Monday
Apr
2012
09

My Short, But Intense, Hockey Shooting Season

by Scott Kelby  |  37 Comments

(Above: It was an amazing mid-air catch by Lightning goalie Sebastien Carbon — now if I could just get the crowd to react on cue). ;-)

It Was Eight-Game Crash Course and I Loved Every Minute!
Regular readers of the blog will remember my post from February 3rd called “My First NHL Hockey Shoot…and It Sure Looked Like It” (link) and in that post I mentioned that I actually registered the domain “IsuckatshootingIceHockey.com” (you could tell I was new at this, since I didn’t know at that time you just call it “hockey” and not “Ice Hockey.” Noob!).

(Above: I was disappointed there weren’t more fights. I always figured there would be more fights than playing time, but as it turns out, they play quite a bit. Luckily, by the end of the season, the helmets were coming off, fists were flying more often —- the crowd loves it — I love it!!!!).

(Above: Ahhh, nothing like the smell of crushed ice in the morning. Well, that’s what time I got home after the game some nights).

After Shooting My First Game, I was Hooked
I wasn’t sure how I was going to like shooting hockey. Everybody had warned me that it was the hardest of all team sports to shoot, and I heard stories of shooting in very crowded conditions with a tiny hole in the glass (made even smaller recently by the NHL to protect fans and photographers), and the action moves so fast at ice level that it’s a real challenge to get anything decent. I agree with all of those statements for sure.

Plus, the other shooters at the arena had me good and freaked out about from the start about getting hit with the puck or getting knocked on my butt when two players crash against the boards in front of me (both of which almost happened on numerous occasions). But after I shot my first game — I was hooked. I stunk at it, but I felt like I could get better, so I really wanted to stick with it (which was lucky, because the wire service I was shooting for had already assigned me to two more games).

(Above: OK, it took me a bunch of games to finally get a decent shot with the puck just coming off the stick).

(Above: This shot, taken during my four game shooting, was a breakthrough for me as it was chosen by Zuma Press as one of their “Photos of the Day” and they look at images from tons of different wire services, so when I saw someone mention on Twitter that my shot was on there, I was just about doing backflips).

The Dance Continues
So I kept going back for more, which led to my post here called “My painful dance shooting Hockey continue.” Here’s the link. I only posted one static shot from the game. That’s how badly I felt I did. I still had to turn in at least 15 to 20 shots for the wire service, which I did, but I was not thrilled with my uploads (and I’m sure they weren’t either, but thankfully since they knew I was new, they let me keep shooting. After all — that’s the only way I was going to get any better, right?).

(Above: Depending on my shooting position [assigned by the team photographer], I could either just shoot at the goalie [up to the blue line], or that and down to the opposing goal, but you always had a pretty clear view of the goal in front of you).

Call for Help
After struggling for a few games, I realized it was time to call my buddy, and sports photography genius, Dave Black for some help, and man did he help. First, he told me to get decent shots you really need to understand the game, and until I got to that point, I was going to struggle along. Luckily, for the first time in my life, I was really starting to enjoy hockey. In fact, I was becoming a fan. I was learning who the players are, and I sat down and learned the rules of Ice Hockey, and I started to get a feel for where things were going a bit. I didn’t have it “down” by any means, but at least a little flame started to flicker.

Dave told me to spend the first period shooting from an upper deck with a 200-400mm lens — instead of down at ice level with closer glass — and this would do three things:

(1) It would give me a chance to get some decent shots, since you can shoot freely from up on the mezzanine without having to worry about a hole in the glass, since you’re shooting above it.

(2) You won’t miss any shots because it’s like shooting fish in a barrel up there. It’s actually easy because the game moves much slower from that vantage point. And…

(3) Then in the 2nd and 3rd periods, when I moved down to the ice level, it would actually seem slower to me and I’d be able to follow the action and puck better, and doggone if he wasn’t right.

The only problem? The shots from above the glass, from the mezzanine level, just aren’t dynamic. You cover the action, but that angle doesn’t give you the impact from shooting at ice level, which is why everybody wants to shoot from ice level. However, AP shooter Mike Carson gave me great advice that night. He said the mezzanine is great for shooting overtime  — when you have to get that game-winning goal — because up there — you WILL get it. It may not be as dynamic, but if they need the shot of the winning goal —- you’ll be the guy that has it.

