We’ve never had more choices for photography gear than we do today — thanks to Kickstarter, and Indigogo and all the tech advances, we’ve got an got incredible array of choices. This is why reviews are so important, but I cannot tell you how much time I’ve spent reading or watching reviews that at the end leave me with little more info than I started with.
A buddy and I were talking about this very topic — how so many useless reviews are out there today that aren’t really helping anybody (but perhaps the reviewer). So, today I thought I’d outline the things that make a gear review really useful (and what makes them useless and things to avoid):
I only want to read reviews from a reviewer that uses that brand of camera or lens
I don’t want to read a review of the new Chevy Camero from a Ford Mustang enthusiast, but a similar things happens in photography reviews incredibly often. I want a read a review from someone who’s not “camera brand biased” from the very start. I’m done reading reviews about a Nikon or Canon camera, from a reviewer who says they are a Sony shooter (or vice versa). I know, right up front, at the end of the review they’re going to share why the product isn’t that great, and that that it’s not as good as their Sony version, and that they’re not switching from Sony, etc.. I don’t want them to tell me how it compares to their Sony, any more than I want to hear what the Chevy lover thinks of a Mustang (Spoiler alert; I can pretty much tell you before I read the review).
If it’s a new Nikon camera, I want it reviewed by a real Nikon shooter and they can tell me how it compares to their current Nikon and that is actually very valuable to me. If it’s a Canon lens, I want to hear from a real Canon shooter and how it compares to their current Canon lenses. If it’s a Sony mirrorless body, I want to hear what an existing Sony mirrorless shooter says about it. There’s only one thing worse — when you read a review and they don’t tell you they’re brand biased, and then later you found out they shoot an entirely different brand than what they were reviewing, and they give it a less than stellar review. I’ve had it happen more than once.
I want them to give me a final bottom line. Not “Well, it depends on what your needs are”
There is nothing that drives me crazier than a review that looks at several different products, with a headline like “Our pick for the best super wide angle lens of 2020” and then at the end they tell you why each lens in their “shootout” has good points and bad points, and why each may be right for you depending on what you shoot. Basically they say, “They’re all good, it just depends on what you’re shooting.” Nope — that’s not why I read the article. Take a stand. I want the reviewer to tell me, straight up, “This is the best one of the bunch!Buy this one!”
An unboxing video is not a review. Neither is a “first impression”
So many videos on YouTube have the word “Review” in the headline, but they turn out to be an unboxing video — literally , somebody filming as they unbox the product; set it up, and try it out for two minutes. I need a “field report.” Shoot it for a while and let me know what the experience is really like. How does it work after two weeks, two months? Opening it on Day 1 is not a review. You’re really just giving an initial impression – it’s day 1 – you haven’t run into the problems yet. I want to hear about it a few days down the road. Do you still love it?
It needs to include really clear specs
I can’t tell you how many reviews I’ve had to wade through just to find out how many megapixels a camera has, or the size or weight of a camera or lens. It seems like basic stuff, but then I find myself having to go to B&H’s Website because they have a spec tab where they list all the specs that should have been in that initial review. At the minimum, give me a link to the manufacturer’s specs page, or even B&Hs, but it’s gotta be in the review, right up front — don’t make us go searching for it.
Include LOTS of your own photos
Don’t just repost product shots from the manufacturer. By the time I’ve found your review, I’ve already seen lots of shots from the manufacturer. If you’ve reviewing the gear, and you’re a photographer, take your own photos of it and show me what it really looks like — not a shot of it on a white background, perfectly lit, with a reflection below it. One thing manufacturer’s shots don’t really show you is scale. Take a shot of you holding it in your hands, so I can really see its size. Also, if you’re going to show sample photos you took with a particular camera or lens, take some good shots. Not shots you took in your backyard in harsh lighting conditions. Some of the sample shots I’ve seen posted by big time reviewers make me feel like they’re tech nerds, but not actually photographers. The shots often literally look like snapshots and it makes me think either the gear isn’t good, or you’re not a real photographer, in which case I’m not sure I want to take the word of someone who isn’t a decent photographer about which piece of gear I should buy. Make your sample shots look great, so we get a real idea of what the product can do.
