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  • Category Archives Photography

    While we were teaching at Photoshop World last week, we launched a brand new way for people to experience the awesome online training we're producing over at Kelby Training Online --- now you can join us each week for a new, completely free, online training course, taught by a who's who of the world's top pro photographers. Come and go as much as you like and watch whenever it's convenient, 24-hours a day, 7-days a week. We kicked things off this week by airing my class "Shooting Travel Photos Like a Pro" filmed on-location in Paris, France and you can jump over and watch it right this very minute (it's a continuous free broadcast all week long, until Wednesday and then a new class will start airing). I hope you'll check it out, because I'm betting you're going to watch a couple of classes…

    Since Adobe announced their Creative Cloud subscription-only business model, I've been saying the same thing again and again --- "... the deal just isn’t there for photographers yet." Well, that all changed during the opening keynote at Photoshop World last week in Vegas when Winston Hendrickson (Adobe's Vice President of Engineering for Digital Imaging, and a serious sports photographer himself), announced a better deal than I was ever expecting: if you have any previous version of Photoshop (all the way back to CS3), you can get the combo of both Photoshop CC and Lightroom 5 for just $9.99 a month (as long as you take them up on the offer by Dec 31, 2013). Much better than I was expecting I had been talking with Adobe about a deal like this for photographers since they first announced the subscription-only plan, and the number I had been…

    Hi Gang: I thought I'd share the painful, behind-the-scenes step-by-step lighting set-up for the BMW 650i I shot a week or so ago at Studio 75 in Seminole, Florida (I shared the final shots on my Facebook, Twitter and Google+ pages). Since I had all the test shots as we were piecing the lighting together, I thought I show you how it looked in stages, all right out of the camera (until the end when you see the final shot). It's not going to be pretty, but here goes: Above: Here's a behind-the-scenes shot of where we finally ended up. lighting wise. It looks like a simple two-light set-up, and it is, but getting there was....was...well…it took a number of hours and there was a lot of "scrunching of my face" during the entire shoot to get it where I was hoping to be.…

    Above: I snapped this iphone shot of of the 200-400mm before I left for the game last night. You can see it's a lot skinnier than the 400 f/2.8, and so lightweight you could hand-hold it without a monopod.  Hi Gang: Well, it wasn't a pretty game, and the Bucs lost pretty miserably, and the stands were pretty empty and....well....(he pauses searching for some redeeming nugget), but at least I did get to try out some cool new gear. After my post about last week's Falcons/Titans game, Canon offered to let me take their new 200-400mm f/4 with a built-in 1.4 teleconverter out for a spin for last night's game. I got in well after midnight and still had a 2nd round of uploads for the wire, so I don't have any game action shots ready to post this morning, but while I was…

    I'm really, really glad I had this preseason game to shake off the rust from the 7-month football shooting drought, because I was some kinda rusty. Whew!!! This was my first shoot of the season and my timing was still a bit off, especially at first, but by the 2nd half, I was starting to feel comfortable again. It was the Falcons vs. the Titans, in Nashville, and I'm there shootin' for the Falcons, with Michael Benford and Jimmy Cribbs (two of the best guys ever). It was my first time shooting a night game at LP Field (all my shoots up there have been day games), so it was fun shooting a night game there, especially with all this new gear (see my post from Friday). Camera Settings I shot the game with two Canon 1Dx bodies (one with a Canon 400mm f/2.8…

    Finally! The wait is over --- Football is back, baby!!!! (Whoo Hoo!!) :-) Tomorrow's my first shoot of the season (well, the preseason), and I'm off to Nashville to shoot for the Atlanta Falcons in their pre-season game against the Tennessee Titans, and I am trying out a completely new camera set-up (Take a look at my load-out of the game below). So, last season when I was shooting for the Falcons up in Atlanta, my buddies Michael Benford and Matt Lange (from the Falcons crew) both were shooting the new Canon EOS 1DX, and they kept running over and showing me some shots during breaks in the game because the noise was just so incredibly low (we all have to shoot at around 4,000 or 5,000 ISO in the Dome at night). I'm used to shooting with a camera that does great at…

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