Posts By Brad Moore

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10 Essential Post Processing Techniques Every Landscape Photographer Needs to Know with Scott Kelby
Building on his previous landscape photography class, Scott Kelby uses the photos he captured at Cannon Beach to teach you 10 essential post processing techniques every landscape photographer should know. Starting from a simple example to get oriented to the tools, Scott takes you step-by-step through his Lightroom and Photoshop workflow to learn increasingly more advanced techniques. In this class you’ll learn how to evaluate each photo before processing, different ways to boost contrast, how to stitch multiple frames into a panorama, how to process realistic looking HDR images, how to sharpen to bring out detail, how to enhance washed out skies, and so much more! Be sure to watch the landscape photography class first so that you can see the process through from capture to finish!

In Case You Missed It
Learn how to harness your software to process your landscape photos the way you felt in your heart when you took the photo. Join Moose Peterson as he shares his favorite techniques, tips, and ways of thinking, to help you get the most out of your post processing workflow. Using primarily Photoshop and Camera Raw, with the occasional trip through Nik plug-ins, Moose helps you understand the connection between your camera, your software, and light, so that you are in control from the moment the shutter clicks to when you move software sliders later on. From bringing out the best in dramatic skies to making black and white photos with impact, Moose focuses on both the technical and the inspirational components you need to address to not only make your photos look great, but to infuse them with passion and romance. By the end of the class you’ll be thinking more about how you capture photos with your post processing workflow in mind.

Mouldy Plum Cake

Today, I would like to invite you to a journey through the surreal photomontages I create to confuse people…

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Terrace Guilt

Teach Doctors

Behind The Scenes

All the photos I use in my compositions are from my own portfolio (holidays, trips, family, friends, myself), except from a few space images I took from Google (like planet Earth and galaxies). My method of work is quite random; I have all these pictures I took and I try to combine them in a cool, surreal way. I especially love creating images that distort the actual sizes of things, for instance my miniature mum waterskiing in a coffee cup…

Slide To Unlock

…and my cousin skateboarding on a miniature Switzerland (where I’m from).

Circling Anchor

 I also love playing with the materiality of things, i.e. my white towel becomes the foamy waves of a seashore…

Department Of Radiology

The real world appears finite to me, whereas the surreal world is infinite, has so much more potential, is so much more fascinating!

Stale Sheep

Empty The Bins

My ultimate aim is to create the perfect optical illusion. I have to say I would not be able to do it without Adobe Photoshop, which I have been learning how to use throughout the years.

Thumbnail Office

The 8th Extinction

In the process of creating my photomontages, I have absolutely no idea how the final composition will be read. My work is open to all interpretations. Like I said before, I almost randomly juxtapose images; and my aim is to create an illusion, not necessarily a feeling. But I love how people feel something different for each image. I am often asked why I choose such random titles for my artworks; and the answer is to confuse people even more. I believe it doesn’t make sense to give a descriptive title to a surreal artwork, because the latter means something different for every single person.

Irreducible Markov Chain

Customs Regulations

Godfather's Candle

You can see more of Monica’s work at MofArt.wordpress.com, and follow her on Instagram and Twitter.

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Advanced Compositing in Adobe Photoshop CC with Corey Barker
Get ready to take your compositing skills to the next level! Join Corey Barker as he steps you through the creation of a fantasy composite image, from extracting the subject though the final touches. Whether you are using an older version of Photoshop or the latest, you’ll learn how to cleanly extract your subject from the source image, how to build a background environment around your subject, and how to blend all of the elements together using lighting and atmospheric effects to create a believable composite image with impact. Corey will show you ways to use Photoshop that you’ve never thought of before, and he wraps up the class with cool tips for adding text and blending non-human objects into your composite.

In Case You Missed It
Ideally, every photo we take would be perfect: perfect exposure, perfect white balance, no backlighting, no harsh shadows. Of course the reality is that some images need to be fixed, and in this course Dave Cross will look at ways to deal with common problems. In each lesson Dave will fix a problem image, real-time, step-by-step.

10TipsLandscape

10 Essential Tips That Every Landscape Photographer Needs to Know
Join Scott Kelby on the amazing Oregon coast and learn everything you need to know to create the best landscape photos you’ve ever taken! There are 10 essential tips that every landscape photographer needs to know, from the right gear and how to use it, to knowing how to prepare before you go and what to do when you are there. As a landscape photographer you want to be able to show people not only what you saw, but how it made you feel when you were there, and with these essential tips, all demonstrated on location, you’ll be able to bring home the kind of images you’ve always dreamed of making.

