OK, technically, this is a “Photo Tip Friday,” and I’m aware this is Monday, but it’s too handy a tip to wait until Friday, so check it out below: (NOTE: although Moose is talking about his Nikon camera in the tip, the exact same tip applies to almost any camera, so it’s still a great tip for everybody no matter which system you’re using).
I’ve been preaching the first part of his tip for years, but that second part is something I’d never considered. Thanks, Moose!!!! (and here’s a link to his course, just in case).
Last week on The Grid we did an open Q&A and there were a number of questions surrounding moving to mirrorless or sticking with a DSLR, so today I thought I’d do a quick Q&A to address some of these questions. Here we go.
Q.How will I know it’s time to switch to mirrorless?
A. I would say it’s when the big camera companies stop making lenses for DSLR cameras and only make Mirrorless lenses. Another sign would be, of course, when they stop making DSLRs altogether.
Q.How soon do you it will be before those things happen?
A. They’ve both already happened. The development of lenses for DSLR cameras from the big camera manufacturers has already stopped (they have all publically announced this), and so has releasing new DSLR bodies. For example, Sony’s last DSLR was introduced back in 2016, and it was discontinued last year. Canon announced back in 2020 that their 1DX Mark III DSLR (their big high-end pro body) would be the last version of their flagship camera that would be DSLR-based. All the big camera companies, and a number of 3rd party lens manufacturers, have essentially stopped developing for DSLRs, and are now focused on making lenses (and accessories) for mirrorless cameras. We all knew this day was coming – but even I’m surprised at how fast it arrived.
Q. Is there a lot of competition happening right now between camera companies that make mirrorless cameras?
A. Like crazy. Each one keeps pushing the limits of technology and trying to “one-up” their competition, so the releases of new bodies are coming fast and furious, with more features, better high ISO performances, and every bell and whistle they can think of. It’s an exciting time, and all this competition is great for us because it keeps prices competitive and each successive camera they release gets better and better. Right now Canon, Sony, and Nikon are making the best cameras they’ve ever made.
Q. What about the competition in the DSLR space? Is there still any?
A. Well…not really. Well, I’m sure the manufacturers would tell you there still is (each company wants you to buy their existing DSLRs and lenses), but since they’re not releasing new DSLR bodies or lenses, how much competition is there? Really, none. Their sole focus is on mirrorless bodies and lenses. They’ve all publically said so.
Q.If I switch to mirrorless do I have to buy all new lenses?
A. You do not – Canon and Nikon have adapters that allow you to use most, if not all, of your existing Canon and Nikon DSLR lenses with a mirrorless camera.
Q. How much sharpness do you lose when you use one of these adapters?
A. You don’t really use any sharpness at all, and that’s what’s so great about these adapters. You don’t lose any f/stops of light or levels of sharpness – it works like it did on your DSLR.
Q. I want to stick with my DSLR – I’m just not ready to switch to mirrorless. Should I post an angry comment here or on Facebook?
A. No. Neither. There is absolutely no reason to be angry or defensive. You can absolutely stick with your DSLR (I have a few myself), and they will work just like they always have. They are great cameras, and DSLRs will still be around for many years (you probably won’t see many, or even any new DSLR bodies or lenses introduced from here on out, but they won’t come and take yours away, so you’re all set).
Q. So, you admit still have DSLRs. Are you going to be selling them?
A. Yes. Absolutely. They become worth a little less each day, so I’ll be selling all of them this summer.
Q. What will I gain moving to Mirrorless?
A. Well, besides having access to a mountain of new lenses (and more as they come out), the sharpness of today’s mirrorless lenses is nothing short of astounding. You don’t have to spend a bundle to have legendary sharpness anymore. They are just so sharp that you don’t really have to be on the hunt for a really “sharp” lens – they’re all pretty darn sharp now (in fact, I don’t really hear any mirrorless shooters talking about lens sharpness issues at all). You’ll also get all the latest features on these new mirrorless bodies. Things like shooting long exposures are so much easier, and there are auto eye-focus features that track movement which means you’ll get way fewer out-of-focus shots. You’ve got things like completely silent shooting and frames per second that no DSLR can touch. Add in-body stabilization, lower noise, less weight, and smaller physical sizes (I could go on and on), but it’s a whole different world of cool stuff, especially if you’re upgrading from a camera that’s four or five years old. You’ll be astounded at how far things have come.
Q. What will I give up moving to Mirrorless?
A. The optical viewfinder. We’re used to it in our DSLRs, and it does take a little getting used to with an Electronic Viewfinder, but the ones coming out today are SO much better than the first ones on the first round of mirrorless bodies, that you can’t even compare them. Today, they’re pretty incredible.