I wrote about this (with some behind-the-scenes photo) in a post called “The Challenge of Shooting Hockey (and a Progress Report). Here’s the link. 

(Above: Where’ the puck? Read below).

Making Slow but Steady Progress
Luckily, the guys who shoot this stuff all the time, including Team Photographer Scott Audette, were really friendly and they actually tried to help me along. They knew I was “the new guy” and although they teased me for it, they were also helpful and tried to find me decent shooting positions, and they gave me tips along the way that helped a lot.

One night, between periods, I went over to Scott Audette and just straight up asked him for some shooting tips. He is an absolutely incredible hockey photographer (he’s been at it for years, and I know a lot of guys have been at it for years, but his stuff in just insane). He was happy to help, and he had some really great tips for me about what type of shots to be looking out for, and he told me to look at the NHL shots that get published, and to look at how many don’t have the puck in the shot. He was right. That really surprised me, but it also helped me improve what I was sending to the wire service (in most other sports, if the “ball” isn’t in the shot, it’s generally not a good shot).

(Above: After talking to Scott I realized that you can only have so many shots of the puck in the back of the goal, so I started going for the player’s reaction after the goal. Not just the celebration (upper left), but the anguish as well (far right), and sometimes you get all three — puck, celebration and anguish all-in-one).

It was a dark and stormy night….
OK, it was neither, on the way home I always call my wife and give her progress report on how it went that night, and God bless her you know she probably couldn’t really give a rat’s butt, but she listens dutifully, and gives me lots of encouragement, and that night, after my sixth game, I told her, “Honey, tonight I made a big leap. I didn’t get any spectacular shots or anything, but it was the first time I actually felt comfortable shooting hockey. I felt like I was finally moving in the right direction, and I was comfortable with my settings, and my white balance, and my lens selection, and my shooting position, and by golly it was starting to come together at least a bit for me.” She seemed genuinely happy for me (which is just one of the thousand things that make her the woman of my dreams, but that’s for a different post).

Only Two Games Left In The Season
Time was running out on the season, and with Photoshop World and some other commitments, I had to miss a number of home games, so I was only able to shoot the final two home games of the season. But, I had very good shooting positions for both games (to me, that means a position where I can shoot “down ice” to the other goal with my 300mm with a f/1.4 tele-extender on it, and being able to shoot the goal I’m in front of as well).

Now that I was starting to get comfortable, I have to say that during those last two games I had the most fun I’d had since the first game, and I was enjoying the sport itself (and getting to know the players) more than I ever expected to, as I moved from shooter to hockey fan. I was screaming and cheering a few times when I should have been shooting, which is a peril of being a fan at the game you’re shooting. It happens to me a Bucs and Bears NFL games all the time.

(Above: Nice save off the stick….but I’m a Lightning fan, so….)

I Didn’t Realize What I Had
One thing I realized after four or five games was that the Scott Audette, the team photographer) pretty much shoots from the same shooting position for every game, so it must be a really good location, and of course, it is. The thing I didn’t realize was how good it was when he gave me that position the very first time I shot hockey. Here I was on my blog, complaining about shooting in this little hole, and how restricted my movement was, not knowing that the team photographer had given up his shooting position for me. Thanks Scott, and I’m sorry I whined at all (you don’t know, what you don’t know, right?).

(Above: I’d be praying too — but I think it was a thankful prayer, because Lightning Goalie Dwayne Roloson had an amazing night, and was MVP of the game. It was an amazing thing to watch, and he was right in front of my shooting position).

In the end…
I have a LONG way to go with shooting hockey. Eight games just begin to scratch the surface of what it takes to get really good at shooting hockey, and that is driven home right after every game, when I go into the office where the shooters hang out before and after the game. It’s Scott Audette’s office, and his assistant (also named Scott), is already uploading Scott Audette’s images to the league, and I see them nice and big on Scott’s 30″ display, and it always sends me out of there knowing how far I have yet to go.

