Posts By Scott Kelby

I saw this Photoshop down & dirty technique in a print ad for the Samsung Galaxy S4 and thought I’d break it down for you, here.

Balloons1sm

 

STEP ONE: Open your background image (in the Samsung Ad I saw, it had a child holding a bunch of balloons, kinda like what you see here (I downloaded this stock photo from dollarphotoclub.com).

Balloons2

STEP TWO: Open an image of a cell phone (here’s a stock cell phone photo, also from dollarphotoclub). Put a selection around the cell phone (as seen here), and then Copy just the phone into memory (I used the Magic Wand tool to click on the white background, then I pressed Shift-Command-I (PC: Shift-Ctrl-I) to invert the selection (The opposite of the white background is, of course, the phone. It’s an old trick).

Balloons3

STEP THREE: Now Paste the cell phone image (that you copied into memory in the previous step) onto the balloon photo and position it over the balloons, as seen here.

Balloons4

STEP FOUR: Now we’re going to remove the center of the phone (where the screen would be). Get the Polygonal Lasso Tool from the toolbar. Click it in the bottom left corner, then move your cursor up to the top corner and it draws a straight line between the tool. Now make your way around the rectangular screen area clicking once in each corner, and then finish the selection by clicking back where you started once you’ve gone all the way around the screen (as seen here).

Balloons5

STEP FIVE: Once your selection is in place, just hit the Delete key (PC: Backspace key) to knock a hole out where the screen was previously (as seen here).

Balloons6

STEP SIX: Now click the Layer Mask button at the bottom of the Layers panel (it’s the third button from the left) to add a Layer Mask to this layer. Now get the Brush tool; choose a small hard-edged brush from the Brush Picker up in the Options bar. Set Black as your Foreground color and paint right over the bar on the right side of the photos anywhere it touches the balloons, as seen here (see my brush cursor on the red balloon?). As you paint, it masks away (hides) that part of the phone, making it appear like the balloons are coming out of the phone.

Balloons7

STEP SEVEN: Lastly, add some type to finishing things off (I tweaked the Samsung headline a bit, and added the KelbyOne.com logo at the bottom right because…well…it’s our logo (and I had it on my laptop).

So, that’s it. A quick and easy masking job – hope you found it helpful (and I hope it showed how easy some of the effects are that we see around us every day).

Have a great Tuesday everybody!

-Scott

P.S. We’re kicking off a brand new Lightroom CC tour with our own RC Concepcion visiting cities all over the USA, starting in Charlotte, NC in just 8-days from now. Here’s where to go for more details. 

Hey gang: We had our own Larry Becker stop by some of the exhibitors at the Photoshop World Conference Expo floor last week, so they could give us a quick look at what they were showing off at their booths. Here’s a few to get you started:

https://youtu.be/Q7E_H6TP7Yw

https://youtu.be/Rj9CId7Qx14

https://youtu.be/TMCJIXiRcm0

https://youtu.be/ar9elr7hJQs

https://youtu.be/uUGoWiBFigg

https://youtu.be/FIsA8OJuOFQ

https://youtu.be/SV1JNnioAvw

https://youtu.be/gWZqQ14wz4Q

https://youtu.be/Fi581-Efu7c

https://youtu.be/ilUKNKUXXsM

https://youtu.be/b2iWCPii0M0

https://youtu.be/FYZbwz3NEwE

https://youtu.be/vBUN2m1Pfp0

https://youtu.be/f4Hde_MH9Qw

https://youtu.be/v1G0CKUtvxo

https://youtu.be/K3wygsLcWSQ

https://youtu.be/CU43pj0yFs4

https://youtu.be/2JHHQDgvKXs

OK, this post is getting crazy long – if you want to see more, check out our KelbyOne YouTube page where you’ll find lots more stuff from Photoshop World.

Hope you all have a rockin’ Monday!

-Scott

 

 

 

 

 

http://youtu.be/LXWWwiJotXM

This quick little video gives you a real peek into what it’s like being at the Photoshop World conference, from the pre-conference workshops out on location, to Adobe’s opening keynote, to the conference sessions and expo. It’s really quick, but it’s a great look at the experience, and why you’ll want to come and experience it yourself in person next year.

I’ve got lots more to share next week, but my flight is boarding (almost home!) so I’ve got to run!

Thanks to all our awesome instructors, to our KelbyOne crew who were remarkable going on little sleep for days on end, to all our wonderful conference sponsors and exhibitors, to our friends at Adobe who make it all happen, and especially to all our fun, ready-to-learn, ready to rock attendees from all around the world who came to spend a few days learning, laughing, and sharing. It was really something special.