Q. Will I have trouble getting used to an electronic viewfinder (EVF for short)?
A. I certainly thought I would, and that’s the main reason I held out on going to mirrorless for as long as I did, but when I got a loaner of the original Canon R-series mirrorless, after a couple of days, I wasn’t even that cognisant of the difference anymore. It was the #1 thing I was worried about and it seems I was probably more concerned than I should have been, but again, it’s because the first one I looked at years ago was pretty lame. Today EVFs are vastly better and offer lots of advantages over an optical viewfinder (most of which I wasn’t aware of before).
Q. What do you like about an electronic viewfinder?
A. I would get fooled a lot by optical viewfinders, because they show you what your lens is seeing, but not what your camera sensor will actually be capturing. So, for example, I’d be taking a shot that looks good to my eye; looks the same through my optical viewfinder, but then I take the shot and my sensor captures something completely different, and my subject is totally backlit and in shadows. An EVF shows you the scene as your camera’s sensor is going to capture it, which is a huge advantage and you can adjust for things like that on the fly. Plus, the amount of information you can choose to see in your viewfinder, which is very customizable, is pretty awesome. Another benefit is that you can review your images in your viewfinder, so seeing your images on the screen outside in bright light isn’t an issue anymore – you can just view them within the darkness of your viewfinder. Try it once, and you’ll fall in love with it. Also, instead of taking a shot and then seeing you’re clipping the highlights, you can see this warning in the viewfinder, so you can deal with it before you take the shot, and not after and having to retake the same shot again. You also can actually see your depth of field before you take the shot, instead of taking the shot and then seeing how it came out. You’re seeing things like you’ve never been able to before and that’s exciting (and saves a ton of time on wasted shots). If you need another advantage; EVFs work great showing you the scene in front of you in low light situations, and they are absolutely killer when doing long exposures (you can skip the first three steps altogether that you’d have to do with a DSLR when shooting long exposures).
Q. Do I need to switch to Mirrorless right now?
A. Nope. But I would certainly start getting used to the idea of going mirrorless, as it’s not just where the camera industry is headed, it’s where they already are now. That way, when it’s time for you to make the jump to mirrorless, it won’t freak you out. In the meantime consider this: sometime very soon the only DSLRs you’ll be able to buy will be on the used camera market.
Q. What if I never switch?
A. That’s OK, too. There are still some folks out there shooting with their film cameras and they never went digital (probably the same folks who are still using Lightroom 6). You can still order traditional film online, and send it off for processing. It all still works.
Q. Well, I don’t think I’ll ever own a mirrorless camera.
A. I hate to be the one to tell you, but you already own a mirrorless camera. It’s in your phone.
Hope you found that helpful, and remember – you don’t have to post a comment telling me you’re sticking with your DSLR. Lots of people will wait until the last possible minute to switch, just like people did with their film cameras. It’s OK. We all have our own timelines – today I just wanted to make sure you’re up-to-date on where the market is today, what’s going on with the big three manufacturers, to help you make the decision easier when it’s time to make the jump.
Here’s wishing you a better-than-average Monday. :)
About every three years or so, I upgrade to the latest Mac model, and while my iMac is a few years old now, I recently got the new M1 Apple MacBook Pro. It’s nice, but there’s something I’ve learned throughout these many upgrades that’s especially important to consider now, as I know many photographers are thinking of upgrading to these Mac Studios machines. The specs are really good, and the cost isn’t as nearly high as the “Mac Pros,” but they have similar if not better performance.
I’m not getting one, and I’m not recommending them.
Not for photographers anyway, because I think it would be a waste of money. Here’s why: Think about the programs we use and what we do on our computers for photography. I primarily use Lightroom, Photoshop, Photo Mechanic, and a handful of plug-ins. When I used them on my 3-year old MacBook Pro, I would move a slider (say in Lightroom), and it did whatever I wanted it to instantly. For example, if I wanted to make my photo brighter and dragged the Exposure slider to the right, my photo got immediately brighter. I didn’t move the slider and then sit and wait. It was instantaneous. Same on my iMac. In Photoshop, when I open an image, add a Gaussian Blur, an Unsharp Mask, Use Camera Raw, Duplicate a layer, etc., it all happens instantly. On my old MacBook Pro, on my now getting old iMac, and it works exactly the same way on my new M1 Macbook Pro that cost thousands of dollars.
Is it faster? I guess.
Really, as a photographer, how would I even know? The applications I use day in/day out are already so responsive there’s almost no way to tell it’s faster for the work I do every day. Maybe when I use a plug-in, instead of taking 6-seconds to process it, maybe now it only takes 4-seconds (A 33% speed increase), but I don’t really even notice it. It’s 2-seconds. I spent thousands of dollars on the upgrade, and I hate to admit it, but besides the battery life (which is far better than my old MacBook Pro), I really can’t say it’s noticeably faster.