Really great reviews give advice. For example, if I’m reading a review and there are three sizes for the particular product, tell me which one to get ane why. For example, if the Small Size is really a better deal, or easier to work with, say so. Something like this is so helpful: “If I was going to order one, I would go with the Small size — you’ll save money and it’s so much easier to store and take with you,. The medium size doesn’t easily fit in your average camera bag, and the large size needs really needs two people to carry it.” That’s the kind of advice that is absolutely invaluable.
The most important aspect is honesty
At the end of the day, we are searching for an honest review. If something’s bad, say so. If the product has an Achilles Heel, tell us so. If there’s a deal breaker, let us know. There are very few products that are so perfect that nothing can be improved upon, so let us know the good stuff and the bad stuff. If all you do is tell me all the good things about it, then you come off as a fan boy. If you only tell us the bad stuff, you come off as a hater or biased from the outset (See #1 above). Here would be a great question or statement to make to your readers: “If you used this gear for two months, and it got lost or stolen, would you buy this same piece of gear again?” That would be a really valuable thing for us to know.
There ya have it — I’m hoping some of the folks out there that review gear take some of these points to heart — it could help us so much in making smart decisions on gear (and most gear ain’t cheap these days). Maybe you know a reviewer you should send this to? By all means, do.
Here’s wishing you lot of reviews that actually help you make a good decision. :)
Well, technically it’s a prototype of the Platyball — it’s pretty close, but still not a final shipping version ( Their Kickstarter.com campaign ends in six days, so I wanted to get in this field report before the price kicks up to retail).
I know a lot of you already know what a Platyball is (if not, click here), but for those of you wondering what it’s like actually shooting with one, I got a chance this past week (up to that point, I had seen the prototype and held it, but never actually go to use one).
In the video below I share the pros and cons after getting a chance to shoot with it out in the field. Check it out:
I hope you found that helpful.
I’m In Houston & LA In Just a Couple of Weeks!
My full-day “Ultimate Photography Crash Course” seminar next stops are in Houston on Monday, March 23, and then Los Angeles on Wednesday, March 25th. Hope you can come out and join me for the day. Tickets and info right here.
I don’t even know all the specs yet, but between the features that Canon has announced, and the ones that reliable sources have leaked, I’m thinking it’s time for a new body! (Note: Don’t tell my wife. This is just between us. It’s a secret. Etc.).
Now, I don’t know what it costs (if Canon said how much they’re charging, I missed it), so there’s still a big question mark out there, but I’m hoping it’s priced right (so, basically not in the 1Dx III price range).
You had me at two card slots!
Not really (gotcha!). Seriously not a big deal to me whatsoever (I thought all the hand-wringing about the EOS R not having two slots was really overblown), so if it has two slots. great. I’ll probably leave one empty, and I don’t even know what type of cards it supports yet anyway). And the 8K video? I don’t shoot video, so it doesn’t help me one way or the other, but it seems a lot of people are really psyched about that.
What I do like is the very fast frames-per-second rate; the higher megapixels; the good possibility of a sensor with improved dynamic range, the IBIS (In Body Image Stabilization), and there are still more features yet to be announced. OK, I’m in. Ya know, in theory — still doesn’t know what it costs.
Shout to out San Diego and Phoenix
Great turnouts in both cities (thank you guys), with almost 550 photographers coming out for the two days. I met a ton of great folks; really had a lot of fun, had a great dinner with a buddy in San Diego’s Little Italy section, and got to see some more friends in Phoenix. Thanks to everybody that came out spend the day with me. Next stops: Houston then Los Angeles next month. I am having so much fun on this tour — I can’t wait!
Well, that’s it from here in the Delta Sky Club at Phoenix Airport’s Terminal #3. Got a red-eye home tonight at 11:25 am. Zzzzzzzz!