Have a great weekend, everybody! :)

Best,

-Scott

A Great Good Mornin’ To Ya From Photoshop World Las Vegas! (photo above by Pete Collins taken during yesterday’s Concert Photography Pre-Conference Workshop – I sat in for a few songs with the band Rebel Soul).

Streaming LIVE Keynote
Our opening keynote, and Adobe’s keynote presentation, are being streamed LIVE this morning (well, depending on where you are it may not be morning, but it’s a warm, sunny morning here in Vegas!).

Here’s the link to register (it’s free), and once you register it emails you the link to the broadcast.

Hope you can join us – it’s at 12:00 noon East Coast (NYC) time or 9:00 am Pacific Time (LA time).

Can’t wait to meet everybody today – we are super-psyched! :)

Best,

-Scott

P.S. Peter Hurley’s new book debuts here at the show today, as does the print version of my new “How do I do that in Lightroom” book. Whoo Hoo!
 

It's here: the Photoshop World Conference & Expo kicks off today with the pre-conference workshops; the parties start tonight, and tomorrow we're live-streaming Adobe's keynote (here’s the link to watch live), so "it's on."

If you’re joining us in Vegas, here’s a few quick things to help you get the most of your experience:

Check in for registered participants will begin at 10:00am at the Registration Counter in the North Convention Center.

Workshop Details:

  • If you received your conference letter with badge, please bring it with you, plus any tickets you received at the time of registration.
  • Check in for your workshop also covers your official conference check in.
  • You will not be able to store any personal belongings in the workshop rooms.
  • Offsite workshop attendees can keep items on the bus at your own risk.
  • Some In-Depth Workshops require/suggest specific equipment. View your specific workshop times, instructor and details blow.

If this is your first time at Photoshop World, we have a special crash course just for you. Hosted by Larry Becker, this orientation is designed to make sure you get the most out of your experience. Free and open to all attendees.

If you received your conference letter with badge, please bring it with you, plus any tickets you received at the time of registration to help expedite your check in!

Badge Holder/Show Materials Check In:
There will be a separate check in for all attendees who received their letter/badge in the mail. Here you will have your badge scanned, receive your workbook* and show guide, plus additional conference materials.

Registration Counter:
If you did not receive your letter/badge in the mail, you'll need to check in at the registration counter. Here you'll be issued your badge, along with your workbook*, show guide and additional conference materials.

*Instructions for digital download of your workbook will be available at check in.

Get in on the action outside the classroom. At Photoshop World, you'll never be without somewhere to be, someone to meet and someplace to have fun.

OPENING KEYNOTE:
Tuesday, August 11 | 9:00am-10:30am | Shorelines A
Featuring Scott Kelby and the Photoshop Guys, along with special guests from Adobe, this is the place to get the scoop on special announcements, presentations, news and so much more. Pro Pass and 5+ Alumni get advance entry, so be on the lookout for signs outside the room.

AWARDS CELEBRATION & CONFERENCE WRAP UP:
Thursday, August 13 2:30pm-3:30pm South Pacific E
Complete your Photoshop World experience with a final farewell filled with video highlights, last minute wisdoms, Guru Award and Hall of Fame winners, and a ton of cool giveaways and prizes from our sponsors and vendors.

MIDNIGHT MADNESS:
Wednesday, August 12 10:00pm - 12:00am
Midnight Madness has become legendary. If you're one of the lucky ones to grab a free ticket, you're in for a spirited night full of surprises, laughter and fun. Tickets will be available at 7:30am on Wednesday in front of South Pacific D,F.

LIVE NATURAL LIGHTING SHOOTS:
Wednesday, August 12 11:00am-4:00pm
New this year are four, live shooting opportunities. Build your portfolio with photo ops in Food Setup, Model Photography, Macro Station and a Wedding Shoot.

ROCK N’ ROLL AFTER PARTY WITH REBEL SOUL:
Tuesday, August 11 | 8:00pm-11:00pm | Shorelines A
After a jammed-packed first day, be sure to unwind with us at the official After Hours party! Your night will begin with dinner and dancing, then get ready to rock out live with Rebel Soul! Tickets are still available for purchase for this must-attend event.

There’s plenty of opportunity to make the most of your time at Photoshop World. Network amongst like-minded people, take advantage of beneficial services, and immerse yourself in all things creative.

EVENING PHOTO WALK: Monday | August 10 8:00pm

THE “MEET UP:” Monday August 10 | 9:00pm-11:00pm (in the lounge in the center of the Casino)

FREE CANON AND NIKON SENSOR CLEANING: August 11-13 | times vary

BIRDS OF A FEATHER NETWORKING: Tuesday, August 11 | 7:30pm

THE ART OF DIGITAL PHOTOGRAPHY panel: Wednesday, August 12 7:30pm-9:30pm

PORTFOLIO REVIEWS: Tuesday, August 11 | 1:30pm-4:30pm

The place to be for the latest product demos, bonus training, photo shoots and so much more from big industry players like Adobe, Canon, SmugMug, Westcott and more!

