Tuesday
Sep
2012
25

Going on my Worldwide Photo Walk? Don’t miss our FREE Photo Tips Webcast today at 3PM ET!

by Scott Kelby  |  47 Comments

In just 30 minutes from now!!!! —- Join RC ConcepcionBrad Moore and me  for our free Photo Walk tips Webcast — we’ll be sharing lots of photo tips, tips for the walk, helpful suggestions, and how to make the most of your walk. Even if you’re not going on the walk (yet), you can still join in (everybody’s welcome!).
Plus, we’re going to be talking about our Worldwide Photo Walk Event page over on  Google+ (http://bit.ly/wwpwgplus), and we’ll be taking your questions LIVE.

Go here for the webcast at 3PM today (just 30 minutes from now):   http://worldwidephotowalk.com/webcast/

I hope you join us!

Cheers,

-Scott

Tuesday
Sep
2012
25

My First NFL Shoot With The Nikon D600 (and some other new gear)

by Scott Kelby  |  108 Comments

Here’s a few shots from my sideline shoot at the Tennessee Titans vs. Detroit Lions NFL game on Sunday. It was a wild game, that went into overtime (the Titans won in overtime), but ask anyone that watched the game — it was a roller coaster and a blast to shoot (especially since I was shooting with the amazing Donn Jones and his Titan’s photography crew — just a great group of guys — a very talented group but they know how to fun, too!).

I feel like I did better this time out, and I actually got a few shots I like, but I still need to work on my position and timing to get where I want to be.

Trying Out Some New Gear: The Nikon D600
I have the just-introduced Nikon D600 on loan for a couple of weeks (for a project we’re working on internally) and people were already asking me about it online, so I thought I’d take it as my 2nd body for the game and see how it did. I’m happy to report — it rocked. Now granted, since this was an afternoon game I didn’t get to use the D600 for what it’s probably best at  —- low noise at High ISOs, for a night game or indoor arena, so I still want to try it out under those conditions, but outside of that it was incredibly crisp, sharp and responsive with really excellent image quality (reminded me a lot of the camera it replaced, the D700, although I’m not sure if Nikon sees it as that, but with lots of nice tweaks and modernization). A big bonus for me — 24-megapixels!!! (that’s 8-megapixels more than my D4).

(Above: Here’s one taken with the D600, with my 70-200mm f/2.8 lens on my 2nd body of a kick return for a touchdown). 

For sports action, the frames per second (fps) on the D600 is 5.5 frames per second, which sounds fast (and is quite a bit faster than the D800) unless your other body is a D4, which is 11 fps. If this camera truly is the replacement for the D700, then if you used a Battery Grip with it, and used AA batteries in the grip, it should increase your fps to around 7 like the D700 did, and that would make it a great sports rig for a lot of folks who want this type of performance but don’t want to shell out $6,000 for a higher-end model.

(Above: Celebrating his punt return for a touchdown  by leaping up into the stands. The D600 with a 70-200mm f/2.8 Nikon lens).  

(Above: Here’s another with the D600 taken at center field right after the game ended, shot from down on one knee with a Tamron 24-70mm f/2.8). 

The only other thing that I wish were different (and I could be wrong about this), but I couldn’t find a way to assign a 100% to the “OK” button, like I can on my other Nikon camera. This is important for checking the sharpness, and while you can do it manually with a few zoom in/out button presses, being able to zoom in/out in one click to check sharpness is something I really missed. Again, there may be a way to assign that on the D600 but I wasn’t able to find it.

The Tamron 24-70mm f/2.8 at work
I always have people asking me about third-party lenses (probably because I use mostly Nikon-brand lenses), so when I heard we had one in-house I asked to borrow it for this shoot, because I’d heard some good things about it. I have to tell you, I was pretty darn impressed and wound up using it that day more than I thought. Check out the image below.

(Above: A sample of the Tamron 24-70 f/2.8 lens).

