Happy Friday, everybody. OK, before we look at this tutorial, you should probably look at this tutorial. It’s one I wrote today over at the other site I write – LightroomKillertips.com and it’s on how I went from the flat out-of-camera original image to the image we’re going to do a finishing move upon in the video you see below. So, if you want to go see how I got to here (without any presets, plug-ins or HDR), here’s that link again.
OK, now onto a Photoshop Finishing move I use often on interior shots like this (it’s super easy to do!).
One more thing!
If you missed our Photoshop World Alumni-only Webcast last night, we’re rebroadcasting it at this link (if you haven’t been before, wait for our public “Here’s what Photoshop World” webcast is – this one was just for people who have already been, so we only cover all the cool new things, and not the things new attendees would want to know. Thanks.
The Secrets To Becoming A Photography Rockstar with Adam Elmakias Learn how to get started as a concert photographer with Adam Elmakias! Adam is a music photographer based in San Diego who got started in the business at a young age and has learned the ropes from spending time in the trenches with bands on the road, and in all kinds of venues. In this class Adam will teach you all the tools you need to be a successful artist today, from how to get a photo pass to the importance of networking, and from how to build your brand to how to find balance with social media. The photo industry is constantly changing, and one of the most important things you can do is position yourself to be an influencer within your photographic community. Adam addresses all of these points and so much more!
It’s Throwback Thursday! If you missed this class on KelbyOne, you need to watch it right now! It’s one of the best on the topic anywhere – it’s Daniel Gregory’s class Visual Literacy – it’s just brilliant! (ask anybody’s who has seen it).
Check this out! The one and only Peter Hurley has organized the first ever “Headshot Crew Cruise” this month (on Norwegian Cruise Lines no less), where you cruise with Peter and his guest instructors from NYC down to Bermuda and back, and you learn and laugh and chill from port to port.
The cool thing is — the training part is free — just get your cabin, and you’re “in” to all the live classes.
Throughout my journey to impoverished countries all over the world, one trait has reigned true: warmth. No matter what stressful situation or unknown location we find ourselves, there is always good people we meet among the madness. The old saying goes “A few bad apples spoil the bunch” and I find that to be very true, especially in places that have been riddled with war for decades. Good people are everywhere, even in the darkest of corners of the earth. These good people are responsible for uplifting others and guaranteeing awareness of the problems that many face, every day.
When I was first offered the opportunity to travel to Addis Ababa, Ethiopia I was really unaware of the problems and issues that plague the city and the country as a whole. On the minimal available information I had been given, it was tough to surround my brain around our mission. There is so little knowledge, I was forced to dive deeper and I only scratched the surface of what I would eventually come to find.
It all started with my friends at Nadus Films and their “Give A Story” grant project. We give a grant to those world-wide foundations that need it most. The grant provides the opportunity to document, capture and provide the right tools, so these initiatives can raise awareness and gain traction for further funding. Our project in Ethiopia focused on a foundation titled “Youth Impact” which provides shelter, food and a solid path for homeless children located in the city of Addis Ababa.
Due to famine and communist civil war, nearly 60% of Ethiopia, Africa is under the age of 18 and of that demographic nearly 100,000 children are completely homeless and suffer from tremendous injustice. Poverty, addiction, prostitution and disease. Some children, just 6 years of age roaming the streets of the city. There is an extreme lack of leadership, parents and grandparents. It is a country of youth.
I knew the project would involve children who have struggled. Children who have stories and I wanted to tell their story the only way I know how, through imagery. I decided to form a portrait series of homeless street children as well as people that have grown through the Impact program. I wanted to bring the aesthetic of my portrait work blended with a journalistic mood. That style involved creating a custom 3×4 canvas solely designed from the ground up for this series.
Upon arrival at the Youth Impact shelter the initial mood wasn’t shock, but difficulty. The shelter was small, similar to a one floor ranch-style two bedroom home. The front yard was piled with random rusted debris and the back porch was a concrete dorm with open doors and ropes covered in wet clothing. The shelter is completely surrounded by a 10-foot concrete wall which was embedded with shards of glass; an inferior barbwire.
We didn’t have a system to rig the beautiful 3×4 canvas, so we grabbed what we could from the pile of wreckage on the alley-way next to the Youth Impact shelter, a cracked wooden ladder and trashed twin bed frame. Using a Manfrotto 035 Super Clamp, attached to the backdrop draped over Manfrotto 2983 Adjustable Background Holder Crossbar, we linked the clamp to another Manfrotto 035 Super Clamp and attached it to the debris. Using a combination of Gaff Tape and Zip Ties we secured the bottom of the backdrop to avoid kick up from wind.
The light setup was simple; a Profoto B2 Location Kit attached to a Manfrotto 026 Swivel Umbrella Adapter which we attached to a Manfrotto 680B Compact Monopod for complete mobility. The Profoto B2 head is modified with a 46” Photo Softlighter II, the softest source of modification I’ve ever used. Luckily, I had two trusted assistants who spoke enough broken English to understand my instructions of feathering the light and keeping the strobe consistently directional opposite the sun.
Youth Impact has blazed a trail for dozens of successful business men, architects, carpenters and artists. Once homeless, now-adults had been saved through the Youth Impact initiative. I wanted to capture not only the current children living through the shelter, but also these blossoming people who had so much to owe to their mentors. It was a humbling experience to photograph this community that has so much to say, but no voice. Hopefully, this series provides that voice that they so yearn to have.
It was a true honor to hear the stories behind these young adults, who have so much to offer but, nearly had zero foundation to create a life. Fortunately, Youth Impact has provided a reachable dream and given the ladder of victory. Built upon a dark past, they are the future of Ethiopia.
