Friday
Jun
2014
27

First Look: Think Tank Photo’s “My 2nd Brain” Briefcase (laptop bag)

by Scott Kelby  |  40 Comments


Above: Look how much smaller the new bag is, yet it holds all my junk. Ahem…I mean my essential gear for travel. ;-)

If you’re like me, you’re never really happy with your laptop bag. That was me for most of my life (well, most of my laptop toting life anyway), until about 5 years ago when I fell deeply and hopeless in love with Thank Tank Photo’s laptop bag. It was prefect. A pocket for everything — I could even fit my Wacom tablet in it — it was just…perfect! Especially for someone who carries a lot of stuff (see below).

Here’s what’s in my bag (as seen above):

  1. 15″ MacBook Pro (this is my main computer day in, day out)
  2. A bunch of plastic cards (gift cards, Delta club card, Hilton Honors card, etc.)
  3. USB drive with backup stuff
  4. One-Tb Back-up hard drive of my entire MacBook, plus USB 3 cable
  5. iPad Charger and cable
  6. iPhone charger and cable
  7. Lexar USB 3 CF and SD card reader
  8. Wacom Wireless Pen and Pen Holder
  9. Backup Wacom Pen
  10. Wacom USB Cable
  11. Bendable Laptop LED light (I use it to light my outline during a seminar)
  12. Love Book (That’s what my daughter called it when she gave it to me. It’s always with me).
  13. Two sets of business cards (I know, that’s probably one too many)
  14. MacBook Charger and Cable
  15. Five Sharpie pens (for signing books and stuff)
  16. Bose headphone adapter
  17. Another USB Flash backup (for paranoid presenters)
  18. Guitar Pick. Hey, ya never know.
  19. OK, I’m carrying more USB drives than I need.
  20. Two DVI adapters to connect MacBook to projectors (one and a backup)
  21. Copy of Photoshop User magazine, outlines for my tour, notes, fan mail from some flounder
  22. Wacom Intuos Pro tablet “Small”
  23. Collapsible iPad stand
  24. AAA batteries just in case my headphone’s batteries go dead. I know, I don’t need three — just one.
  25. Bose Quiet Comfort Headphones (I so love these things, but I hate their bulky carrying case).
  26. A tin of Altoids (Curiously strong mints)
  27. Screen and Lens wipes
  28. Lens cleaning cloth
  29. Logitech Wireless Slide controller (for slide presentations).
  30. iPad Air
  31. Small bag of marijuana.
  32. Made ya look! ;-)

 

About a year or so ago I saw Think Tank Photo’s booth at a tradeshow (I think it was Photo Plus in NYC), and I thought I’d go pick up another one just like it to replace mine …until I heard the sad news….they had discontinued it. I was stunned. It was the best, ever, hands-down and now it’s gone.

It was at that moment that I knew I would have to hold on to my old bag until it literally disintegrated, but luckily that day never came because Wednesday I got something even better than my old Think Tank laptop bag. A brand new, smaller, lighter, better-designed (like they made it just for me) laptop bag. It’s the “My 2nd Brain” Briefcase 15 and it is my new laptop bag dream come true. My world finally makes sense again (Not really).

Above: I did a little iPhone video tour of the bag (iPhone video work by the amazing bearded Brad Moore) to show you how it does it’s thing. It has a perfect pocket for my Wacom tablet, and a separate just for your iPad (In my old bag, I just tossed mine in where I kept my papers and magazines). 

I had pretty much given up on Think Tank Photo ever making another Laptop Bag, and I just cannot tell you excited I was when I found out that not only where they making them again — that the new one was that much better, smaller and lighter than the old one, but it still held all my gear — now it’s all just more organized. You’ll have to check out the video to see all the compartments, pockets, sleeves and clever stuff this bag has inside and out. Very well designed, and built like a tank. Super Mclovin’ it!

It sells for $144 over at B&H Photo (that’s where I buy all my stuff). Worth every penny!

Hope this First Look helped you find the bag of your dreams, and here’s wishing you fantastic weekend filled with lots of amazing images. See ya back here on Monday.

