Category Archives Photo Shoots

Mornin’ everybody – here’s a few quick things to start your week off:

  1. A quick tutorial on getting soft, beautiful portrait lighting using continuous lights

https://youtu.be/RI3fZgy2yA4

The video above shows a super-simple way to use continuous lighting to create really soft, beautiful light, and I show two variations, including adding a second light for more of a beauty-headshot look. It’s a clip from a KelbyOne online class I did on using Westcott continuous lighting and their soft boxes. To watch the full online class, follow this link. 

2. A couple of shots from Yesterday’s Buc’s vs Saints Game

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Above: I was happy to see two of my shots made the Sports Photos of the Day picks for the wire service I shoot for. The Bucs lost a game they shouldn’t have lost (again), but the Saints played a great game. One thing: is it really supposed to be 82° outside for a mid-December game? Even in Florida, that is…well…super hot. When does “football weather” arrive?

3. I’m interviewed by an Italian photography Website

interview1

Luckily, the interview is in English — if you’ve got a sec, here’s the link. 

That’s it for this morning (and isn’t that enough?). Hope you all have a great Monday, and hope you’ll pop by again tomorrow. :)

Best,

-Scott

Happy Friday, everybody! Today I’m going to share five very short trailers (each around a minute or less) for online classes you can watch this weekend over at KelbyOne.com, including three classes from me.

BTW: If you’re not already a KelbyOne member, you can watch all five of these classes (and all the rest for that matter), for $19.99 (the cost of a one-month membership). Well, truth be told, you could just sign up for a 10-day free trial membership and watch them all for free (but don’t tell ’em I told ya). ;-)

Here they are:

https://youtu.be/clkUtMJBsho

Above: Location Lighting
That’s my class on location lighting – shot in four difference places for four different types of shoots. I’m using the Elinchrom ELB-400 battery pack and flash, but as many people online have said, you don’t need that set-up to learn a lot from this class.

Here’s the link to the full KelbyOne online class

https://youtu.be/2XMCPvEtj04

Above: Shooting Fashion on Location with Frank Doorhof
This is an awesome class from Dutch fashion photographer Frank Doorhof, shot on location in Amsterdam, on how to shoot, pose, and work with models. Frank rocks!

Here’s the link to Frank’s full online class at KelbyOne

https://youtu.be/wh0vt4DKub4

Above: How to photograph and create fun Holiday Cards
In this brand-new class RC shows you how to make way cooler Christmas Cards this year by not only creating the images yourself (instead of using the Mall Santa), but using Photoshop to create something really clever, really unique, and something your friends will be talking about.

Here’s the link to the full online class on KelbyOne

https://youtu.be/YuGYmgc8WZ8

Above: How to design Holiday Cards in Adobe Illustrator (with Pete Collins)
I know I said it’s only 5-trailers, but this one kind of goes hand-in-hand with the previous one since these are Holiday-specific classes. Pete shows you how incredible easy it is to create really clever custom holiday cards in Adobe Illustrator (and if you’ve never used Illustrator, but you’re an Adobe Creative Cloud subscriber, this is your chance to start using it).

Here’s the link to the full online class at KelbyOne

 

https://youtu.be/5wHnAg3ocPM

Above: Location Lite: High end look – low cost budget
I called this class “Location Lite” because the goal was to make it look like we shot on locations, but we really did it on the cheap and indoors, keeeping our budget at $300 (including the hot shoe flash itself, the modifier, and even the background). I’m hearing from so many people who have fallen in love with this class – you’ll dig it.

Here’s the link to the full KelbyOne online class.

 

https://youtu.be/lFzD3xOG4iI

Above: Retouching Brides
If you’re a wedding photographer, this one’s definitely for you, but even if you just do portraits, you’ll pick up lots of Photoshop retouching techniques in this class that you can use in your portrait work.

Here’s the link to the full KelbyOne online class.

There ya have it – lots to watch this weekend, and hope you learn a lot. :)

Best,

-Scott

P.S. Make sure you check out my portrait lighting “fix” tutorial today over on LighroomKillerTips.com – I show how to take a technique we normally use for Landscape photos and repurpose it for portraits (see below).

portrait3

 

Figure 1sm

Today we’re looking at a location shoot I did using nothing but natural light, but in this case we have to give Mother Nature a hand using an inexpensive trick that has big results. Although natural light can be beautiful, natural light is from the sun, and by its very nature, the sun is usually a pretty harsh light source (well, except for a short time about twice a day). So, we pull out one from our bag of tricks to help us make that natural light soft and beautiful.

