When Scott asked me to pen a guest blog, I was honored and thankful to have such a great opportunity to reach so many passionate users of our application… Then I realized I’d have to constrain my piece some and focus it on a particular room in the funhouse that is Photoshop. I feel the same way when I’m demoing; whether I have ten minutes or two hours, it never seems to be enough time. So I’m going to attempt two things here; one, to deep-dive on some new technology that I haven’t seen thoroughly explored, and two, to let this post be a launch pad towards some great resources for information and technology related to Photoshop.
Of the many twists and turns that Photoshop has taken over the course of my (nearly) 10 years on the team, none have been as interesting to me as those related specifically to photography. My background is behind the lens and it’s my love for the medium that first drew me to Adobe. Being mindful of photographers and the applications we provide for them, today I want to focus on two features whose powers can be tapped directly from Bridge CS4, Lightroom 2.0 or from within Photoshop CS4 itself. (more…)
We are very excited to have JoeyL as our guest blogger today!
WARNING: If you’re familiar with Joey’s work, you know that he travels all over the world photographing many different cultures. His post today contains some National Geographic-y type images of natives, and since these natives don’t tend to overdress, there are a few images where the natives have exposed breasts. If you’re sensitive to seeing these types of images, then please don’t click the “Read the Rest of this Entry” button below. Even more importantly, now that you’ve been warned up front, don’t post complaints about the images (I’ll just delete them). Now, here’s JoeyL!
Dustin Snipes is a full time staff sports photographer and part-time Red Bull drinker in Los Angeles, Calif. When he is not taking photos (or drinking Red Bull) he spends his time watching reruns of “How I Met Your Mother.”
For the last few months, people have been asking me about the post-production involved in the photos on my blog post “70 basketball portraits I did in two days.” I always planned on sharing it with everyone but just haven’t had time to put anything together until now. Recently, I was asked to do a guest post for Scott’s blog and thought, “What better way to share this Photoshop tip with everyone than on Mr. Photoshop himself’s blog, Scott Kelby?” I was pretty giddy, to say the least.
It’s actually a pretty simple process that has a few steps to get this “look” (and it’s not LucisArts or HDR :) ).
There is one thing you must promise me–and yourself–before reading this post. Repeat (or read) after me:
“I, (state your name, or clever web user ID) will not overuse this technique on EVERY photo I take. I will only use it in moderation.” (more…)
Greetings! My name is Chris Orwig , and I’m a photographer, interactive designer and educator. I whole heartedly agree with the acclaimed French photographer Marc Riboud who says, “Photography is about savoring life at 1/100th of a second.” And it is true, isn’t it? Photography enriches, enlivens and expands how we think, what we see and who we are. Photography helps us live more fully, more completely. Having a camera in hand does make a difference. Yet, throughout one’s photographic journey, there are seasons when our passion and vitality dwindles. That’s why we read blogs like this. We’re looking for a bit of straightforward information and inspiration that will further us along. In light of that, here’s a post devoted to providing you with some creative thoughts and anecdotes that will hopefully lead you to creating more compelling photographs – enjoy!
Burn out or Burn Bright As a photography faculty at the Brooks Institute, I’ve worked with a wide range of students. Some have gone on to accomplish great things – even fame! Others have dried up, burned out and left the field all together. I’ve always been interested in this dichotomy, and it interests our students as well. They are always on the lookout for the secret that will help them excel. A few years back, one student was having his portfolio reviewed by the legendary Jay Maisel.
The review was fine, yet after it was over the student pleaded with Jay, “Tell me, how can I take more interesting photos?” With missing a beat, Jay volleyed back, “Become a more interesting person.” Or said in another way, as Chris Rainier told me last week, “…at some point photography becomes autobiographical. In order to create better photos, sometimes we need to put down the photography books and magazines. Then we need to go out and to develop who we are.”
Who we are, shapes what we see.
Make the Ordinary Extraordinary Regardless of who you are or what your do, it is easy for anyone to fall prey to “if only” thinking. If only I had that lens. If only I had that camera. If only I was given that assignment. If only I lived in that town. If only. Yet, to counter such stifling thoughts, many photographers I know use their imagination to redefine circumstances. And right now, I’m not talking about photographically finding beauty in unlikely circumstances. While that is critical, here I’m talking about defining who you are and what you do. Let me explain. (more…)
When high school guys have a little too much courage (or booze) in their system, they sometimes hit the road for a game of “chicken.” In the game (primarily designed to thin the herd of the stupid young males before they get to breed) two people drive right at each other in cars, until one blinks and swerves out of the way first.
This person is the loser of the game.
Get a little more age and enough alcohol involved — and a handgun — and you may end up with a game of Russian Roulette, which is an even faster ticket to a finalist slot in the Darwin Awards.
As a young sports photographer 20 some-odd years ago, our professional equivalent was a little game we liked to call “First Frame.” I was introduced to it by my friend Rich Riggins, who was a ridiculously good sports shooter at a very young age.
The rules were simple: Two competing photographers shooting the same game shot the first frame of a 36-exposure roll of Tri-X at each other, thus verifying that no rolls of film were switched later. The very next frame was your entry in the game. Whoever had the best action shot (moment, composition, focus, etc.) won.