Best,

-Scott

Thursday
Jun
2014
26

It’s Free Stuff Thursday!

by Brad Moore  |  20 Comments

OKDOTHIS
You may recall the launch of Jeremy Cowart’s iPhone app, OKDOTHIS last year. Well, he recently re-launched the app with a new website and tons of new features that make the app even better and easier to use! Now you can see a Trending feed, Recent feed, view photos by category, search for images and Dos, and much more. It’s been featured by PetaPixelTUAW, Gizmodo, Fast Company, and even got some love from Katie Couric! It’s free to download, so if you haven’t already, you can grab it right here!

Print, Pack, and Ship Your Images Like A Pro
In this age of primarily showing photos on electronic devices the printing of a photo has taken on greater significance and value. At some point every photographer will be asked to produce a print for someone. Join RC Concepcion as he expertly guides you through every step in the process of bringing a photo from capture to print to boxing it up for maximum impact. RC is assisted by Dan “Dano” Steinhardt, who brings his expertise to discuss the ins and outs of printer capabilities and the nuances of paper types, as he shares many pro-level tips along the way. Together RC and Dano will show you how to extend the craftsmanship of photography into this critical phase of the process that will allow you to create works of art that you will be proud to send out into the world.

Leave a comment for your chance to watch this class for free!

KelbyOne Live
Want to spend a day with Scott Kelby, Joe McNally, or Corey Barker? Check out these seminar tours!

Shoot Like A Pro with Scott Kelby
Aug 26 – St. Louis, MO
Aug 28 – Kansas City, MO

One Flash, Two Flash with Joe McNally
June 27 – Seattle, WA
July 24 – Milwaukee, WI
July 28 – Boston, MA

Photoshop Down & Dirty Master FX with Corey Barker
Aug 1 – Miami, FL
Aug 13 – Austin, TX

You can check out the full schedule for seminars through August, and we’ll be updating it with more dates soon! Leave a comment for your chance to win a ticket to one of these events!

Last Week’s Winners
KelbyOne Class Rental
- Matthew

KelbyOne Live Ticket
- Karen

Mastering The Model Shoot by Frank Doorhof
- Kumar Kandiah

If you’re one of the lucky winners, we’ll be in touch soon. Have a great Thursday!

Wednesday
Jun
2014
25

It’s Guest Blog Wednesday featuring Tom Medvedich!

by Brad Moore  |  7 Comments

First off, thanks to Scott and Brad for giving me the opportunity to share my thoughts and experiences with such a great audience. It’s much appreciated! I’d like to take a second to introduce myself– My name is Tom Medvedich and I’m a commercial photographer based in New York City.


Eminem for XXL, Los Angeles 2014

For the entire time you’re on this planet, people will be telling you what you can’t do. I was at a portfolio review a few months ago and I got great feedback from 95% of the reviewers. One of the people I met with was a photo editor from a fashion magazine. She looked through both my still life and portraiture books and seemed to be unimpressed. She put them down, looked me in the eyes and said, “You know… It’s clear that you have absolutely no connection with people and you should definitely give up this ‘shooting rappers’ thing. It’s really time to pick your pony.” I smiled and thanked her for the feedback. It wasn’t the first time someone’s told me I can’t shoot still life and portraiture. Thankfully I didn’t entertain her comments. Little did we both know that a few months later Eminem’s team would choose me out of a group of photographers that I highly respect to shoot Eminem, Jimmy Iovine, and Dr. Dre for the cover of XXL Magazine in LA.


Eminem, Jimmy Iovine, and Dr. Dre for XXL, Los Angeles 2014

When I was a kid, one of the main things that drew me to photography was the freedom of being able to do whatever I wanted (within reason). The thought of being stuck in a routine job wasn’t my idea of how I wanted to live life. Back when I was assisting, I was always bouncing around between different photographers that shot various disciplines. Still life, fashion, celebrity… you name it. I really enjoyed it. I had great relationships with most of these photographers and occasionally during the course of a 10 hour job, the topic of what I wanted to shoot would come up. I would reply with “Still life. And portraiture.” Nine times out of ten, I’d get the same type of responses. “There’s no way you’ll be able to do both,” “Clients won’t take you seriously if you don’t specialize in one category,” “You’ll need two different web sites,” and on and on. They were trying to tell me to master one discipline and not spread myself thin. They meant well and I understood where they were coming from, but I just couldn’t subscribe to that mentality.


