Posts By Brad Moore

When I examine myself and my methods of thought, I come to the conclusion that the gift of fantasy has meant more to me than my talent for absorbing positive knowledge. -Albert Einstein I have come to believe that my job, why I was put on this earth, is to tell the truth and see the pretty. My job is to walk all over the planet and allow myself to be taken by the moment and to record the truth, beauty and moments of abandon with a camera. Interesting work if you can get it. What I discovered is so long as I stay on this path I (mostly) stay out of trouble. What I have also discovered is that coincidence is the universe’s attempt at remaining anonymous. I live in a world where my fantasy as a child has come true, to make…

Photoshop World Preview We are hosting a live webcast this Friday at 12pm ET to talk all about Photoshop World! The webcast will be hosted by Larry Becker, the MC of Photoshop World. Larry will give you an insider's view of the event and introduce you to a few of the instructors and preview some of their classes. Whether you have been to Photoshop World before or this is new to you, you'll want to check out the webcast THIS Friday at 12 pm. Get all the details at DJI Inspire 1 with Mia McCormick and John McQuiston Mia McCormick and John McQuiston will help you capture compelling footage by mastering the DJI INSPIRE1 quadcopter. In the first of two classes, designed to walk you through the basic set-up and calibration process, the flight system and all the features of the DJI Pilot…

Let There Be Light
Thanks Scott for the opportunity to be a quest blog writer this weekâ¦it's such an honor dude.  And perfect timing as I am preparing for my own Lightpainting Workshop on May 28-30, in Loveland, Colorado.

Okay⦠Let's learn how to Lightpaint.

Humanity is drawn to light. It is in our DNA. We can't help but look towards the brightest part of a picture. As a photographer it is my responsibility to help guide the viewer to the subject in the picture, and I can do so with light.

But sometimes a flash or strobe just isn't graceful enough. That's when I turn off the studio lights and delve into the most creative lighting technique of all. Lightpainting⦠it's the perfect combination of photography and artistic expression.

The word photography in the Greek means "light writing." Simply said, Lightpainting is the revealing of the subject from darkness with light. In general, Lightpaintings make use of long exposure times like 3 seconds, 10 seconds, 30 seconds, 2 minutes, or more.

Let's begin with some basics and Lightpaint a "Table-Top" Still Life. I will need a dark environment for my little subject â¦the Yellow Tail Fly. I will use a Manual Exposure of which I have a basic starting exposure that I begin many of my Lightpaintings with: ISO500, 30 seconds at f/8.

During the 30 seconds exposure time I will use a mobile light source to illuminate the subjects in the scene and reveal them from the dark with Lightpainting.

For my Table-Top still life and live model Lightpaintings I use a small Stylus penlight with a single LED bulb made by Streamlight.

First I arrange my subject and composing the scene. Then, like with all Lightpaintings, I secure the camera on a sturdy tripod. With the studio lights turned "on" I use Auto Focus on the subject and then turn "off" the auto focus. This is so the auto focus does not activate or "search" in the dark when you turn off the lights, open the shutter, and begin to Lightpaint.

I use the Auto Focus (AF) back button. By simply releasing your thumb from the AF button on the back of the camera it stops activation of the Auto Focus operation. Or you can also simply turn OFF the AF switch on the barrel of the lens or camera.

I also use a Manual WB of 10,000 Kelvin when Lightpainting with any LED flashlight. This setting helps add a warm color tone to the overall picture. And I will also activate the Long Exposure Noise Reduction mode in the camera. This prevents any noise speckles from appearing due to the long exposure time that generates heat inside the camera.

I'm now ready to turn OFF the room lights and make my first "TEST SHOT" without adding any Lightpainting to the subjects, just to see if there is any unwanted ambient light creeping in from a window or the door.

