It’s “Guest Blog Wednesday” featuring Tim Grey
Adding Mood to a Photograph
This may sound a little silly coming from a certified Photoshop junkie, but my tendency when optimizing a photo is actually to try to make it look as close to reality as possible. Sure, Iâ€™ll add a slight touch of â€œwhat I rememberâ€ to take it beyond â€œwhat it really was,â€ but by and large my aim with Photoshop is to produce an image that accurately reflects the beautiful scene I chose to photograph in the first place.
But sometimes that just doesnâ€™t cut it.
I find the desire to push a photo beyond reality usually occurs when Iâ€™m a little disappointed with a photograph that I really thought would turn out better. Most often that disappointment is a result of having had an emotional response to the scene that canâ€™t adequately be captured in a simple photograph.
A recent trip to Japan provides a couple great examples of this. I started off in Tokyo, and was fascinated by many of the sights. I found myself particularly drawn to the small temples and shrines that hid behind and between large buildings on major streets in some of the busier parts of Tokyo. These temples and shrines provided a remarkable sanctuary, and some great photographic opportunities.
In one case there were three shrines that shared a courtyard, and a small cemetery adjacent to the courtyard. Iâ€™m always intrigued by cemeteries, particularly to learn about how different cultures honor those who have passed on. In the corner of this cemetery a collection of wooden planks with Japanese writing on them caught my eye. I was later told these were â€œprayer sticksâ€ that would be placed at the gravesite by family or friends. I captured an image, confident it would convey the solemn tranquility of this place.
Somehow the image simply didnâ€™t elicit the feeling I was expecting. Sure, it is always a very different experience to view a photograph compared to the actual scene. So I started working with the image in Photoshop to see what I could come up with. I tried various adjustments, and then ventured into slightly more creative areas. I tried a black-and-white conversion. That helped. Then I applied a sepia-tone effect. Better. A boost in contrast and a vignette effect, and I was much happier with the image.
My next stop was Kyoto, and I knew I was in for a treat. This is a city with over 2,000 shrines and temples, 17 UNESCO World Heritage Sites, and a tremendous amount of history. It also contains many wonderful Zen gardens, and it seemed each one I visited was more calming than the one before it.
One garden in particular got me clicking the shutter more than usual (and â€œusualâ€ is still quite a lot!). I wandered around the garden looking for the best angle, tried a variety of different perspectives, and ultimately found the vantage point that seemed to best capture the incredible beauty of this garden.
But I was disappointed again.
You have to understand, to stand in a garden like thisâ€”with beautiful plants, ponds, gravel, and more, all manicured to perfection and seemingly created for the sole purpose of calming the mindâ€”is an amazing experience. I wanted so badly for the photo I captured to contain that experience so I could share it with others. But none of the ethereal magic seemed to exist in the photo.
So once again I set out seeing what I might be able to do in Photoshop to insert the mood I felt in the Zen garden into the photograph. After much experimentation I settled on a simulated infrared effect, with boosted greens, a slight glow, and a touch of faux film grain. The result seemed much more magical, and did a much better job of communicating the experience of the garden.
I love that Photoshop provides such a rich environment for experimentation, enabling us to explore creativity for a photographic image in any way we like. On many occasions Iâ€™ve been able to find surreal ways to interpret an image, producing a result Iâ€™m much happier with compared to a more realistic version of the image.