We are on location in an abandoned old Mansion out in the middle of nowhere, Florida (I’ve lived in Florida my entire life, and I’ve never been to the town where this mansion resides — the town is called “Howey in the Hills” and this was Mr. Howey’s personal mansion back in the day.

I asked my wife Kalebra to do the art direction for the shoot, handling everything from picking the models, make-up, outfits, hair, and makeup, to directing and posing the shoot on location — that left me (and three assistants) to focus on nothing but the lighting and shooting.

Figure 2

I love the compression a long lens brings to the image, and you can see how far back I am from our subject in this over the shoulder view from my shooting position. I’m using a Canon 70-200mm lens f/2.8 lens here (that’s my go-to lens for portraits), and I’m usually shooting in the 150-200mm end of the lens, but to get the wide look I wanted, including the awesome location in the scene, I had to shoot at 70mm.

After a few test shots, I was already battling with her face being too bright. The storyline for the shoot had her looking out the window, so sunlight would be falling directly on her face. Here’s the narrative my wife came up with for the shot (which was told to the model in advance, so she’d know the story we’re having her play out with her gestures): “Everything she once knew has fallen down around her and now, Prince Charming has walked out the door but even as she falls trying to hang on to him (and searches the window after him) there is grace and hope still left in the light.”

So while the model and my wife Kalebra are working on the posing, clothing, and gesture, I’m trying to tame that harsh sun falling directly on her, and I’m even getting highlight clipping warnings on her face (I’m shooting at f/2.8 so at least I can soften the background behind her a little bit. I would have to zoom in much tighter to get the background way out of focus, which I did on some of the shots, but not the ones we’re looking at here).

Figure 3

Our trick is to turn that big harsh window light into a big beautiful softbox, by putting up a frosted shower curtain liner over the window (these are very inexpensive — only about $6 at Target and even cheaper at Walmart where I’ve seen them for $1.99. If you look at these shower curtain liners, they pretty much look just like the front diffusion panel of a softbox. Anyone who attended my first “Shoot Like a Pro Tour” learned this very trick — to keep one of these in your camera bag (they fold up really small) for situations just like this (and of course, we had one with us at this shoot as well, for —you guessed it —situations just like this).

It’s important to note — this is NOT a shower curtain. It’s the frosted liner that is sold separately that goes inside the shower curtain in a real shower.

Figure 4

Above: This is Brad using Gaffer’s tape to cover the bottom part of the window (the part hitting our model directly) with the liner.

Gaffer’s tape was invented in Hollywood for use on movie and TV sets because when you use it, and remove it, it doesn’t take the paint with it, or damage any surfaces, and it doesn’t leave a messy residue. It’s really pretty magic for stuff like this and we always have a roll with us for (wait for it…wait for it…) situations just like this (and a thousand other reasons). You can find Gaffer’s tape at any large camera store (I get mine from B&H Photo around $6 a roll).

Figure 5

Above: From this angle you can see the liner covering the window

From this angle, you can see the liner going right over the window, and you can even see in this behind the scenes shot, the light looks pretty soft now.

Figure 6

Above: Here’s the reverse angle view so you can see how far back I am from the subject at my shooting position. You can see the window covered with the shower curtain liner, but from the angle I’ll be shooting at it, it won’t be visible at all. 

Figure 7

Above: Here’s a closer look at my TetherTools shooting rig — I always try and shoot tethered like this on location if at all possible — seeing your images full screen as you shoot makes a huge difference.

My Camera Rig:
I’m shooting a Canon EOS 1Dx, but I could have just as easily used my 5D Mark III (the results would be pretty much the same since I’m shooting at 100 ISO with my camera mounted on a Gitzo Mountaineer tripod.  As I mentioned earlier, I’m using a Canon 70-200mm lens. I’m shooting in Aperture priority mode at f/2.8.

I’m supporting my laptop with a mounting bar from Manfrotto, and the laptop table is from a company called “Tether Tools” and they specialize in tools for tethering (I know, that was pretty self-explanatory). They also make that long Orange tethering cable (it’s orange so it’s more easily seen in a dark studio environment so you don’t trip over it), and I’m tethering directly into Lightroom on a Macbook Pro.

Figure 8

Above: A BTS from another shot that we tried; same location, different view.

Once we got the shot you saw at the beginning, we went for a different look in the same location (compositionally). I’ve moved a few feet over to the left, so the center of the room. You can also see two important accessories in this shot: (1) A powerful speaker system for playing Pandora radio from our phones. We feel that music on the set is very important, and the models love it, and it helps set the mood. We played some classical to get us in the mood, then we switch to whichever type of music the model likes best (that’s our rule — the model chooses the music — if they’re hearing music they love, it comes out in the image). And (2) a floor fan. We don’t want to blow her hair around, but we want it to move it just a little to add some volume to the hair, and it really makes a difference. Later in the day, we wanted the drapes blowing, so we cranked it up, and had two assistants right outside the window fanning the drapes with two large diffusers to make them blow, but that’s normally not how we use the fan — it’s just to add a little movement and volume to the model’s hair.