I always do a few details shots along the sidelines (they’re great for slideshows, photo books, and just as supporting images to tell a story) and the lens did beautifully! Sharp, crisp, nice contrast — overall a great value for the money (it costs a third less than the Nikon or Canon versions of the same lens). It’s perhaps not the prettiest lens, and it doesn’t feel quite a solid as my Nikon version, but outside of that nik-picking I was impressed.

(Above: In the third quarter I headed up to the top deck to shoot a full stadium, 12-shot pano using the D600 and the Tamron 24-70mm f/2.8 and I stitched it together in Photoshop and created this poster for the team which celebrates the big win in overtime).

More Sigma 15mm Fisheye Action!
OK, I actually bought this lens last week, so now it’s mine and I’m loving it!!! I did rig it on the end of monopod (like I did last week at the Atlanta Falcons/Denver Broncos game) and I’m starting to get better with that rig (See the image below).

(Above: That’s the 15mm Sigma Fisheye on the end of my monopod at the pre-game warm-up on field).

This week, I’m happy to announce that the remote camera worked (shown circled below), and I think the reason why it didn’t work last week was that the sync cable popped out — I couldn’t get it screwed in, and that wound up bitting me when the cable slipped out, so I made sure I had time to screw it in tight this week).

(Above: There’s a long shot of my remote with the 15mm Sigma Fisheye).

(Above: Here’s a close-crop of the remote rig. More details below). 

On top is a pocket wizard, and a sync cable is running from the port on top of the Pocket Wizard to the Sync port on the front of my D3s. The camera is sitting on “The Green Pod” which is basically a beanbag with a screw sticking up so you can mount your camera on it like you would a tripod — it just screws right in. “The Cube” is a lightweight little cube to help you position or aim your lens. This probably isn’t the exact way they had it in mind, but hey — it worked. The shot at the top of this post was taken with this remote set-up. When this was taken, I was out at mid-field and I had another Pocket Wizard mounted on top of my camera (I was shooting a D4 with a 70-200mm f/2.8) and as I shot my camera, the PocketWizard sitting on my camera’s hot-shoe mount wirelessly triggered the remote unit, so I was shooting the same scene from two different angle — one fisheye up close and one 200mm from way out on the field.

The advantage of “The Green Pod” camera platform is that you don’t have to get all sorts of permission from the pyrotechnics crew because you’re not attaching your rig to any of their stuff (if you use a Bogen Magic Arm to clamp to any of their stuff, you’re going to need lots of permission early on — with the Pod, nobody seems to care as long as it’s out of the way of where the players are going to run out).

(Above: Here’s what my other camera was seeing — a tight view into the tunnel at 200mm while my remote camera is shooting the wide fisheye shot like you see at the top of this post).

(Above: Giving credit to the man upstairs for the score. Not the officials in the pressbox. Farther up. :)

(Above: This is what I’m taking about when I talk about working on my timing. A split second later he had the ball in his hands and he turned and ran for a key touchdown late in the fourth quarter. The photographer beside me had that shot a split-second later and his was better. Timing is everything). 

(Above: That had to hurt).

(Above: Lions Quarterback Matt Stafford getting sacked late in the game).

(Above: This looks painful and awkward. See if he pulls out a baby calf! OK, that was wrong. Sorry). 

(Above: Matt Stafford in happier times).

OK, this I have NEVER seen!
I’m not saying it’s right or it’s wrong (it’s wrong), but this photographer actually had a tripod on the sidelines. I’ve covered lots of games, both college and NFL and I’ve yet to see a tripod on the sidelines. Monopod — yes all day — but whomever’s job it is to police that no tripod rule (if there is indeed one) was looking the other way for four quarters — just like the replacement refs (Come on baby, that’s gold! Gold I tell ya!).

OK, back to the game, already in progress.

(Above: Dancing into the end zone. You have to love shots taken in daylight — this one was at 1/8000 of a second at 200 ISO. Ahhhhhhh. Day games!).

