Wednesday
Dec
2013
04

It’s Guest Blog Wednesday featuring Gabriel Biderman!

by Brad Moore  |  17 Comments

Shooting Stars
Admit it, you are enamored by certain stars; you follow and keep track of all of their movements. I’m a sucker for stars too, but more of the celestial type. There is a certain magic to shooting at night and capturing what can’t be seen with the naked eye. Hopefully these tips will inspire or help you improve your night visions.

The Right Stuff
In order to successfully capture the night I would recommend a digital camera from the last 2-3 years, a sturdy tripod, and a cable release. I tend to shoot wide, 18mm-21mm, to include more of the sky. However when shooting wide, it is very important to incorporate an interesting foreground. Trees, rocks, and structures will add more dimension and scale against the night sky.

Get Out Of Town
Get away from all the light pollution of the city to better capture the starry skies. If you can’t see the stars, then neither can your camera. This shot was taken 40 minutes north of NYC, at the Sleepy Hollow Cemetery. The three crosses shot (later in the blog) was taken in the remote town of Las Cruces, Baja – and revealed more stars than I had ever seen or imagined.

Be In Tune With The Moon
Photographing under the moonlight can be a magical and therapeutic experience. The size and brightness of the moon will depend on what phase it’s in. Knowing this and what time the moon will be rising, will dictate the length of your exposure. I use the MoonPhase app to plot out what nights will be the best to shoot. The app, Moonrise, lets you drop a pin on a location/date and find out when the moon will be rising and setting.

Focus To Infinity
Autofocus doesn’t work for most night photography; there simply isn’t enough contrast in the scene. If you are shooting the stars and not including any foreground for 20-30 feet then switch to manual focus and set it to infinity. Note that most AF lenses go past infinity – so make sure to align the infinity symbol correctly to the MF hash mark on your lens. To focus on dark foregrounds without contrast use a high power flashlight so you can autofocus. Once you have locked down the focus – switch the camera back to manual focus so when you trigger the exposure it doesn’t search for focus again.

The 500 Rule For Better Celestial Skies
There are two ways to interpret stars – either as star points or star trails. Digital capture has made photographing star points, or celestial skies, easier than ever. A good starting point for capturing a celestial sky is a 25 second shutter speed, ISO 3200, at f/4. That was the exposure details of the Milky Way shot over Independence, California.

How do we figure out our exposure?

The most important factor is time. The earth rotates and when we capture star trails we are actually capturing the rotation of the earth – the stars remain constant.

There is a simple equation that will tell us how long we can expose until the stars start to trail. It was originally called the 600 Rule, which is probably safe for viewing on the web. But if you want to print or view the images at 100%, I recommend using the 500 Rule, where you divide 500 by the focal length of your lens.

500/24mm = 20 seconds

500/50mm = 10 seconds

The more telephoto the lens, the more it will zoom in and magnify the movement of the stars.

Now comes the balance of ISO and Aperture.  The two factors to consider is how fast and sharp your lens is wide open and how high can your camera’s ISO safely go?  I typically like to stop my lens down at least one stop – so from f/2.8 to f/4, and there is often a big difference between the noise at 3200 ISO and 6400 ISO.

Let Them Trail!
Star trails definitely have that “wow” factor, especially if we can point our camera north and expose for at least one hour. The problem is noise. Nothing creates more noise in-cameras than long exposures – it’s like a herculean effort to hold that shutter open! A quick and easy solution is to go into your camera’s menu and turn on your Long Exposure Noise Reduction (LENR). This will create a black mask over your image that will eat away most of the noise in-camera. However this often takes the same amount of time as your exposure (1 hour exposure + 1 hour LENR) and renders your camera useless until the “processing” is over. A more productive way is to take a series of images that will equal one long exposure and then stack them together in post. For example 18 five minute exposures = 1 ½ hours.

The trick with stacking is that you need to use a cable release like the Vello Shutterboss, and make sure your interval between images is no longer than a second or else you will have significant breaks in your stars. Even at a second, blown up to 100% you will probably notice subtle breaks in the stars.

Which do you like more – the star points or star trails?

