Today is a big holiday for us here in the US – it’s Independence Day – a day where Americans celebrate their independence from England (around 240 years ago), but also from Glyn Dewis and Dave Clayton (two of England’s finest, but still worth keeping at a safe distance).
We celebrateby gorging ourselves with hot dogs, hamburgers, and mountains of potato chips before settling into a lawn chair with an ice cold beer to watch a glorious fireworks display using fireworks made in China. We also use the word “chips” liberally without anyone ever even once thinking we’re referring to French Fries. ;-)
If you’re thinking of photographing your local fireworks display tonight, you might want to check out an article I wrote ColaCola where I take you through the recipe for how to make Awesome Fireworks photos (It’s a step-by-step article – just follow the recipe and ya can’t miss).
However, I would add four things to that article for the more serious photography crowd here on my blog. They are:
1. Set your focus to infinity (This isn’t critical, but if your lens can do it, why not). The fireworks are so bright you can use just regular ol’ auto focus for the most part, but if you have a lens that has a distance scale window on the top of your lens barrel; first turn off your auto focus (right on the lens – switch it to off), then rotate the focus ring on your lens until you see the Infinity symbol [it looks like the number 8 lying on its side], then turn it back just a smidge, so you’re almost right on the infinity symbol. Again, you don’t have to do this, but it might make things a bit easier.
2. A couple of years ago @SuzanMcEvoy (one of my followers over on my Twitter page) recommended also switching your White Balance to Tungsten and it works really well (Thanks Susan for the tip).
3. Lightroom (and Photoshop’s) Dehaze feature works wonders on the extraneous smoke in the background, so make sure you give it a try. It’s like it was made for fireworks shots.
4. This one probably goes without saying, but you’re on a tripod so use your lowest ISO setting for the cleanest shots.
Hope you all have a safe, happy 4th of July as we celebrate our nation’s physical distance, in miles and magnitude, from Glyn and Dave which makes it truly a day worth celebrating. ;-)
(1) I need your help with a new course I’m working on. It’s called “Seven Photoshop Techniques Every Lightroom User Needs to Know.” The details are at this link (the how’s and whys of the class), but I need you to leave a comment with what you want learn in Photoshop (as a Lightroom user). Thanks in advance for your input. :) BTW: you can skip the rest of the page over there, because I share this same news over there – just read the top part about the class.
(2) As you saw from yesterday’s post, I released a new class called “Masking Hair and Compositing Made Easy” – and I saw some comments from folks who are totally digging the class, but would love to have the images from the class to practice with. Never fear, I’m posting a bunch of them (most of them), this morning (I couldn’t post every single one because a few were stock backgrounds), but you’ve got the important shots for sure. Here’s the link.
(3) The amazing Corey Barker has just recorded a class for us on “Advanced Compositing” as a follow-up to my “compositing made easy” class and it’ll be out in a few weeks (we release at least one new class every Thursday), so after watching my class, you’ll be ready for Corey’s. I’ll let you know when it goes live.
(4) The next stop for my “Shoot Like a Pro: Part 2 [reloaded]” full-day seminar is in Nashville, and if you’re in that area, I hope you’ll come out and spend the day with me. There’s an entire session on my Lightroom Seven Point System, and people are super diggin’ it.
(5)Did you notice that spiffy “7” Logo up top. Did you get the subtle Las Vegas vibe from it? You shoulda, cause we’re just 19 days from Photoshop World Las Vegas! Come out and join us. It’s a Lightroom / Photoshop / Photography love-fest. Get the details right here.
Thanks for stopping by, and here’s wishing you an epic weekend!
Adobe Photoshop CC In-Depth: Compositing and Masking Hair Made Easy
Gain a solid foundation in compositing by learning how to select and mask hair in Scott Kelby’s newest class, Adobe Photoshop CC In-Depth: Compositing and Masking Hair Made Easy! Selecting objects with hard edges is a breeze, but being able to realistically mask all kinds of hair is what takes real skill. In this class Scott builds up your masking arsenal by demonstrating a number of different masking techniques, step-by-step, so you’ll always have the right technique for the job at hand. Any good composite consists of being able to select the subject, remove edge fringe, match the tone and color of the background and subject, and then unify all components together to make it look realistic. By the end of the class you’ll learn different ways to handle each step of the process, and be well on your way to creating great looking composite images.
In Case You Missed It
Time to let the dogs out! Join the fabulous Kaylee Greer, a private and commercial pet photographer based in Boston, as she shows you how to capture the best dog photographs you’ve ever taken. In this class Kaylee works with four different dogs in different locations, ranging from the local park to the local animal shelter, and shows you her tips and tricks for engaging with her subjects to bring out their unique personalities and create portraits their owners will love, or that can help a shelter dog find a forever home. The locations and lighting are not always ideal, so Kaylee teaches you how she works with whatever situation she finds herself in to locate those hidden gem spots that provide the perfect backdrop for your dog. You’ll need to be prepared to get down on the ground and make silly noises, but the effort will show in the fantastic photos you can create.