(Above: I thought I’d include this behind-the-scenes shot of the photographer’s work room at LP Field. The floor tiles are designed to make sure you don’t rest your eyes, even for a minute. One nice touch: that chair in the center? That was assigned to a security guard who watches the room while we’re out on the field. That’s rare, but very welcome indeed. This shot was taken well after the game ended — it was pretty packed before and at half time).

The Icing On The Cake, was…
Getting to shoot alongside my buddy Donn Jones and his wonderful crew shooting for the Titans. Donn has assembled a team of photographers for the Titans of talented, quality shooters and people and they just love what they do, and it shows. One of the highlights of getting to shoot with Donn & Company is that right after the game they host their own tailgate party just for the photographers who shot the game (they affectionately call it the “Lame @$# Tailgate Party” but it’s anything but that.  They’re working four hour before kick-off, so they miss the chance to tailgate, or heck, even have lunch), so this is a great way to unwind after a long game, and I wish this tradition happened at other stadiums as well.

These guys just have so much fun (and so much yummy food — Donn’s buddy Al, who’s also on Donn’s crew — sets up a gas grill and cooks everything from hamburgers, to hotdogs, sausage and BBQ. It’s the perfect end to a perfect day of shooting, and I want to thank Donn, Charles, Al (my new best friend), Michael (the Sports Guru), and Mickey (who’s leading my Nashville Photo Walk for the 2nd year) for treating me like family, and for the honor to shoot alongside you guys. I don’t know what it is about these photographers in the South (like the Falcons crew and the Titans crew), but I’ve never felt more welcome and at home — many thanks for a day (and a game) I won’t soon forget.

 

Monday
Sep
2012
24

My Initial Thoughts on the iPhone 5

by Scott Kelby  |  79 Comments

 

Hi Gang: A lot of folks are already asking me how I like the new iPhone 5, so I thought I’d put a quick Q&A together on my initial thoughts after using it for a few days. If you’re not an iPhone user or not interested in the iPhone, just skip this post and head down to find out who won the Springs of Hope Guitar Raffle, no need whatsoever to comment on this story — just roll on with your day. For everybody else, here goes:

Q. So does it really feel lighter and thinner?
A. Actually, it feels much lighter and thinner than I ever thought it would, just based on the specs. In fact, that’s the first thing I did this weekend when somebody asked “Is that the new iPhone 5″? — I would hand it to them, and they all immediately remarked, “I can’t believe it’s so much lighter and thinner!”

Q. What about the screen? Does it really feel bigger?
A.  Sometimes. Not all the Apps have been updated to fill the larger screen yet, so sometimes you don’t notice it at all (if the App is the old size, you get black bars at the top and bottom but because everything else surrounding it is black it’s not that apparent). However, once you launch an App that has been updated to the new size (which many already have), you immediately notice the size increase (it’s taller but not at all wider). Haven’t watched a movie yet, but now the aspect ratio is approximately the same as a 16:9 movie or HDTV size.

Q. How’s the speed?
A. Insane! This was the other thing that surprised me — this thing hauls butt!!!! In fact, on Saturday PC Magazine did a series of five different Benchmark speed tests and posted an article titled, “iPhone 5 Benchmarked: The fastest smartphone in the land,” where they said “Based on these benchmarks, the iPhone 5 lives up to the promise of being twice as fast as the iPhone 4S. It’s also, for now, the fastest handheld computer sold in the US.” That’s not me. That’s PC Magazine. Take it up with them (over on their site); I’m just trying to give interested readers some idea of how fast it feels to me, and apparently it’s pretty fast as similar tests are popping up all over the Web.

Q. Isn’t this just an incremental upgrade, though?
A. At this point in time, all updates to any smartphone are incremental just like updates to Photoshop are incremental. All the essential stuff is already there, so all any company can do at this point (including Adobe with Photoshop) is to add things to make what’s already there, better.

