Editing Video and Creating Movies All in Lightroom with Scott Kelby
Learn how to create and edit movies in Lightroom Classic with Scott Kelby! Just about every digital camera has the ability to record awesome video. However, many of us don’t take advantage of this feature because we don’t want to learn a video editing program. Well, you’re going to be stunned to learn what you can do with video inside of Lightroom Classic.
You can create wedding movies, behind the scenes videos, promotional videos, interviews, and more! You can put all of these together right inside of Lightroom Classic, and in this class you’ll learn how to trim video clips to show the best parts, how to edit video clips using the Develop module, how to arrange clips and stills to form your movie, how to add music, how to add titles, and so much more.
In Case You Missed It – DSLR Filmmaking: Shooting A Music Video
Get a behind the scenes look at what it takes to shoot a music video! Join Adam Rohrmann as he walks you through every step in the process of creating a music video. From coming up with an initial concept to editing the final piece, you’ll be see how Adam worked with the band, collaborated with his crew, chose his gear, captured footage of the band playing, shot story elements on green screen, and completed his post-production workflow to create the music video.
Even if you aren’t interested in shooting a music video this class will teach you the importance of timing, how to pull emotion from a viewer with both visuals and sound, and overall how to be creative with your DSLR.
Finally there is some great news for photographers that is breathing fresh life into the photography world! It’s easy to see that video keeps gaining momentum as the preferred way to deliver content. Thankfully Motion Art is blowing up right now on Social Media, and advertisers are finally taking notice. Looping videos, also know as Plotagraphs as well as Cinemagraphs, are a great way to breath life into traditional still photos.
However, Plotagraphs are different than Cinemagraphs. For example, a Plotagraph starts with a still image that is animated and a Cinemagraph starts out with a video that is masked in certain areas and then made into a loop. Plotagraph was created with the mission to help photographers compete in the fast growing field of video, whereas Cinemagraph’s focus is on helping videographers create short form video.
With my involvement in field of Motion Art over the past several decades, I have lately been seeing a big trend from artists and brands who are now using these mesmerizing loops. This trend is definitely here to stay with a lot of room for future growth.
Photographers who already use these techniques are hesitant to give away their secret formulas because this has traditionally given them a competitive edge. Historically, Photographers have been hesitant to get involved in motion art because of the sometimes difficult learning curve of video files. Photographers sometimes have a hard time moving past .PSD’s, TIFS, and JPG’s.
The latest Plotaverse App now makes it easy to animate because the file formats are automatically done for you. Plotaverse tools help solve the long time big obstacle for photographers, which is now no longer an issue. Not all photos are meant to be animated but sprinkling in Motion Art into your website or Social media posts will definitely make your creative content stand out.
For instance, a lot of established wedding and portrait Photographers I know will include one or two Plotagraphs in their packages, which turns out being highlights that customers use in their social media. It can also be a lot of fun to animate old images and repurpose them to Plotagraph. Seeing that classic image you have brought to life can be exciting.
I have personally animated work for well-known photographers from around the world, with reactions to these loops ranging anywhere from surprise, to even a few tears when they see their images come to life. They note that the effects of the loops somehow evokes a mood identical to the original scene of the photo they shot. It doesn’t matter whether it was yesterday or fifty years ago. If there are organic elements, texture or hard lines a photo can be brought to life and animated in a relatively short period of time.
Another technique that can be a lot of fun morph multiple images together. This works great for portrait photographers as well as beauty and fashion photographers who want to stand out.
It has only been a few years since websites and social channels have begun to support short form looping videos. Today, Motion Art is now considered an industry standard and is supported by all the major platforms. Swiping or scrolling past still images is now easier than ever. The name of the game is dynamic content because it is the most effective way for photographers to catch the viewers’ eye and engage them. The next time you scroll through Instagram or Facebook keep an eye out for these dynamic images. They are sure to catch your eye.
For more information check out my recent tutorials exclusively for the KelbyOne Community. They are hands down the best and most detailed that I have ever done on the Plotaverse suite of dynamic apps. Check out the Plotaverse in MAC, PC, or iOS with over seven hundred thousand samples of some of the worlds best motion artists.
I’ve seen that phrase all over the place, but what does it really mean?
I’m Dave Williams and it’s #TravelTuesday, which means here on ScottKelby.com I’m back with you to lay down a post which, today, is all about memories.
What I mean by memories is, of course, photographs! So, the title: – “collect moments, not things.” I’m sure we’ve all seen this a million times plastered on social media as some kind of wisdom-nugget, imploring us to make memories rather than collect souvenirs. It kind of goes hand-in-hand with the other popular saying, “leave nothing but footprints” in that we’re not creating waste, but that’s off the point.
The importance of these memories doesn’t land just with us because those memories or moments we collect in our photography can be handed down or passed around for others to remember and enjoy. Put it this way: – When our grandparents were married they had an album made of their wedding photographs, and probably have an invitation in there as well. That album is the thing that gets pulled out of the attic and dusted off every now and then for the family to look at because those photographs are the things that evoke the memories of those present, and instigate the emotional response of those not present at the time the images were made.