Have a happy Valentine’s Day (don’t forget your sweetie), and a great weekend. :)
Last week on my live video podcast ‘The Grid,’ I had the honor of clicking the ‘Launch’ button to start the kickstarter campaign on one of the most innovative ballheads ever‚ the “Platyball.” Best of all it’s from Larry T. and the team behind the beloved Platypod who are just some of the best folks out there.
Their goal was to raise $18,000 to fund the launch and initial run of Platyball. Within just a few days, they’ve already raised over $232,000. It. is. on. fire! Larry and his family put their heart and soul into this project and I couldn’t be happier for them. I love it when the good guys win.
Check out their launch video below.
Here’s the link if you want to get in on their kickstarter, and get yours in the first batch that ships.
I’ve been lucky enough to do a lot of interviews over the years, but this one with Roger and Joey from from the Lensrentals Podcast was one of my very favorites ever. It was just so much fun. Check out this comment below from when I shared the podcast this weekend on my Facebook page:
I’m putting the link below — let it run in the background while you’re retouching, and let me know what you think. It’s definitely not you’re average interview. LOL! :)
Hope you can give it a listen (and thanks to Roger and Joey for being such cool guys!
No Photoshop needed for this trick — it’s nuthin’ but Lightroom!
I got a lot of great feedback on this technique I shared last week over on our sister-site LightroomKillerTips.com and I think what’s surprising is that the entire technique is done right inside Lightroom, and it’s super quick and easy.
Those four cities are my next stops for my “Ultimate Photography Crash Course” full-day seminar. San Diego on Feb 12, Phoenix the next day on Feb. 13th. Then I’m in Houston on the 23rd and on to LA on the 25th. Come on out and spend the day with me – it’s 100% money-back guaranteed — you’ve got nuthin’ to lose and everything to gain. Here’s the link. See you there!
Here’s wishing you a great week ahead, everybody! :)
P.S. I got a chance to spend the past few days at the NAMM (Music Gear) show out in Anaheim, California and I’ve never felt more at comfortable or more at home anywhere. Why? Because almost EVERYBODY there was wearing a black t-shirt with a logo and jeans. It was like “Planet Scott.” LOL!!! I had such a blast, and yet, I didn’t buy anything (well, I bought some new t-shirts), but much to Kalebra’s chagrin, I did come home with a shopping list, which does include a guitar. :)
#TravelTuesday is going to be bigger and better in 2020—mark my words! And here I am, Dave Williams, on ScottKelby.com as always, with something from the world of travel, photography, Photoshop, and life. Today, it’s all about travel photography with minimal gear, as the title suggests, so let’s get to it!
We photographers are a special kind of people. We have something that a lot of people don’t have. Let me explain: Most people are either technically minded or artistically minded, but rarely are they both at the same time. Photographers are, generally, both. We are the combination of creativity and science—the left and the right brain together.
We create art with science, and we tend to be proud of a collection of the gear we use to do that, but it’s not always necessary. I used to travel the world with everything I owned just in case I needed it, but then I realised that it’s far better to save the weight and take only what I need based on some proper planning. Here’s a shot of the gear I took with me to Paris last year: –
Yes, that’s it. I shot the Eiffel Tower, the Palais Garnier, the Saint Chapelle, and plenty more architecture up and down the Seine at all times of day and night. One camera, my Nikon D810, along with a Tamron 24–70mm f/2.8, a Nikkor 14–24mm f/2.8, and a Platypod Ultra with a 3 Legged Thing Airhed, and then a BlackRapid Sport. The thing is, you see, this trip to Paris is a perfect example of how you don’t necessarily need to carry around a whole cache of gear in order to effectively shoot a location—you just need to be smart and considerate about what gear you actually need in order to get the job done.
Another thing we photographers can feel the effects of is gear envy. Developing the skills to showcase to the world that you don’t need all the various bits and pieces the person next to you has, but can still attain an amazing shot is a skill, which in itself, creates envy and one which develops technical discipline in our workflow. When we are able to work effectively with minimal gear we are not only saving ourselves from future back problems, but also beginning on a road where we’ll end up giving careful consideration to any purchases likely to end up in our camera bag.
