Category Archives Photography

Above: Here’s our class group shot, taken with a remote camera mounted inside the goal. On Sunday morning we had a session just on mounting and using remotes. 

I thought from the beginning it was going be the coolest hands-on workshop I’ve ever been involved it, and it totally, totally was! (If this is the first time you’re hearing about, first go watch this very short video clip which explains the workshop).

Above: Here’s our workroom for the weekend, inside the VIP Club at the Tampa Bay Times Forum. Sweet digs!  (Photo by Brad Moore)

Above: Here’s Scott Audette (far right) doing a presentation on what makes a good hockey photo; which types of shots make it, and which one’s don’t. Really eye-opening and candid. That’s me (left center) and Mike Carlson (far left). (Photo by Brad Moore)

I’m going to tell the story with captions, but here’s a 30-second synopsis:

(a) We had an awesome group of photographers in our workshop. Totally into it the whole time, and we saw lots of great shots throughout. It was a weekend of non-stop laughing, learning, and making new friends.

(b) Tampa Bay Lightning’s Team Photographer Scott Audette did an absolutely kick-butt job from start to finish. His insights, tips and real-world advice really resonated with the class. He really worked hard to create something very special, and it showed. What a great teacher! (I picked up a ton from him myself).

(c) Our guest speaker, pro-sports photographer Mike Carlson was a tremendous addition to the workshop and everybody loved him.

(d) We were all, and still are, amazed at the incredible access we had throughout the workshop (hats off the Scott and the entire Lightning organization who totally supported the workshop from the start).

Now onto the workshop, which started off Friday night with a “Burgers & Beer” get-together, followed by a presentation from Scott and Mike covering everything from Safety to Camera Settings. Apparently, the safety briefing wasn’t for nothing (see below).

Above: Yup, that’s what his 70-200 f/2.8 lens looks like after getting hit with a puck during Saturday night’s game. He’s OK but the lens, wellâ¦not so much. Luckily, he wasn’t hurt, and he had a great attitude. Plus, the great folks at LensProToGo.com (totally awesome lens rental company —- I rent from them myself), helped ease his pain and gave him a $150 gift card while his lens is being repaired. How cool is that! We went to great lengths to warn our students about the realities of shooting “at ice level through the openings in the glass” but after this, they totally got it.

Above: Here’s a view of the class while they’re working on shots from the Lightning’s morning skate. The class shot from the first Mezzanine and the shooting holes at ice level (we rotated students in/out). I taught a session on post processing with Photo Mechanic and Lightroom, and my latest sports photography workflow. (Photo by Brad Moore)

Above: After the class had some time to work on their images (and I answered a number of  one-on-one post-processing questions), we did some in-class blind critiques.  Scott Audette’s and Mike’s comments were incredibly helpful and the class SO got it!!!! (Photo by Brad Moore)

Above: I did shoot the pre-game warmups from the ice (my buddy Brian Blanco was covering the game and let me shoot some of the warming from his assigned position). Guess what — my 80-400mm lens took a direct hit shortly after this photo was taken, but thankfully it didn’t crack the glass; though it cracked the plastic outside ring around the lens in a couple of places, and smeared the glass with ice, but luckily it wiped right off. (Photo by Brad Moore)

Game Night
After a dinner break, we all came back and got ready to shoot that night’s game at the Forum: The Tampa Bay Lightning vs. the Carolina Hurricanes (great game, especially since the Lightning won 4 – 1). The class shot from both “Overhead” locations (shooting spots at the first mezzanine level, which give an unobstructed view of the entire rink) and from 3 shooting holes at ice level (we rotated the students each period). I shot from the overhead positions and with Scott & Brad Moore’s help, we mounted a remote camera up in the ceiling of the forum aiming down at one of the goals.

Above: Here’s one of my shots from the remote camera up top. You guys know how I love remotes!!!! :-)

Above: Thank God for Brad Moore, who climbed with Scott up to the rafters way up above the ice (since I am, wellâ¦scared to death of heights) and rigged my D3s in place with a couple of magic arms. Lots more on this later this week, but for now, here’s the view from the rafters. Yikes! (don’t look down Brad!).

Above: Although I’m not a “climb up in the ceiling” kind of guy, I don’t mind hiking up to the top of the stands for a wide-angle shot or two, and I got this one as the Lightning scored their 2nd goal of the night. 

Above: Here’s workshop participant Matt Sunday shooting during the game Saturday night from one of the ice-level shooting positions with a hole in the glass (photo by Pete Collins). 