Dewar’s for Leo Burnett, NYC 2011 & Steve Stoute for Complex, NYC 2011

How could people possibly think they could tell me what I was supposed to shoot? What if you were passionate about food and architecture. Who’s to say you couldn’t shoot both? That being said, I would recommend that if you are strong in one area and weak in the other, I’d leave the weak stuff out of your book until you get better at it. But that goes for any body of work in any discipline of photography. Your book should have a strong, clear voice. If you only shoot beverages, make sure all of your images can stand on their own. Conversely, if you shoot beverages, cosmetics, soft goods and urban landscapes, you’ve got to take even more care to make sure each category is buttoned up and polished because people will be weary if you have too many different galleries on your site. So you’d better have knockout work.


Still Life for SLAM, NYC 2011 & Shaq for Reebok, Las Vegas 2013

This stance in photography is one that I enjoy. It’s humbling because it’s an underdog mentality where you constantly feel like you need to prove yourself. People are usually expecting you to suck at one of the two things you do. One thing to note is that if you’re just starting out, your work might suck. I know mine did. But I kept working at it and trying to improve with every shoot. I knew the naysayers had a point when they were trying to tell me to tighten up my work. Now I enjoy seeing the reactions of people when they see both my still life and people books. They often say, “Whoa, I didn’t know you shot still life AND portraiture,” or “Wow, your portraits look just as clean as your still life images.” That kind of recognition is nice after all the years of committing to these various disciplines.


Still Life for Gilt Groupe x Infiniti, Los Angeles 2013

One of my newest clients is The Chia Co., and I just got back from shooting their CEO, John Foss, at one of their farms in Nicaragua. I was excited when they asked me to shoot this portrait because at the time, we were on location shooting a still life ad for them where we had one of their Bircher Muesli Chia Pods in a NYC park setting. They’ve had me shoot three full fledged still life jobs and next thing I know, they’re asking me to shoot portraiture. I genuinely appreciate a client that trusts my abilities and doesn’t get caught up in “he isn’t that type of photographer”.


The Chia Co. CEO John Foss, Nicaragua 2014

I’m so fortunate that photography has taken me to so many amazing places around the world and I’ve met some incredible people along the way (including my wife). I’ve been very lucky to have worked with people that trusted me to get the job done well. It wouldn’t have panned out that way if I had listened to a handful of people who thought I couldn’t do it. At the end of the day, strong work will stand out and people will recognize it. There’s nothing stopping you from landing jobs in various categories of shooting. I’m living proof, and I’m certainly not the only one to do it. If people don’t want to hire you because you shoot more than one category, chances are you wouldn’t want to collaborate or work with them anyway, so it all works out in the end. Believe in your goals, stay true to your voice, and most importantly, keep shooting new and better work!


Still Life for New Jersey Monthly, New Jersey 2013 & Blake Griffin for SLAM, Los Angeles 2012

You can see more of Tom’s work at TomMedvedich.com, and follow him on Twitter and Instagram.

Tuesday
Jun
2014
24

Look Who’s Teaching at Photoshop World in Vegas! Oh Yeah!!!!

by Scott Kelby  |  14 Comments

That’s right baby, for the first time ever it’s one of the leading automotive photographers in the world, and my vote for the best automotive photography teacher on the planet, the one and only Tim Wallace. 

Oh yeah! He’s coming to Vegas from the UK, and he’s doing a live car shoot class, a session on Photoshop retouching for car and product photography, and a business class (he is one heck of a businessman, too!).

We are so excited to have Tim teaching for us in Vegas this September at Photoshop World. If you’re going, even if you have never taken a car shot, you gotta check out at least one of Tim’s sessions. If you’re not going, why the heck not! Get your ticket right here and come to Vegas and spend three days that will supercharge your career!

Above: That’s Tim and me when he was in town taping some classes for KelbyOne. 

By the way, we have some other very cool new instructors teaching for their first time with us in Vegas, but I’ll reveal those another day, but I just had to share this news about Tim since he’s one of my heroes of photography.

