I've been looking for a kick-butt backup and archive system for years, and this is the one! A totally mind-blowing gift. Use their NAS Selector to find out which one is right for the photographer on your list. This may be one gift where you tell them up front, "I'm getting you a Synology NAS," so you get the right one for her needs (and the outpouring of unconditional love may start before the actual holiday does).

PRICE
Starting at around $380


Canon EOS 7D Mark II

I know I've been something of a cheerleader for this camera since Canon announced it in late September, but it's because I think Canon did something really special with this camera aimed at sports and wildlife shooters. They put pro specs into an affordable camera body, so you no longer need to have NFL-sideline-quality gear just to get great photos of your kids' high school sporting events. With 10 frames per second, a 20.2-megapixel sensor, and much improved high-ISO noise performance over the older 7D that it replaces, I think it's an amazing camera at a brilliant price. He will follow you around like a puppy for the rest of his life if you buy him this.

PRICE
$1,799


Tamron 28-300mm f/3.5-f/6.3 Di VC PZD (for Full-Frame DSLRs)

This is the lens I use as my all-around travel photography lens. It's lightweight, compact in size, and you can't beat the price as far as value goes. Will it be the sharpest lens in his bag? Nope. Will it be the lens he turns to again and again because it covers everything from wide-angle to super-telephoto? Yes it will. Will you be showered with affection for giving a lens as a gift? Yes you will.

PRICE
$849


DJI Phantom 2 Vision+ Copter

The popularity of these DJI copters is exploding because, quite simply, they let your camera fly in the air for stills or video, and photographers have absolutely flocked to them in the past year. This isn't just photography, this is fun! It's $1,229 with a spare battery, and it's worth every single penny. This may be the coolest gift ever.

PRICE
$1,229


STUFF FROM US

A One-Year KelbyOne Membership

Wanna give him a gift that he'll remember all year long? How about world-class online training on everything from Photoshop to Lightroom to photography? It's $249 for an entire year (with 24/7 access to literally thousands of lessons), or just $25 a month. Not only will he love you for it, so will I.

PRICE
$249/year; $25/month


Corey Barker's Photoshop Down & Dirty Tricks for Designers, Volume II

The name says "for designers," but since just about every project in the entire book starts with a photo, it's really a special effects book for designers, photographers, or anybody who wants to learn how to create amazing effects in Photoshop.

PRICE
$33.99


Treat Them to a Live Seminar

Buying someone a ticket to one of these full-day seminars would make an awesome gift. My "Shoot Like a Pro" tour, Matt Kloskowski's tour for learning Lightroom, or Joe McNally's "The Power of One Flash" tour are among the choices.
PRICE
Starting at $89; $79 per person for groups of five or more

Treat Them to Photoshop World Vegas

Give him a full conference pass to the Photoshop World Conference & Expo. It's a three-day Photoshop, Lightroom, and photography love-fest. If you buy it for him now, you can get $100 off with the Early Bird discount. If you want to get a one-day pass instead, it's just $249.
PRICE
Starting at $599
__________________________________
Well, there ya have it — hope you find it helpful for your Holiday Gear Gift Shopping! :)

Best,

-Scott

 

 

http://youtu.be/CAckPcKK76U

Hi gang: This weekend I got a chance to take two Canon 7D Mark IIs out for a real world field-test shooting two football games: On Saturday the Tennessee Vols vs. the Florida Gators, and on Sunday the New York Giants vs. the Atlanta Falcons at Met Life stadium in New Jersey. (Note: the two camera bodies I used were overnight loaners from Canon of pre-production demo units â” they are not the final shipping cameras â” so they’re not quite finished yet, but they’re far enough along that I could at least test them and give you, and Canon, feedback).

I’m posting some high resolution samples here (below), but make sure you watch the video above because we tackled all the important stuff you’d want to know about (of course, we talked a lot about high-ISO performance), plus we took loads of questions during the broadcast (I’m joined by RC Concepcion and Brad Moore in the studio). It’s really kind of “three guys sitting around talking about a camera” type of show and I show lots of my photos (not just sports stuff) taken with the 7D Mark II.

Above: Specs: Shot as JPEG image. 640 ISO. 1/1000 of a second at f/5.6. 560mm (400mm with a 1.4 tele-extender). If you click on this low-res preview, it will take you to the full high-resolution image you can download. I cropped-in a tiny bit to fix composition and I brightened the image 1/2 stop, but it’s still a bit under-exposed [I was shooting JPEG and used Exposure Compensation to overcome some highlight clipping I wouldn’t have even worried about if I had been shooting in Raw]. No sharpening, noise reduction, vibrance or any of that type of stuff in post. By the way, it’s killing me to post a non-sharpened image. Just sayin’.

We Covered a Ton!
We covered what worked, what I wish were different, and literally just minutes before we started taping a tech-rep at Canon called in and helped out by showing how to fix my #1 complaint about the camera for shooting sports (which we show how to address during the show above). I still had to whine about a few things (I hope Canon is listening), but I covered the stuff it did right as well. We really tried to cover all the questions we’d been hearing on social and here on the blog as best we could.

Above: Shot in JPEG mode (we explain why on the video). This one’s at 1,000 ISO at 1/1250 of a second. Same lens as above. Cropped in a bit. We also show a large print of this on the show. 

