Monday
Mar
2011
14

10 Days From Today: It’s You. It’s Me. We’re in Boston!

by Scott Kelby  |  10 Comments

I’ll be in Boston a week from this Thursday (March 24th) kicking off my new “Light it, Shoot it, Retouch It Live!” tour. Hundreds of photographers are already signed up and I want to make sure you’re there, so go snag a seat right now (here’s the link), and spend the day with me seeing the entire process—from the lighting to the shooting, to all the post processing and portrait retouching in Photoshop. You see it all, unfolding live, and I don’t leave anything out.

You get a detailed workbook (shown above) covering all the stuff I’m showing in class (in the same order I’m doing it, so you can follow right along), plus, we offer a 100% money back guarantee if for any reason you think it doesn’t totally kick butt and make you want to run home and try all these new techniques yourself (which by the way, puts a ton of pressure on me, but that’s OK—I’ll have Brad there to create a diversion).

I hope I get to meet you in person in Boston in just 10 days! I am totally psyched!!!! See you there!

Friday
Mar
2011
11

Speaking at the Southwestern Photojournalism Conference

by Scott Kelby  |  35 Comments

Last weekend, I was very fortunate to get to speak at the Southwestern Photojournalism Conference in Ft. Worth Texas, and I have to say—I had an outstanding time. I met so many great people, plus I got to share the stage with two photographers I consider to be among the best: Bill Fortney and Jeremy Cowart. (Photo above by Stanley Leary)


An Amazing Opportunity for Students
They offer a student conference the day before, aimed at College students, and what a great program they put together. I went early to be a part of the Student Conference, and along with instructor Bill Bangham (heck of a nice guy) we took a group of five students to the Stockyard area of downtown Ft. Worth for a 2 hour photo walk. I had been to the Stockyards 10 years ago, without a camera, so it was fun to get to finally shoot it (some of my shots from the photo walk are shown in the Lightroom Grid above, and below—click on them for a much larger view). Our students were awesome, and I enjoyed getting the chance to teach one of the students how to shoot her first HDR photo.

I started the Photo Walk just kind of shooting anything, and then with only about 20 minutes left, I decided to give myself a practice assignment of shooting as if I was shooting for the Ft. Worth Visitor’s Bureau, trying to get images that capture the flavor of the Stockyards. I didn’t have enough shots of people at that point, but having a goal, an assignment like that, actually made that last 20 minutes more fun (and it made it absolutely fly by).

Here’s an HDR shot (above) taken inside a wonderful little boot shop we came across called the “Ponder boot company.” Amazing place, and the owners were kind enough to let our students shoot there as long as they liked. The image was processed using Photoshop CS5′s built-in HDR Pro, and then I hit it with the Tonal Contrast preset found in Nik Software’s Color Efex 3.0.

After we got back, we worked on the post processing for a few hours, and the students edited the photos down to just a few they would display to the entire group during the full conference. I got to spend some one-on-one time with the students in my group helping them with the post processing, and it was so cool to see them getting into it like they did. I was really glad I came a day early.

(Above: That’s Bill Bangham in the Ponder Boot Company store).

The Business Side of Things
On Friday night I did a presentation on the state of our industry, and what we can do to stay competitive, get an edge, and keep working in an industry with greatly increased competition and clients with very tight budgets. The crowd was really receptive, and I had lots of questions afterward.

Photoshop Time
On Saturday morning, I did a class on my current “Photoshop Seven Point System” for CS5 and we had a ball. What a terrific crowd to present to. Afterward I did a few one-on-one portfolio reviews (as seen above. (Photo above by Stanley Leary ), and before I knew it, I was on my way to the airport for my flight back home.

(Above: This shot was taken at our lunch stop—The Love Shack (Love baby, that’s where it’s at). Awesome place. Great live music, even at lunchtime).

