10 Minute Shoot, Part 2
Here’s another shot from my shoot with rapper “10 Minute.” After we lost all light at our location shoot, we headed back into the studio to finish up. Here are the details on the shot:
Although you can see two lights in the production shot above (photo by Brad Moore), only one (the one directly above his head) was actually connected (the light in the background was left from an earlier shoot that day (the one I did with the clamp-on fan). The light directly above his head is a White Lightning 1200 watt strobe with a Beauty Dish reflector and I have the diffuser that goes over the beauty dish (to somewhat soften the edgy light that comes from a beauty dish). The reason the medium gray background appears so dark is because I used a high shutter speed, so it would fall off to black (I used 1/250 of a second). NOTE: In the production photo, it kind of looks like the beauty dish is in front of 10 Minute, but it’s actually directly above his head, aiming straight down.
Now, you might be thinking, “Hey Scott, I thought you only used Elinchrom strobes?” True dat. But I bought this set-up a while back, and at the time it was the cheapest route to getting a beauty dish look, so I picked it up, but Brad was bugging me last week to finally break down and buy an Elinchrom dish to go over my RX-600’s, which I’ll probably do because the big pain of the White Lightning is that I can’t use my Skyport triggers to change the power output. Each time I needed to change the power output, we had to pull the whole boom down, and not only is it a pain, it really slow things down during the shoot.
I had my buddy Rod Harlan on the set, because when I was finished with 10 Minute, I was going to shoot a couple of headshots for Rod (Yes, I had three different shoots that day—-I couldn’t have pulled that off without Brad’s help). Anyway, 10 Minute went to change clothes for another look, and before I changed the lighting set-up, I had Rod step in to the exact same beauty dish set-up I used for 10 Minute, and the photo is shown below (though I did convert it to black and white in Lightroom).
We had Rod hold the MacBook Pro, just so he’d have something to hang on to (a prop), and it was an easy choice since he’s such a Mac-head, but surprisingly enough while he was holding it, it started rotating his canvas (kidding, just a joke).
Anyway, just a little Monday morning one-light quickie to start off the week. :)