Category Archives Training

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If you’re registered to walk in one of our Photo Walks around the world, as a special bonus we’re giving you a FREE one-month subscription to our highly acclaimed online Photography, Photoshop, and Lightroom training, from Kelby Training Online.

You’ll be learning from industry icons like Joe McNally, Moose Peterson, Myself, Jack Davis, Bert Monroy, Matt Kloskowski, Dan Margulis, Katrin Eismann, Rick Sammon, Dave Cross, Vincent Versace, Eddie Tapp, John Paul Caponegro, David Ziser, and a host of the most talented, gifted, and giving instructors in the world today.

When you log-in to your Photo Walk page, you’ll find the code to redeem your free month, and how to access your free training.

We’ve never done anything like this before, but we wanted to do something special for you guys, and we thought with all the photos you’ll have to process after the walk, having access to all this online training (accessible any where in the world), might really be helpful.

Thanks again to everyone walking, to our sponsors, and to our leaders. You guys rock! :)

lrlucia

Do you have something that you really want to learn in Lightroom? Great. Hold that thought in your head right now (we’ll come back to it in just a moment).

While I was down in St. Lucia, teaching my Lightroom session at Joe’s workshop, I had to smile a number of times because I realized how much different teaching Lightroom is from teaching Photoshop. I think the reason is; Lightroom is just so much easier, that the questions I can answer in one quick sentence have a bigger impact for Lightroom users than they do when people ask their questions about Photoshop.

Here’s what I mean:
When I do a Photoshop seminar, people often come up to me before class and ask really broad questions like, “Are you going to teach us Curves today?” or “Are we going to discuss Color Management?” or “Are you going to go over Selective Color?” But in Lightroom, since it’s so much easier and intuitive, the questions are much more likely to be little things that people are stuck on, because the big things are pretty easy. Usually, they just want to know how to do one certain thing—-like does a particular shortcut exist for what they want to do, or is there a fast way to do a particular task, and once they learn it, it’s like it made their whole month. You can see it on their face (and then you can see it on mine). :)

I see it again and again. I saw it for four days at my Savannah Workshop last month, and I saw it a half dozen times in my class in St. Lucia, and when people got their answer, they were so genuinely happy—-because that was “that one little thing” that was driving them crazy.

I remember one question where the guy didn’t like using the Gradient Filter tool in Lightroom 2 because he couldn’t get it to draw in the straight line from top to bottom—it always rotated left or right on him as he dragged it, and was there any possible way to make it go straight? There is. I told him to hold the Shift key before he dragged. He tried it right there on the spot, and he just got the biggest grin on his face. So did I. Now, he’ll actually start using that feature, and I think that’s really cool.

Things like this happened again and again in the past few months, and I love being able to help out with stuff like that. I don’t always have the answer, or sometimes the answer is “Sorry, there’s no way to do that,” but more often than not; it can be done, it’s just not real obvious (like flipping the crop ratio from horizontal to vertical—-you guys who follow me on Twitter know what I’m talkin’ about).

Now, back to that thought you’re holding
If your “thing” is something like that, today I invite you to post your question as a comment here on my blog, and if I know the answer, I’ll post a reply with it. Someone else might beat me to it (it’s a work-day for me, so I’ll be pretty busy), but I’ll be checking in quite a bit during the day, and if I can help open a new door, or a new feature, or just make something easier for you today, I’ll do my best (by the way; this offer’s only good today; Tuesday, July 14th).

Don’t forget; don’t ask big broad questions, like “What’s your workflow for portraiture?” or any question that starts with “Is there a way to write a script that….” But if you’ve got something like, “Is there a way to keep the White Balance tool from snapping back to it’s holder each time I use it? (another question from the past few workshops), then I’ll try and tackle those (by the way—there is; just click on the White Balance tool, then in the Toolbar below the main Preview area in the center of the screen, turn off the checkbox for “Auto Dismiss” as seen below).

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I’m back from four days on the Island of St. Lucia in the Caribbean, as the Guest Speaker at Joe McNally’s Off Camera Flash workshop. The workshop was an even more amazing experience than I had expected, and I learned a lot more than just photography.

