Monday
Nov
2011
28

Seriously, Where In The H@%& is The Next Issue of “Light It” Magazine?

by Scott Kelby  |  52 Comments

This has been one of the most frustrating things for us ever. We launch “Light It,” this kick-butt new magazine. We get over-the-top incredible feedback from it, and people can’t wait to get issue #2, which is really exciting for us.

Issue #2 was already complete when we launched issue #1, so we wanted to launch it pretty soon after the first issue. However, there was something we didn’t count on….

…Apple’s App Store has turned down our App FOUR TIMES IN A ROW now.

When they turn down your App, they send you an email why, then you have to go try and fix the problems (ours were related to IOS 5.0, and then our in-app purchasing, and then a memory issue, and then a testing issue, and so on).

Then you have to (wait for it….wait for it….) resubmit the App all over again. Apple has from 7 to 14 days to test and or approve/deny your App, and they’ve been really consistent about denying it.

It was turned down once again last week (uggh!), but it has finally been turned down so much that we have an actual live Apple person assigned to our case, and she seems really helpful and we hope to have the problem resolved now with her help, and hopefully we’ll see issue #2 very soon, since issues #3 and #4 and also already done.

I am SO sorry you guys have had to wait so long for the 2nd issue (believe it, it was not part of the plan), but it’s kind of been that kind of year (if you know what I mean). Thank you to everyone who has waited patiently, who has shown their support, and who has hung in their eagerly waiting for issue #2, which when it finally does get released, will truly earn the “….the most eagerly awaited issue of the year….” slogan). :)

One last thing
I want some of you (you know who you are) to resist the overwhelming urge to write comments like “This wouldn’t have happened if you released it on Android” and stuff along those lines, because it won’t make anything (issue #2, or a release on Android) happen any faster. So, rise above that urge, be a better man/woman (though I rarely ever see snarky comments from women here ever—thank you ladies), and just go about your day as if none of this ever happened. See, don’t you feel better now? I knew you would.

Friday
Nov
2011
25

The Happiest Guy In the World (Well, Besides Me)

by Scott Kelby  |  10 Comments

Here’s an iPhone pic of my buddy Corey Barker, who is currently vying for the title of “happiest guy in the world” because he got his first copy, of his first book, “Photoshop Down & Dirty Tricks for Designers.”

Corey had been such a big help to me when I did my own“Photoshop Down & Dirty Tricks” book a couple of years back, that I talked him into doing his own version of the book, and as much as I hate to admit it, his came out even better than mine. I think Corey is, hands down, one of the most gifted Photoshop artists/trainers out there, and he teaches stuff in this new book that you just don’t see anywhere else. I don’t know how he comes up with this stuff, but man does he ever!

I’ll run a video clip he did about the book next week, but I wanted to share this photo of him, posing in front of his office, because is just on Cloud 9 over this (as well he should be). The book will be hitting stores early next week, so in the spirit of Black Friday, you can preorder it right here from Barnes & Noble or Amazon.com. Congrats Corey, and job well done!!!

 

Thursday
Nov
2011
24

Happy Thanksgiving Everybody!

by Scott Kelby  |  14 Comments

Today in the U.S. we celebrate Thanksgiving; a national holiday where we give thanks for the many blessings we enjoy (and I truly feel like the most blessed guy on earth). Traditionally this is a day  where families come together to eat a Thanksgiving turkey feast, and then we watch football until we pass out. It’s just about a perfect day. :-)

Our offices are closed today for Thanksgiving, so there’s no “pimpy Thursday” today, but I’ll be back here tomorrow with some fun stuff, and of course some mild to medium pimpage in honor of the biggest shopping day of the year.

In the meantime, please enjoy the stock photo above (nothing brings the warmth, togetherness, and joy of Thanksgiving together like a stock photo).

In all seriousness, here’s wishing you and your family a joyus, happy, and yummy Thanksgiving. :-)

All my best,

-Scott

Wednesday
Nov
2011
23

It’s Guest Blog Wednesday featuring Markus von Luecken!

by Brad Moore  |  21 Comments

First off I’d like to thank Scott and Brad for giving me the opportunity to write today’s Guest Blog. I’m really very proud to be the first German on here, after meeting Scott this year in Cologne in Germany on his ‘Shoot it, Light it, Retouch it’ tour. (Or has ‘Calvinizer’ Calvin Hollywood maybe also written a contribution!?!?)