Above: One of our shooting holes at ice-level — you can’t get much closer to the action than this! (Photo by Pete Collins).

Above: Shooting from the 1st mezzanine shooting locations (you only needed a 70-200mm or a 300mm tops). It’s MUCH easier to capture the action from up here, and most of the images chosen as finalists for the “end of workshop competition” were taken from this overhead angle which offers an unobstructed view of the entire rink, and much less chance of being hit by a puck square in the face or having it break your lens and/or nose. This is where I shot from during the game (this isn’t my first rodeo). (Photo by Pete Collins).

Above: She’s rockin’ that 300mm — right over the glass with a clear view of both goals. (Photo by Pete Collins).

Above: Sunday morning kicked off early with a session on setting up and using remote cameras. Scott actually makes (and sells) the enclosures approved by the NHL for remote cameras inside the goal, and he knows this stuff inside and out. He set one up in the goal and the class all got to take remote goal shots with two skaters rushing the goalie. It made for some awesome shots (and we got together for that group shot at the top of this post). (Photo by Brad Moore)

Above: Here’s one of the goal cam shots; this one taken by workshop participant Thomas Quinn.

Above: Here’s Scott and his assistant Casey (she was awesome and helped out the entire workshop), showing the class how to rig an “ice level” remote.

Above: After the remote camera session, we put on “grippers” and headed out to the ice to do some portrait lighting. We set up three stations and broke into groups of seven. Here’s my station where we’re shooting with a Nikon SB-900 and a pop-up 24″ softbox. Once it was set-up, each student got to direct the subject, try out different settings and poses. (Photo by Brad Moore)

Above: Here’s one of my test-shots from my hot-shoe flash station. I did two looks: (1) One dramatic look where I clamped down on all the ambient light and let the background fall to black (shown above), and (2) One where we lots of the ambient light show and it was clear he was at center ice.

Above: Going over the different settings with my group. I used some of the new PocketWizard Plus IIIs to trigger the flash, and I’m totally digging them (everybody brought their own PocketWizards). One student brought the new PocketWizard Plus X (which I talked about a few weeks ago), and it rocked — the model of simplicity. (Photo by Brad Moore)

Above: Here’s Mike (2nd from left) at his  shooting station (we rotated groups so everybody got to shoot at each station with each athlete). On the far left is Ingo Meckmann, a very cool guy, and darn good photographer, who came all the way from Lucerne, Switzerland to attend the workshop.  (Photo by Brad Moore)

Above: Here’s Scott’s shooting station and a three-light portrait set-up using his Elinchrom BXRI’s. (Photo by Brad Moore)

Above: Here’s one of the goalie portraits (photo by workshop participant Ingo Meckmann) 

Above: After the portrait shoot, it was back to our workroom for another post-processing session, and then everybody gathered their best three images from the game on Saturday night to enter into our “Blind Critique” Contest. The winner would take home the coveted “Kick Ice” hockey trophy (shown below) and besides insane bragging rights, they won a full-conference pass to the Photoshop World Conference & Expo.  (Photo by Brad Moore)

Above: The best shot from Saturday night’s game walks away with with cool trophy and bragging rights to last a lifetime!

Above: Ladies and Gentlemen, we have a winner! From L to R: Scott Audette, Yours Truly, our “Kick Ice” trophy winner, photographer Thomas Quinn, and Mike Carlson (the human trailer hitch).  (Photo by Brad Moore)

The Wrap Up
You know what was really cool? The whole time, the teachers, the students, the assistants — everybody knew we all involved in, and experiencing something really unique and that feeling just ran through everything we did. The group got close really fast (we shared a lot of time and meals together, including a wonderful lunch over at the Columbia Spanish Restaurant), and even though we all came through the doors of the Forum as strangers, by the end we all left as friends.

We all learned a lot (the students and the teachers), and the entire workshops was permeated with laughs and learning and that sense that we had all been a part of something really special. Something that happens just once. Or..ya know…maybe twice. ;-)

Thanks to Scott, Mike, Casey, Brad, my wonderful assistant Susan Hageanon who did a fantastic job organizing the event, and to Pete Collins who came to help out and share some “Pete-a-cisims,” and of course to the wonderful folks at the Tampa Bay Lightning and The Forum whose support and enthusiasm for this workshop from the very beginning helped make this dream a reality. #kickice

http://youtu.be/2CKquHZYYxQ

The new tour kicks off in just a few weeks in :

  • PHILADELPHIA on April 3rd
  • then to CHICAGO on April 30th

I did a test-run of the full day a few weeks ago in our headquarters for a group of about 40 photographers (to get their feedback, ideas, and comments on the day and to help me tweak it before it goes out on the road), and the feedback was just fantastic!!!!