This week, I’m going to share some different things I learned as an instructor, as a student, as a guest in a very special resort (more on this in a moment), as a businessman, as a husband, a father, and as a photographer (it’s amazing what you can absorb in just four days).

It’ll probably make a separate post each day this week to share these lessons, and I’ll weave my stories in alongside some of the other important things happening in this; the week leading up to my Worldwide Photo Walk on Saturday. But as I’m sitting here on the five-hour flight from St. Lucia to Atlanta, (and then a short hop home to Tampa), all this stuff is swirling around in my head, and I’ve got to get it down on paper (even if it’s not really paper).

First, we’ll start with the shot up top. I arrived after the workshop was already underway, and after checking in at the resort, I headed down to the beach to catch Joe’s sunset shoot at the beach.

When I got there I high-fived my assistant Brad Moore, who was already there assisting on the shoot, and then watched as Joe waded offshore with a local scuba diver to do a portrait, along with his assistant Drew holding a large Elinchrom Rotalux softbox with flashhead attached, as one of the students (A great guy from Texas named Clint) held the small Elinchrom Ranger Quadra battery pack and cables (more on this later in the week, when I post a video we did here in the studio on the Quadra).

It was just a one-light shoot, using a single studio light on location, but man did Joe make that one light sing! Check out the final image on Joe’s blog (here’s the link).

More Proof it’s a Small World
The next morning, we headed into the small town of Soufriere, so we could do some street shooting. After wandering the streets for an hour or so, we met up with our guide from the hotel, and he mentioned that there was a fire station nearby if we wanted to drop by and see if they’d let us shoot their trucks, so we headed over there.

A student from our group got about 100 yards ahead of us, and got to the station first. A fireman was standing outside, and he saw the photographer’s Canon camera and said, “Hey, I’m a photographer. I’ve got a Canon DSLR, too!” They started chatting and the fireman asked the student, “Hey, do you read Scott Kelby’s blog?” (I kid you not!). The student tells the fireman that I’m actually part of the group, and of course, he thinks the guy is pulling his leg until McNally and I come around the corner 30-seconds later.

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The firefighter’s name is Garvey Charlemagne (that’s a portrait I took of Garvey above), and he’s an avid photographer, and just a wonderfully gracious, kind, and incredibly patient guy as he let the class make portraits of him, in full gear, for around an hour, and it was Caribbean island-hot down there (that’s real sweat, in other words).

Although my blog connection to Garvey might have gotten our foot in the door at the fire station, watching Joe work in this environment was a master class unto itself. Joe just has a way of ingratiating himself in any situation, and within minutes these firefighters, were rolling out the red carpet to do anything Joe needed to “get the shot.”

He had them do everything from move firetrucks, to dress up in full gear, to doing group shots with the entire department (including the Captain in his full parade best), to pulling out all sorts of gear, posing in different locations—you name it. They were so taken with Joe, and he worked the scene like such a pro, that everybody, firefighters included, had a blast.

On the flipside of this; Joe does something for them, which I think is very, very important; he immediately sends them the best finished images from the shoot. (They may not at first know what it means to have Joe McNally make your portrait, but they soon will).

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Here’s Joe and I posed with Garvey (photo by Steve Rogers), after the shoot. A big thanks to all the guys at the Soufriere Fire Dept., and a special thanks to my blog reader Garvey. You guys were awesome!!!

Ya Just Have to Know What to Ask
I have a running joke with Joe. When we were walking the backstreets and alleys of Sufraire, I put the camera to my eye and shouted ahead to Joe, “Hey Joe, you been shootin’ much HDR??” He turned toward me, and I took the shot below, which pretty much says it all.

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Can Joe Pick a Workshop Location or What!!!!
Our host resort for the workshop was the fabulous Jade Mountain hotel, which has already become a favorite hideaway of celebrities (which we knew), but what nobody knew until the third day of the workshop was that Travel & Leisure magazine had just named the hotel the #3 best hotel in the world (the first time in history a Caribbean hotel had made Travel & Leisure’s exclusive Top 10 List). Believe me; these accolades are well deserved—-I’ve never seen anything like it.