Rather than needlessly buying gear, employing a practice of minimalism will allow us to focus our energy and attention on practice and training, so we can enhance our skills in the raw skill of photography rather than leaning on gear to get the job done. In addition, it helps us to decide on our shot faster, making us more productive photographers.
With a new year, “new you” mentality, take the time to assess your pile of gear and decide what the core setup is so you can get on the road to minimalism, higher productivity, and skill development.
Welcome to the online version of my “14th Annual Gonzo Holiday Gear Guide,” which is featured in this latest issue of Photoshop User magazine.
I know it’s hard to believe I’ve been writing this for 14 years, which must also mean that I’ve apparently amassed a huge collection of stuff that’s now horribly outdated. This is precisely why it’s so critical that I create a new “Holiday Gear Guide” each year, and sell the old stuff on eBay to pay for all my new stuff. It’s a vicious cycle and one that I’m certain drives my wife crazy. But don’t let our holiday gift discord dissuade you from making the same mistake I have, because it’s the holidays and time to unwrap a bevy of spectacular holiday gems that are perfect for the petulant photographer on your holiday gift list.
As always, these items are gifts and gadgets that I use myself, and not only have I fallen hopelessly in love with them, but like a pacemaker or the new chicken sandwich from Popeyes, I also now find it hard to go on living without them. My job here is simple: Transfer my dependence on these items to you this holiday season, therefore completing the circle of life.
Just remember, giving one of these gifts by itself isn’t enough. The real magic of the holidays is when you can use social media to make others feel less adequate by taking cell phone pictures of all the stuff you bought, and all the stuff you got and sharing it online. It’s what separates us from the animals.
These are my self-imposed guidelines for which products make it into the guide—it’s just two rules actually. To be listed here, they have to be: (a) products that I use myself; and (b) if a product makes the guide, it has to be one I’d recommend to a close friend without hesitation (especially if I wasn’t that crazy about this particular friend—more of an acquaintance, really).
Also, to make things easy, we added direct links to all the products I picked so you don’t have to wonder if you’re getting exactly the right one. (Note: Depending on the product, clicking on the links below will either take you to the manufacturer’s website or if the product is available at B&H Photo or Amazon, then clicking on the links will take you to those websites.)
As is my sacred holiday tradition for more than a 14th of a century, I’m breaking things into three distinct categories:
Stocking Stuffers: But you can use these as actual holiday gifts if this person has ever asked you for a loan.
Great Value Gear: Stuff that’s a really good deal for the money, so it will look like you spent more than you did, and they’ll think you’re actually a better person than you are. So essentially, these are the perfect gifts.
Cha-Ching!: Stuff you’d buy for the Disney executive or Wall Street hedge fund manager on your Holiday gift list. These will often require a credit check in advance and putting up some sort of collateral.
PhotoPills (for iPhone & Android)
PhotoPills is the app every landscape, nature, or travel photographer should have. It’s like having your own photo assistant out in the field with all the answers to things such as, “When’s sunrise?” “What time is blue hour?” “How long should I keep the shutter open on this long exposure?” and a ton more. But beyond just numbers, it can do everything from tell you exactly which day and time a full moon will be over a particular mountain or lake you want to photograph, or which direction the sun will be coming from at any date and time in the future. Plus, it has a built-in augmented reality feature that can even superimpose the Milky Way’s position over a scene so you’ll know exactly where to set up and compose your shot. It’s easily worth $100, but it’s only $10. It’s truly a killer app!
The tagline for this book is “Images and Stories of the Rarest Species in Illinois,” but this book is really for anyone who loves great wildlife photography. Carol worked on this inspiring book for more than 20 years, and it’s just stunning from cover to cover. Goodreads calls it “…a glorious tribute to some of the most amazing life on our planet.” For a $50 donation to the Team Green Environmental Network, you not only get a printed edition (180 pages softcover) of Carol’s wonderful book, you also get her printed 2020 calendar as well. So you’re getting the book, the calendar, and donating to a good cause, so there’s something in this one for everybody!