In Case You Missed It
Join Scott Kelby on location in Paris as he shares his very best tips and techniques for planning, preparing, and getting the most out of your next travel adventure. Come along and watch the entire process of shooting in a variety of locations in Shooting Travel Photos Like A Pro!

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Thanks, as always, to Scott for having me back…whether I’m popping up in member-only events, recording courses or writing here, I always enjoy access to Photoshop’s most passionate and knowledgeable users (you guys teach me at least as much as I teach you – thank you).

In just days, I’ll see many of you at Photoshop World in Las Vegas! This month marks my 17th year at Adobe; anniversaries are a reflective time, especially for a sentimental fool like me. During that time, I’ve been to more Photoshop Worlds than I can count – for over a decade, I’ve visited regularly as an instructor, keynote speaker and attendee. Like releases of Photoshop, the memories all sort of blend together…but they’re all remembered with a smile.

The industry has changed a lot over the years: from film to digital; from desktop to laptop; from applications that were once individual, separate islands, to a deeply connected creative universe. Photoshop World has changed quite a bit too, social media connects and informs attendees and shares the experience with those who can’t be there. In many ways, Photoshop World represents the Creative Cloud Photography Plan, as courses are the ultimate boot camp for not only Photoshop, but Lightroom too…and increasingly, the growing body of apps and services which connect them. With more ways to capture images than ever before and a more affordable and flexible inroad to editing, it isn’t a surprise that I meet attendees both older and younger than in years prior – I love that we all have so much in common.

This year, I’m thrilled to teach a combination of my favorite courses. I’ll start with a full session on Photoshop Mix, our free, mobile app which allows you to create powerful composites, wherever you are. Even exploring all of Mix’s hidden tricks, I’m sure to have plenty of extra time, so that’s just some of what I’ll showcase on mobile – there’s a LOT more.

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My next course is a deep-dive on the Creative Cloud Photography Plan, not only is this the best deal going, but the offering has grown far beyond just Photoshop+Lightroom.

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For many years I’ve taught a course on black & white in Lightroom and Photoshop, this too has expanded to mobile apps and third party solutions.

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Last, I’ll teach my favorite course, highlights from the Photoshop Playbook. The Playbook is a year-long series that I recorded, designed to solve problems quickly; with millions and millions of views, it’s proven very popular…this link is both a great preview and resource.

So, as you can imagine, I’m more excited than ever for Photoshop World. I love that so many people are able to enjoy photography and creative imaging. For all that changes, my favorite part about the show is the people…so whether I’m fielding questions for a large group, having a hallway chat or enjoying my breakfast with Scott…the conversations always lead to fixes, features, insights and understanding.

See you in Las Vegas!

-Bryan

Bryan O’Neil Hughes is Adobe’s Head of Outreach & Collaboration, closely working with product teams, partners & press. Bryan spent fifteen years on Photoshop, a decade as Product Manager (CS3-CC) & then drove the expansion to mobile with Photoshop Mix & Fix. Bryan is a regular keynote speaker, author & 5X MAX Master – his videos have enjoyed over 12 million views. He lives with his wife & two boys in the Santa Cruz Mountains, where he’s slowly restoring an old truck. Bryan was inducted into the Photoshop Hall of Fame in 2011. You can follow him on Instagram and reach out to him at bhughes@adobe.com.

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High End Hair Retouching with Kristina Sherk
Learn the core fundamentals of retouching hair! Join Kristina Sherk as she teaches you how to retouch hair smarter, not harder. From removing stray hairs to changing your subject’s hair color, and from creating custom hair brushes to adding dimension and shine, Kristi will show you how to do the best things possible in the fastest amount of time. Every photographer working with people can benefit from adding these hair retouching techniques to their set of skills, so that you can deliver outstanding work to your clients and get back behind the camera. By the end of the class you’ll know how to make your clients look red-carpet ready and how to do it faster than ever.

In Case You Missed It
In Advertising Photography: From Pre- to Post-Production, you’ll get Douglas Sonders’ unique take on everything from client interaction, pre-production, and assembling a creative team to his lighting techniques and method for coaching portrait subjects to get the reaction he needs. Then, meet Douglas’ personal retoucher and expert compositor, Justin Paguia for the post-production process.

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