Spin the Reels — I bet you get something (wink).

Have a great Tuesday, and here’s to learning from the best instructors on the planet! :)

-Scott

P.S. Here’s a link where you can download a PDF of the brochure and class schedule for the Photoshop World Conference in Vegas. Ya know, just in case. ;-)

Monday
Jun
2014
23

The Trick To Resizing Digital Camera Images for Print

by Scott Kelby  |  45 Comments

Hi Gang: I thought I’d kick off this Monday by answering a question I was asked over on my Twitter page:

To answer John’s question, the first thing we have to get over is the age-old myth that you need to print at 300 dpi. For today’s ink-jet printers you need a minimum of around 200 ppi (and people love to argue this next figure endlessly) but most of the pros I know who are seriously into printing feel that the “sweet spot” resolution for today’s printers is 240 ppi, and anything above that doesn’t give you a better print (just a larger file size).

I print at 240 ppi max, sometimes less, but I personally don’t print at a higher ppi than 240 ever (by the way; that’s Lightroom’s default printing resolution as well). If you want to argue about resolution, feel free to go find a printing forum and have at it — I really didn’t want to host that debate here, but John asked me and I’m answering him (based on how I do it) here because I know some other folks might have similar questions. To make it easier I did a short video on two different ways to use Photoshop to get the size and resolution you want (since Lightroom does all this math automatically under the hood). Here ya go:

I hope you found that helpful.

Photoshop CC’s “Two Install” issue
Those of you who installed last week’s Photoshop CC update (the one called “The 2014 update of Photoshop CC” – ugh), have learned that it left your old Photoshop CC there and installed a new separate version. Terry White did a post about the hows and why and what to do with your extra copy over on his tech blog.

By the way, did I mention that Terry actually works for Adobe as their worldwide evangelist (I think he’s worked there around 14 or so years now) and he would love to hear your comments (his words) over on his tech blog, so if for any reason you’re unhappy, grumpy, or perhaps you’re happy, cheerful and full of glee, here’s the link to Terry’s blog — that’s Terry “the human pin cushion” White from Adobe Systems where you are going straight to the source directly, fully and totally unfettered (whatever unfettered means).

That’s it for today!
Hope you all have an awesome Monday and we’ll see ya back here tomorrow. :)

Best,

-Scott

Friday
Jun
2014
20

Photoshop and Adobe’s Promise of The Creative Cloud

by Scott Kelby  |  99 Comments

After Adobe’s launch of the latest version of Photoshop CC on Wednesday, I saw some comments (and some grumbling) from folks who were complaining that Adobe hadn’t really been “fulfilling the promise” of the Creative Cloud which was for us not to have to wait 18-24 months for Adobe to release any new Photoshop features, but instead they’d release regular updates to Creative Cloud subscribers as soon as the features were ready.

I also saw people asking “Well if Adobe has been releasing features regularly, why did they have this big launch event?” I didn’t ask Adobe this question directly, but I can tell you my thoughts on why I think they had to do it.

The invisible feature updates
I sat in numerous one-on-one meetings with Adobe and I talked frankly about what I saw as the biggest problem with the frequent feature updates idea. It’s great for people who are subscribed to the Creative Cloud; they log in one day and they get a little pop-up notice that says something like “Hey, you’ve got new features in Photoshop!” (but in a much more corporate way).  That’s awesome, right? So they go download the latest version (it’s a free update), and they have all these features and improvements and tweaks.

But if you’re not a Creative Cloud subscriber, not only do you not get the updates…you don’t even realize that there were updates. There’s no big product launch — no new name — all the blogs aren’t buzzing about the new features, so for people outside the Creative Cloud, this release of great new set of features is invisible. It’s as if they never happened. It’s one thing not to get them — it’s another thing not to even know they existed.

This didn’t happen back when Adobe had a clear version numbering system 
If you were on Photoshop CS2 and then CS3 came out — everybody knew it. There was a big launch — all the sites were talking about it — it was huge. Now, it’s like the features silently sneak onto your computer at night while you’re sleeping. This is why I think Adobe did this launch-style event. So it’s not just the current Creative Cloud subscribers that realize there are a bunch of new Photoshop (and other CC app) features — now the whole world knows again.

