Monday
May
2011
23

Updating My Online Portfolio

by Scott Kelby  |  89 Comments

I’ve been wanting to update my online portfolio for a long time now for a number of reasons, but mostly so it could be a somewhat consistent experience no matter where you see it (on a computer, iPad, iPhone, etc.). Besides that, I also wanted to update my images, but since my portfolio was Flash-based, and I’m no Flash wizard, it was kind of a pain (read as: I needed outside help) to update even just one image in my port, so it stayed pretty much woefully out-of-date.

RC to the Rescue!
Luckily, this turned out to be an easier, and much faster process than I figured it would be, because when you want to get your images on the Web, where do you go? That’s right—-you go to RC Concepcion (the guy who literally wrote the book on the subject). RC got my previous Flash-based portfolio online for me, and I absolutely loved the way it worked—-as long as I was looking at it on my computer. As soon as I looked at it on a mobile device, it….well….it stunk (it swapped the Flash version out for a lame HTML stand-in).

I went to RC and told him the four things I wanted this port to do:

(1) It had to work on iPads and iPhones (so it couldn’t be Flash-based).

(2) I wanted the images to be as large as possible, while still allowing room for links to multiple galleries.

(3) I wanted a portfolio layout where wide images and tall images would get the same amount of attention (if you look at a lot of portfolios you see online, the wide images fill the screen, but then a tall image comes up, and it feels tiny by comparison, and it’s centered on the screen and surrounded by either gray or black.

(4) It had to load faster than my old Flash portfolio, which made you wait while each image loaded one-by-one (it even had its own status bar), which was another big downside of the old one.

I went with a horizontally scrolling layout, with no thumbnails
You can see in the layout below how vertical and horizontal images are side-by-side at the same height, so the tall images don’t wind up all alone, centered on a page and looking really small.

But there’s another big benefit to this horizontally scrolling layout (as you’ll see below).

Panos rock with this layout
I shoot a decent amount of panos, and I use my Cinematic Style Cropping technique on images, and these look really great in this horizontally scrolling style (because usually these wind up so small on screen), but if you look at the image above, it’s actually even wider than what you’re seeing, but you just scroll right on over. This I really dig (there’s an image of a Hawaiian Fire Dancer in my People port where this works beautifully to show the entire image at a nice big size). Also, another nice feature is that although you do click and drag the scrollbar to see the images on your computer, on an iPad or iPhone, you just swipe your way through it, which I love.

More Categories
I wanted to separate my Football shots from my other Sports images, so now I have two separate categories (sports and football), but RC also suggested, after seeing the first run-through of my people port, that I should separate People and Fashion into two separate categories, and after looking at it, I agreed, so now they’re separate (although the fashion category technically should be titled “Beauty & Fashion” I’m going to let it go as just Fashion, and it’s the default portfolio that appears when you click the Portfolio link here on the page (or this link right here).

RC’s Design Hits All My Points!
This new port, which RC designed from scratch in Adobe Dreamweaver, does everything I want it to (with one small exception). It’s HTML-based, so it can be seen on any mobile device; it loads much, much faster than my old port, I like the horizontally scrolling layout so tall and wide images both look good, and I like that the image sizes themselves are very large. However, that’s the one area that doesn’t well as well when you view the port on an iPhone. You actually have to “pinch in” to get the port to fit on the tiny screen. Outside of that, I’m very happy with it, and it’s very easy to update with any HTML editor (I just upload the file and change the file name—that’s it. Not a bunch of coding and stuff, which is great for me).

Another benefit is that this new port lets me email a direct link to an individual portfolio, so if I wanted to send someone directly to my Football portfolio, I could send them to http://www.scottkelby.com/portfolio/football/football.htm (whereas in the old portfolio, I could only send them to the main portfolio, and then ask them to click on the Sports link).

This Would Make a Great Online Course
When RC was done (he put the first version together in literally just an afternoon or so), he said, “Do you think showing how to build a vertically-scrolling online portfolio just like this this would made a good class for Kelby Training Online? I told him, “Are you kidding!!!! Absolutely!” so RC’s going to take what he did for me, and show anybody how to quickly and easily create the same type of port for anybody who digs this type of layout, and multi-device compatibility.

Thanks RC!
My thanks to RC for all his help in getting this up (Dude, you so rock!). The bulk of his time was spent rearranging images for me to this morning’s launch. Once he’s done (today) he’s handing the reigns over to me to do my own updating from here on out, and honestly, that’s the way I want it. I don’t want to bother someone each time I want to add, move, and update my port, and being able to instantly do it myself, will almost ensure it gets updated much more often.

