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  • Category Archives Photo Shoots

    So after I shot the Honda Superbike Races on Sunday in Birmingham, I hopped a flight (well, two flights), up to Kitty Hawk, North Carolina to be a part of Moose Peterson's DLWS (Digital Landscape Workshop Series) "Outer Banks" workshop, which kicked off Sunday night (I'm not teaching; I just came to shoot and hang out with my buddies Moose, Joe McNally, and Laurie Excell, and I had a blast (That's right; I did this morning's sunrise shoot then headed to the airport to head back home). They're still going to shoot sunset today and sunrise tomorrow, but I've got to head back home, see the kids, and then get ready for my Down & Dirty tour in DC (which was sold out last Friday with over 700 people for the day). Also with me was the 'Bad Man' himself, Brad Moore (who used…

    Yesterday I few up to Birmingham, Alabama to spend the day with my buddy Jeff Rease (who we now affectionately call "The Chancellor of Birmingham"), shooting the AMA Racing's Honda Superbike Classic race at Barber Motorsports Park. Matt Kloskowski came along with me, and the three of us spent the morning shooting (some of the shots I got are shown here; click on them for larger views). We had full media credentials, including a Hot Pit pass, but as luck would have it; we only got to shoot for 30 minutes total the entire day, (during the Superbike morning warm-up session), because after warm-up and lunch, a huge thunderstorm moved over the track, which delayed the actual race long enough that I had to catch my flight back home without getting to shoot another shot. We only shot from one area, and for only…

    Last week I got an email from a reader in Denver, Colorado who had seen my post about my Indy Racing assignment, and he needed a favor. He was preparing to take his family to Walt Disney World in Florida (It's one of their favorite places so they're regular visitors) and since has shot it so many times he was wondering if I had any ideas he could use for a self-assignment at Disney World. The funny thing was: I had faced that same situation (both my kids are Disney fanatics, and I grew up about 45 minutes from Disney's Main Gate and I started going there back in October of 1971, so I've shot it "to death."). I shared with him a couple of self-assignment projects I had done at Disney, and one I hoped to do in the near future. Anyway, I…

    I got a few comments on Friday asking how I did the "beauty style" headshot featured in Westcott's new Lighting catalog, and so I thought I'd show how to light it here. The shot you see in Westcott's catalog (which was taken with 2 Spiderlite TD-5---scroll down to the next post to see the shot), was taken before Brad started working with me, so unfortunately I don't have any production shots from that particular shoot. However, I recently did a shoot using that exact same "beauty look set-up" (the shot at the top of this post is from that shoot) but I used strobes instead, and luckily this time Brad was there to capture the production set-up, which is shown below. So, just to clarify: what you're seeing is the same exact position for the lights---which is what this post is all about---but in…

    You guys know I'm really paranoid and a bit obsessive about protecting my image collection, which is why I (and a bunch of my friends) all switched our photo archiving drives to a Drobo (I'm a Drobo freak, and actually have two: one at home, and a duplicate offsite at my office). This week, I'm talking to Terry White (another Drobo freak), and I'm talking to him about needed more storage space (this talk brought about by 45GB worth of Indy photos in one weekend), and we basically both determine that I need to "man up" and get a second Drobo. Then I get a call yesterday from DataRobotics to let me know that they are announcing the answer to my prayers today---DroboPro. This is a "Business Class" robotic storage solution that lets you have double the storage bays of the original Drobo (So…

    Hi gang: Thanks for all your emails and comments yesterday (and for understanding when I put up such a brief Monday post). I've had so many questions about the shoot from friends, readers, co-workers, and everybody in-between, I thought I'd just dive right in and get to answering them, so here goes: Q. How did you get a media pass to shoot this event (or sporting events in general)? A. Big time sporting events only make a limited number of photo passes available for each event (called "Media Credentials"), and to get one of those passes you generally have to be with a legitimate recognized media outlet (a major newspaper, print magazine, major website [like espn.com, SI.com, etc.], or a wire service, like AP or US SportsWire). Also, they want to know that you're there covering their event for the magazine, so just saying,…

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