Well, OK, just to be sure, I won’t talk about photography in today’s blog. Instead I’ll devote my attention to the topic of Computer Generated Imaging.

The first time I came across CGI was about 4 years ago. I was so fascinated that I immediately gave up my job as advertising director with a major company in order to be able to concentrate completely on my own creative work.  In 2009, along with my partner Thomas Bach, I set up a studio for photography, CGI and post production: we called it the ‘bildbotschaft’, which you could translate as ‘the message of the picture’ but also as an ‘an embassy for good pictures.’

For me CGI is just like painting. The only limitation is your own imagination. Practically it is possible to use any motif you want to work with. Any object can be built up as a 3D model; then decide on any material you want, set up your scene, position your camera where you want it and light everything exactly as you imagine it should be lit. So many possibilities are available that you don’t have in photography (when taking pictures of the real world). The scope is endless. The whole world is yours – to do with it what you wish. There are just no limitations.

I have just finished a motif which shows an ‘Italian leaf blower’.  I should mention that in Germany all the vehicles used to clean the streets of a town or city are orange in colour, but you won’t generally see a Lamborghini used to clean leaves off the streets ;-)

This motif is entirely realized using CGI, i.e. all the picture elements (vehicle, surroundings, leaves) are built up from polygons. In the pictures below you can see the respective polygon model, a lighting realisation without materials, and the materials selected.

For CGI  I work mostly with Cinema4d und VUE Infinite, which I find is a good combination for almost all the tasks. After rendering, of course it goes into Photoshop to give it the appropriate look… for CGI in particular, you can’t work without Photoshop.

To spark your interest in Computer Generated Imaging even further, here are another couple of motifs that we created last year:

 

I call this picture ‘highway exit amusement park’. It is a composite, made up of CGI elements and my own photographs. You can also find this beautiful and amusing picture in the book Graphis Photography Annual 2012, The Best of International Visual Communications. Winning this award is also something I’m particularly proud of this year.

Some of you, I’m sure, already know my light bulb motif.

About a year ago The National Association of Photoshop Professionals (NAPP) chose this picture as ‘Image of the Week’.


Beauty and the Beast (Autounion Type D)

 

And another NAPP ‘Image of the Week’: ‘Aviatophobia’.  I remember there was some discussion on the web and in Corey Baker’s blog about how I had created this picture. The answer is: CGI.


FullCGI of my Riva BG Viper II

Just 3 images of my series entitled ‘Designer Drugs’, which I created as a free artistic work in order to offer a new visual interpretation of designer drugs.


Here is my Rollercoaster. And I am still looking for a couple more volunteers to take a ride on it.

If you enjoy my work and would like to see more of my pictures, then I’d like to invite you take a look at my NAPP Portfolio or to visit my website at bildbotschaft.com

I look forward to future contact.

P.S.  Just to finish, I’d really like to answer a question: Brad asked me in preparing for the blog whether I at the beginning of my work already know what the picture will look like in the end. Well, Brad, I’d so like to answer that question with a ‘yes’, but the truth is that all my pictures develop as I work on them. Which is also really good!

Monday
Nov
2011
21

An Open Letter To Adobe Systems

by Scott Kelby  |  722 Comments

Dear Adobe:

As president of the National Association of Photoshop Professionals (NAPP) I represent more than 70,000 Photoshop users around the world. However as I’m writing this open letter to you today, I would say that most of our 70,000 members have no idea about the upgrade policy changes you just announced, or about how these changes will affect them.

From the information I’ve gathered, it appears to me that this new upgrade policy for the next version of Adobe Photoshop and the Creative Suite (presumably called CS6) will leave a significant number of your customers with no affordable upgrade path to Photoshop CS6 or the Creative Suite.

