When you get comfortable, move. First off, thanks to Scott and Brad for this opportunity to connect with such a broad and passionate audience. I’m Scott Rinckenberger, right hand man to Chase Jarvis, the fastest moving photographer I’ve ever seen. We recently brought on a new intern at Chase Jarvis Inc. It’s a tough gig to get. For a while I couldn’t really put my finger on why he had made the cut, despite being the person in charge of the hiring. Sure, he was hard working with a great attitude, but that’s an absolute prerequisite among the talented field of applicants seeking work at our shop. I knew he was the right guy for the job, just couldn’t say exactly why. Then we were having chat on the way back from a location and he was explaining his life’s path. He said something…
It’s a real honor to be writing today, and I want to thank Scott and Brad for the bandwidth. I’d like to share a behind-the-scenes story about the most exciting project of my career.
I’m an adventure photographer in Aspen, Colorado. When I first picked up a camera 15 years ago, I was tickled at the idea of being paid to rock climb, ski and travel. I certainly didn’t get into photography to “make a difference.” Indeed, from a cynical bent, you could say that I shoot leisure sports — images of rich white people overindulging in the outdoors.
Last winter, however, I turned my lens in the other direction. My wife and I were about to adopt a young boy from Ethiopia. As I read about the country’s poverty crisis (it’s one of the 10 poorest places in the world, with a mind-boggling 5 million orphans), I had pangs of guilt over our decision. We were spending thousands of dollars to haul a child to America when, one could argue, the money could go much further keeping at-risk parents alive. If we really cared about the welfare of our new boy or his Ethiopian peers, wouldn’t it be better to keep his family healthy and fed in the first place, rather than opportunistically adopting him as an orphan?
Guest Blog for Scott! When I was asked to write this blog I had no idea what to write about. What did I eat this morning? What am I doing this afternoon? My latest painting? I had no idea. Guest blog for Scott Kelby—the man that has written more books than I can count—that’s a tall order!
As I tossed and turned thinking of what to write, I realized that previous guest bloggers were mostly photographers, retouchers and art directors—a virtual cornucopia of talents and skill sets. But they all had one thing in common—Photoshop.
As I write this blog I am still coming down from the excitement of Photoshop World that took place in Vegas this month, where once again, a vast number of people came together because of this one piece of remarkable software. People from all walks of life imaginable have this one thing in common.
As Adobe Photoshop celebrates its twentieth anniversary, it is interesting to look back at how this computer application changed the way we approach Imaging. As an example, just the other night I was channel switching and came across one of those crime investigation dramas where the verb “Photoshopped” was used three times!
There have been many changes to our workflow since Photoshop became one of our tools. I remember witnessing a major shift in the graphic arts industry back in the early 90s. Ad agencies all over New York City started dumping those giant, costly behemoths that were known as paint box systems. These giants took up valuable space and required a techie to run them. They were replaced with Macs directly on the art directors’ desks.
The combination of digital photography and Photoshop dramatically changed our approach to imaging. Gone are the days…
Hello photographers and people frequenting this blog stalking Scott Kelby. My name is Matt Lehman. I’m a graphic designer at CMT (Country Music Television in the family of MTV Networks), and I have a small freelance gig called Invisible Associates. Here’s my guest blog. In the immortal words of Ron Burgundy, “I don’t know how to put this, but I’m kind of a big deal.” Minds will be blown. Poverty will be eradicated. Roofs will most definitely be raised (figuratively speaking, like when you push your hands up and down in the air). Yay photography!
Photo by Lee Steffen
I’m not a photographer in any way. I’m afraid of cameras really. They’re expensive. They break. Worst of all, there’s too much to learn… focusing, aperture-ness, ISO-ness, lenses, shutter speed, ambient light, other fancy words, etc. I took a photography class in college, and it was miserable. Most of my pictures involved me lying on the ground and tilting my camera at what I perceived to be an avant garde angle. Hey look, I just took a titled shot of that fire hydrant! Some things are in focus and some aren’t! Then I had to spend three hours in the darkroom to confirm that yep, these pictures are indeed pathetic. So I continued down the super-lucrative path I was on: the yellow brick road known as graphic design and illustration.
I love design and illustration despite the fact that the names connote some guy sitting at a drafting table with an airbrush kit turning around to give someone an affirming thumbs up. In a sweater vest. And a mustache. And not the ironically cool kind of mustache that’s currently en vogue. Photography. Just the name alone sounds so much cooler. In college, people who had earringsÂ and ponytails and played in bands were photography majors. It was up there with actor, circus performer, or mime in “careers parents don’t want their kids to select.” There was and is a sexiness to photography. Remember theÂ Lamborghini Trapper Keepers? Someone had to shoot that goodness.
Speaking of Lamborghini Trapper Keepers,
Nashville-based graphic designer Matt Lehman. Matt first came to my attention (me being Brad) when Jeremy Cowart announced the winner of the Help-Portrait Logo Contest (Matt was the winner, if you didn't already figure that out). I checked out his website, showed it to Scott and Corey, they gave it a thumbs up, and I asked if he wanted to take one of our Wednesday spots. I would link to his site, but I know he's working furiously to get some new work up by the time the blog goes live. Anyway, Matt has a great post on photography from a designer's point of view. Plus he's just a crazy guy, so you'll get a kick out of his blog even if you don't care about photography or design. At which point I would ask why you're even here, but that's beside the point...…
Ok, but seriously folks, I really do love my job with Zack. The idea for that video came from a recent porch night with the Usedfilm crew after bringing up the request to do a blog post here. I hope you enjoyed it. For this part of the post, I’m choosing to give you a background of how I came to work with Zack full time. Here we go… I was born and raised in rural Oklahoma about 45 miles northeast of Tulsa where I graduated high school with a class of 54 students. That’s it. Tiny farming community by the name of Adair. I mean my neighbors were cows for crying out loud! Out of high school I went off to study graphic design at the technical branch of Oklahoma State University. After 1 1/2 semesters I quickly realized that I wasn’t any…