Price: $50 donation (includes both her book and calendar)(link)
A Nice Roll of Gaffer Tape
Buying someone a roll of tape as a stocking stuffer may sound like just one step above a lump of coal, but that’s only because you may not realize the magic and wonder that gaffer tape can bring to the life of a photographer. Developed in Hollywood for use in movies and TV shows, this tape does something very special: When you remove it from a wall, equipment, your mother-in-law, etc., it doesn’t pull off paint (or skin) or leave a sticky residue. That’s why photographers love it—it’s easy to tear, easy to use, and doesn’t mess up stuff when you’re done.
Price: A roll of ProTapes Pro Gaffer Tape (2″ x 55 yards) at B&H goes for $20.59 (link)
Rick Sammon’s Bestselling Book, Photo Therapy Motivation and Wisdom: Discovering the Power of Pictures
Over the years, Rick has written 40 books on photography, and this is his bestselling book ever. Ironically, there’s not a single photo in the book—it’s all words, but powerful words they are. People absolutely love it, and so will the photographer on your holiday gift list. Really great stuff (at a really great price)!
Think Tank Photo Secure Pixel Pocket Rocket (Black)
I love mine because it securely stores all my memory cards, including CF and SD cards, and the design is just right on the money. There isn’t a photographer that wouldn’t love finding this one in their stocking (and if they don’t like it, they really weren’t your friend in the first place now, were they?). Of course, if you really feel close to them, you could always fill those empty card slots with actual memory cards, in which case you should move this entry from Stocking Stuffers to the Cha-Ching! category.
Price: $21.75 (stylist black with gray trim, but also available in bright obnoxious colors) (link)
Platypod Stackable Gooseneck (2-Pack)
If the photographer on your holiday gift list has a Platypod (and if you were really paying attention to last year’s Gift Guide, they do), then what better follow-up gift could there possibly be than the new two-pack of flexible, bendable gooseneck arms. These allow you to mount things such as small portable lights or flashes, or a microphone directly to your Platypod and place them wherever you’d like. The folks from Platypod brought some of these to the PHOTOPLUS Expo in NYC back in early November, and they created a sensation. They not only sold out of every one they had, they even sold their sample. So cool!
If you’ve ever heard your photographer friend say something along these lines, “Ya know, this lens used to be really sharp,” then the Focus Pyramid is for them. It helps them use the in-camera adjustment to get their lens back to being super sharp. (Over time, lenses can lose some of their sharpness for a variety of reasons, like being tossed 700 times into a camera bag, or dropped, or being dipped in molasses, etc.) This will help bring it back to its former glory. Plus, it’s very easy to set up and use.
When I was at a workshop up in Canada, one of the participants had this backpack. I fell in love with it, and I ordered one as soon as I got back. It’s just about the perfect size for those times when you don’t want to lug the whole kitchen sink with you (which for me these days is pretty much always). It’s light, so cleverly designed, and still holds a good amount of gear without overloading you. Really well built and thought out. They will super dig it (and super dig you, too!).
This is always the perfect gift, because B&H Photo is the greatest camera store in the world, and whatever the photographer on your gift list wants, they have it, in stock, ready to ship. They’re the magical unicorns of camera stores. Get them a gift card from here and they’ll follow you anywhere.
Westcott X-Drop Vintage Gray Canvas Backdrop by Glyn Dewis
Photographer, retoucher, and KelbyOne instructor Glyn Dewis has really made a name for himself through his inspirational and touching portraits of World War II veterans, The 39-45 Portraits Project. This backdrop was designed by Glyn himself, so you can get the same style portraits with your subjects, even if they weren’t in any world wars.
The folks at ON1 have been on a roll, and they have fans of their plug-ins all over the planet. Part of the reason is their new AI stuff is pretty incredible. Of course, as the name says, it’s a RAW photo processor, but it’s really so much more, wrapping organization, special effects, RAW processing, and more into a plug-in that your photographer giftee will lose their mind over! It’s really incredible what ON1 has done. You’ll be a champ for picking up this one!
