Posts By Brad Moore

Lighting Portraits On Location with Scott Kelby

Take your location lighting to the next level with Scott Kelby! In this KelbyOne Community inspired class, Scott gives you more of what you have been asking for, which is demonstrating a variety of lighting setups you can use on location. Whether you are shooting with strobes or speedlights, you’ll be able to learn the camera settings and lighting placement needed to recreate these awesome looks. Scott starts off the class with a discussion of gear and settings, and then he’s off doing shoot after shoot in a variety of locations with both male and female subjects. By the end of the class you’ll be ready to light your next portrait session in new ways.



In Case You Missed It

Join Scott Kelby for the conclusion to his Mastering the Natural Light Portrait class, as he works through his process for editing the photos from that shoot. In this class you’ll learn the core types of edits you will apply to all of your natural light portraits. In this class you’ll learn different techniques for reducing distractions and making the face the most eye-catching part of the photo. From soft northern exposure light to dappled light, Scott teaches you how to analyze the photo, plan your approach, and get the most out of what Lightroom and Photoshop have to offer. This class is perfect for anyone looking for tips on post processing or editing natural light photos.

The Personal Side of Mike Kubeisy

If you’re a fan of the popular TV show NCIS, then you’ve already seen Mike Kubeisy’s work. Mike has been shooting celebrities in Hollywood for over 30 years as a motion picture and stills photographer. In this in-depth interview with Kalebra Kelby, Mike opens up about the more important aspects of who he really is as a person. Mike shares stories of how his career began, the mistakes he’s learned from, the amazing story of how he met his wife, and how his life has seemingly come full circle from when he first visited a movie set as a child.

In Case You Missed It

Discover how to shoot outstanding Hollywood styled head shots using detailed lighting and posing techniques with celebrity photographer, Mike Kubeisy. Mike takes you from start to finish, setup to final image. Learn to shoot outdoor portraits, theatrical indoor head shots, dramatically lit 1930’s Film Noir style photography, and more. Mike shares his best tips and tricks of the trade, giving you the skills to achieve stunning Hollywood photographic effects!

Color grading is an art form. There are thousands of resources, tutorials, scripts, software packages and workshops dedicated to this single topic. However, sometimes you just need something simple and you don’t want to dive into the heavy topic of the science of color. This is exactly why I came up with a quick plug-in free way of cycling through simplistic color grades randomly. It comes in handy when you don’t have the time to develop a look or when you simply just want to scroll through a couple of options.

The process is quite simple. You create a Gradient Map adjustment layer on top. Then click on the gradient strip to get into the Gradient Editor, where you need to change the Gradient Type to Noise.

The percentage of Roughness determines the number of colours you will have in your gradient. I’d recommend setting that to 15% or lower.

For Color Model, I like to use HSB or LAB, but RGB works just as well. Here, technically you could restrict the colours, but for the full effect just leave the sliders as-is.

Make sure that Restrict Colors is ticked in and Add Transparency is not in the Options section. After all of this, Randomize away!

Once you settled on a gradient you like, hit OK. To apply the grade set the Blending Mode to Color and lower the opacity to your liking. And this is it, you are done. You can go back and Randomize the colours any time.

If you want to learn more about colour grading, colour theory and their applications, check out my Advanced Photoshop: The Psychology and Science Behind Color Grading course on KelbyOne! Beware, it gets nicely advanced.

You can see more from Viktor at ViktorFejes.com, and keep up with him on Facebook, Instagram, Twitter, and YouTube.

How To Shoot Portraits In Any Location with Frank Doorhof

Join Frank Dorhoof on his home turf in The Netherlands to learn how to shoot portraits in any location! Learn how to create amazing looking photographs in your own backyard or wherever your travels take you. Using just a single strobe and one light modifier, Frank takes you through a series of location shoots around his home town of Emmeloord. From open country roads to the banks of a canal to the wall of a building across the street, Frank takes you through each of his lighting set ups, posing techniques, and framing to show how to create photos with drama, emotion, and interest regardless of where you are located. Frank wraps up the class with a series of lessons highlighting aspects of his post processing workflow to create the final looks he was after.



In Case You Missed It

With Frank Doorhof, international fashion and glamour photographer, it is all about being creative and getting the shot. In this class, Frank uses amazing dancers as models to teach you everything from the technical aspects of how to use a light meter to the artistic aspects of creating interesting images with unique looks that make the most of your locations. Frank starts on location in two different settings then brings you back to the desktop to share some of his favorite post-processing techniques while working on the photos he’s just created.