Q. So, are you saying it’s not that a big an upgrade?
A. The iPhone 5 is thinner, lighter, has a bigger screen, a better camera, it’s TWICE as fast (as I noted above, PC Magazine showed it is the fastest smartphone on the planet), it now has 4G LTE capabilities, faster wireless, better battery life, redesigned improved earbuds, enhanced audio, a smaller more durable connector, and a very cool built-in pano feature. I was sold at thinner and lighter, but add in the rest and it’s a no-brainer.

This is pretty much the same with any DSLR camera you buy today, whether it’s the new Canon 6D or the new Nikon D600, they’re not revolutionary — they’re just better than the cameras they replaced. They both are better versions of what we already had, and they’ll both be huge hits. They don’t have to re-invent DSLR photography every time they introduce a new camera, it just has to do things better than the one that they replace, which I’m sure they both do.

Q. Yeah, but didn’t some other smartphones already have some of that stuff?
A. And that should mean something to me because……?

Q. But you bought the iPhone 5 without actually trying it out, right?
A. When Nikon came out with the new Nikon D4 DSLR, I ordered it just on reading the specs online — I hadn’t held it, tried it out, or even laid eyes on it in person, but Nikon had gained my trust over the years. I have never bought a new Nikon that wasn’t better than the previous model. I feel the same way about Apple and the iPhone. Each one has been better than the last, and that’s all they need to be for me to upgrade (though I do feel the iPhone 5 upgrade was a much bigger upgrade then the iPhone 4s, but I was happy with my iPhone 4s. Well, until I actually held an iPhone 5. ;-)

Q. What about that new redesigned connector?
A. I like it a lot. I like not having to look at the connector itself to figure out which way it goes in. Life my wife said, “With the old connector no matter which side you tried first, it was always the wrong side. Haaaaa!” so I dig it. Plus, I didn’t have any accessories whose dock required me to buy an adapter to make it work, except for my car-charger, so I’ll be buying a new one of those.

Q. How about the Maps feature?
A. I haven’t used it, but supposedly it’s a mess, but I can only speak to the parts of the phone I’ve used so far. I have the TomTom and Navigon GPS navigation apps (both are fantastic) so all I used Google Maps for was looking up phone numbers, or finding a close carwash, stuff like that, but I did like the Google Maps a lot, so I’m looking forward to having that back (or Apple fixing their Map feature, whichever comes first).

Q. How’s it feel in your hand?
A. Perfect! The size and form factor is right on the money. Even better than the 4s, which surprised me.  It’s another thing that people have mentioned when I let them hold the phone — how great it felt in their hand. Plus, the fit and finish is really beautiful. So beautifully designed that I kind of hate to put a case over it, but I probably will just to protect it, but it’s a shame because it is beautiful (well, as beautiful as a phone can be, right?).

Q. So, overall what da ya think?
A. I’m pleasantly surprised that it’s a bigger upgrade than I was expecting (like I said, thinner and lighter alone were enough for me to upgrade), and much faster than I imagined. Every one that’s held it so far has said, “Oh man, I can’t wait to get mine” or “I wish I could get one,” and I think that says a lot.

Q. Any funny stories yet?
A. Just one. I went to the salon to get my haircut Saturday and I showed my hairdresser my iPhone 5, and the entire salon came rushing up to see it. While everybody was crowding around looking at it, a man walked in for his appointment.  He saw everyone crowding around me  and he came over, too. He said, “Is that the iPhone 5?” and I said “Yup. Just got it.” He said, “Is the screen really bigger?” I told him, “Yeah, it’s about 1/2 inch bigger, but it’s not really obvious until you put it next to an old iPhone.” Then he reaches in his suit pocket and pulls out a Samsung Galaxy S III smartphone and says, “It’s not as big as mine,” and I nodded and said “Yeah, that is bigger.” to which he announces loudly, “That’s what all the girls say.” The room went silent as all the women standing there (six or seven)  turned and looked at him with that “What an idiot” look. As he walked back up front to wait for his stylist, they all stood there for a moment and expanded on their initial sentiment. I wonder how his haircut came out. LOL!!