In the short video (less than 2-minutes) above I go through the five sessions I’ll be teaching that day and what it’s all about.

Here’s the link for more info or to reserve your seat right now. (Seating is limited and filled on a first-come/first-served basis).

I hope to see you in in person in Philly or Chicago very soon (it’s a nationwide tour, so we’ll be announcing lots of new cities and dates coming very soon).

On Monday morning I a took a short flight down to Key West, Florida to meet up with my buddy Jose Ramos, a military aviation photographer who was on assignment for Pilot magazine doing a story on Fighter Squadron VFC-111 (The “Sundowners”) based at Key West Naval Airstation.

It was absolutely beautiful down there (and the weather couldn’t have been more beautiful, with temperatures in the high 60s and low 70s), and on Monday, after shooting some takesoffs and landings from long range, Jose and I stayed late to get some nice light at sunset with some of the jets on the flight line.

One of the highlights of the trip was Jose and I having lunch with his good friend, and Squadron Commander,  Joe ‘Monty’ McMonigle. I told him about my carrier shoot, and since he had been flying off carriers for years he had some amazing stories, and I learned a ton about the process of landing on carriers. I already had an incredible amount of respect for carrier pilots but that went up a big notch after our talk with Joe. I seriously don’t know how these guys do it, but I’m sure glad that somehow they can.

Jose goes Air-to-Air
On Tuesday, Jose (who is rated by the Navy to fly in jets) got the chance to go up and do some air-to-air photography in the backseat of an F5 and he got just some absolutely sick shots!!!! He’s done that air-to-air stuff down cold (but when I heard some of the stuff they did in the air, I’m not sure I would have the presence of mind to even raise my camera to my eye. Especially with all the screaming I would have been doing). But Jose has done this stuff a bunch, and he totally nailed it. Everybody was freaking out over the shots he came back with.

I’ll leave the rest to the captions below, but a big thanks to Jose for having me tag along for the shoot, and to the men and women of the Sundowners squadron who couldn’t have been friendlier or more accommodating to us during our visit. Jose is still down there working on the story and by the time you read this, he’s probably in the cockpit for another air-to-air shoot. OK, not the best term, but you know what I mean. Hats off to Monty and the entire VFC-111 — thanks for your service to our country.

 

Above: The jets were all facing toward the setting sun, so to get the good light, we had to shoot from behind or beside the jets, because if we faced them, the sky behind them was kind ofâ¦wellâ¦gray and boring. 

Above: After the jets come back in from their last runs of the day, the ground crew takes over and that’s when I got this open-cockpit shot. 

Above: At about 5:30 pm and sun was getting low in the sky so we headed out to get some shots, and the clouds were totally cooperating with us. This is a E/A-18G Growler, a specialized electronic warfare variant of the FA-18F Super Hornet.

Above: Here’s the hanger. It’s a half-HDR shot (an HDR shot mixed at 50% with the original non-HDR’d image).

Above: Here’s an F5 fighter (used by the Navy to portray “Bad guys” in dog fights, ala “Top Gun.”). This shot is taken just after take-off (my only take-off shot. Long story) and the front gear hasn’t retracted yet (they go up after the rear. It’s an old plane).

Above: Here’s one of the F5’s taxiing out for a training session with the Growlers. It’s pretty warm down there so they keep the canopy open until they’re about to take off. 

Above: Here’s one of the two-seater F5’s that Jose goes up in for his air-to-air shoots. With a camera. You knew that, right?

Above: Jose is always doing these shoots, but nobody’s ever covering Jose, so I took on the job. Here he is headed out for his first air-to-air of the week (and yes, that’s a parachute on his back). Apparently, it’s more dangerous than shooting football. I’ve never had to wear a parachute. ;-)

Above: Here’s Jose (rear seat) before heading out. That’s ‘Monty’ Piloting the F5. 

Above: Here’s Jose looking very “Top Gun”

Above: Here’s me looking like I always do, standing beside an F5. Snooze. 