I Was Really Impressed
The conference is coordinated by the Southern Baptist Photojournalists, with support from Christians in Photojournalism, and it was hosted at a beautiful conference center on the campus of the Southwestern Baptist Theological Seminary, and I have to say, they absolutely put on a first class event. What a great job they’ve done bringing all these people together for such a great learning experience. I met so many really wonderful, really passionate instructors and participants, and I totally see why they get people like Bill and Jeremy (and past instructors like Joe McNally). Highly recommended. Here’s a link to their site in case you want to mark your calendars for next year.

I want to thank my friend and photo assistant Brad Moore for getting me involved in this event (Brad has been going to this conference for years now, and he was there this year as well). Also my personal  thanks to the SWPJC conference team: Stan Leary, Matt Miller, Morris Abernathy, Bill Bangham, Bob Carey and especially Jim Veneman for letting me be a part of their very special event.

P.S. Ashley Landis, one of the students at the conference, posted some B&W shots on her blog of me teaching which I actually like, which is saying somethin’ right there, because as you might already know, I pretty much hate all photos of me. Here’s the link.

Friday
Mar
2011
11

Some of My Favorite Photos From Photoshop World’s Past

by Scott Kelby  |  26 Comments

We’re gearing up for Photoshop World in Orlando, Florida at the end of this month, and so I thought I’d share some of my favorite photos from previous Photoshop Worlds to get you pumped up for the show. These were taken by Brad Moore, Alan Hess, Drew Gurian, and Josh Bradley. Oh, and one was taken by RC with my iPhone. :)

Above: This one is from the opening keynote in Boston a few years back, when we had a boxing theme, using the slogan “Photoshop World: The Main Event.” Our stage was a real boxing ring (seen far right), and we seated the keynote crowd “in the round.” It was a knockout (Sorry, I couldn’t help myself).

Above: This is from last year in Vegas. That’s Adobe VP John Loiacono (better known as “Johnny L”) with two fake Secret Service agents who escorted Johnny to the stage after being introduced by President Obama live via Satellite from the White House. Well, it sure looked like the President. (Insider note: that’s PhotoWalkPro’s Jeff Revell on the left).

Above: A shot of Ben Willmore, complete with freshly sculpted mohawk, during one of his classes. Just another reason you should be careful when you attend Burning Man the week before Photoshop World.

Above: This is Vanelli, the Photoshop World official “Mascot, Cuddly Bear, and Killing Machine”  all wrapped into one, with his crew. Yes, he has he own “crew.” I have no idea why. But I’ll tell you this—nobody messes with Vanelli’s crew. Also, notice it’s mostly women. Total coincidence.

Above: This is the crowd giving a standing ovation to Julie Stephenson, the conference director, who totally rocks! Hey, that’s my friend Janine Smith in the front row in the blue shirt. Hi Janine. (She can’t hear me, can she? Rats).

Above: I hate 99.4% of all pictures of me, but for some reason Alan Hess has taken some of my all time favorites, and this is one of them. That’s me playing the Fender Telecaster I got for Christmas that year during the Live Concert Photography Pre-Conference workshop, alongside NAPP’s Creative Director (and excellent bass player) Felix Nelson. That’s my buddy, drummer Scott Stahley, lit up in the back. With light. Not liquor. Well, as far as I know.

Above: It’s “The Photoshop Guys” taping an intro for a live-at-the-show episode of Photoshop User TV. That’s Adam Rohrmann with the camera, known as “The Powerful Overlord of the Steadicam,” but he’s also a talented director, kick-butt video editor, and despite 6 arrests, he’s never been convicted, which I think speaks volumes.

Above: Adobe’s Allison Goffman at the Adobe booth doing that thing she does. The guy with her is either a participant or an Adobe employee who forget to wear his black tradeshow shirt.

Above: This is Joe Glyda and one of the participants during our one-one-one portfolio reviews. I overheard him saying, “This is much better than anything Scott Kelby could do,” which is precisely why Joe was fired from Photoshop World (kidding, Joe’s still here, and will be teaching in Orlando).

