15,889 photos.

That’s the number of photos I shot, captioned, and submitted for publication as a staff photographer at my former newspaper before going freelance.  Why does this matter?  Because it is an insane amount of photos which represent a lot of time spent shooting for the proverbial “Man.”  It’s not a bad thing.  In fact, shooting for The Man gave me ample time to learn, develop my vision, and figure out what didn’t matter to me and what did in my photography.

The newspaper was my first full-time newspaper gig, which I left last year to pursue my freelance career.  In the matter of 8 years I made a lot of bad photos at bad assignments. I also made some great photos at great assignments.  Making great photos from bad assignments?  It was a challenge to myself.  It’s not the newspaper’s fault that bad assignments exist, it’s just the nature of the grind at a daily newspaper – especially this day and age with dwindled staff and depleted resources.  Most of your time is spent feeding the beast, churning out 2-4 assignments a day for prominent display in next morning’s recycle bin.  It’s making Chicken Salad out of Chicken Sh*t.  I’ve made my fair share of Chicken Salad.

Working as a staff photojournalist has its challenges.  How do you stay inspired, happy, and passionate about photographing a white guy in a suit standing in front of a building?  How can you make compelling images that give your photo subjects a voice in their own community when you can only stay for only 10 minutes?  Why am I photographing this plate of food that barely resembles food?  How do you make a picture that says “ribbon-cutting” without literally shooting the ribbon being cut?

You just do.  Here’s how:

Shoot for yourself.

He won’t remember this at all, but I sat down with Los Angeles Times photojournalist Rick Loomis to get my portfolio reviewed at the Eddie Adams Workshop right after landing my job.  I admired his work and wanted to show off my stuff.  I had won some contests, and was totally confident.  He flipped through my work quietly, took a pause, looked at me with a straight face and said, “You shoot like you want to win contests.”

My initial reaction?  Well, isn’t that the point?  I had no idea what it meant at the time.  I was in my 20’s (I’m 33 now) and full of eagerness to get to a big city metro paper and take his job.  It stung.  All of my portfolio reviews for years had gone amazingly well, and he crushed me.  I didn’t know how much his honest assessment in one short sentence helped until a couple years later.

My work wasn’t personal.  I was pressing the shutter, but what came out wasn’t by me, for me, or my subjects.

I made a huge decision after that realization.  I knew how I wanted my vision to look and made the decision to just start shooting for myself.  I stopped looking at contest results.  I stopped caring about how my photos ran in the paper.  I turned in my photos and forgot about them.  It wasn’t about my paper and the newsroom, which I loved, it was more about myself.  I knew the only way to grow my vision was to kick my own butt.  I started caring immensely more about what I was placing inside the four corners of my viewfinder.   I started seeing images that only I could see in a way that made me excited.

I stayed at a job for 8 years I had plans to stay at for 2 years max, because I knew I could make pictures where I was already happy – building myself both professionally and personally.  Sarasota is a small town full of snowbirds, weird news, and a palate of colors that I began using as my muse to change my work visually.  I fell in love with my community, this strange state of Florida, and everything about both.  Once that happened the picture-making process was less of a job or career, it was what I loved to do and happened to get paid for.

It’s one of the main reasons I left a cushy job and solid paycheck.  I was getting too comfortable.  That breeds staleness.  Stale is not what I want to be.

All of this has culminated to this point where I am on my own doing work for myself and marketing Me.  “The Man” is now me.  I control my own work, growth, and success.  This is a new thing for me, and it was quite an adjustment going from 15-20 assignments a week to maybe 1 or 2 a week for editors that are sometimes a voice on the phone or email address.  I’m shooting weddings, commercial, and learning how important retaining my copyright is.  I can say “no” to bad gigs and bad contracts.  It’s nice to land a photo on A1 or double truck in a magazine, but it doesn’t drive what I do anymore.  I make photos that I want to make, publish them on my blog, and if a new client likes what they see and can use my vision, then sweet.  When I don’t have a client, I go shoot a self-assignment as a sort of visual pilates.  It’s a refreshing way to work.