Stacking In Post
There are lots of star stacking actions out there but I’ve gotten the best result by simply opening up all the images as layers in Photoshop and then changing the blend mode to lighten for each one. This will quickly and simply connect all the lines.

Operating under the stars can be a magical experience. I want to thank Scott and Brad for inviting me to share my nocturnal visions with you. If you want to learn more – the book I co-authored with Tim Cooper, Night Photography:  From Snapshots to Great Shots, was just released! If you are in NYC on Wednesday December 4, we are having at book signing/gallery opening at the Soho Photo Gallery from 7pm-9pm and would love to see you. Also, night workshops are some of the coolest ways to get more comfortable photographing in the dark. There are lots of options across the States that offer hands on teaching often in locations that you normally can’t access at a night. You can find out more info on my workshops and adventures at ruinism.com.

Carpe Noctem!

You can see more of Gabriel’s work at Ruinism.com, and follow him on Facebook, Twitter, and Google+

Tuesday
Dec
2013
03

Greetings From San Diego (and a Cyber Monday update)

by Scott Kelby  |  17 Comments

Hi Gang and howdy from San Diego — I’m here for my sold-out “Shoot Like a Pro” seminar here at the Convention Center where I’m hoping I’ll get to meet some of you who read my blog in person here today. I love this town (plus the awesome Alan Hess and his wife Nadra took us to dinner last night  at Slader’s 50/50— a great welcome to a great town). :)

Whew! What a crazy day we had yesterday on Cyber Monday
We had some great triumphs yesterday as incredible numbers of new folks joined with us at Kelby Training and NAPP, which is awesome, but at the same time, our phone lines and web sites were crushed, so not everybody got through. By the way, why is the rep in the photo above holding her mic? Nobody knows, but they all do it. I think it’s a nervous habit.

We had carefully planned, staffed and prepared for yesterday…
but you just never know how crazy things are going to get, and apparently “crazy crazy” wasn’t on our list of possibilities. It was totally nuts, but in a good way. Well, for the most part. We had some serious email glitches where some folks didn’t any emails about our deals (so they’re mad), but then a few folks got literally buried in emails from us (they’re mad), which totally stinks [I am so sorry about that]. We all had steam coming out of our ears trying to figure out how and why it happened, but it definitely made for a stressful day for everybody involved. My apologies to anybody who missed out, or got “over-notified” (how’s that for a coining a new phrase?).

Anyway, if you couldn’t get through on the phones yesterday…
… if you call our customer service department today at 1-800-738-8513 or 813-433-5000 and  they will honor the deals from yesterday (but just for today and just for folks who couldn’t’ get through by phone, or tried to order online while our site was slammed, which was most of the day).

Thanks to everyone who took advantage of our deals, and to everyone who couldn’t get through (or struggled to get their order in online) I hope we get the chance to make it right for you today. Thanks for your patience; your support; for hanging in there with us through another crazy Cyber Monday, and welcome to the Kelby Training community — it’s going to be an amazing 2014!

Best,

-Scott

P.S. If you’re at my San Diego seminar today, make sure you come up and say “hi” — I love meeting people who read this blog in person. :)

Monday
Dec
2013
02

Four Killer “Cyber Monday” Deals (and our Cyber Monday Deal-Watch Broadcasts)

by Scott Kelby  |  15 Comments

OK gang, we’re doing it again this year: We’re going to scour the Web to help you find everybody else’s killer Cyber Monday deals on Photography and Photoshop Stuff:

It’s just a quick five-minute broadcast from the gang at the top of every hour starting at 10:00 AM ET Today!!! (and only for today, Cyber Monday!)

This was a huge hit last year (our first time trying this idea), but it succeeded thanks to your help spreading the word via Twitter, Facebook, your blogs, etc.? and if you could do that again this year, that would be awesome! Also, there are just so many great deals out there we can’t keep up with them all, so if you find a really great deal and you want us to share it, leave me a comment right here (make sure you include a link to the deal).

