Portrait Retouching in Adobe Lightroom CC with Kristina Sherk Retouching Portraits in Photoshop is so 2005! Join Kristina Sherk as she takes you through her retouching workflow using only Lightroom. With the new capabilities Adobe has incorporated into Lightroom, you can save loads of time by skipping photoshop and retouching directly in Lightroom. You’ll learn how to remove blemishes, enhance eyes, smooth skin, whiten teeth, and more. Kristina packs the class with power user tips on saving custom Adjustment brush presets, syncing local adjustments across multiple photos, and how to use Lightroom to work smarter, not harder.
In Case You Missed It Learn the core fundamentals of retouching hair! Join Kristina Sherk as she teaches you how to retouch hair smarter, not harder. From removing stray hairs to changing your subject’s hair color, and from creating custom hair brushes to adding dimension and shine, Kristi will show you how to do the best things possible in the fastest amount of time. Every photographer working with people can benefit from adding these hair retouching techniques to their set of skills, so that you can deliver outstanding work to your clients and get back behind the camera. By the end of the class you’ll know how to make your clients look red-carpet ready and how to do it faster than ever.
A Look Into The Making Of Matt Wertz’s SnowGlobe Shop Videos
Most of you here know me, Brad Moore, and that I moved to Nashville earlier this year. Since coming here, one of my new ventures has taken me into the world of video. I met Phil Barnes, seen above, when we both arrived at a mutual friend’s concert with the idea of making a video for him. Rather than make two videos, I asked Phil if he wanted to work together on one, and he said yes. Through the experience of working together on this one video, we decided to team up and keep making videos together. Thus was born Phil and Brad Make Videos!
Fast forward to a few weeks ago, when we were approached by Matt Wertz, asking if we’d be interested in making some videos to help him launch his annual online holiday store, The SnowGlobe Shop. Each year, Matt launches this shop to sell some of his own merchandise, but also some other items that are made locally in Nashville. He wanted Phil and I to help tell the story behind each of the locally made products… Why he’s working with each company, the care that goes into making each product, etc.
The introduction video to The SnowGlobe Shop. This was actually the last video we made as it’s mostly made up of clips from the other six videos we created.
For each shoot, I filmed with a 70-200mm f/2.8L lens on the Canon 1DX, shooting at 60fps for slow-motion footage. Since I was shooting at 60fps, my shutter speed was at 1/125 and my f-stop and ISO varied depending on the shooting location. Phil filmed with a 24-70mm f/2.8L lens on the Canon 5D Mark III, shooting at 24fps for a cinematic feel. His shutter was at 1/50, and his f-stop and ISO also varied from on location to the next. We both shot handheld and only used available light since we had to move quickly and had limited time at each location.
Our first shoot was at ThreadCo, a startup fashion company that focuses on creating high quality closet staples at an affordable price. This was where we found our groove and dynamic for this project. I started off shooting wide, then quickly switched to shooting tight once we got into the space and realized what exactly we needed to focus on. As long as I was shooting tight and Phil was shooting wide and we stayed out of each other’s shots as much as possible, we knew we had wiggle room in the edit.
The last bit of filming was spent getting vanity shots, both video and stills, of each product. Throughout the process, Matt was also recording voiceovers for the videos, either spoken by him or one of the people involved in making each product. Once we had all of these pieces captured and created, it was time to put them together. To the edit!
Phil and I have a pretty great dynamic figured out, which allows us each to play to our strengths. I tend to be the primary shooter, then he drives the edit once we have all the footage. Once he has a pretty decent cut ready, I’ll take a look and give notes and we’ll discuss what fine-tune tweaks we need to make.
So, once we have all of our footage downloaded and backed up, we start making our way through it to find the best shots that are both visually attractive and help tell the story of how each item is created. We bring it all into Adobe Premiere Pro CC and delete the clips that are garbage, and cut and trim down the clips that aren’t.
We put the clips together in the order that made sense for the story of each item and slowed down the 60fps footage to 40% for the slow-motion effect, and also scaled it to fit the frame (the 1DX shoots 60fps at 720p, but it looks fine when scaled to 1080p). We also added in the graphics and credits at the end of each video.