How all this relates to you, my friends, is that it doesn’t matter where you are, what you do, or what you shoot with.  You could live in a one-stoplight town.  You could be an accountant with a love of photography.  You could have a shiny, new Leica and not know how freaking jealous of you I am.  You can make pictures in any situation with the right attitude.  That attitude may not adhere to company policy, but in the end it is about the rectangles – and your happiness with what’s in them.

To see more of Chip’s work, visit his website, and check out his blog for more of his ramblings!

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29 Comments

  1. Very nice shots! Thanks for sharing, Chip!

  2. Great guest blog today, Chip! Wonderful photos and story. Good luck to you in your new endeavors!

    Thanks for sharing.

    –John

  3. Love your art! Thanks for the encouragement.

  4. It really strikes hard as I consider what I’m shooting for, and thank you for making me consider this. The trouble is, it’s so hard to view one’s own work critically enough to make that sort of pronouncement. My photo club has critique meetings, but I wonder how we can stimulate that sort of deep feedback. Obviously, having a distinguished and experienced pro review your work is different front Gary saying he likes my pic, but I gotta believe theres a way to elicit insightful critique. This is so essential to progress because it shows you where you are!

    I imagine that shooting for an editor is kind of a continuous critique on your work, and that would be handy, but only inasmuch as it incepts the editor’s use. Editors probably aren’t too concned with your personal growth in art.

    How do you find that kind of crimticism?

  5. thanks a lot for sharing this excellent post! I always love to read your blog post :)

  6. Great, well written post with equally compelling images. It’s not often going through hundreds of blog posts a day that I find something fresh and inspiring. Thanks Chip and Scott.

  7. Great post this. Must read by all. Quite interesting images. Having a look at your blog now.

  8. Great shots and I would love to be in the same situation as you. Being able to go freelance or even pro would be awsome!

  9. “an accountant with a love for photography” – that’s me :)
    Thanks for the post Chip.

  10. A great blog post. I get so much inspiration from these guest blogs and yours is no different. I have a ton of projects floating through my mind, most of them have been there for some time. I guess because they are personal projects I’ve not gotten around to shooting them. You have inspired me to change that.

    All the best

  11. Great post and wise words. It´s really true that you should never forget to shoot for yourself, even if you´re on an assignment or not. Sometimes you get a chance to take pictures that you normally don´t get to take and if you don´t, well then you will just regret it for a long time to come.
    Nice pictures!

  12. Due to personal bias, this was my favorite guest blog. “Most of your time is spent feeding the beast, churning out 2-4 assignments a day for prominent display in next morning’s recycle bin.” Boy can I relate.

  13. Great post Chip! Just added your blog feed to my daily reader. The Rubio celebration post is classic.

  14. I really like this blog post today. Chip you are very inspiring. Thank you
    Mike

  15. True for anyone who likes to take pictures. I get so tired of people going on and on about what camera they have, or what camera they want, and what lenses……….

    In the end, it’s about having a camera WITH YOU, and about using it. (That big ol’ heavy interchangeable-lens job that sits in the closet because it’s too heavy/bulky is not going to take very many good pics………….)

    I almost always think of my pics as some “Hey — look at this!” to anyone who may be standing by……..

    And if they please me, well, that’s what makes me happy. When I’m sitting at home, with Photoshop Elements, and I think “Oh yeah” — that is the reward………

  16. They were beautiful!


    DT.
    Nassau, Bahamas | Miami, Florida

  17. I’m going to go out and start shooting for myself!

  18. Great images here, and a lot of food for thought. I appreciate the post. I work at a daily and often get down about how our work is used, although I love the assignments and situations you get thrown into. A while ago I decided to start shooting for myself, and I feel it’s a good approach to have in this business. Thanks for reminding me, and cementing that I’m not alone in thinking this way.

  19. Wide opening images!

  20. Terrific article Chip. Thank you for sharing that with us. I know Elaine from her days at the Concord Monitor. Best to you both.

  21. There are always two people in every picture: the photographer and the viewer.
    Ansel Adams

    Follow your Dreams, Great post.

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