Above: Here’s Adobe CEO Shantanu Narayen during the opening Keynote at Photoshop World. The crowd was really psyched to see him in person.

Above: RC during one of his sessions on the conference track. I remember what he was saying when this photo was taken. It was something along the lines of “Why is it when you’re playing Call of Duty: Black Ops, you only get one Claymore. Back in Call of Duty: Modern Warfare, if you had the Scavenger Perk, you could pick up extra claymores off of fallen enemies, but now in Black Ops you can’t.” I’m pretty sure that’s what he was saying.

Above: I love this shot (another Alan Hess shot) of us rehearsing before the keynote doors opened. We’re behind the curtain that’s going to drop in just 30 minutes (Kabuki style), and this is right before we got in costume for our KISS parody. That’s Tony with his back to the camera. me on the left, Felix facing us, Stage Director Rod Harlan with the headset standing in front of us. Jason Scrivner on top of the drum riser with a mini HD cam, and Scott Stahley back there on the drums.

Above: Photographer Jim DiVitale during one of his sessions on lighting for commercial product photography. Jim has been teaching at Photoshop World for 10 years, and the participants love him!

Above: David Ziser and his class shooting a bride during his “Wedding Photography” pre-conference workshop, which has been sold out in advance at every Photoshop World ever (including, this coming one in Orlando).

Above: Here’s a shot from last year’s KISS parody opening keynote extravaganza. We all have custom make-up based on different Photoshop tools, which was what the opening “VH-1 Where Are They Now?” parody video was all about. We even got the original narrator from the TV series to do the narration for our movie. It rocked. Literally. That’s me in the center. Stop snickering.

Above: Johnny L, a few years back, on stage during the opening keynote. Adobe usually gives the crowd a sneak-peek at some upcoming unreleased Photoshop technology, so the crowds at Photoshop World literally see it first!

Above: I always really liked this shot of Dan Margulis, lit by his laptop. Dan is an outspoken authority on color, and the father of modern color correction using Photoshop, but beyond his brilliance as an educator, he’s a very, very nice guy. Unless you’re talking about Curves. Then he’s like “The Emperor.”

Above: This is from our football-halftime show themed opening keynote a couple of years ago. Matt only looks this happy because he didn’t have to sing or dance in the keynote.

Above: NAPP’s Executive Director Larry Becker during the presentation of the Guru Awards competition last year during the opening keynote.

Above: The crowd gets ready for the opening keynote.

Above: Here’s the other shot of me that I can actually tolerate. That’s me and Felix again, also during the Concert Pre-con, but from the previous year (I can tell, because I was playing my white Fender Strat).

Above: You can’t help but do a little chimping during the keynote.

Above: My good friend Terry White on stage during the keynote, showing off some new Adobe technology.

Above: My Blue Strat, the one that lives in my office at work, makes its debut at Vega’s House of Blues, during a set with Big Electric Cat. By the way—I keep the volume on my amp way down at work most of the time, but every once in a while, I do crank it up for like 30-seconds (usually for a Bon Jovi song).

Above: Wes Maggio on stage at the Wacom booth on the Expo floor. Remember, if you can’t attend the full conference, you can still come and check out the Expo. Lots of vendors, demos, and free classes.

Above: The iPhone low light photo quality is sketchy, but this is one of my most memorable shots—meeting Ali Rajabi, an Iranian Photoshop expert and educator, who was able to come to Photoshop World last year, and made friends every where he went. It took a lot of work for him to get to the conference, and he made the most of every minute.

Above: Help Desk guru Peter Bauer, answering Photoshop questions one-on-one at our Help Desk live—-open to all participants during the full conference.

Above: Joe Glyda during his class on lighting food, pointing to a bug. Kidding. The bug part—it was from his class, but it was on lighting bugs. I should stop now.