Since we were working with a musician on these videos, we knew we would be using his music as the underlying track. He gave us the instrumental title track from his Snow Globe album, and we trimmed it to fit the length of each video. Once we had the voiceover for each video, we did some minor editing to take out the distracting elements (ums, breathing between sentences, etc), then added those to each project. Even once they were in Premiere, we were able to cut them and space them out to be better timed with the pace of each video.
After we got everything just right, Phil mixed and mastered the audio to make sure levels were good and, honestly… I’m not sure what all he did so I could just make up a bunch of technical stuff to sound smart, but just trust me when I say that he made everything sound great ;-)
All that was left from there was to export each one, send it to Matt, get his notes, and adjust each one accordingly! The final edits for each one are here, and I hope you enjoy them. Matt, Phil, and I all put a LOT of time and effort into making these, and I for one am pretty happy with how they turned out. I honestly can’t wait until our next project, whatever it may be.
I am so excited about this personal project! It’s a photo collaboration between Kalebra and I (she comes up with the concept, and does the art direction and styling, and I do the lighting, shooting and retouching), and I can’t wait to share the first shot in the series with you today.
The whole story; the final image; and lots of behind-the-scenes shots (along with camera and lighting details) are over at this link.
Thanks so much for checking it out. I can’t wait to shoot #2 in the series! (more details to come).
The Walk Leader competition is always one of the hardest to judge because there are so many great entries from so many talented leaders, and this year there were such really wonderful entries, that it made my job a whole lot tougher for sure.
Although there’s only one winner, I felt there were some images that were so good that even though they didn’t win a prize, they still deserved some recognition, so I’m displaying those first, then we’ll reveal our winner.
Without further ado, I present our 10 Walk Leader Competition honorable mentions (in no particular order):
Leader / Photographer:Bart Baylon Photo Walk: Pastrana Park, Philippines
Leader / Photographer: Cheryl Hoffman Photo Walk: Kuala Lumpur, Malaysia
Leader / Photographer: Sandip De Photo Walk: Lausanne,Switzerland
Leader / Photographer: Matthew Armsby Photo Walk:Windsor, England
Leader / Photographer: Hany Fouad Photo Walk: Suez, Egypt
Leader / Photographer: Allan Pinedo Photo Walk: Malecon de Progreso, Yucatan, Mexico
Leader / Photographer:Christiani Berer Photo Walk: Graz, Austria
Leader / Photographer: Paul Gotiong Photo Walk: Pasil Fish Market, Cebu, Philippines
AND NOW…FOR THE 2016 LEADER COMPETITION WINNER! When the images are this good, any one of these above easily could have been chosen as the winning image, but I could only pick one, and I think it’s an awesome image, so please join in congratulating our 2016 Walk Leader Competition Winner:
Comment:This shot is wonderfully composed, and I love the low angle; the texture; and the man and child on the left, but what I think really makes this image special is how all the colors work together — the warm tones outside and then that fantastic blue inside the shop, and that splash of orange to the right of the man — it all works so perfectly. Add in the perfect placement of that foreground chair and it takes it right over the top for me. Really a well-crafted image.
Simplified Lightroom Image Management System with Scott Kelby Have you ever wished you could start your Lightroom catalog over from scratch and do it right? If you have, or if you are just starting to use Lightroom for this first time, then this class is for you. Join Scott Kelby as he walks you through his simplified Lightroom image management system (SLIM) that keeps his drive organized, his workflow simple, and his piece of mind intact. This is a class you’re going to want to watch in its entirety before you take action, but it may be just the thing you need to rethink how to use Lightroom from the ground up and see things in a new light. There’s a Q&A session with the live studio audience at the end to expand your understanding even further.
In Case You Missed It Streamline your mobile photography workflow with Lightroom Mobile! Join Josh Haftel, senior product manager at Adobe, as he teaches you how to use Lightroom Mobile to import, organize, edit, and share your mobile photography, as well as how you can synchronize it all with Lightroom on your desktop and Lightroom Web.