Q. Scott, if I have a different smartphone than the iPhone, should I post a comment telling you about it? 
A. Nah. I wrote this article for people who have asked me about how I feel about the new iPhone 5, so if you’re not interested in the iPhone 5, like I said at the beginning of this article, this is not for you. There is absolutely no reason for anyone to leave a comment listing their brand of smartphone, why they chose it, how much they hate Apple, why the iPhone 5 isn’t better than their phone, doesn’t have this feature or that feature, etc.

Everyone is free to choose the mobile phone that suits their needs, just like we’re allowed to choose the camera brand, or guitar brand, or lighting brand that suits our needs. You don’t have to defend your choice (or share your personal choice), and I shouldn’t have to defend mine. Of course, it’s different when it comes to image editing—everyone should use either Lightroom or Photoshop without a doubt, but that’s a different story. ;-)

Hope you all have a great Monday, and your best week so far this year! :-)

P.S. I shot the Titans/Lions NFL Football game yesterday up in Nashville, and if I got anything worth a darn, I’ll post it here tomorrow. 

Monday
Sep
2012
24

And the Winner of the Schecter Diamond Series Hellraiser Electric Guitar is….

by Scott Kelby  |  6 Comments

… [drum roll, please]……it’s…….Henry Heerschap!!! (Wild cheers, ensue!!!! Well, from Henry anyway).

I’ll have the figures tomorrow on how much we raised for the orphanage from the raffle, and more details, but I wanted to get this up there today so you wouldn’t still be in suspense.

My humble thanks to everyone who supported the orphanage in such a meaningful way. More tomorrow, but for now just a very big thanks! You guys rock!!!! :-)

Friday
Sep
2012
21

Some Shots from my Monday Night Football Shoot with the Atlanta Falcons

by Scott Kelby  |  53 Comments

What a wild, long, confusing, exciting game as the Atlanta Falcons whupped up on Peyton Manning and the Denver Broncos on Monday Night Football up in Atlanta at the Georgia Dome.

I had a total blast because I got to shoot with the Falcons crew (the awesome Michael Benford, the magnanimous Matt Lange, and the gentlemen of NFL football photography, the incredible Jimmy Cribbs), and their guest (and our mutual buddy) Joey Wright. Overall, I had a pretty lame shooting night and I was pretty disappointed with what I got, but at least I did like some of the fisheye stuff I got from the full frame Sigma 15mm fisheye lens I was trying out. I liked it so much, yesterday I bought it (it was $300 cheaper then Nikon’s full frame 16mm lens which is an older lens that hasn’t been updated in a while). It’s sharp, has great contrast and a fast auto-focus. Totally digging it.

Here’s a shot Joey took of me taking the fisheye shot I showed above this one. I liked it so much, I made it my Facebook cover photo (thanks Joey!). This was about three hours before game time, and right before the opened the doors to the public. That’s my favorite time for stadium shots — when it’s empty like this. A few hours later, the dome was packed to the gills and it was an absolutely electric atmosphere in the Georgia Dome.

Like I said, I was pretty disappointed with how I shot overall, but here’s a few that I did get (more on the fisheye stuff in just a minute).

Some Fisheye Work
When you’re shooting for the Falcons (they get all my shots straight off the card, which is pretty terrifying by the way, especially with the night I was having), you get extra access (and a green photo vest that tells security its okay for you to do things like go on the field while the players are warming up about 45 minutes before kickoff).