It’s good to be back here on Scotts’ blog. Thanks Scott and Brad. Photoshop World is fast approaching, and this year I’m thrilled to be presenting on Night and low Light Photography and Concert Photography. I wanted to take this opportunity to discuss an aspect of concert photography that those not in the business probably don’t even know about, and that is the Photo Release we are often asked to sign before photographing the band.
If I ruled the world and made up the rules, there would be no photo releases, but sadly (for me) I don’t rule the world (yet) and these releases are a part of doing business. Let me walk you through the typical steps involved with shooting a concert. I am going to talk about the recent 91X-Fest as an example because it is the perfect example of all the types of releases we get to deal with.
The 91X-Fest is the summer concert by the local radio station, and I have been photographing it for a variety of outlets for the last few years. This year I was covering the event for the radio station but since the actual concert was put on by Live Nation at a Live Nation venue, I still had to go through the local Live Nation representative to get permission to shoot the individual bands. I emailed my request to shoot the show, stating who I was shooting it for, and what the images would be used for.
There were 11 bands on the schedule, and the local Live Nation rep would compile a list of all the photography requests, contact the bands and get approvals, then get back to the photographers and let them know when said yes and who said no. The local rep was also in charge of sending out and collecting the signed photo releases for the bands that had them. The photo release is a form that stipulates where the images can be used and how they can be used. Most times, they restrict the photo usage to the specific outlet that you site when applying for the photo pass. So for example, since I was shooting for 91X, the images would be used on the 91X websites and social media accounts. If I was shooting for a magazine, then the images would be limited to that magazine. One of the bands headlining the 91X show was The Offspring, and they had a photo release that limited the images to just the outlet I was shooting for. Here is an example of what that looks like.
The second headlining act was Cheap Trick, and they also had a photo release. Their release is what’s known as a rights grab release where they allow you to shoot the concert but for that privilege, they then expect to not only be able to use the images for free, they expect the photographer to sign over the rights to the images without compensation. That wording looks like this.
Not only does the band expect to approve each photo used, they expect copies of all the images (you can tell how long the band has been using this release by the wording as there is no mention of digital files but instead still reference negatives and transparencies. So even though I was working for the radio station that was putting on the show, I refused to sign the Cheap Trick photo release and did not shoot their set. One of the reasons that bands get away with this is that there were other photographers who were quite happy to sign the release as it meant they got to photograph the band even though they were not earning a dime from the work. I can’t think of any other job where people would be happy to work for free, then give away the rights to their work, just because of the subject matter. (Notice I said work for free AND give away their rights). It’s a crazy idea, yet as concert photographers we seem to think it’s pretty normal.
Out of the 11 bands that performed at the 91X Fest, there were three bands with photo releases. The third band with a release was WOLFMOTHER, and their release was a first for me. It was a photo release that actually stipulated that I could use the images for self promotion, on my social media outlets provided that it was representative of my work as a whole. It also allowed the band to use the images for their social media and websites and non-commercial use. I was good with that.
The rest of the bands that day did not have any photo release at all. You can see some of the images from their sets in this blog post. So if you have wondered about the rules when photographing a concert, I hope this cleared up some things and why you don’t always see the images from the shows I shoot on my social media or website.
Hi Gang, and welcome to vivacious Tuesday (I just couldn’t write “happy Tuesday” again for the bajillionith time, so I hit up the thesaurus and came up with vivacious. Don’t judge).
Anyway, I’m not sure if you know this but in an effort to ensure I never sleep I write another blog called LightroomKillerTips.com and I share Lightroom tips there three days a week, and a lot of them are quick video tips on Lightroom and Lightroom Mobile so I thought I’d post a few of ’em here in hopes that:
(a) you might find them helpful, and (b) you might start catching all my posts over at LR KillerTips.
So, without further ado (yes, that was ado), here’s five of my recent favorites:
Hope you find some, any, all of those helpful, and again, I invite you to follow me over at LightroomKillerTips.com for a year-round Lightroom love affair (say that last sentence with a French accent, and it sounds much more invite). ;-)
P.S.If you’re in to travel photography, I hope you’ll follow me over on Instagram where I post travel photos daily. It’s really a super nice, very supportive community over there, and you’ll super dig it (and I’ll dig having you there). Here’s my Instagram account name. Ready? It’s @scottkelby – that’s all I could come up with. :)
Very excited to have food photographer Steve Hanson as my guest this week on “The Grid” (my live weekly photography talk show), and we’re taking your submissions now to have your food photography critiqued on this week’s show with Steve.
If you’re not familiar with Steve, here’s a quick video he did for us (below), so watch that first (Steve’s got a great story, and this video has already been viewed more than 300,000 times on YouTube!):
Pretty awesome story, right?! Here’s the linkfor submitting your images: (NOTE: submit only food photography images, and only submit 3 images total. Also, make sure your images are a reasonable size for viewing).
Once you’ve submitted, watch the show LIVE on Wednesday (details below):
Who: In-Studio Guest Steve Hanson What: Blind Food Photography Critiques Where:http://kelbytv.com/thegrid (we also stream live to my Facebook Page) When:Wednesday, June 29th, 2016 at 4pm EDT (New York Time Zone) Why: To learn new ways to improve your food photography
I hope you’ll submit some images, and we look forward to you joining us (we’ll be taking your comments and questions live on the air) on Wednesday. See you then!