You can see the final port yourself by clicking on word “Portfolio” (top left side of my blog here, right under “About Me”), or you can just click this link.

Thursday
May
2011
19

Join Jay “LIVE” for the launch of “Another Day with Jay Maisel

by Scott Kelby  |  34 Comments

Hi Gang: The short video above explains what we’ve got cooked up for you guys (a first for us), but it never says what time it’s all going to happen (because I didn’t exactly know at the time I taped it). But here’s the info:

Time: 6:00 pm EDT on June 6th (but watch the video to find out what makes this difference).

Where: Right Here

We are REALLY excited about this, and the opportunity for everybody to interact with Jay live. Can’t wait! :)

Thursday
May
2011
19

“It’s A SNAPP” Re-Broadcast & Today-Only Deals!

by Brad Moore  |  6 Comments


The Photoshop Guys take a moment during “It’s A SNAPP” to look off to the side of the set and smile at something. Probably just a courtesy smile for something Larry said that he thought was funny ;)

If you weren’t able to catch It’s A SNAPP with The Photoshop Guys last night, you can catch the re-broadcast until 10:00pm Eastern tonight! It’s streaming constantly over at PhotoshopUser.com/SNAPP until then, and goes into the NAPP archives after that. If you’re a NAPP member (and we hope that you’ll become one if you watch the webinar), you’ll be able to watch it any time you want.

While you’re over there, make sure you scroll down the page to check out the killer today-only deals we’re offering!

- Become a NAPP member or renew for a year and you can get a FREE membership to gift to someone else.

- And if you buy a full conference pass for Photoshop World Vegas and get another pass for half price.

All the details, discount codes, and phone numbers (these deals are call-in only) are over at PhotoshopUser.com/SNAPP. Call any time between 8:30am and 7:00pm Eastern to take advantage of these amazing discounts!

Thursday
May
2011
19

It’s Pimpy Thursday!

by Brad Moore  |  11 Comments

Hey gang, Brad here with the latest news from the Kelby world!

Kelby Training Online
Our latest online class comes from German photographer and retouching sensation, Calvin Hollywood! In Quick Composites from Photo to Finish, Calvin shows you how to light and photograph subjects, then put them on a completely different background. The class is getting a lot of love from everyone who’s watched it, so head on over and check it out!

Kelby Training Live
Here are the next few upcoming seminars (click on the links to see ALL the dates we have scheduled)

Light It. Shoot It. Retouch It. Live! Tour with Scott Kelby
June 2 – New York, NY
July 6 – Toronto, ON
July 21 – Calgary, AB
July 22 – Vancouver, BC

Photography & Photoshop CS5: From Focus to Finished with Ben Willmore
May 25 – Washington, DC
June 20 – Milwaukee, WI
June 22 – Nashville, TN

Photoshop CS5 Power User Tour with Dave Cross
May 27 – S. San Francisco, CA
June 6 – Sacramento, CA

Kelby Training App
Have you downloaded the Kelby Training App for your iPad or iPhone? Make sure you check for the update that was just released to fix a few bugs. And if you haven’t downloaded it yet, you can now (for free) and start out with the new and improved version! ;) And if you have any questions, make sure you check out Scott’s post from earlier this week where he has already answered quite a few.

And our buddy Jeff Revell over at Photo Walk Pro just reviewed the app, so check out what he has to say about it!

The Grid
This week’s episode of The Grid is up over at KelbyTV.com! This week, Scott at Matt discuss “The Secret to Making Great Portraits” and “Lightroom vs. Bridge,” plus giveaways!

And if they convince you to give Lightroom a try, head over to B&H to get $100 off through June 4!


The HDR Book from RC Concepcion
Hot off the heels of his hit book, Get Your Photography On The Web, Rafael “RC” Concepcion’s The HDR Book is now available for pre-order! You can place your order with Kelby Training, Amazon, or Barnes & Noble.

Photoshop for Shooters with Moose Peterson
Have you seen Moose Peterson’s Romancing The Landscape classes over at Kelby Training Online? If you liked his post processing lessons, you’ll love his new workshop, Photoshop for Shooters! Join Moose in Mammoth Lakes, CA on July 16 & 17 for a weekend of learning his latest photo finishing secrets. You can find out all the info over at MoosePeterson.com.

Find Scott on Facebook and Twitter
And, lastly, you can always “Like” Scott on at Facebook.com/SKelby and follow on Twitter: @scottkelby.