RC Totally Scores!
My favorite part of the broadcast comes around the 2/3 to 3/4 mark when RC absolutely nails why this camera is so important, and he really articulated what I’ve been trying to say about the 7D Mark II since the official announce. You’ll know when it happens because I literally high-fived him for stating it in a way I wish I had, because he really put it all on context.

Above: I used Auto ISO to shoot in the locker room before game time. That image you see above? That’s 16,000 ISO. Click on it to get the high-res version (no noise reduction in post â” and that was shot in JPEG mode). It’s shot at f/2.8 at 1/1000 of a second using a 70-200mm f/2.8 lens. You definitely do see noise on the full res image (heck, you see noise on a 1Dx at 16,000 ISO), but I was still pretty amazed that a crop-sensor camera could get this kind of performance at 16,000 ISO. 

I’ll be around today to try and answer any questions we didn’t cover during the broadcast (if you’re going to ask about noise, please watch the video ’cause we covered it to death), so just leave me a comment here and I’ll do my best (Note: I just did a field test â” not an in-depth lab report, so if you ask me pixel-peeper style in-depth techie stuff I’m probably not the right guy to answer those, but I might be able to find someone at Canon who can answer those types of questions).

Above: I thought I should at least post one image actually taken at 100 ISO, so here ya go. This is uncropped, un-anything; shot in JPEG mode. Again, click on it to see the high-res version. 

Anyway, hope this helps, and here’s wishing you your best Tuesday yet!

Best,

-Scott

P.S. We’re only four days away from my 7th Annual Worldwide Photo Walk. If you haven’t registered to join the local walk in your city this Saturday, it’s not too late. Here’s the link. 

http://youtu.be/dW9-8kBcx1I

Hi Gang: Mia McCormick sits down with one of my all-time heroes of sports photography, the legend himself, Peter Read Miller for his impressions of the recently announced Canon 7D Mark II. If you got a sec, it’s definitely worth checking out.

Also, I shot two games this weekend using the 7D Mark II for my main and secondary bodies (weekend loaners from Canon — just early demo units — not the final shipping version), and I cannot wait to share some shots with you here tomorrow from the Vols/Gators and Falcons/Giants games, so make sure you stop back tomorrow for my field report.

Hope you guys have an fantastic Monday (I know, that’s an oxymoron) even if your team lost this weekend (all my teams lost. Ugh. But there’s still a faint hope for my Fantasy Team â” I’m in third place in our league).

Best,

-Scott

http://youtu.be/M03hu1diCqE

First, watch that video above (it's got all the major specs, and we deliver them short and sweet!), then come on back down to find out why I think the just-announced Canon EOS 7D Mark II is literally going to shake up the entire sports and wildlife photography world (hint: we've never seen a camera with these specs, at this low a price â” ever!)

OK, thanks for watching the video â” what you just saw was literally the little brother to Canon's flagship 1DX, but for nearly $5,000 LESS!!!

The reason why this is such a game changer is that when it came to seriously shooting sports and wildlife so many people were literally left out of the game because of the cost of the type of camera you need to shoot at that level, but with Canon putting a camera out there with these specs, at just $1,799 â” today all that changed and the playing field has been leveled (no pun intended). Hey, before we get deep into this, I just want to throw out one spec that blew my mind. 10-frames-per-second! (Drops the mic. Walks off stage). ;-)

I think one of the biggest advantages this new camera has (and a lot of folks might not realize this at first), is that it's a crop-sensor camera, so it brings you 60% closer to the action than a similar full-frame camera. This allows us to use less expensive lenses and still get in really tight, so the 7D Mark II doesn't just change the equation for the body; it lets you get closer to the action with less expensive lenses. I think not making this a full frame camera may have been Canon's most brilliant move.

Sports photography legend Peter Read Miller, renowned wildlife photographer Adam Jones, and I were all I lucky to have had a chance to spend some serious time with this camera before its release and it's everything they say it is (and then some). We were all just blown away. These guys totally knew how this was going to change the game for sports and wildlife shooters, and they were just as amazed as I was at the specs and price point.  I take my hat off to Canon for taking the risk and doing what needed to be done, in releasing the 7D Mark II with these specs at this price.

Canon's got all the detailed specs (and is taking preorders) over at their site.

Also B&H Photo (I buy all my gear there) is taking pre-orders starting today (the camera is set to ship in early November). Here's that link. If you want a complete list of Canon's authorized dealers that sell the camera, go to this link (I’m very linky today).

Well, that's the big news from here â” hope you all have a game-changing Monday and we'll see you back here tomorrow!

Best,

-Scott

P.S. Although I know Canon aimed the specs of the 7D Mark II at the sports and wildlife crowd, it'll take a photo of whatever you point it at. I did a bridal shoot with it (you can see some of my bridal shots in that video at the :56 mark and around 2:30) and it absolutely rocked!  A lot of folks outside of sports/wildlife fields will fall in love with this camera big time. 

 

http://youtu.be/5IqOrps2kN4

Hey Gang: Canon also released the PowerShot G7 X today, an awesome little point-and-shoot camera that's a perfect 2nd camera for pros since it takes amazing images yet it literally fits in your pocket, and connects to your cell phone via Wi-Fi!  It's also great for anyone moving up from a cell phone camera that wants more "umph!" and flexibility.

Anyway, check out the video and see what ya think!

More details over at Canon (here’s the link)

You can get it at B&H (well, that’s where I’m gettin’ mine, anyway). Here’s the link.

Best,

-Scott

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