Mind you, this was in the days of film and manual focus cameras. We didn’t have 11FPS auto-focus digital Uzis with 4000-shot clips. And yes, we walked to school, five miles, uphill both ways — in the snow. Barefoot.
A funny thing happened on the way to publishing my book…
A pandemic. It sure has changed things for everybody. Everywhere in the world. No exceptions. And in business, most of us have made big adjustments to deal with new restrictions and regulations.
I don’t have a crystal ball so I had no idea that this was coming, but a book I already wrote and had in the publishing pipeline, launched mid April, in the middle of stay-at-home orders. So while just about everybody, in practically every industry, was thrown into video meetings, my book Great On Camera came out.
On top of that, I decided to do some tips and tricks videos so people could quickly learn some best practices for Zoom and Skype meetings. I posted those on Facebook and YouTube (with a little book promo at the end of course). Well, USA Today saw it and ran a feature story on me. That publicity got me even more publicity from radio and TV stations and the Washington Post.
Since this is Scott’s blog, and since most of his followers are photographers, I pulled some things together just for still shooters. And since video is exponentially more important today than ever before! Here are 7 important things you need to know.
Thing 1. You can/should easily master being GREAT on Skype and Zoom:
If nothing else, you need to realize that looking good, sounding good, and communicating well on live video meetings with clients and prospects is the 2020 version of professional business attire. Look better, more confident, and sound good, and you’ll get more clients and keep more customers. This isn’t a photographer thing. It’s an every business thing. And most people still look really bad on video meetings.
Thing 2. If you do headshots, locked-down video should be on your list:
As a photographer, you already have better gear than most people, and practically every recent DLSR and mirrorless camera can capture great looking video. I’m not going to push you toward indy filmmaking. But if headshots are any part of your business, you should learn how to capture video headshots so you can help your business clients.
Thing 3. You’re enough of an expert that you can help friends and clients be better on their own Zoom calls:
A lot of people could use your help to get them looking and sounding better on their business videos. You understand lighting. You understand camera position. You understand composition. You understand exposure. By just looking at the tips in the video about being better on Zoom meetings (linked above) I also did a quick tips video about webcam exposure and photographers will ‘get it’ right away.
Sure, most people have terrible, fully automatic webcams so you won’t be changing lenses or adjusting settings to get a better exposed image on camera. But by looking at someone’s environment, you can help them position their camera properly. Add lights in the right place. Help them simplify complicated backgrounds. Tell them that, just because they have a picturesque back yard and they’d love to have that as their video background, a camera pointed out to the back yard will make you look like a silhouette unless there’s a BUNCH of studio lighting on your face. Help them get a shirt that doesn’t make the overall image too dark or too bright and throw off the exposure for the face.
Thing 4. Simple commercial videos are easy for photographers:
Beyond video meetings between co-workers, small businesses will need to communicate with their customers and target market using videos. Now more than ever! This means they’ll be looking for pro video help. Consider adding simple video production to your mix. Even if you don’t want to edit, you can capture the video and turn it over to an editor.
Thing 5. Learn a little audio and you’re good to go:
When it comes to video, the only thing that’s really new to photographers is audio. An inexpensive wired lapel mic or a $200 wireless mic will capture great spoken audio. But just start with a 20’ wired mic and you’ll be going in the right direction.
Thing 6. Start by being on camera yourself, to create an ad and to get on-camera experience:
Photographers know that the lock-down slowed down business and with a little extra time on your hands, now’s the perfect time to create your own commercial. Jump on camera and record yourself talking about your business. You can spend 2 or 3 minutes talking to the camera and that will get you experience being on camera, so you can help your clients. Plus, it will get you a commercial for your own work.
Thing 7. Cut away from the talking head with stills or other footage that shows what’s being narrated:
And don’t worry that you need to be on camera, talking to the camera lens the whole time. You don’t. Just set up a simple scene, maybe in your studio, where you can talk to the camera and as soon as you start talking about your work and the kinds of shoots you do, keep the audio discussion going but cut away from the visual of you in the studio, and show image after image of your work. Think of it as a narrated video portfolio.
Bonus Thing. A (free) video critique:
Since you follow Scott, you know all about ‘Blind Critiques’ on The Grid. I love that stuff! Similarly I do paid video critiques where clients send me videos they’ve done and ask for advice on how to improve what they’re doing. Well, if you’ve read this far, and you have a video you’ve created, or you’re about to do a quick promo video, I’ll do a critique for free. Just go to my website (GreatOnCamera.com) and use the contact form and let me know you have a video and you read about my free offer here. I’ll tell you how to upload it to me and we’ll work out the other little details.
Of course there are a few strings attached. The video needs to be 3 minutes or less. It needs to be a business or promotional video with a spokesperson on camera (hopefully you). And I’m limiting this offer to the first 20 readers or until July 15, 2020.
Whatever you do for a living, and even if you don’t want to add video to your portfolio, I hope this helps you with meetings and your own on-camera presentations so you can be Great On Camera!