Expo Hall Hours:
Tuesday, August 11th | 12:00pm - 6:00pm
Wednesday, August 12th | 11:00 am- 5:00pm
Thursday, August 13th | 9:00am - 1:00pm

You'll never be without the information you need with our official conference app! Be sure to download to help keep you in the know for all conference activities.

We love when you share! Plus you could win some awesome prizes. Make sure you follow us on Twitter and like us on Facebook! Don't forget to use #PSW2015

https://twitter.com/PhotoshopWorld_
https://www.facebook.com/MyPhotoshopWorld

Tomorrow here on the blog we'll be sharing Photoshop World photos, the Live Keynote stream links (you can register now – it’s free), and other conference fun stuff, so check back here to stay on top of the action. :)

Cheers everybody and Viva Las Vegas!

-Scott

If I had a cool technique to show you, but it has a lot of steps, would you do it if:

(a) You kew up front that it’s super easy to do. Anyone can do this.
(b) You’ll learn some really helpful stuff, and shortcuts, just by doing it even once.

OK, are you in?
Remember â” it’s not hard at all. It’s simple. It just takes a bunch of steps, but I promise you’ll enjoy it (and it’ll be worth it).

OK, so I’m in the Atlanta airport a few weeks ago and I keep seeing this ad campaign for Microsoft Cloud, so I snapped this pic of it (above).  While my photo of it is kinda lame (snapped at the last minute on a moving escalator with my cell phone), I think the effect is pretty cool, and it’s pretty simple to do in Photoshop. It does take a few steps, but they’re all super-easy, so I thought today I’d make it my “Photoshop Down & Dirty Trick” to inspire you into the weekend (and to inspire the thousands of folks heading out to the Photoshop World Conference & Expo in Vegas next week). Here goes:

STEP ONE:
If you look at the airport sign image at the top, you see it’s one large main image surrounded by around 20 or so smaller images, so the first step is to gather 20 or so images (here I’ve grabbed 20 random shots from a trip a few years ago), and then them in a folder. Then create a new blank document at the size you want for your effect (I made mine 14″x10″ at 300ppi but you can choose any size you’d like). 

STEP TWO:
Now, go under the File menu, under Scripts and choose “Load Files into Stack.” This will let you choose all 20 images, and it will automatically bring them into your document, each on its own separate layer. When you choose “Load Files into Stack” it asks you which files you want to load; choose that folder of 20 or so images; select all 20 photos inside it, and click OK.

STEP THREE:
Now all your images will appear as layers in your document, but chances are they’ll be pretty large (in my case, they filled the entire screen). So, to get them much smaller in size (and to have them all the same small size), go to Layers panel; hold the Command-key (PC: Ctrl-key) and select all the layers. Now press Command-T (PC: Ctrl-T) to bring up the Free Transform control handles. Hold the Shift key (so it scales down in size proportionally); then grab a corner and drag inward to scale all 20 layers down at the same time, as if they were one unit (and as seen here). When it’s down to a similar size to what you see above, press the Return key (PC: Enter key) to lock in your transformation.

 

STEP FOUR:
Now we’re going to arrange our 20 layers into kind of an oval shape (like you see above). You do this by getting the Move tool (press the letter “v”) holding the Command-key (PC: Ctrl-key), and then clicking on the image you see on screen. By holding the Command-key like this, it automatically selects that layer. Now just drag it into position around your imaginary oval. Then do the same thing to the next image down in the bottom left corner. It selects that layer, and then drag it into position. It’ll only take you about minute to do all 20 layers using this “point and click on the image to make its layer active” technique. When you’re done, it should pretty much look like what you see above.

STEP FIVE:
In the Layers panel, scroll down to the bottom layer in your layer stack and click on the bottom layer to select it. Now hold the Command-key (PC: Ctrl-key), and click on the New Layer icon at the bottom of the Layers panel (as shown here), and it creates a new blank layer directly beneath your current layer (that’s what holding the Command-key does â” otherwise it would have created a new layer above your current layer). Now press the letter “d” on your keyboard to set your Foreground color to black. Now, to fill this new layer with black, press Option-Delete (PC: Alt-Backspace), so your image should look like it does here, with a black layer on the bottom, and all 20 image layers above.  OK, it’s taken a few steps to get there, but this is easy stuff, right? Right!