Above: Anytime you get Matt dancing and singing on stage, it’s bound to be a party. This was our Motown theme, and right before we’re going on stage to sing and dance to a medley of Photoshop hits, Matt looks at me and says, “Dude, how did you get me into this?” Sorry Matt. Now dance!

Above: Westcott stole the show in Vegas with multiple shooting booth set-up where attendees could come up and shoot really cool sets, with professional models, and it had everybody buzzing. They’re doing it again in Orlando, and they’re taking it up a notch. One of the most popular and creative things ever on our show floor. (If you’re coming to Orlando, make sure you bring your camera).

Above: This is me doing a quick shoot in Part 2 of my portrait retouching class last year. I shot the model, and then did the start-to-finish retouch live in the class. This year, I’ve got an all-new retouching class based in part on my new retouching book, which will be released at the show.

More to Come Soon!
There are actually a lot more photos to share, but I realized that this is getting close to the world’s longest blog post, so I’m going to cut it at this point, but I’ll be sure to share a whole bunch more in April, right after the convention.

I hope you get to come to Orlando. I promise you—it will be a career-changing, head-buzzing, fun-filled, Photoshop and photography love fest, and you don’t want to miss it. Here’s the link if you want to join us for the biggest Photoshop event in the world.


Thursday
Mar
2011
10

RC Book Interview Video

by Scott Kelby  |  13 Comments

Hey gang, Brad here with this week’s pimpy stuff! Here is a short 4-minute video with Scott Kelby and RC Concepcion talking about RC’s new book Get Your Photography On The Web.

Also make sure you check out the hour-long webcast they did just a couple of days ago over at KelbyTraining.com!

More news coming right up…

Thursday
Mar
2011
10

Pimpy Thursday

by Brad Moore  |  18 Comments

KT Online
Have you seen the latest classes from adventure sports photographer Tom Bol? Check out the teaser video above for a glimpse of what you’re missing if you haven’t!

Photoshop World Orlando
There are still a few spots left in some of the pre-conference workshops! Check out…
Photoshop For Beginners with Lesa Snider
Art of Contemporary Painting CS5 with Fay Sirkis
HDR Crash Course with Matt Kloskowski

The cutoff date for the Rosen Centre Hotel has passed, but go ahead and call to see if there’s still anything available at the special rate before booking at another hotel. Why? It’s very conveniently located right across the street from the conference center, and it’s where the instructors stay!

Want a chance to have one of your images SUPER SIZED and showcased at the conference? Check out Russell Brown’s EXTREME Print Challenge!  Not only will your image be showcased, but Adobe is throwing in some other goodies as well. Deadline is March 18, so hurry!

And don’t forget to upgrade to the Photoshop World Pro Pass and snag an After Hours Party ticket when you’re registering!

Kelby Training Live
Dave Cross is coming to Arlington, TX on March 18 and Phoenix, AZ on March 21 with the Photoshop CS5 Power User Tour.

Ben Willmore is bringing the Photography & Photoshop CS5: From Focus to Finished Tour to Los Angeles, CA on March 23 and Atlanta, GA on March 25.

And Scott Kelby’s brand new Light It. Shoot It. Retouch It. LIVE! Tour kicks off in Boston, MA on March 24!

All info on these and other tours can be found over at KelbyTrainingLive.com

Project New Orleans
If you’re interested in working for nonprofits, check out the Project New Orleans Workshop in New Orleans, hosted by Momenta Workshops!

Every year, Momenta Workshops hosts the Project New Orleans workshop, which trains photojournalists and multimedia producers to work with nonprofits. The workshop is only five days long, April 6-10, and includes photographers from around the country. It’s a great way for photographers to give back to the community with their work while also helping to build a portfolio of nonprofit based projects for their professional work. Plus, it’s a great time and a great opportunity for networking. They also offer discounts to students, professional photographers and military photographers.

All the details can be found right here.