Mornin’ everybody. I get a steady stream of questions about tethering into Lightroom (that’s where you connect your camera directly to your computer and when you shoot, your images appear really large on screen, instead of seeing them on the tiny 3″ monitor on the back of your camera). So this morning, I thought I’d quickly go through seven things you’ll probably want to know. Here goes:
Not every camera can tether to Lightroom Here’s a list from Adobe of the cameras it supports for tethering. It’s pretty much Canon and Nikon cameras, with a few Leica camera models (the tethering in Lightroom requires camera manufacturers to provide Adobe with support for tethering to their cameras, so it’s not something Adobe can just decide to do on their own without their support).
You can “super shrink” or hide the Tether bar (the heads up display)
If you hold the Option key (PC: Alt key) and click on the little “x” in the top right corner of the bar, it will shrink the bar down to just a shutter button (yes, you can fire your camera’s shutter with that button). If you want to hide the bar altogether (but keep the tethering still active), press Command-T (PC: Ctrl-T).
That Table that holds my laptop is from Tethertools.com
I always get asked where I got that table. There’s a company called Tethertools that does nothing but create accessories for people who tether, like the table. They also make an optional little slot under the table for holding an external hard drive; and (my favorite) a nicely designed pop-out drink holder (it’s handier than you’d think).
How to recover from a stall
At some point, without warning, your tethering will just stop. It’s not your fault, but you will have to know how to recover from a “stall.” First, make sure you camera is awake. If it goes to sleep to protect the battery life of the camera, it puts tethering to sleep, too. If waking it doesn’t work — turn the camera on/off. If that doesn’t work, turn off Lightroom’s tethering (choose Stop Tethered Capture from the File menu), and then turn it back on in the same place. Lastly, unplug and replug the USB cable from your camera and your laptop. One of those will usually do the trick and get you back up and running. BTW: my wife is a pilot and takes great umbrage with my use of the phrase “recovering from a stall” for tethering. Just sayin’.
Canon cameras write a copy to the memory card in the camera. Nikon’s don’t.
It’s just the way they’re set up by the manufacturer — it’s not Adobe showing a preference. On my 5D Mark III it writes to the compact flash card in the camera and I dig that because it gives me an automatic backup as I shoot, which is nice. NOTE: if you have trouble tethering to Nikon — try popping the card out of the camera.
You might already have the cable you need to tether
Nearly all cameras ship with the exact cable you need to tether — it’s simply a USB cable with a mini USB on one end (that connects to the mini-USB port on your camera) and a regular USB on the other to plug into your computer. So, go look in the box your camera came in (it’s in your closet) to see if you kept it (you probably did). If you didn’t, you can buy a USB cable online — just ask for one with a mini USB on one end, and a regular USB on the other. The one I use (the long orange cable seen above), is from tethertools. It’s orange so you can see it easier in a dark studio.
Once tethered, you can do live client proofing to an iPad
You can hand your client an iPad and have them see images from your shoot live on the iPad as you’re shooting (btw: clients super love this!). Not only that — they can see the shoot live on the Web, even if they’re not there (or, if they are there, they can share the shoot with a colleague or friend off site. I have a short video that explains the entire process below.
Morning everybody! I am very excited to announce three more awesome instructors have been added to our already amazing line-up of instructors (we’ve got a killer line up this summer, and it just got more amazing). Please welcome:
We are so excited to have Matt back teaching at Photoshop World this year, and of course, he’ll be teaching some Lightroom and photography classes on the conference tracks. So glad he’ll be “rockin’ the houseski” (sorry, I couldn’t help myself) out in Vegas with us this summer.
Trey Ratcliff How psyched are we to have Trey teaching for us? Megapsyched! Not only is Trey teaching some Travel photography / Photoshop & Lightroom stuff, he’s also hosting our first-ever “Photoshop World Film Festival” where we’ll be featuring ten of the best “under five minute” video creations and film shorts from our own attendees. Really delighted to have Trey joining us, and you’ll love getting to learn from him.
Mesdames et Messieurs, we are proud to introduce, teaching for the first time at Photoshop World, French photographer, Lightroom teacher, and Film Producer, the one and only Serge Ramelli. A rising star in the post processing teaching community and a very accomplished photographer, we are really tickled to have him joining our instructor team this summer.
If you’ve been to Photoshop World before…
Then keep an eye on your email inbox for a very special invite, because on Thursday evening we’re inviting all our Alumni from the past few years to a live private Webcast about all the new things, and new instructors, and fun new events we have planned for this year’s conference. So much to share! Plus….
Someone watching will win roundtrip Airfare to Vegas, Hotel, & a Full Conference Pass!!!!
That’s right — live on the broadcast some lucky person will win our “Vegas Conference Megatrip,” which includes round trip airfare to Vegas (from anywhere in the US); hotel at the Mandalay Bay Resort & Casino (the official home of Photoshop World), and a Full Conference Pass (wait…I’m passing out!). That’s right — so keep an eye on your inbox and come join me and Larry Becker on Thursday night.
Have you seen this? If not, watch it right now (it’s short) because it really shows you what it’s like going to Photoshop World (this is some quick highlights from last year). It’s worth watching (but don’t say I didn’t warn you — you’re really going to want to go!).
OK, does that make you want to go or what, right? Right! Come join us this summer in Las Vegas for the hottest time and the coolest Lightroom, Photoshop and Photography training event, and general Adobe lovefest anywhere! Here’s the link for all the details.
Have a kick-butt Monday!
P.S.Did I mention the whole Free Airfare and hotel thingy? Well, it’s pretty awesome. Hope you win it!