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Here’s the view from my room (they call them “Sanctuaries” and they’re well-named). It’s a 17-photo pano; taken hand held, standing inside my room. It’s 62 inches long at 240 ppi.

It stitched together perfectly; totally seamlessly, without any input from me, all in Photoshop CS4 (well, I selected the photos inside of Lightroom, then chose “Merge to Panorama in Photoshop.” I’d do a tutorial on it for you, but there’s nothing to show. Select 17 photos; choose “Merge to Panorama in Photoshop” and then wait a few minutes and it’s done.

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This one was taken from the breakfast table in my room. It’s not a pano. I just cropped it that way in Lightroom.

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This isn’t the lobby. This is the hotel room they gave me as an instructor. I kid you not. This is where they put me up. My wife and I walked in, and our jaws hit the floor. There’s only one wall (on the left) with a 14-foot high door, so basically 1/3 of the room has a wall, and the other 2/3 are wide open to the sea. But it gets better.

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There’s actually an Infinity pool in my hotel room. It has steps down into it, and then it’s around 5-feet deep. It’s not a hot-tub—it’s much bigger—it’s a pool, and it’s amazing (as is the view).

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Here’s where I shot the first pano from. That’s the canopy bed on the left. The room came with a full time butler who was fantastic, and I could go on and on, but it was immediately clear why this hotel was awarded the #3 hotel in the world. I can’t imagine what you’d have to do to #2. The service was like nothing I’ve ever experienced, and the entire resort, and its staff, made sure everyone; instructors and students, had an experience of a lifetime.

Thanks to Nick and Karolin Troubetzkoy, the owners of the Jade Mountain Resort, who have created a magical place where you can unwind and relax at a level like no place else. (Check out their Website, or follow them on Facebook).

There’s more to Come
I’ve got so much more to share, but they’re closing the aircraft doors for our connection down to Tampa, and it’s already really late. I’ll have some insights on the workshop, on learning, and Joe, and a whole lot more, but I just had to share a few fun stories to kick things off.

My book, The Photoshop CS4 Book for Digital Photographers is used in classrooms around the world to teach Photoshop, and today with the help of our friends at Peachpit Press/New Riders and Pearson Education, we’re releasing a truly groundbreaking free Instructor’s Kit for educators who use it as the textbook for their students.

Here’s a short two-minute video I put together to explain the free Instructors Kit, what you get, how it was developed, and how it’s going to make a big difference to you and your students.

Here’s the link to register to get your free Instructors Kit, and they’ll even send you a copy of my “CS4 Book for Digitial Photographers” absolutely free for your use in the classroom.

lr2tour

My buddy and Lightroom guru Matt Kloskowski is taking our “Lightroom 2 Live!” one-day seminar tour to:

  1. Chicago on Monday, July 20th
  2. New York City on Wed., July 22nd.

Matt absolutely kicks butt on this tour, and if you get a chance to catch him live—don’t miss it!!!!

Here’s the link with more details (By the NAPP: If you’re a NAPP member, you can attend for only $79. If you’re not a member, it’s still just $99).

Also, you can download the tour brochure (in PDF format) right here.

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I’m back from my Great American Photo Workshop with renowned landscape and aerial photographer Bill Fortney and I have to say, it was one of the most enjoyable workshops I’ve ever been a part of. We had such a great group of talented, fun, easy-going, and passionate photographers that it really made for the ideal creative atmosphere to learn, make photographs, and laugh and awful lot.

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Guest Instructors
This was my first time in Savannah Georgia, and it’s a perfect place for a photo workshop, with loads of stuff to shoot around every corner (photo above taken with my iPhone 3Gs; much improved camera). We started on Wednesday with slideshows and presentations from the instructors, including two guest instructors; Joanne Wells (a wonderful Savannah-based fine art photographer with great knowledge of local shooting locales), along with first-class bird photographer Wayne Bennett (we had a total of four instructors for 30 students). By the way; that’s Wayne at the far right of the photo above).