It’s my understanding that when the next version of Photoshop and the Creative Suite is released, if you do not already own Photoshop version CS5 or CS5.5 (or the 5 or 5.5 Creative Suite):

(a) You will not be eligible to upgrade to Photoshop CS6 (or the CS6 Creative Suite). Instead the only way to get Photoshop CS6 at that point will be to repurchase the entire product again at its full price (presumably $699 US). If you’re a CS4 Creative Suite User, you’ll have to buy the entire suite all over again to move to CS6.

(b) For Photoshop CS4, or CS3 users, their only real option is to pay to upgrade now to CS5.5 (though you are offering a 20% upgrade discount upgrade until the end of the year), and then to pay again to upgrade when Photoshop CS6 is released, or sign up for your new monthly subscription plan.

While I understand that Adobe needs to make business decisions based on how it sees market conditions, I feel the timing of this new pricing structure is patently unfair to your customers (and our members). Here’s why: You didn’t tell us up front. You didn’t tell us until nearly the end of the product’s life cycle, and now you’re making us buy CS5.5 for just a few months on the chance that we might want to buy CS6 at a discount when it’s released. Otherwise, we have to pay the full price as if we were never Adobe customers at all.

Those users who didn’t upgrade to CS5 or 5.5, either couldn’t afford the upgrade, or couldn’t justify the upgrade, or they would already be on CS5 or 5.5. But now you’re kind of holding us hostage—–you’re making us buy something we don’t need now, just so we will still have the option to get something that we may want (CS6) when it is released without buying it all over again from scratch. You’re playing hardball with your customers—either upgrade twice or you’re out. That’s not the Adobe we know.

I have always felt that Adobe was very customer centric, and that their decisions were based on what’s best for their customers, but in this particular instance I can’t see how cutting off CS4 and CS3 users, and making them either pay two upgrades in a row, or pay the full retail price to get CS6, benefits anybody but Adobe.

With that said, here’s my plea to Adobe:
If you really want to be fair to your customers, at the very least don’t start this policy yet. Start it with Photoshop CS7. Make CS6 your new upgrade pricing transition version, and tell everybody now, up front—–at the start of the product’s life cycle, that everybody will need to upgrade to CS6 at some point because the next version (CS7) won’t support older users. That way, we’re not spending money just to spend more money again. Adobe, you can still have what you want—-you can still get everybody on the current version, but it gives us time to save, time to plan, and anybody still left behind at that point will have had more than fair warning.

Another option I feel would be very fair to Adobe customers would be to offer a tiered upgrade which rewards your best customers (customers who upgraded to CS5 or 5.5) by giving them the best upgrade deal, but then offer CS4 users a reasonable upgrade path (they would pay more for their upgrade, but they’re getting all the features added in CS5.5 as well, so that’s fair) and then why not even offer an upgrade path to CS6 for your CS3 users? They would certainly wind up paying the most in upgrade fees, but at least it wouldn’t be the full $699 (or even more if they’re on the CS3 suite). This tiered approach gives everybody an opportunity to stay on as an Adobe customer, but still gives your best customers preferential upgrade pricing.

I know, Business is business…
I understand that Adobe is not in business to be our friend or our buddy. Adobe is a public corporation with a responsibility to its employees, partners and shareholders to continually generate and grow profits. We don’t buy Adobe products because we think they’re our friend—we buy Adobe products because you make amazing products and tools for creative people like us. You have the right to charge $5,000 for the Creative Suite if you want, and likewise we have to make decisions based on what’s right for us and our business.

I also know that the clearest message you can send any company is not to buy their product and I am not suggesting in any way that we intentionally don’t buy Adobe products, but I am afraid for many people, including many of the Photoshop users I represent, that will be the case. Photoshop CS4 will wind up being their last version of Photoshop ever, and I for one would hate to see that happen. I think that would be a lose/lose for everybody.

Adobe, it’s not too late
You can still fix this. You can stand by your customers and make CS6 the “Transition upgrade”—-the one where going into it from the start ,everybody will know that after CS6 there will be a new upgrade policy. That way you don’t leave anybody behind that wants to stay with you. Nobody can say you pulled a fast one on them at the last minute, or didn’t give them reasonable notice about the next upgrade. You never go wrong by doing the right thing.

Thanks for listening, Adobe.

All my best,

-Scott Kelby
President, The National Association of Photoshop Professionals

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