STEP SIX:
We’re going to make all that 20 layers black and white, all at once. First, in the Layers panel scroll to the top of the Layers stack and click on the top layer. Then go to the Adjustment Layer menu at the bottom of the Layers panel (it’s the fourth icon from the left â” it’s icon looks like half white/half gray circle), and choose Black & White. When you do this, it adds a Black & White Adjustment layer on top, and all the layers below it instantly turn black and white (as seen here).

STEP SEVEN:
Finally, we get to the fun stuff! Add a new blank layer at the top of the Layers stack (as seen above), and then switch to the Gradient Tool. When you have the Gradient tool, go up to the Options bar across the top and click on the tiny down-facing arrow to the right of the current gradient preview (near the top left of the bar). This brings up the Gradient Picker (seen here). Click on the Gradient that looks like a rainbow with red on either end (it’s called “Spectrum” as seen above).

STEP EIGHT:
Up in the Options Bar there are five gradient types. Click on the center one of the five (it’s called the “Angle Gradient); then click it in the center of your oval circle of photos and drag over to the left of your screen (as seen here) to add a spectrum gradient to your layer.

STEP NINE: 
Now, at the top left of the Layers panel, change the Layer Blend mode from “Normal” to “Color” (as seen above), and now the color spectrum appears over your black & white images, but not the solid fill. That’s what I love about color mode â” you get all the color, but none of the fill. See you learned something handy to know right there.

STEP 10: 
We’re getting close but something’s still something missing â” the shadows around each photo. This is quick and easy.   Go to the fx menu at the bottom of the Layers panel (it’s the 2nd icon from the left), and from the list of Layers styles that appears, choose Outer Glow. When the Outer Glow window appears (a close-up is shown above), just change these settings: (1) Change the Blend mode to Normal. Set the Opacity of the glow to 75%. Click on the color swatch and choose Black as your glow color. Lastly, increase the size to around 100 pixels, and you’re done.

Above: see those building on the left. I applied the black outer glow to that photo. It looks like a drop shadow, but it’s on all sides, instead of just down and to the right like a standard drop shadow. 

STEP 11:
Now we’re going to copy that Outer Glow Layer Style from that layer, with those exact settings, and paste it onto all the other layers at once. Here’s how: start by right-clicking directly on the words “Outer Glow” that now appear just below your layers name, and the pop-up menu you see above appears. Choose Copy Layer Style (as shown here). Next, in the Layers panel; hold the Command-key (PC: Ctrl-key) and click on all the other layers to select them. Now right-click on any layer and from the pop-up menu that appears, choose “Paste Layer Style” to paste that Outer Glow effect to all 19 of your selected layers, all at once.

Above: Here’s what it should look like once you paste that Outer Glow Layer Style to all the other layers. OK, now we’re really close! 

STEP 12:
The final step is to open the image you want as your image image in the center (in this case, it’s a guitarist with a cigarette tucked into the headstock of his guitar), and copy and paste it into your document, and use Free Transform to size it down (as seen here). You’ll also want to copy and paste that Outer Glow Layer Style onto this layer, too (a shortcut is to hold the Option key on Mac / the Alt key on PC, and over in the Layers panel click on any one of the Outer Glow Layer Styles you’ve added and literally drag and drop a copy onto your new layer (holding the Option/Alt key like that makes a copy of what you drag). Lastly, to finish off this image, I went to the color gradient layer and lowered the opacity to 65% so the colors weren’t so vibrant.

OK, that’ it â” you did it. You made it. It took a few minutes, but it was all super easy, right? And, you hopefully picked up some cool techniques along the way (if you already knew all the techniques, that’s OK too â” you just learned a new special effect. One cool enough that Microsoft paid somebody do it over and over again in a whole series of ads).

Corey does this type of stuff all the time!
If you’re a KelbyOne member, you probably already know there’s a “Photoshop Down & Dirty Tricks” column in each issue of Photoshop User magazine (the KelbyOne members’s print and/or digital magazine created just for members), and our own Corey Barker is always coming up with really cool stuff in that column, so make sure you check it out when you get your next issue.

I’m off to Photoshop World Vegas!
I’ve got a fashion shoot on a dry lake bed on Sunday in the 115-degree desert heat (it’s part of a class I’m doing on using the Elinchrom ELB 400 Pro Head Kit battery pack strobe kit on location), and then it’s PSW time! Hope to meet a whole bunch of you there!

Have a great weekend everybody!

Best,

-Scott

P.S. If you’re going to Photoshop World Vegas, remember Canon is still running that special where if you buy a Canon DSLR (like a 7D Mark II, or a 5D Mark III, or a 6D), you get a year of the Adobe Creative Cloud Photographers Bundle (Lightroom cc and Photoshop CC), and a year of a bunch of our training on how to learn it all. Canon will be at the Expo, so stop by their booth, or go to this link with more details. See you there!

 

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