Now, the fact that Adobe chose to call this “The 2014 version of Photoshop CC” is…well…ummm. I don’t get it. There’s only six more months left in 2014. What will they call it in January of 2015. Or February? Will will be in 2015 and Adobe is still offering just the 2014 version of Photoshop CC? Will we all be using “last year’s” Photoshop?

If they wait to do another big launch like this next year around the same time, we’ll spend at least half of 2015 using software that’s already sounds out-of-date. Why didn’t Adobe do what car manufacturers do? If you go buy a new car today, you be getting the 2015 Ford Fiesta or the 2015 Toyota Camry. That’s why I don’t understand why Adobe chose to back-date this release. It should have been “The 2015 version of Photoshop CC” so it feels like we’re using the software of the future, especially when it becomes 2015. I am stepping off the soapbox now (especially since it’s probably too late anyway, but at least I got it off my chest).

So what have they added, and when did they add it?
I did a little digging to see if I could find a running list of which features Adobe had actually added to Photoshop since the initial Creative Cloud version launch back in 2013, and when I found the page on Adobe’s site that listed them all, even I was surprised how many features have been released, and this have all been within just the last year. Here’s the full list (from Adobe’s site) with a list of what features have been added and when they were added. Hope you find it helpful:

_________________________________________________

June 18, 2014
Photoshop CC (2014)

Smart Object improvements
Maintain the links to external files by automatically packaging them in a single directory. You can also convert your existing embedded Smart Objects to linked Smart Objects. See how it works

Improved Layer Comps
Save time now that you can change the visibility, position, or appearance of one layer in a Layer Comp and then sync that change to all the others. Plus, easily see the attributes of each Layer Comp, and toggle a Layer Comp within a Smart Object. See how it works

Blur Gallery motion effects
Use Path Blur to add blur along any path and Spin Blur to create circular or elliptical blurs. The Mercury Graphics Engine makes all Blur Gallery interactions fast and fluid. See how it works

Focus Mask
Let Photoshop help you start a mask by automatically selecting the in-focus areas of your image. Focus Mask works great with potraits and other images that have shallow depth of field, and the Mercury Graphics Engine delivers fast performance.

Improvements to Content-Aware technology
New technology in Content-Aware Fill, Move, and Patch smoothly blends areas containing gradients, like skies, so you can create seamless, realistic results like never before. See how it works

Smarter Smart Guides
Forget trying to align multiple shapes or objects at exact distances from one another on canvas. Now you can quickly see the distance in pixels between objects so you can lay out content with precision. See how it works

Desktop fonts from Typekit
Choose the fonts you need from the Typekit library, sync them to your desktop, and get immediate access to them in your Photoshop font menu. Photoshop will even automatically replace missing fonts in your documents. See how it works

Font Search
Search for fonts by name, and see instant previews of each font to zero in on the perfect one. See how it works

Expanded 3D printing capabilities
Now you can see exactly where and how Photoshop repaired your 3D meshes so it’s easy to refine your designs in third-party 3D modeling apps. Get more accurate renderings of your models prior to printing thanks to WYSIWYG previews. And get support for more 3D printers and service providers. See how it works

Adobe Generator enhancements
Simplify the process of naming Generator assets and get greater flexibility in organizing the output from Generator by setting document-wide defaults, and by specifying subfolders for exported assets. Generator also offers new APIs so developers can create even more powerful plug-ins. See how it works

Adobe Camera Raw 8 enhancements
Heal images, fix perspective distortions, and create vignettes with greater precision. Plus, access an interactive histogram, before/after previews, and more. See how it works

Improved Windows 8.1 stylus support
Get to work quickly and comfortably with your stylus on Windows 8.1 devices, and enjoy smoother brush strokes thanks to higher-frequency sampling.

Expanded Mercury Graphics Engine support
Upsample images up to 15 times faster (depending on file size and video card configuration) now that the Mercury Graphics Engine delivers an OpenCL performance boost. The engine powers new Blur Gallery motion effects and the Focus Mask feature, too.

Experimental features
A new preference setting allows you to test drive and help shape new Photoshop features before they’re officially released.