FIVE TIPS TO CAPTURE AUTHENTIC MOMENTS IN CHILD PHOTOGRAPHY

Well Hello! Tracy Sweeney here, owner/photographer of Elan Studio in Bristol, Rhode Island. I’m thrilled to return and guest blog about an absolutely important topic in family photography.

Have you ever viewed an image that was so powerfully driven in “something” that it physically stirred you? Perhaps it was “something” so evocative, a single moment crafted from someone else’s time, and yet the picture’s energy mirrored an indelible memory of your own, bringing forth genuine connection? Or possibly there was a level of emotion that resonated so profoundly that it made you just feel “something?” That “something,” that thing that pulls us, draws us in and makes us wonder, anticipate, relive, laugh, cry, gasp, pause, that “something” is authenticity. 

Authentic imagery is powerful, and because I know that, I approach every photo session with the goal of crafting beautiful images through authentic means. Authentic, in elementary form, is defined as real and genuine. And through this consideration, it might seem paradoxical that my entire aim is authenticity, because, after all, I am a child and family photographer who poses, orchestrates, and directs; I am not a lifestyle photographer. Do I shoot candids? Absolutely, but my style is certainly not photojournalistic. So then, how does one, under these self-imposed parameters (that have shaped my business), create natural, authentic imagery?

1. BE YOUR AUTHENTIC SELF

The key to creating natural, authentic images is quite simple: be authentic yourself. That seems rudimentary, right? Perhaps there was a specific tool you were hoping I suggest, or an actual phrase, game, gear, or direction I would give to guarantee that, even in a melange of subjects, you would be able to draw each out naturally, and each of their best selves would shine.

Well, in part, that’s true, because your authenticity, your approach that makes you feel so natural and fluid, will attract that likeness, and in other trending words, “your vibe will attract your tribe.” If you are interacting with your clients in a way that feels fluid and true to you, your subjects will respond effortlessly and relaxed, allowing you to capture them naturally. This applies to adults and children.

2. ENGAGE IN GENUINE CONVERSATION

When I meet a new client for the first time, it is often at the beginning of their session. My pre-session consult takes place electronically, so the first time they are seeing me in-person many times is right as we begin our shoot. I, as the hired photographer, know it is my responsibility to make the client feel comfortable with me, even before I lift my camera. And so, we simply begin in conversation, pleasantries and again, genuine conversation and questions aligned with my authenticity (the same way I would talk to a new friend or cohort).

I begin by talking to the child, often even before talking with the parents. I get down to the child’s eye level and start by issuing genuine warmth and friendliness. Younger children can be very shy, and clinging to parents, but the initial greeting is a way to establish connectivity and ensure the child that the session will be fun and possibly exploratory. I establish mood and also a bit of expectation in regards to our location and upcoming adventure. In doing this, talking to the children first, asking the child questions about his/her day, school, activities, etc. I am opening dialogue but also building an arsenal of material I can use later during the session when I need to recharge the child (ex. “So you were telling me you play hockey earlier, what is your favorite skating rink?”)

3. SET CLEAR EXPECTATIONS

When parents know that their child is comfortable, they will ease up considerably. The major stress of a family photo shoot (beyond attire and aesthetics) is the concern that the children will not behave. I do truly believe it is my responsibility as the photographer to control the momentum of the session and essentially the behavior of the children, and this is done through establishing very clear expectations with the children, and consequently, the parents. I tell the family my goals for the shoot, different shots I would like to capture and the terrain we will cover.

My business is largely repeat clients, those who continue to rebook annually, and I attribute this not only to the quality of the final images, but the overall experience of the session. The success of your business is dependent on the session experience your clients have with you. Cultivating an enjoyable stress-free experience for clients is paramount for referrals.

When a client tells her friend about her family session and says, “Oh, It was so much fun. We had such a beautiful night together!” That testament is worth more than anything someone can say about your actual photography ability. What mother or father doesn’t want to have a beautiful night out with his/her family? And that there was a professional there, orchestrating and documenting the evening is where you insert your true value.