Figure 9sm

To create an epic feel for the image, I switched to a Canon 16-35mm wide angle zoom, and positioned my camera way down low to get a low, wide perspective. The fan is just out of the shot, so you don’t see it in the frame. We moved the couch much closer to the camera, to add more depth, and get the subject closer in the frame, so using the 16-35mm let me get lots of the floor and ceiling in the shot even with the subject and couch much closer to my shooting position.

To finish up: I hope this article gave you some ideas of how to control harsh natural window light (if it indeed is harsh), and some compositional ideas as well, and a few other little tips along the way.

That’s it for this chilly Florida Tuesday. Thanks to everybody who came out to my Tampa seminar yesterday — definitely one of my most-fun crowds of the year. Looking forward to visiting new cities next year, starting off in Richmond and Atlanta in late January — hope I’ll see you there.

Best,

-Scott

P.S. RC and I taped a “20-days of Christmas” series where each day we post another holiday gift idea — everything from lighting to camera bags and software. If you scroll down a few days here on the blog, you’ll see the first five or six, and we post a new one every day (including weekends). Hope you find them helpful. :)

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Hi Gang: On Wednesday I’ll be heading up to New York City for something I really look forward to each year — Photo Plus Expo. It’s a huge photography expo and conference, and I love seeing all the new stuff from vendors, and seeing all my industry friends, and heck, I just love New York, so it’s all good.

Here’s my teaching schedule for the week:

(more…)

OK, I survived the Wedding shoot Saturday, but just barely thanks to all the record-breaking flooding we’re having here in Tampa. It kept us trapped indoors for the entire day (and all my bridal portraits were scheduled for outdoors. Ack!).

The event coordinator let us in an empty meeting room, and when I had the bride open the drapes, it faced directly into a rental car agency and a multi-level parking garage (see image below). LOL!

Solution? Over-expose by 3 stops!
That was what’s outside the window just completely blows out and turns to solid white. I’m not sure if I’ve ever shot 3-stops over-exposed (well, not on purpose, anyway).
Bethany2lr1sm

Hero of the day? Auto ISO!
To take sure I never had to worry about my blurry pictures, I turned on Auto ISO and set my minimum shutter speed to 1/125 of a second (as seen above). That way, no matter what the lighting situation was where I was shooting that day (or night), my shutter speed would never fall below 1/125 of a second (it just raises the ISO until you get that shutter speed, which is why it’s important to have a camera that has low noise at high ISOs, and I brought my Canon 1D-x for that very reason.

> By the way, in a unrelated, but still kinda related thing since I just mentioned it â” I saw yesterday that B&H Photo had the lowest price I’ve ever seen on a 1Dx â” they had a $700 instant rebate bringing it down to $4,599. It’s not cheap, but I think it’s the best DSLR ever made. More details here (and now back to our story).

It especially works great at the reception where light is changing constantly, but even more than that, at just 1/125 of a second when you shoot people dancing you still get some movement from some of the dancers (some people are sharp, and some have motion blur all in the same shot, which makes it look like they’re dancing, rather than being just frozen in awkward positions).

More to share soon
I have a few more things to share from the day coming up, so stay tuned. In the meantime, I hope you’ll catch us on The Grid tomorrow at 4:00 pm ET (it’s our live weekly talk show for photographers) at this link. 

Best,

Scott

P.S. I’ll be in Vegas next week at the Photoshop World Conference & Expo. Did you know you can snag a FREE Expo-only pass (a $40 value, but thanks to our friends at B&H it’s free) so you can see all the latest gear direct from the vendors themselves, and catch some free classes in the expo floor theater and the Peachpit theater? Here’s the link to snag your free Expo-only pass for either next Tuesday, Wednesday or Thursday. See you there!

Hi gang â” I just posted a few of my favorite shots from my trip this past week to Paris with the family. After my seminar in London, we took the high-speed Chunnel train from there down to Paris (only about a two-hour and 15 minute trip, and the train was awesome!).

Anyway,  the images, and the story, and some tips for travel photography are here:

Here's the link

If you get a sec, I hope you can check them out. Have a great Tuesday, and we'll catch ya tomorrow for Guest Blog Wednesday.

Le best,

-Scott

P.S. Hi dave. Boom!

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