Intelligent upsampling, even faster
Enlarge a low-res image so it looks great in print, or start with a larger image and blow it up to poster or billboard size. Upsampling preserves detail and sharpness without introducing noise, and now you get even more immediate results thanks to an OpenCL boost from the Mercury Graphics Engine. See how it works

Workflow Enhancements
Work faster and smarter thanks to new feature enhancements throughout your workflows. Now you have access to an expanded Color Panel; you can access your most recently used brushes, sync your workspaces, keyboard shortcuts, and menu customizations with Sync Settings; and more.

And so much more
Also includes: support for very large PNG files; the ability to export 3D LUTs; support for new video formats including Sony RAW and Canon RAW; and more. See full release notes

_________________________________________________

JAN. 15, 2014
Photoshop CC (14.2)

Perspective Warp
Adjust the perspective of a specific part of your image without affecting the surrounding area. Change the viewpoint from which an object is seen. For example, turn a telephoto shot into a wide-angle shot, or vice versa. And seamlessly composite images with different vanishing points or camera positions. See how it works

Linked Smart Objects
Improve collaboration and work more efficiently. Use linked Smart Objects that reference files stored on your local system or network drive, and thus can be repurposed across multiple Photoshop documents. You get smaller files and save hard-disk space as well. See how it works

3D printing
Visualize your 3D designs in the real world using 3D printing in Photoshop. Easily create, refine, and preview your design, and then print models directly to a locally connected 3D printer or online service. See how it works

Faster performance
Get better responsiveness when editing with key tools like Smart Sharpen, Liquify, and Puppet Warp. A next-generation Adobe Mercury Graphics Engine delivers more immediate results with OpenCL, even when editing your largest files.

Enhanced Scripted Patterns and Fills
Preview your Scripted Pattern fills and refine them with new controls. Fill along a path; and generate customizable frames, borders, and nearly two dozen unique tree graphics. for new creative options. See how it works

Workflow enhancements
Save time on common tasks, thanks to small but frequently requested features from users like you. Create paths more easily with new modifier keys, move a path with the spacebar, and more. See how it works

Faster performance with Mercury Graphics Engine
Get better responsiveness when editing with key tools like Upsample, Blur Gallery, Smart Sharpen, Blur Gallery, Liquify, and Puppet Warp. A next-generation Adobe Mercury Graphics Engine delivers more immediate results with OpenCL, even when editing your largest files.

And so much more
Also included: performance boosts for Smart Sharpen, Adobe Generator improvements for rescaling Smart Objects and adding padding, and improved font transformations and shape selections. See full release notes

_________________________________________________

September 08, 2013
Photoshop CC (14.1)

Adobe Generator
Adobe Generator technology gives developers deeper access to Photoshop files, paving the way for intelligent tools that automate time-consuming tasks and provide easier workflows. See how it works

Real-time image asset generation
Skip the hassle of manual asset slicing and export when designing for screens. As you work, Photoshop CC uses Adobe Generator technology to save tagged layers and layer groups as individual image files in formats you choose, all collected in a single folder.

And so much more
Also included: improvements to Camera Shake Reduction, including UI enhancements and HiDPI preview support for retina display; new controls to modify the range and fuzziness for Shadows, Highlights, and Midtones; and more. See full release notes

_________________________________________________

June 17, 2013
Photoshop CC (14)

All-new Smart Sharpen
Rich textures, crisp edges, and distinct details. All-new Smart Sharpen is the most advanced sharpening technology available today. It analyzes images to maximize clarity and minimize noise and halos, and it lets you fine-tune for high-quality, natural-looking results. See how it works

Camera Shake Reduction
Save shots you thought were lost due to camera motion. Whether your blur was caused by slow shutter speed or a long focal length, Camera Shake Reduction analyzes its trajectory and helps restore sharpness. See how it works

Adobe Camera Raw 8 and Camera Raw as a filter
Apply Camera Raw edits as a filter to any layer or file, and then enhance them any way you want. And with new Adobe Camera Raw 8, you get more precise ways to heal images, fix perspective distortions, and create vignettes. See how it works

Image resizing improvements
The Image Size command now includes a method to Preserve Details and provide better sharpness while enlarging images. In addition, the Image Size dialog box has been updated for ease of use. See how it works