This is important because in this digital age we still need to be making memories, collecting moments, and having something tangible to hand down and pass around, especially with the gift we have as photographers and creatives of being able to make something extra-special. At the risk of getting a little too deep here, collecting moments rather than things is certainly something that gives value to our lives and experiences. Making sure we soak it all up and make the most of it is so, so important, but having the skill and ability to capture and share those moments, immortalising them and sharing them, is basically a superpower!
Sticking with the “digital age” remark, taking it back an era and transforming our memory into something tangible makes the best of both situations. The power of print is phenomenal, it really is, and it’s worth creating the things that are going to be pulled from the attic and dusted off in generations to come when everything around us is different and new, bringing back the nostalgia and all the memories that go with it.
Print, people! Print! Just a little thought provocation and a gentle reminder for your Tuesday. ;)
Last week on my live video podcast ‘The Grid,’ I had the honor of clicking the ‘Launch’ button to start the kickstarter campaign on one of the most innovative ballheads ever‚ the “Platyball.” Best of all it’s from Larry T. and the team behind the beloved Platypod who are just some of the best folks out there.
Their goal was to raise $18,000 to fund the launch and initial run of Platyball. Within just a few days, they’ve already raised over $232,000. It. is. on. fire! Larry and his family put their heart and soul into this project and I couldn’t be happier for them. I love it when the good guys win.
Check out their launch video below.
Here’s the link if you want to get in on their kickstarter, and get yours in the first batch that ships.
I’ve been lucky enough to do a lot of interviews over the years, but this one with Roger and Joey from from the Lensrentals Podcast was one of my very favorites ever. It was just so much fun. Check out this comment below from when I shared the podcast this weekend on my Facebook page:
I’m putting the link below — let it run in the background while you’re retouching, and let me know what you think. It’s definitely not you’re average interview. LOL! :)
Hope you can give it a listen (and thanks to Roger and Joey for being such cool guys!
No Photoshop needed for this trick — it’s nuthin’ but Lightroom!
I got a lot of great feedback on this technique I shared last week over on our sister-site LightroomKillerTips.com and I think what’s surprising is that the entire technique is done right inside Lightroom, and it’s super quick and easy.
Those four cities are my next stops for my “Ultimate Photography Crash Course” full-day seminar. San Diego on Feb 12, Phoenix the next day on Feb. 13th. Then I’m in Houston on the 23rd and on to LA on the 25th. Come on out and spend the day with me – it’s 100% money-back guaranteed — you’ve got nuthin’ to lose and everything to gain. Here’s the link. See you there!
Here’s wishing you a great week ahead, everybody! :)
P.S. I got a chance to spend the past few days at the NAMM (Music Gear) show out in Anaheim, California and I’ve never felt more at comfortable or more at home anywhere. Why? Because almost EVERYBODY there was wearing a black t-shirt with a logo and jeans. It was like “Planet Scott.” LOL!!! I had such a blast, and yet, I didn’t buy anything (well, I bought some new t-shirts), but much to Kalebra’s chagrin, I did come home with a shopping list, which does include a guitar. :)
I wish I had written this post that I’m going to point you to today with time-lapse images showing different locations and how they look before dawn right through sunrise, and how the colors change so dramatically over such a short period of time.
I want to highlight this great post from photographer and tech author Jefferson Graham for two reasons:
(1) I’ve been working on an update to one of my books this week and I was writing about one of the benefits from shooting in a city before dawn is that the city lights are still on (see Jeff’s perfect example above), and that alone makes a big difference in the shot, not to mention the better light and color you get before dawn.
(2) Erik Kuna and I were talking about this on a Grid episode recently and how so many photographers show up at sunrise — right after the light starts to turn ugly and the first tourists appear. They basically just missed the great light and the tourist-free scenes.
If you’re not following him on social, you oughta — he posts a lot of cool stuff, and in particular videos of photo walks in various locations where he gives you really interesting ideas of places and things to shoot. Here’s a link to this Twitter feed and his Photo walks YouTube channel. Give him a follow.
The Science of Wildlife Photography with Moose Peterson
Take your wildlife photography game to the next level! Join Moose Peterson as he shares the wisdom he’s earned from 30 years in the field photographing critters. By understanding the biology of your subject and its environment you’ll do a better job of creating photographs that make a difference.
In this class Moose shares how he got started and the early lessons he learned, the importance of using the gear you already have, why dressing in the field for comfort in function is key, how to become a wildlife detective, why you need to get your camera settings nailed down so you can focus on what’s in front of the camera, and so much more. By the end of the class you’ll be itching to do your homework as you plan your next wildlife photography adventure!
In Case You Missed It: A Beginner’s Guide to Wildlife Photography
Join professional photographer Moose Peterson in this Beginner’s Guide to Wildlife Photography. Moose walks through the gear you’ll need and offers tips and techniques to put it all together to get the shots you want, right in your own backyard.
By starting out in your own backyard, you have the greatest access to your subjects, the best opportunity to influence your environment, and the most amount of time to put your knowledge into practice.
The skills and techniques you develop in your own personal wildlife studio can be applied to any other destination you choose in pursuit of all types of wildlife. This class is perfect for a beginner interested in wildlife photography.