There’s a lot to learn about shooting this sport
Everything they warned me about was true, and everything they promised (that I would love it), was right on the money. I got help along the way from Dave Black, Bob Dechiara (who regularly shoots the Boston Bruins, and helped me out quite a bit from the start), and of course to Scott Audette and his crew (Scott and Vinny). I’m very thankful to them for “letting me live” and for giving me great opportunities to learn.

I hope to get some hockey assignments next season, so my somewhat less painful dance with shooting hockey can continue. GO BOLTS!!!!! :)

Friday
Apr
2012
06

Some are calling it our best episode of “The Grid” ever!

by Scott Kelby  |  79 Comments

I’m not sure if it’s the best, but based on the feedback we’ve been getting,it certainly may be one of our most helpful ever.

Wednesday’s “Reverse Critiques” were a bigger hit than any of us imagined, and I think it’s been one of the best learning techniques for photographers we’ve even shown on the show, because seeing these images side-by-side visually brings it home in a way that really struck a chord with people.

We also kick things off with “The Five Images You Should NEVER Have In Your Portfolio” and exactly why.

I really hope you enjoy it, and get something out of it you can use in your own photography. And best of all — you can watch the show right here. :-)

Friday
Apr
2012
06

This Weekend Only Deal from Metal Murals – 51% Off!!

by Brad Moore  |  13 Comments

Today through Sunday only, get a 24″x36″ Metal Mural, plus an extra 12″ square and free shipping* for only $98.00 (that’s 51% off)!!

Always included with your Metal Mural is your wall mounting hardware (metal rod, c-hooks for connecting your tiles and hardware to mount to your wall).

Feeling a little more creative? Buy the deal twice and make a 36×48″ mural!

*Continental US only. Worldwide shipping for an additional fee. 24”x36” mural created with 12” panels. Purchase up to a maximum of 16 offers.

NOTE: Scott here (crashing in on Brad’s post). I’ve had some of my images done by Metal Murals, and they really look amazing. One of my favorite travel shots from Venice is hanging on the set where Nancy sits on “The Grid” and it takes up like a whole wall and people always comment on it when they visit the set, because it’s such a interesting way to show you work. Highly recommended (they do a great job), and you will totally dig the results. Thanks to Metal Mural’s for offering this deal for my readers!

 

Thursday
Apr
2012
05

Lightroom 4 Book for Photographers Available for Pre-Order!

by Brad Moore  |  17 Comments

Hey gang, Brad Moore here to let you know that Scott Kelby’s brand new Lightroom 4 Book for Digital Photographers is available for pre-order!

In Scott’s latest book, he explains all the latest updates and features to Lightroom 4 in his easy-going, conversational style, just like if you were sitting down with him one-on-one.

Reserve your copy from Amazon or Barnes and Noble today!

Thursday
Apr
2012
05

It’s Free Stuff Thursday!

by Brad Moore  |  193 Comments

Light It. Shoot It. Retouch It. LIVE! London
That’s right, the final seminar of this tour is happening on April 28 in Islington, London, UK! We’ve had a lot of fun with this tour over the past year, and we can’t wait to see all of you English chaps in a few weeks. You can sign up over at KelbyTraining.com, or leave a comment for your chance to win one of two tickets.

Digital Photography Library
Ready for another contest? We’re offering up the complete Scott Kelby Digital Photography Library – Books 1, 2, 3, and 4 plus a slipcase. This set includes 800 “tricks of the trade” so it’s like having a miniature Scott Kelby right there in your camera bag.

Leave a comment and we’ll randomly draw for a winner before the next edition of Free Stuff Thursday. As always, if you don’t win it – you can buy it at the KelbyTraining.com bookstore. And for those of you who already have books 1, 2, and 3 — you can pick up the slipcase and book 4 to complete your set.

The iPhone Book, Fifth Edition
For all of you iPhone 4S users out there, here’s a rare treat. Scott’s giving you a chapter from his latest title, The iPhone Book – Fifth Edition. Click here to download Chapter 3 – FREE! And if you like what you see, leave a comment for your chance to win one free copy, or you can order the book here!

Tom Bol Webinar
Adventure sports photographer (and Kelby Training instructor) Tom Bol is doing a free webinar for the Manfrotto School of Xcellence on Tuesday, April 10! Tom will be talking about the gear and lighting he uses, and planning that goes into a successful on-location adventure sports shoot. Head on over and sign  up for this webinar to reserve your spot!