This drive is so incredibly small and lightweight, but it holds a freakin’ terabyte of data and it’s faster than a greased pig (and you know how fast greased pigs can be—well, if you don’t, they’re really, really fast). The person you give this to can take their high-res images with them on vacation, and use the drive to back up images, too. These drives are just incredibly awesome. No way they won’t love this! You can even get a 2-terabyte version for around the same size and weight, but throw another hundo on the fire (totally worth it).
This tiny little rechargeable light is kind of like the GoPro of little lights. In fact, it would be awesome with a GoPro camera, or for doing selfies with your phone, or for bright continuous light for iPhone videos. You can even connect it to a drone for drone lighting. It’s waterproof, and you can even mount it anywhere using the Platypod Gooseneck (see above). It just so tiny, and yet it’s surprisingly bright and flexible, plus there are a ton of accessories for it, and it’s pretty cheap. Well, inexpensive anyway.
Price: $90 (link) Add the LitraTorch Filter set to add lots of colors (includes holders): $35 (link)
A Fine Art print from Bay Photo
You can either get a gift card for the photographer on your list so they can get one of their images printed, or you can give one of your own prints as a gift (which is a very personal gift). Either way, you’ll love the quality of Bay Photo’s Fine Art Prints. Want to give somebody a really memorable gift that’s more than just the product itself? This is it!
This is a special-effects plug-in that just keeps getting more and more incredible! It does everything from replacing skies to adding sunbeams to your photos to retouching skin to any one of a bunch of stuff that’s totally cheating. You’ll be a star for giving this one! You can order version 4 of this bad boy right now and save a few bucks, too.
Price: A killer deal for $99 (this is a special deal that expires soon), plus you’ll get some pre-sets, too (and they’re normally $49 just for the presets!) (link)
This is the updated, newly advanced, “more better” version of their super popular Ellie L-Bracket. When shooting on a tripod, it lets you switch your camera from wide to tall in about two seconds. This is very popular with landscape photographers, who love these to death. The price is right, and it’s available in a lovely metallic slate gray or putrid orange (don’t get it in orange!).
Price: $79.99 (available for preorder with delivery set for the end of November) (link)
XP-PEN Deco Pro Medium Graphics Drawing Tablet
If you’ve always wanted to buy a really nice graphics tablet for your photography friend (a tablet and pen are the pro retoucher’s tools of choice), but the price has kept a good one out of reach; that’s all about to change. Earlier this year I got my hands on the new XP-PEN Deco Pro tablet, and I have to say, I was blown away at the quality for the price. Personally, I like the smaller size tablets (one I can easily fit in my laptop bag or backpack and it takes up less room on my desk), so I’d go with the Small Deco Pro (9×5″), but if you think they’ll want something bigger, go with the Medium (11×6″). They’ll dig the way the double wheel works. Absolutely amazing for the price! (They’ll think you paid way more!)
You might be thinking, “I dunno, Scott, $415 seems like a lot of money for a ballhead,” but I can tell you that’s only because it’s a lot of money for a ballhead. But, at least it happens to be the greatest ballhead in the entire recorded history of ballheads. It’s the single greatest ballhead ever, and you’d be the single greatest gift-giver ever to give one of these to the photographer on your gift list. You’d instantly elevate yourself to “most valued friend or relative.” They’ll cherish this one for many years because it will last forever (even after the Great Gas War of 2046).
Every photographer wants to get close to the action, and this will help them by taking their existing lens and getting them 1.4-times closer. It’s like getting a longer lens for a fraction of the cost, and as long as you buy a quality extender (and I’d only list quality extenders here anyway), there won’t be any real visible loss of quality. These are so awesome and, after buying a friend one, he’ll look upon you with awe. Okay, that’s a bit of a stretch, but they’ll definitely want to nuzzle you (but I’m not sure that’s a good thing!).