That’s it for today! Have a great Thursday :)

Wednesday
Mar
2011
09

It’s Guest Blog Wednesday featuring Laurie Excell!

by Brad Moore  |  57 Comments

First off I would like to thank Scott (and Brad) for inviting me back as a guest blogger.  It was an honor the first time and it’s an even greater honor to have another opportunity to be here again.

Before we get started, here’s a little bit about me…

I am a professional wildlife and nature photographer. My images have been published in Outdoor Photographer, Outdoor Photography (UK), Photoshop User, Elements Techniques, and Layers magazines. My work also appears regularly on Audubon calendars and National Park Service postcards, calendars, and posters. I lead popular wildlife photography adventures in North America.  I am also a moderator for the Nikon Digital Learning Center on flickr. Prior to working as a professional photographer, I spent more than two decades in photographic sales, helping pros and hobbyists decide which equipment suited their particular needs.

In the book Outliers, Malcolm Gladwell examines the factors that contribute to the making of highly successful people in many fields.  There are the genetic and the geographic factors but it’s the 10,000 hour rule which states that “A person must put in 10,000 hours of work on some skill to become not only proficient at but, in the top of their field.” That got my attention.  If you do the math that’s 250 weeks at 40 hours per week, factor in a two- week vacation and that’s five years working full time to become proficient at any one thing. Thinking along those lines led me to ponder the four stages of consciousness known as the Conscious Competence Ladder.  If it takes 10,000 hours to become proficient at one thing, what are the stages along the way that track our progression?

Unconscious Incompetence (You Don’t Know that You Don’t Know): At this level you are blissfully ignorant: You have a complete lack of knowledge and skills in the subject in question. On top of this, you are unaware of this lack of skill, and your confidence may therefore far exceed your abilities.1

I traded in my accordion for my fist SLR when I was ten years old.  My dad handed me one of his Pentax Spotmatic cameras with a 50mm f/1.4 lens attached.  I stood there looking at my dad and back at the camera, at my dad, the camera, dad, camera, dad… now what!  Little did I know at the time that the hobby I was about to embark upon would take me on a journey that would shape my life and career.

I didn’t have a clue what to do with this object in my hands. I was an Unconscious Incompetent.  I didn’t realize just how little I knew about the workings of my new camera.  I knew that it made photographs but I had no idea what dials to turn, what buttons to push, what was involved in adjusting the camera so that an image would be made.  Not just any image but an image that was composed and exposed properly.  One that represented my experience at the moment I clicked the shutter; an image that took your breath away when you looked at it, one that brought the scents, the sounds even the taste of the moment flooding back.  An image that transports your viewer to that precise time and place at the moment you clicked the shutter…

How did my dad get the exposure right every time?  How did my mom make images that captured my imagination, took my breath away with their vibrance and beauty?  It looked pretty simple: aim, focus, center the needle by turning a couple of dials, fire, wait a couple of weeks and when the yellow box arrived from the lab, review all the beautiful images.  But wait, where did those beautiful images go?  And, what was this out of focus,  shaky, underexposed, poorly composed junk that was mounted in little cardboard frames with my name on them?

Even with my first weak attempts, I was captivated.  I couldn’t get enough of this thing called photography.  I saw something, I aimed my camera and viola!, I captured a moment in time with the click of my shutter.  My camera became my constant companion over the years.  I had found a wonderful way of sharing my world with others through my images but, I had a lot to learn about f-stops, shutter speeds, ISO, depth of field, focal length…is your head spinning as fast as mine did at the mere thought of learning it all?

But wait, stop and think about that last sentence, if your head is spinning, you have moved to the next level of Conscious Incompetent!  At this point I knew that I had a lot to learn, that I knew so little about making beautiful images.  I was conscious of my photographic incompetence and was taking steps to become competent.  So, I immersed myself in photography.  I went to my dad for guidance on the technical aspects of photography, I joined the local camera club, I got a part time job in a camera store; I lived, breathed, and slept photography.  It was my life.  Photography opened doors for a shy little girl. As photography editor for my high school yearbook, I was given carte blanche to go where I wanted, when I wanted.  I was right there on the sidelines of the games, I prowled the hallways clicking photos of fellow classmates, I attended many school functions with my trusty Pentax along at all times.  I wasn’t shy when I had my camera in hand.