That’s all I have for today! And don’t forget to take advantage of those today-only deals on NAPP membership and Photoshop World Vegas registration :D

Wednesday
May
2011
18

It’s A SNAPP, TONIGHT!!

by Brad Moore  |  8 Comments

Hey Gang, Brad here with a last-minute reminder that tonight is the SNAPP event with The Photoshop Guys! It’s like the NAPP-a-thon we did last year, but with a different name :)

You can register over at over at PhotoshopUser.com/SNAPP, then tell all your friends, family, and pets to tune in from 8:00-10:00pm tonight for two hours of tutorials, fun stuff, and even some great giveaways like Lexar memory cards!

The main reason for this is to show non-NAPP members what NAPP is all about, so if you love NAPP and want to share it with your friends, let them know to come check out the webinar!

Wednesday
May
2011
18

It’s Guest Blog Wednesday featuring Connor Walberg!

by Brad Moore  |  17 Comments

Shoot Action and Make it Look Exciting!

Hi everyone, and thanks to Scott Kelby and Brad Moore for inviting me to post on the Kelby Blog.  This is truly an honor and I’m proud to have my writing alongside such world-class photographers!
—–

Action sports are extremely exciting.  They are fun to watch, play, and shoot!  But how do you get your images to reflect how exciting the sport actually is?

When starting out, a lot of photographers will take images that don’t showcase how extreme or tough the sport is.  And no, this isn’t another action article that says to blur the athlete or they will look too static, I’ve never really agreed with that…  Frozen motion IS cool and the details retain more sharpness.  Blurred images can be great too but there is no need to blur your images to create a sense of motion.

With all types of photography, your angle and lens choice are some of the most important aspects to creating an exciting image.  More extreme angles and wider or longer lenses will create images that showcase how extreme the sport really is.  Take skateboarding for example.  A standard ollie (popping the board up into the air) will look LAME if shot from eye level with a 35mm lens.  The athlete simply can’t pop the board up high enough, and normal angles like this will lack excitement since it’s a “NORMAL” angle, see what I’m getting at here??

Now take the same shot, of the same ollie, and lower the camera to the ground with a wide-angle lens.  This makes the trick feel BIGGER, and the wide angle adds a certain degree of distortion to the image that will provide a look that you couldn’t see through your own eyes.  This makes the image way more exciting!  Flip through any skate magazine and you’ll see how many images are shot wide or with a fisheye.  They do this for a reason.

My advice?  Go low and wide, go high and wide, go far and zoomed, go far and wide, go far and high, or far and low.  Any combination of angles that are out of the ordinary will boost the image’s appeal.  If you can find higher ground to take the shot, head for it, or bring a ladder!  If you can get right under a feature or right up next to the athlete, get in close and go wide!  Think out of the box.  Frame the shot with trees, or a cool net, do absolutely anything to make your image different from everyone else’s.

Action sports generally take place in cool and unique locations.  Show these locations in your images!  Sure, a photo of a skier going off a big cliff will always be impressive.  But take the same shot at a different angle to show the incredible mountain range in the background, and prepare for an eye-popping, jaw-dropping, heart-pounding image that really shows the lifestyle and just how extreme the athlete is!

With all images it’s important to try and tell the story.  There can be mystery to the image but you’ll want the viewer to at least have an idea of what is happening.  If the sport involves an air-born trick, include the landing, takeoff, or both to show the viewer what’s happening.  “Guy in the Sky” shots went out in the 80’s and aren’t coming back….  This is because the location never applies to a guy in the sky shot and anyone could take the same shot anywhere.  Be different.

Here’s a secret that will make your work even more awesome and different…  Shoot with flash!  And no, I’m not telling you to put a shiny gold grill over your teeth while you shoot along with your favorite gold chain.  I’m talking about the kind of flash that pops more light into the image.  Fill flash will make your images more unique than the majority of photographers.  Flash is the advantage that will take your work to the next level.  It’s also an important component for those low and wide shots since the sun will be above the athlete casting them in shadows.

Try shooting with a remote flash to really spice things up.  This will add more depth and dimension to the image, rendering it even cooler!  And with the new PocketWizard remotes, there’s no reason not to shoot remote since you can now push high sync speeds.  Using HyperSync I’ve been getting 1/1600th to 1/2000th sync speeds making for perfectly sharp and brilliantly lit images.

Strive to find the best angles you can that showcase the environment along with the feature, to create great action images.  Mix in a flash, and you’ll be on your way to becoming a top-notch action sports photographer!  Put that mouse down, get out there, and make incredible images.

Connor Walberg is a 23 year old professional photographer specializing in action photography, including skiing, snowboarding, mountain biking, and skateboarding.  His work has been published in several major publications around the world and is sold through Getty Images.  His sponsors include: Lensbaby, LumiQuest, and Datacolor.

You can learn more about shooting all types of action at ActionPhotoSchool.com, and view Connor’s work at CNWPhoto.com

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