Price: Sony FE 1.4 Teleconverter (for E-mount lenses): $548 (link) Canon Extender EF 1.4X III (for EF-mount lenses): $429 (link) Nikon AF-S Teleconverter TC-14E III (for F-mount lenses): $496.95 (link)
Canon RF 24-240mm F4–6.3 IS USM Lens
This is my new go-to travel/walk-around lens and I absolutely love it! Wider than most all-in-one lenses like this (most are 28mm), it’s very lightweight, beautifully designed, and sharp as the dickens. (See how I worked a Charles Dickens reference in there? I know. It’s a gift.) Anyway, this is one kick-butt lens and now it goes with me on every trip. Perfect for the Canon EOS R mirrorless user on your holiday gift list (plus, the price is actually pretty amazing). They’ll lose their minds when you give them this!
The 85mm range for portraits and weddings is a pretty magical one, with its look and style, along with those creamy out-of-focus backgrounds. The f/1.8 range is also the range I recommend (rather than the heavier more expensive f/1.4 or f/1.2 lenses, because their depth of field is so incredibly thin that if you’re not 100% right-on-the-money with your focus technique, you’ll wind up with a lot of out-of-focus shots). With an f/1.8 like this, you’ll save money, it’s much lighter, and you’ll get a lot more shots in focus. I mean to say, “They’ll get a lot more shots in focus.” You’re not buying this for yourself now, are you? ;-)
Profoto C1 Plus (Serious Lighting for iPhone Shooters)
Beautifully designed and built (like all Profoto gear), this super-portable studio strobe (it fits in the palm of your hand) lets iPhone photographers light their subjects like a pro. This is what I’d call the first “serious” flash for serious iPhone shooters, with its soft light and slick design—it’s just so cool! It works with iPhone 7s and up, and you can control the strobe with Profoto’s free app. It has flash and continuous lighting options, and you can even control the light’s color temperature and power output. You can get some nice accessories for it as well, such as gels, a grid, and a dome that snap on its magnetic mount. If your photographers are serious about their iPhone portrait photography, they’ll love this on a crazy level. It’s a can’t-miss gift.
If the photographer on your gift list shoots on location, man are they going to love this! It’s a small, specially designed battery power pack and adapter from the folks at Tether Tools that let you power and charge your laptop, camera batteries, flash or strobes, phone, and most any other USB devices, all while out in the field where you don’t have access to an AC wall outlet. It’s really pretty brilliant, and while I put this in the Cha-Ching! section, the price is actually a bit less than Cha-Ching. It’s more “Cha-Less-Ching” at a little under $270. It’s really well made and cleverly thought out.
The gallery YellowKorner sells three of my fine-art prints of classic interiors at various sizes (you can get some really nice large sizes) and styles and I, for one, would be honored if you saw fit to give one as a gift. Imagine how tickled I’d be if you gave three or four? Or even three or four hundred? The mind reels, doesn’t it? Anyway, they’d make a great addition to your collection (says the author, so his opinion is somewhat tainted, but correct nevertheless). If you purchase one, please post a pic on social and tag me in it so I can share it, as well.
This one is literally on press now and will be available before Christmas. It’s my new book completely focused on how to take really amazing natural-light portraits, and it uses the same style and layout as my Digital Photography Book series: Just one topic per page, so it’s quick-and-easy to digest, and you can turn right to the page you want, for the thing you want to learn, and boom! You’re off and shooting. Be one of the very first to get a copy by pre-ordering now.
It just came out earlier this year and it’s already in its third printing (meaning, the first two print runs of the book completely sold out). It’s my bestselling book in years, and if the photographer on your holiday gift list shoots landscapes (and at some point, we all shoot landscapes, right?), they’ll get a lot out of this book. Well, so I’ve been told.
You’ve probably heard again and again (or you’re already a member and you know firsthand) about all the incredible 700+ online courses, the online community, the webcasts, the magazines, and the discounts that are part of a KelbyOne Pro membership. Now you can share all that with a photographer you super-dig. It’s only $199 for a year, with full access to everything! They’ll devote the rest of their natural life to let you know how thoughtful, caring, and generous you were to change their life in such a meaningful way. Okay, that’s perhaps a best-case scenario, but I think they’ll love you for it (and so will I).
If they love online training, we have a special membership level that focuses on the online classes themselves (with access to more than 300 courses), but it goes for just $9.99 a month. Give ’em a 12-month membership and they’ll love you all year.