Pre-Order Shooter by Stacy Pearsall
Our friend Stacy Pearsall’s upcoming book Shooter is now available for pre-order! Stacy is a two-time Military Photographer of the Year, and this book is her account of the years she spent documenting the life of war. Scott Bourne has a great post about Stacy over at PhotoFocus.com you should check out to find out more about her. You can reserve your copy from Amazon or Barnes and Noble today, and see her work right here.

Moose Peterson’s BT Journal for iPad
Our buddy Moose Peterson’s beautiful magazine, the BT Journal, is now available on the iPad! Not only does it feature Moose’s unique imagery, but his insights into the world of wildlife photography and the business of photography. A must-read for anyone who is interested in wildlife photography (or just loves seeing Moose’s amazing work)!

Last Week’s Winners
Here are the lucky winners of last week’s giveaways:

David Ziser’s Captured By The Light DVD
- KC
- The Digital Doc
- James Haverstock

Matt Kloskowski’s Lightroom 4 Seminar
- Kristina Jacob

Scott Kelby’s London Seminar
- Ana

Congratulations, and we’ll be in touch soon!

Wednesday
Apr
2012
04

It’s Guest Blog Wednesday featuring Jerry Ghionis!

by Brad Moore  |  15 Comments

Success in wedding photography and especially in performing on the wedding day is more about your communication skills and your listening skills and knowing how to read people.  That will go a long way in making you a great photographer rather than focusing on how technically brilliant you are. The ability to have an endearing and attractive personality and the ability to work under pressure while still being technically proficient is especially important.  You almost need to be like a chameleon. In the sense that you need to know how to be relaxed and more down to earth at a casual wedding and at the same time be able to carry yourself professionally when you’re at a high society wedding.

I also believe that assisting at weddings is the best training for any photographer. At the very first wedding that I assisted, I probably learned more than in all of the time I spent in school.  And that was because I was getting on the job, real world training.  At that first wedding I was taught about the direction of light, how to use flash, interacting with clients, working under pressure, working under time constraints.

I literally just carried bags and assisted a photographer for a year and half with no pay while I was working at a camera store selling cameras.  I did all of that just so I could be involved in the industry.  And that’s because when you’re photographing a wedding, you’re actually shooting much more than that. You’re shooting a wedding, portraits and fashion, you’re shooting photojournalistically, shooting product (all the details that you need to document), landscape, etc.

So you’re photographing in all these different genres and under time constraints, weather constraints, different cultures and dealing with different personalities, so I truly believe that a really good wedding photographer can pretty much shoot in any genre.  Artistically, don’t be safe or stay in your comfort zone by going to “pose number 23 in location number 37”.  Comfort zones have never been synonymous with artistic expression.

I encourage new photographers to be as passionate about their business as they are about their photography. Consider yourself a businessperson first who happens to be a photographer.  As a business owner ask yourself, “Am I working in my business or on my business?”  Surround yourself with great people – your studio is only four walls without good staff. Stop being a control freak and get some help.  Educate yourself.  Seminar and workshops can literally change your life.  After all, knowledge is power.  Don’t be too precious about the work.

When it comes to marketing your new business, you should work on marketing that costs you nothing by first asking your clients and vendors for referrals and maximizing relationships with people who can help you.  Also, try a same day slide show at the reception.  It’s the best direct marketing you will ever do and you can also charge good money for it. If you are going to invest in advertising, don’t think about the advertising dollars you are parting with and think instead about the return. Whenever an advertising opportunity presents itself ask yourself, “Is there a better way I can spend this money?” And finally, don’t forget to consider yourself a brand.  Build it and they will come.

One of my favorite mantras has always been that I don’t focus on being the best; I just focus on being better than last week.  I believe this is one of the keys to being successful and consistently creating beautiful images.  By doing that, you become the best that you can be – you realize your own potential.

You can see more of Jerry’s work at JerryGhionis.com, keep up with him on his blog, find him on Facebook, and follow him on Twitter.

Page 122 of 482« First...102030...120121122123124...130140150...Last »
Advertisement