So, I put my Sigma 15mm lens on my camera; attached my camera to the end of my Monopod, and put a PocketWizard Plus II on the camera, and I held another Pocket Wizard Plus II in in my hand to wirelessly trigger the camera on the end of the monpod. Then I headed out to the field to catch these shots — I balanced the foot of my monopod on my knee to balance it and then I extended it up high over the players (It was actually only about a foot or two above the players, but the fisheye makes it look like it’s MUCH higher, as seen below).

(Above: Here’s an iPhone photo of the rig — you can see the camera mounted on top of the monopod, and the PocketWizard Plus II on top, with a short cable into the socket on the camera. I’m holding another PocketWizard Plus II in my hands. The JBL vocal monitor on the bottom left is so I can hear myself singing over the crowd noise. ;-)).

(Above: Here’s another shot of the rig in action where I’m taking the shot you see below [iPhone photo by Mike Benford].  The bottom of the monopod is on my thigh — the top of the camera is cut off, but it’s there). 

My epic remote-camera fail
To be able to mount a remote camera anywhere near where the players come out, you have to first get permission from the guys that handle the pyrotechnics and the safety crew, and these crews generally would just rather you didn’t use a remote camera and they treat you that way, but in Atlanta, they were incredibly accommodating and even helped me find a better, closer vantage point. How sweet (and usual) is that (but honestly, that’s how it is in Atlanta — everybody I came in contact with, from elevator operators to the guys that hand out the photo vests, were as friendly and chatting and just downright nice as can be). So, I got my remote all set-up in an awesome place — right where the players come out, and the smoke is shooting out, and the fireworks and fire are going off. This is going to be Epic. Unfortunately, it was an epic fail.

I tested it out, and the remote triggered perfectly. The aim was right (I used a beanbag tripod I picked up at B&H Photo called “The Pod” so I could place it right where I wanted it on the ground), and then I set-up at mid-field to capture the players as they came out through the smoke and fire (see the shot above — four shots back) so that way I could get them from two angle. I had the Sigma 15mm fisheye on the ground aiming up, and the 400mm f/2.8 out on the field with me.

(Above: There’s my remote rig, on silent duty waiting patiently for the players to run through the smoke and fire.)

I hit the PocketWizard every time a player came through the smoke — the only problem was — it never fired. Not once. I have no idea why. Uggh. Could have been so cool. Sigh.

There were a lot of fireworks between the replacement refs and Broncos Headcoach John Fox. This photo gives you an idea of how he felt.

Above: Here’s my load-out for the game: L to R: Gel-filled kneepads (from Lowes), and a Gitzo monopod. My main body is a Nikon D4, and the 2nd body is a Nikon D3s. 400mm f.2.8 lens (top); Tamron 24-70mm f/2.8 I’m trying out; Nikon 1.4x teleconverter for the 400mm (making it around 540mm); a 70-200mm f/2.8 for my 2nd body; a beanbag with a tripod mount for the remote shot as the player’s come out [well, that was the plan anyway], and the Sigma 15mm fisheye [the Nikon 10.5mm fisheye I use is for cropped sensor bodies. That has its advantages, but you lose half your megapixels]. Lastly, it’s all in a ThinkTank Photo Airport rolling bag. I’m also now using the Lexar X1000 speed cards for sports which is absolutely insane!!!! (and perfect for sports). The whole thing is just a blast to hoist up into the overhead bin. :)

And all was going well, until….
While I absolutely had the best time of any game this year, I had a rough day on the field. I was out of position for just about everything. One time I was in the perfect position for an amazing touchdown catch from Bronco’s receiver Demaryius Thomas (I was right there — it happened right in front of me), and I knew I had nailed it. Right after, I looked at my screen and sure enough — I had it dead on.

Then I zoomed in and saw that every frame was out of focus. I set up my second camera WITHOUT the backfocus button, so if I have to grab it quickly I won’t miss finding the back button. However, in my excitement from finally being in the exact right spot, all I pressed was the backfocus button and instead focused on the players 20 feet behind him. I blew it. Ugh!!!!  I just stood there shaking my head (and uttering a string of words normally reserved for rappers), but there was nothing I could do but try to make the 2nd half better, which I did, and things finally started coming together.