In the meantime, here’s our Cyber Monday Killer Deals (these end at midnight tonight):

DEAL #1: Save $40 on our kick-butt Online Training for photographers
You get it all —- unlimited access to all our online training courses for an entire year (literally hundreds of classes by the best teachers anywhere) for just $159 for a full year. Here’s the link. 

http://youtu.be/zLC06AAMZ3g
DEAL #2: One Month Full-Access to our Online Training: just $14.95
An entire month, including our acclaimed “Beginners Start Here” program (check out the short video clip above). Plus, all access to hundreds of full-length classes. Thousands of lessons. All at nearly 40% off. We’re nut to offer it this low. That’s true, but it’s just for today (well, it ends today). Here’s the link
DEAL #3: $10 Off Any of Our Live Seminar Tours (McNally, Matt, RC or Me)
Come spend a day live with Joe McNally learning hot shoe flash, or Matt Kloskowski learning Lightroom. How about a day with RC Concepcion learning “Photoshop for Photographers” or with me on my “Shoot Like a Pro” Tour? Well, now it’s even more of a bargain with $10 off. Here’s the link
DEAL #4: Save up to $250 on the Photoshop World Conference & Expo (coming to Atlanta in April)
It’s our first time ever in Atlanta, and we want you to share in the most amazing Photoshop, Design & Photography live learning experience on the planet, so we’re giving you up to $250 off a full conference pass. Today it’s only $449 (reg: $699) and that is an absolutely killer deal! Here’s the link. 
DON’T FORGET:
Come join us every hour, on the hour, as we uncover the Web’s hottest Cyber-Monday deals on our Cyber Monday Deal Watch. It’s going to be (wait for it…wait for it….) epic! :)
Happy shopping everybody!
Friday
Nov
2013
29

Our Cyber-Monday Deals Start Today

by Scott Kelby  |  14 Comments

Just a reminder…we have a ton of crazy deals going on today through Monday, December 2nd!

Check out everything below to score huge savings on KelbyTraining.com,(our renown online training classes for photographers) NAPP (the world’s best Photoshop and Lightroom training) and Photoshop World (our annual 3-day Photoshop training conference, sponsored by Adobe) at our lowest prices of the year:

Check out the free  video above with sample clips from just a few of our online training classes for photographers.

Hope you take advantage of some of these deals (or all of them if you’re loose with money). We’d love to have you on board with us for 2014 because we have some absolutely amazing things happening for our members this coming year and we really want you to be a part of it.

Happy shopping everybody! :)

-Scott

P.S. On Monday, once again this year, we’ll be doing broadcasts EVERY HOUR ON THE HOUR with cool deals we’ve found for photographers and designers from other companies all over Web, so on Monday, hit this link to watch our hourly broadcasts  We did this last year and it was a huge hit because we really uncovered some amazing deals out there, so make sure you join us. 

Thursday
Nov
2013
28

Happy Thanksgiving Everybody!

by Scott Kelby  |  7 Comments

Today in the U.S. we celebrate Thanksgiving; a national holiday where we give thanks for the many blessings we enjoy (and I truly feel like the most blessed guy on earth). Traditionally this is a day  where families come together to eat a Thanksgiving turkey feast, and then we watch football until we pass out. It’s just about a perfect day. :-)

Our offices are closed today for Thanksgiving, but I’ll be back here tomorrow with some insane deals on all our stuff in honor of the biggest shopping day of the year (known as Black Friday).

In the meantime, please enjoy the stock image above (nothing brings the warmth, togetherness, and joy of Thanksgiving together like a woodcut stock image with customized type).

In all seriousness, here’s wishing you and your family a joyous, happy, and yummy Thanksgiving. :-)

All my best,

-Scott

Wednesday
Nov
2013
27

It’s Guest Blog Wednesday featuring Randy Van Duinen!

by Brad Moore  |  20 Comments

I want to thank Scott and Brad for allowing me the opportunity to be the guest blogger and share some of my experiences with you. I am primarily an architectural and landscape photographer and love shooting both for different reasons. While landscape photography is a more personal art form, architectural photography is a collaborative project. Most of my clients are builders, architects or interior designers; my job is to convey their design in the best possible light and to showcase how their clients will utilize that space or building.