With a dark or "Blank" image on the LCD screen I'm now I'm ready to add some Lightpainting. I like to apply the light from off camera angles to create a dramatic lighting effect. In this image titled Yellow Tail Fly, the light from my Stylus is coming into the scene from the upper right corner of the frame.

Yellow Tail Fly: Nikon D7000, ISO400, 30 seconds exposure at f/32, Nikon 28-300mm VRII zoom lens at 300mm, WB 6700K, Manfrotto Tripod with 410 Gear Head, Stylus penlight, SanDisk 32GB Extreme Pro Flash Card.

The closer the light source is to the subject, the brighter the subject becomes. Also said, the longer time I spend illuminating my subject the brighter the subject becomes. Too much light or too much time spent applying light can overexpose portions of the imageâ¦and vise verse.

I try to keep the light source (Stylus) moving while applying the light, usually in a swirling or brushing motion. This helps soften the transitional edges between light and shadow, which is key in creating a painterly quality to the picture. You are in effect "painting with light."

My basic Manual Exposure setting of ISO 500, 30 seconds at f/8 is a good way to begin, but it can vary depending on intensity of your flashlight and the distance from flashlight to subject, and also how large your subject is. Don't give up, I sometimes make 10-15 Lightpaintings before I get one that I like.

The Red Violin: Nikon D800, ISO100, 1 minute at f/6.3, Nikon 105mm MACRO lens,
WB 10,000K, Manfrotto Tripod with 410 Gear Head, Stylus penlight, SanDisk 32GB Extreme Pro Flash Card.

Here is another "Table-Top" Still Life, but it has 2 variations from the Yellow Tail Fly. I used a lower ISO of only 100 and I increased the exposure time to 1 minute. Why? â¦because I felt I would need 1 entire minute to "precisely" apply Lightpainting from only a few inches away, and from multiple Off Camera angles. Lightpainting so close to the subject using ISO500 would result in way overexposing the subject.

Copyright Essentials for Photographers with Jack Reznicki & Ed Greenberg Join Ed Greenberg and Jack Reznicki as they get you up to speed with the latest information on protecting your copyright and registering your work. There have been some changes in the process since their last class on the subject, and Jack and Ed walk you through all the steps involved in the registration process to show how it can be done. Beyond the registration process itself, Ed and Jack answer the important questions of what exactly copyright is, why it is important, and what rights you are granted by it. Pulling from years of experience as an intellectual property attorney and a commercial photographer, Ed and Jack share real life stories all the way through to illustrate why this issue is so important to all creative professionals. Extraction and Close-ups in Nelson Ghost…

Photo by Chris Keels Hello everyone. My name is Nick Fancher and I’m your guest blogger today. In case you don’t know me (which is likely the case), I am a Columbus, Ohio based portrait and commercial photographer. A couple of weeks ago I released Studio Anywhere: A Photographer’s Guide to Shooting in Unconventional Locations, on Peachpit Press. The idea behind the book is that photographers can get away with shooting without a conventional studio most of the time, as long as they can learn to make the most of their environments; all with the use of minimal, affordable gear. This idea was born out of necessity. When I was in New York City last year, I wanted to do some test shooting in my free time. I began looking around for studios to rent for the day, and found the average price to…

Photoshop World Vegas - Stay Where The Instructors Stay! Coming to Photoshop World Vegas in August? You’ll want to stay where the Conference is, where the After Hours Party is, where Midnight Madness is, where the Meetup is, where Birds of a Feather is, and where the Art of Photography is held... Mandalay Bay Resort and Casino! You can find all the reservation info on Mandalay Bay and its all-suite sister property The Delano at And if you haven't already registered, don't wait because there's only 12 DAYS LEFT before ticket prices increase from $599 to $699! If you've already registered, leave a comment for your chance to attend RC Concepcion's Lightroom Crash Course workshop for FREE the day before the conference starts! The Lightroom CC Book for Digital Photographers Scott Kelby's latest book, The Lightroom CC Book for Digital Photographers, is here! Well, a…