Above: L to R: that’s me, Matt Lange (who apparently got ahold of some bad sushi), and Joey Wright before the game — photo by Michael Benford.

Overall, I still had the best time yet. Mike, Matt and Jimmy are the most fun, gracious, and talented group of guys anywhere, and Joey Wright kept us laughing the whole time (it was great getting to know him better). And while the game went on for a lifetime (I didn’t’ get back to my hotel until after 2:00 am), I wouldn’t have traded it for anything. I caught an early flight home and was back in the office by lunchtime. All-in-all — totally worth every minute of it! :)


Above: If you’ve ever wondered what Falcon’s Creative Director Michael Benford would look like if shot from above with a 15mm fisheye lens, well, now we finally know. He and Matt make an insane team — both top notch graphics designers and shooters — the Falcon’s are lucky to have these guys (and I’m lucky to have them as friends). :)

What’s next?
On Sunday I’m off to Nashville for the Titans vs Lions game, then the following week I’m back shooting the Bucs in Tampa vs. the Redskins, then onto Jacksonville the following week for the Bears vs. the Jags. I am LOVING football season!!!

Thursday
Sep
2012
20

It’s Free Stuff Thursday!

by Brad Moore  |  90 Comments

Guitar Raffle for Springs of Hope
Tomorrow is the last day to buy a raffle ticket for your chance to win a Schecter guitar signed by all the Photoshop Guys! All proceeds go to help the Springs of Hope Kenya Orphanage, so buy as many tickets as you like :-) You can also donate directly to Springs of Hope if you’d like.

Photoshop CS6 for Photographers – Los Angeles
Scott Kelby is heading to Los Angeles on October 3 for the Photoshop CS6 for Photographers Tour! Join Scott for the day to get tips and tricks for finishing your photographs in the digital darkroom of Photoshop.

We’re giving away two free tickets to this seminar, so leave a comment for your chance to win!

One Light, Two Light – Atlanta
After today’s Hartford seminar, the next stop on Joe McNally’s One Light, Two Light seminar is Atlanta on September 28! Joe is a master of light, no matter what kind, how many, or what size. If you want to know how to create great images with just one or two lights, you don’t want to miss this seminar.

Leave a comment for your chance to win one of two tickets!

KelbyTraining.com
Photographing The Making Of An Athlete with Bill Frakes is the latest addition to KelbyTraining.com. Join veteran Sports Illustrated photographer Bill Frakes at the legendary Kona Skatepark in Jacksonville, Florida, as he photographs Cason Kirk, one of the best young skaters in the country!

Leave a comment for your chance to win a 1-month subscription to Kelby Training!

His Light Workshop in Slot Canyons & Monument Valley
Two names… Bill Fortney. RC Concepcion
Where? Monument Valley and Slot Canyons
When? November 3-11

Find out more and sign up here, and leave a comment to win a copy of RC’s The HDR Book!

Mpix Hip My House Winner
Mpix has announced the winner of the Hip My House contest! Head over to their Facebook page to find out who the lucky person is.

The DOORhof Is Always Open
Frank Doorhof has launched his new show, The DOORhof Is Always Open, and each episode is filled with great tips on photography and post processing from Frank and his friends! His latest episode, filmed at Photoshop World Vegas, includes tips from Pete Collins, Dave Black, Rich Harrington, Cliff Mautner, myself and more.

Mastering the Lensbaby with Doug Sahlin
If you’re a fan of the Lensbaby line of creative lenses, you’ll definitely want to check out this book from Doug Sahlin, Mastering the Lensbaby. In this book, Doug walks you through everything you need to know to use the Lensbaby lenses to get great images.

Leave a comment for your chance to win a digital copy of this book!

Winners
One Light, Two Light Seminar
- Bill

Video Nation
- Maarten Mennes

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