Here are a few tips to successful architectural photography:

Determine Photography Scope
Ask questions to find out what their photography needs are and how they will be using the final images. They usually want every aspect of their project photographed until you inform them of how many days that will take and the cost to accomplish it. After a few minutes of silence you will hear the words “I don’t think we need to do that many photos.” This is when they start to focus on the most important aspects of the project that need to be captured.

Visit The Job Site Before The Shoot
One of the most important steps, if at all possible, is to meet the client at the job site before the photography shoot date. This will allow you and the client to determine the rooms and angles that will be photographed, decide what time of day will provide the best light, how many assistants are needed, discuss styling, and get all the contact information for the building. I also send my clients a link to my website that has a pre-shoot checklist for them to go over and make sure they have everything they need.

Use A Tripod
If you think you can hand hold your camera and capture sharp images with a straight horizon, you’re kidding yourself. Architectural photography is about keeping the perspective of the building correct. A lot of the newer DSLR cameras have built-in levels and if your camera does not, you can buy a level for around $30 that will slip onto your camera’s hot shoe.

Put Yourself In The Corner
Very rarely will you photograph a room straight on as this will not give the room any dimension and will flatten it out. By placing yourself in a corner, you will give the room or building more depth and interest.

Don’t Put Yourself In A Corner (I know what I just said.)
There are some situations where photographing your subject straight on will make sense: when the subject is very symmetrical. When it happens, and it is rarer than you might think, it can be a very strong and compelling image.

Photograph At Twilight Or Night
Having a well-done twilight exterior in your portfolio will get you work, no question about that. They are very powerful photos that your clients will want and pay more for. If you are photographing only interiors, one of your setups should be at twilight when the color temperature of both interior and exterior are the same. There is only about a 20 minute window when this happens and you need to have your lighting ready for it.

Photograph Using Tungsten Lights
With tungsten lighting, you will have more control than you do with strobe lighting. Tungsten will give you a completely different look than most other photographers who just use strobes. The bad part of using tungsten lights is that you will be working late into the night, but it’s worth it.

Water Down Sidewalks And Driveways
This is especially important for residential photography and less crucial for commercial buildings. If you don’t water down sidewalks and driveways, they become the brightest elements in your image; by watering them down they become dark and create a reflection of the building and is an added benefit.

Don’t Overuse HDR
I am asked all the time about how much HDR photography I use in my photos. The answer is as little as possible! Digital cameras do a great job of capturing a lot of information and post-processing in Adobe Lightroom can usually get what is needed. You should bracket all shots in case you need to use HDR or pull parts from different exposures to get what you need for the final image.

Use A Color Target
The correct color is essential for architects and interior designers and you better capture it for them or you will do a lot of post-processing over again. If you tether your camera to the computer, you can white balance the photo with the client right there and get their input on color and/or any problems that will have to be corrected on post-processing.

Look For The Little Things
With all that is going on with lights, clients, assistants, make sure you look for the small thing that can ruin a good photograph. It can be a pillow out of place, a cabinet door ajar, or a footprint in the middle of your shot because of carpeting that was not brushed. Have the rest of the crew look at the computer and see if they can find anything you may have missed.

Use A Tilt/Shift Lens
If you have one, it is a great lens that was made for architectural photography; if you don’t have one, you might want to rent one and try it out. There are many places you can rent them from and the lens I would recommend is the 24mm tilt/shift. This is a very good lens for interior photography which will allow you to make rooms look larger than they are and you will have less post production than if you shot the same room with standard lens.

One of the good things about architectural photography is that it’s not a moving subject and a building is not going to have an attitude or show up late. I have always had a love of architecture and photography and making a living with the two things I enjoy is a dream come true. I hope some of these tips will help the next time you are photographing a building or interior.

Randy Van Duinen is an architectural photographer in St. Petersburg, FL and works with The Digital Photo Workshops. You can follow Randy on Google+ and Facebook. His blog at StudioPhotoshop.com is where he talks about anything photography and Photoshop related. Randy has been a contributor to Light It Magazine and speaks around the country about Lightroom, HDR and architectural photography.

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