Shooting a Classic Caddie
We did dawn location shoots each day, and a few optional dusk shoots as well (it was in the high 90s all week, with lots of humidity, so we made the dusk shoot optional). We went to some great locales (I’ll post a shot or two tomorrow), and then on the last morning we rented a Classic 1962 red Cadillac Convertible for the class to shoot among the old brick buildings and alleyways of Savannah’s Riverfront (the iPhone shot above, and at one at the top of the post, show a few of our students during our shoots).

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Here’s our group shooting in a back alley of Savannah’s Riverfront.

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Here’s one of my shots from that angle (above—click on it for a larger view). Taken with a Nikon D3, and a 70-300mm f/4.5-f/5.6 VR lens on a tripod. I shot at ISO 400 at 1/13 of a second at f/4.8.

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While the class was still shooting, I climbed up to a crosswalk above and behind the car where I got this shot. I leaned out as far as I could and then held the camera out away from my body. I had to shoot it at 2000 ISO because of the low light, but the noise is so unnoticeable (from the D3 with a 14-24mm f/2.8 lens), I didn’t even need to run a noise reduction filter. In fact, there are no effects filters or HDR used on any of these shots—-just Lightroom (though I did sharpen one in Photoshop).

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Above is another iPhone shot of the group shooting the Caddie.

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…and here’s the shot I got from that spot (above).

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This is me above, lying down on the job; ball head in hand, trying to get a low angle on the car. The photo was taken by one of my workshop students; Bruce Thayer (who’s quite a good photographer himself) who came all the way from Australia for the workshop.

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Above is one of the shots I got lying on the ground (and as I expected; it’s not nearly as good as the one Bill Fortney got lying down there).

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Same spot—different angle of view. By the way; if you look on the stairs to the right of the car, you’ll see the legs of one of the students in the workshop. I could have cloned them out, but for some reason, I kinda like ’em there. Go figure.

A Celebrity in our group
We were lucky enough to have 14-time Grammy winning country and bluegrass artist Ricky Skaggs as one of our students, and he was just as humble, entertaining, and fun as you’d hope he would be. He’s a great photographer, but just learning Lightroom and Photoshop, and he’s totally loving it! (He pulled some strings and got us a table at Paula Dean’s famous restaurant for dinner, which saved us from waiting in the 80 to 100 person-long line each morning for reservations which snakes around the block starting at around 7:30 am. The dinner was fantastic!).

Learning Lightroom
In the classroom, we focused on Lightroom all week, and I have to tell you; I’m amazed at the transformation in the students between day one and Sunday morning when the workshop wrapped up.

In-Class Student Critiques
Each day we did live, in-class critiques of the students’ best shots from each shoot, and it was a wonderful learning experience. (A number of students told me it was the single most valuable learning part of the week for them, because when we would talk about what a problem was with a particular photo, I could open that photo right there on spot, and make the Lightroom/Photoshop changes that were necessary, or to recrop and recompose the photo, and they saw live exactly what to do to improve the shot next time around.)

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Deconstructing My Edits in Lightroom
We did kind of our own mini one-hour “Photo Walk” on Saturday morning along the Savannah Riverfront area, and then I put together a slideshow of around 20 of my best shots from the shoot (I processed them all in Lightroom before I presented my slideshow—shown above).  Then after my slideshow presentation, I went back to each image, and using the History panel in Lightroom, I showed each individual step of how I got from the original raw image out of my camera to the final image that made it into my slideshow. This worked amazingly well, and it really turned the light bulb on for a lot of the students.

Great images + Great people
All in all, it was a stellar workshop; I met some really great people (two of which will be with me down in St. Lucia with Joe McNally in a few days for another week-long workshop), and I saw some old friends (Steve and Larry) and made some new ones. Thanks to all my students, and especially to Bill Fortney, (whose brilliant photography continues to just blow me and everybody in the room away), for the honor of teaching alongside him.

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