Above: Here’s a shot taken inside their F5 flight simulator. It was pretty amazing (I took this one from the platform where you climb into the simulator. I shot it with a 28-300mm f/3.5 to f/5.6. The lighting was pretty dark in there, but I wanted to shoot it with just the ambient light, so I shot it at 2,500 ISO handheld at 1/13 of a second. I fired a lot series of shots in High-Speed continuous to make sure I had one in focus (and sure enough, I did). 

Above: Here’s a closing shot. It would have been sweet if we could have gotten them to turn the jet around so we could have shot from the front or front side with the sunset in the background. Of course, we never asked (for obvious reasons). The squadron has just about adopted Jose (he’s been shooting and flying with them since was 18-years-old), so they would actually probably do it if he asked far enough in advance.

Above: It’s great to see such a great relationship built between Jose and the Squad, but Jose has worked very hard to earn their trust (plus he delivers some amazing images, which literally line the walls of the squadron’s headquarters, as shown above in this photo taken with my iPhone —- that’s Jose’s shot framed on the wall beside him). 

Anyway, it was a quick, really fun overnight trip, and I was already back home the next afternoon, but I gotta tell ya — shooting jets is just a blast!

sdfsdf

http://youtu.be/RJSggThQ8do

If you haven’t caught our Photography Tips & Tricks free weekly show yet, here’s your chance because this is a great episode! (it’s actually aired just a few weeks ago, but this particular one got a lot of love and loads of great feedback so I wanted to share it first).

(1) It starts with host RC Concepcion showing a really great, often overlooked feature on hot shoe flash: adjusting the flash zoom. He shows how to do it (and why you’d want to).

(2) Then we have a couple of really great tips from our in-studio guest Tamara Lackey on how to interact with children during a family portrait shoot. Really great insights (and Matt Kloskowski is on the set with Tamara for a brief interview as well).

(3) Lastly, Joel Grimes has a trick for a technique I haven’t seen before for getting more megapixels out of your camera so you can make much larger prints. Pretty slick Joel! :)

Anyway, the episode is right above, but ya know we do one of these every week (each one runs about 15 minutes, so they’re short and sweet), and you can find lots of other Photo T&T episodes (all free by the way), at this link. 

Have an awesome Tuesday and we’ll see you back here tomorrow for Guest Blog Wednesday. Cheers! :-)

I am totally psyched to be teaching for Nikon in their booth/theater at the upcoming WPPI (Wedding & Portrait Photographers International) Conference & Expo in Las Vegas later this month (the Expo part where I’m speaking runs March 11-13th  — link). I am also honored to speaking alongside some truly amazing photographers, like Cliff Mautner, Jerry Ghionis, Dixie Dixon, and Tamara Lackey among others. (Above: that me on stage in Nikon’s booth at Photo Plus Expo — photo by RC Concepcion). 

I’m speaking all three days and my session is called “Shooting it With Just One Light” (the official times are shown below — click on it for a much larger view)

If you’re at the show, I hope you’ll catch one of my sessions (and if you see me wandering around, make sure you stop me and say “hi”).

Above: Another shot of me teaching from RC. 

… a “Do That Last Step Again” keyboard shortcut.

Here’s why this would rock: How many times have you had to do something like resize three photos to a particular size, and since you’re only resizing three of them this one time, it doesn’t make sense to go write an Action for them because by the time you actually wrote the action, you could have already been done with the resizing manually. Short, repetitive stuff like that happens all the time during our work, and the only way to do them is just to sit there and down them — one at a time.

Worse yet, what if it’s two steps to four photos? Like resize to 610 pixels wide and apply an Unsharp Mask. Ugh!

So imagine if you could resize a photo, and then just press a keyboard shortcut to apply that exact same resize to the next photo? Or if you could add a Modifier key (like the Alt key) and now it applies your last two steps? (Resize and Unsharp Mask) Add another modifier (like Shift) and it applies your last THREE steps! (Resize, Unsharp Mask and Crop!). All three moves â” just one shortcut. Sweet!

Imagine how that would boost your productivity day in and day out (but of course, like any Photoshop feature, some folks would never use it at all). Anyway, that’s the one simple feature I would love to see added to the next version of Photoshop (I’ve been wanting this one for years!).

OK, I shared my one pet Photoshop  feature request. I know you’ve got one, too, so let’s hear it.  (remember, you only get one). :-)

P.S. Thanks to Rich Harrigton and Scott Bourne who spurred this discussion when I was their guest on their Photofocus Podcast last week. If you missed it, here’s the link. 

 

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