Editable rounded rectangles
Resize shapes, edit them, and re-edit them — before or after they’re created. Even edit individual corner radiuses in rounded rectangles. If a shape is bound for the web, export CSS data from the file to save time. See how it works

Multi-shape and path selection
Select multiple paths, shapes, and vector masks at once. Even in multilayered documents with lots of paths, you can easily target the path (and any layer) you want right on canvas using a new filter mode. See how it works

Adobe Edge Reflow CC integration
With just a click, bring the assets from your Photoshop mockup into Edge Reflow CC to quickly adjust your layouts to fit all your desired devices. It’s responsive web design made easier by Adobe Generator.

Extended features included
Photoshop CC now includes the advanced 3D editing and image analysis tools that were previously in Photoshop Extended.

System anti-aliasing for type
Get a realistic preview of how your type will look on the web with an option that closely matches the anti-aliasing of your Mac or Windows system. See how it works

Behance integration
Share projects directly from within Photoshop to your Behance portfolio. See how it works

Sync settings
Synchronize your workspace settings — including preferences, brushes, and actions — across multiple computers. See how it works

Expanded Smart Object support
Apply Blur Gallery and Liquify effects nondestructively thanks to Smart Object support. Your original file stays intact as you add blur effects or push, pull, pucker, or bloat the image or video. Edit or remove the effects at any time — even after saving your file. See how it works

Improved 3D painting
Live previews are now up to 100x faster and more responsive when you paint on 3D objects and texture maps. With the powerful Photoshop painting engine, you can make any 3D model look terrific. See how it works

Improved type styles
You spend hours getting text to look just right. Type styles let you save your formatting as a preset that you can then apply with just a click. You can even define type styles to use across all your Photoshop documents. See how it works

Enhanced CSS support
Import color swatches directly from HTML, CSS, or SVG to easily match existing web schemes. Generate CSS code for colors and other design elements, like rounded corners, and then copy and paste the code into your web editor to get the exact results you want. See how it works

Conditional Actions
Put routine processing jobs on autopilot with Conditional Actions. These commands use if/then statements to automatically choose between different actions based on rules you set up. Learn more

Improved 3D Scene panel
Make a smoother transition from 2D to 3D editing with a 3D Scene panel that has many of the options you already know from the Layers panel, like Duplicate, Instance, Groups, and Delete. See how it works

Minimum/Maximum filter enhancements
Create more precise masks and selections with more powerful Minimum and Maximum filters, which now include options to preserve squareness or roundness.

Workflow timesavers
Work faster and smarter thanks to feature enhancements throughout the app. Access the expanded Color Panel as well as your most recently used brushes; sync your workspaces, keyboard shortcuts, and menu customizations with Sync Settings; and more.

And so much more
Also included: Support for Indic languages; export CSS code directly from layers or groups; enhancements to preset migration; and more. See full release notes

_________________________________________________

Honestly, I was pretty surprised when I saw how long this list was, and I’m a bit embarrassed to see a few features in there that I hadn’t realized had been added, but there’s an awful lot there (which I think is a good thing) so I’m using that as my “get out of jail free” card.

I hope this list helps you get a better overview of what Adobe has been doing, and how the promise of the Creative Cloud has been developing.

We Put Together a “Creative Cloud Resource Center”
If you want to see all the new features in Photoshop, and all the rest of the Creative Suite Apps (everything from InDesign to Illustrator to Muse, Premiere Pro and more), we (the crew here at KelbyOne) put together a kick-butt online Creative Cloud Resource Center — completely free — where you can check out a ton of short concise little clips on all the new CC features, improvements and stuff. Here’s the link.

Wait! One more thing
I don’t know if you caught this important little news nugget with all the big announcements and stuff, but Adobe announced that it has now made that “Photographer’s Bundle” deal (Photoshop CC and Lightroom plus Lightroom mobile for the iPad and iPhone for $9.99 a month) a permanent thing (and not just a limited time offer).The official name for it is the “Adobe Creative Cloud Photography plan” and here’s a link to all the details.

Hope you all have an awesome weekend, and we’ll see you back here on Monday.

Best,

-Scott 

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