Conscious Incompetence (You Know that You Don’t Know): At this level you find that there are skills you need to learn, and you may be shocked to discover that there are others who are much more competent than you. As you realize that your ability is limited, your confidence drops. You go through an uncomfortable period as you learn these new skills when others are much more competent and successful than you are.1

Over the years I got better and better as I shot more and more.  With each series of failures, came the few successes that drove me to keep photographing.  I learned what works and what doesn’t by pouring over books and then by trial and error.  I learned about f-stops and their relationship to depth of field…

I also learned the basic differences between the different shutter speeds.  Knowing when to select a fast shutter speed to stop action…

or a slow shutter speed to blur motion…

and the relationship of ISO in the equation.  Low ISO for higher resolution, needs more light, tripod, fast lenses…

Or, high ISO for low light, which results in some noise

Through hard work, determination and a great deal of curiosity, I was progressing from a Conscious Incompetent to a Conscious Competent.

Conscious Competence (You Know that You Know): At this level you acquire the new skills and knowledge. You put your learning into practice and you gain confidence in carrying out the tasks or jobs involved. You are aware of your new skills and work on refining them. You are still concentrating on the performance of these activities, but as you get ever-more practice and experience, these become increasingly automatic.1

I now felt skilled enough to make creative images of my chosen subjects.   I could anticipate behavior and be prepared to capture the peak of action, I knew how to take control of the settings on my camera, how to work the light and create pleasing compositions.  I was constantly aware of my settings and their effect on my images, all the while watching for unusual behavior, combining photographic skills with knowledge of my subject put me in position to capture peak of action…

Unconscious Competence (You Don’t Know that You Know – It Just Seems Easy!): At this level your new skills become habits, and you perform the task without conscious effort and with automatic ease. This is the peak of your confidence and ability.1

After all the years I have invested in bettering my craft I feel that I am at the top of my game when it comes to wildlife and nature photography, I have reached my comfort zone.  And yet, I still have so much to learn.  Each time I pick up my camera it is with the anticipation of what the new day will bring, what wonderful moments will present themselves for me to document for the viewing pleasure of myself and many others who follow my work. At this stage in my career as a wildlife photographer I feel that I am a Subconscious Competent as I don’t feel that I am unconscious when I photograph but rather that I run through the technical functions sub-consciously in the back of my mind while concentrating on my subject rather than worrying about my camera settings.  That doesn’t mean everything I do is perfect but, it does mean that when the action is hot and heavy, I move quickly and naturally through the settings on my camera, selecting the aperture/shutter speed combo that best captures the defining moment.

or the subtle beauty in a scene…

I look forward to each new challenge that presents itself and to improving my skills to best capture a given moment in time so that you, too may enjoy the magical moments in nature that I am fortunate enough to experience…

Where is your photography on the Conscious Competence Ladder?  Are you blissfully unaware of all that you don’t know and happily clicking away?  Or, are you aware of all that you don’t know and frustrated with this lack of knowledge that will take your photography to the next level?  Are you on top of your game and sub-consciously operate your camera to achieve the best exposure for the given situation?  Do you still stop and think the settings through before proceeding?  Wherever you are in the photographic process, remember that it’s the journey, the people we meet along the way and our reaction to life experiences, not the destination that makes us who we are today.

In a few words, share what subjects you like to photograph, where you feel you currently are on the Conscious Competence Ladder and why…

Thanks again for tuning in and following this thread to the end.  Be sure to say hi if you see me in your travels.

LaurieExcell.com/blog
EquipmentLady.com
Snapshots to Great Shots: Composition

1Quoted from the Conscious Competence Ladder at Mindtools

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