Notice I said “orchestrating,” because I don’t sit back and just watch. I do have to direct. I have to guide and support to create these authentic moments I want to capture. If I want younger brother to give his sister a kiss on the cheek, I ask him to and shoot away. If he does it without suggestion, fabulous. If he does it, but all I get is the back of his head and miss the sentiment entirely, I ask him to do it again, and point specifically to the temple to show him where to kiss his sister. Again, it’s that power of guidance. Children need direction, and structuring a family session in this way allows you to capture their essence as you, the photographer, see it.

4. HAVE A  PLAN

Talking with my clients at the beginning of the session is so important as opposed to immediately diving in to the shooting of images. In this way, I am able to build trust with little ones creating opportunity for genuine moments.

When I begin photographing, I often do not let the children know that is what I am doing. I ask the children if they want to go for a walk, or if they would like to help me hold something, or if they would like to “hunt” for seashells, or special rocks, leaves, etc. anything to get little ones not to think about having to perform, but rather enjoying our time. Even the most hesitant of children, even the really really shy ones, typically will want to discover/find/look/play if encouraged. And this is what I mean by directing, it’s having a plan.

Of course I want to photograph a family playing and just being themselves at the beach, but I have to help them to actually do that. Because again, I want authenticity, but this is a staging of sorts. My clients arrive beautifully dressed in corresponding attire and I sometimes bring delightful props to stimulate the story and craft interest.

But that is not real of a typical day at the beach. A typical day at the beach is a more beautiful mess than flowy dresses and precise poofing pomade in little man’s hair. And yet, I feel absolutely comfortable knowing that I am still capturing authenticity, because my search is the family’s connection, the subtleties, the tippy toe kisses from children, the stolen glances, the pure joy of a swinging walk, and the thrilling chase of a sibling run-off while mom and dad adore. Those moments are artfully crafted. I instruct, observe, support, suggest, and shoot, typically in that order.

5. CREATE WHAT MOVES YOU

The most beautiful thing about authenticity is the ability to let go of the pursuit of perfection. 

Authenticity is an embracement. It’s harnessing the environment and family as they are in their most perfect imperfectness. When I ask the family to go in for a tight hug near the shoreline (directing) and their toddler runs in the opposite direction, I continue to shoot….and to laugh, and to enjoy, and to truly capture what that toddler is. I might chase the toddler a bit and keep shooting, because that feels right to me, it is part of who I am and how I play with my own children.

Authenticity is often confused with uniqueness.There is nothing unique about a mother holding her baby in the air juxtaposed against a beautiful sunset. It’s been done before, it gets done all the time, I do it all the time! Because I love that pose, I love that image, as a mother, I wish I had that image of me and my babies. In that moment, with that specific child, unique or not, it is authentic to the subjects.

That is what I want to impart to you. Try to create what moves you. Those images I love to create attract like clients who want those images created for them. Do a few of the same things consistently. There is nothing wrong with that. In fact, it helps organize a session in a way that feels purposeful and fluid. And each family’s energy will take on the task/direction/suggestion in a way that is purposeful, meaningful and unique to them. 

Thank you so much for having me here this week. If you enjoyed my musings and want to explore more of my work, please check out Elan-Studio.com. For additional chats, questions and sharing, join my Facebook group “All Things Child Portraiture,” and follow me on Facebook and Instagram.

In light and love,
Tracy

In addition to seeing more of Tracy’s work and following her on social media via the links above, you can also check out all six of her classes, covering newborn, toddler, and family photography, business, storytelling, and a personal interview, on KelbyOne!

10 Essential Studio Techniques Every Photographer Needs to Know 2019 Edition with Scott Kelby

Learn the essentials for shooting in the studio with Scott Kelby! In this class Scott has honed in on the ten most essential techniques every photographer needs to know before they start shooting in a studio environment. Scott goes through the basic gear you’ll need, the camera settings, and then takes you step-by-step through each technique. With a live model on set you’ll see each technique put into practice, and all the while Scott shares the tips and tricks you’ll need to get great results. This class is not about any particular brand of gear, and everything can be applied to shooting with an off-camera flash or a studio strobe.


In Case You Missed It

If you are new to DSLR photography, then this class is for you. Join Scott Kelby as he takes you through the ten most important things every photographer should know about their camera. We all want to get great images, and taking the time to get to know the ten or so most important features on our cameras can really help keep our photos sharp, clean, well exposed, and showing the right colors whether we’re shooting moving subjects or still landscapes. This class may be named the top ten, but Scott manages to pack a whole lot more into each lesson, providing a firm foundation for getting the most out of every tip and technique.

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