If I were a video professional, rendering video files every day, I would probably notice a big difference.
But I’m not. I’m a photographer and a writer, and I check email, and I use my Web Browser, and I make Zoom calls and run Keynote slideshows and all kinds of regular stuff where I don’t notice any real speed difference at all. If I was a full-time pro video editor, I am sure I would see a difference, but since I’m not, I don’t. I couldn’t recommend the upgrade to a friend who is a photographer telling them they should spend the money because I don’t think they’d notice the difference either. What’s worse is I hate to admit this to myself (or even worse, to my company).
I don’t want you to be disappointed. Like me.
I had heard so much about the M1-powered MacBook Pros; I guess I expected to really feel the speed, but with what I do…how could I? Is that Apple’s fault? Is it their fault I don’t do processor-intensive tasks, and so I don’t see the benefits? I don’t think, but I guess the M1 chip upgrade isn’t really necessary what I do.
The reason I’m telling you all this is if you’re considering buying one of these new Apple Mac Studio machines, take a look at what you do, and if getting one would really make a significant speed difference for you in your day-to-day work. Do sliders in Lightroom and Photoshop, and other photography programs produce immediate results, or are you waiting for progress bars to complete before something happens? Heck, ask yourself, when was the last time you saw a progress bar? If you’re not seeing progress bars (or seeing them infrequently), and you’re not waiting around for stuff to happen a whole bunch, what exactly would you be gaining?
Something to chew on this weekend. Have a good one. :)
P.S.Please note I did not mention PCs, nor did I compare the Mac to PCs in any way. There’s no reason for you to in the comments either. If you’re not interested in a Mac, there’s a lot of other stuff on the Internet to see today. Don’t be “That Guy” – just keep scrolling.
Welcome to my semi-breathlessly awaited “16th Annual Holiday Photo Gear Guide” from Photoshop User magazine.
It’s a tradition here each year where I share gift ideas for photographers based on the stuff I spent too much money on this year. You’d think with the pandemic still hanging on that I wouldn’t have much new gear but, sitting around looking through all the pages on B&H Photo’s website (I’ve memorized them all by now) had an effect on me and on my wallet, and now I’m wearing a barrel (kids, ask your folks about that one). Anyway, here are the three categories I cover each year.
Stocking Stuffers:These are the perfect gifts for people you don’t really care that much about, but it would be awkward if you didn’t get them anything.
Great Value Gear: These are gifts that fall into that sweet spot of looking like they cost a lot when, in reality, they’re really pretty inexpensive, so you look like a champ. But in reality…well, you can fill in your own blanks here. Good stuff, cheap. Well, “cheapish.”
Cha-ching!:These are my picks for the gifts you’d buy for the photographer on your list who is a personal injury attorney, anesthesiologist, or perhaps a cloud engineer (nobody actually knows what a cloud engineer does, but it has to pay a lot because it has “cloud” in the name). Before buying any of these items, the process will go faster if the bank has pre-approved you for a specific loan amount.
Just remember, giving one of these gifts by itself isn’t enough. The real magic of the holidays is when you can make others feel less adequate by taking pictures of all the stuff you got and sharing it on social media. It’s what separates us from the animals. So, without further ado, I present to you my 16th Annual Holiday Photo Gear Guide and path to financial ruin.
Spudz Microfiber Cleaning Cloth (Blue)
This is one of those stocking stuffers with which you can’t go wrong, pricewise, usability-wise, how-they-will-appreciate-it-wise. It comes with a little clip that can attach to a camera bag, a tiny built-in carrying bag, and it’s just all good. Every photographer needs one of them, or just more of them if they already have one.
Let’s say you feel obligated to buy someone a stocking stuffer, and you’re not that close with the person, but you still want to get them something useful, but you don’t want to spend a lot on them, because, well, you’re just not that close with them. So hey, they’re lucky to get anything, right? Get them a 60-pack of ZEISS Lens Wipes. It’s actually a really great gift because how can you go wrong for less than $6? They’ll use ’em, they’ll think of you, and then when they go to reorder them one day, they’ll realize how little you spent on them, and it will end your already lukewarm friendship. But for now, you’re a champ. Sixty wipes will last them a while, so bask in the glory till they run out.
How to Make Money While You Are Sleeping: A Photographer’s Guide to Passive Income Other Savvy Business Strategies by Rick Sammon
Rick is on a roll (stop snickering). Seriously though, Rick has written a string of bestselling books for photographers, and his latest is one that would make any photographer happy, because who doesn’t want passive income? Rick is a great writer and always shares such helpful information, so this would make an awesome stocking stuffer.
2-Pack of Lexar Professional 1066x UHS-I SDXC 64-GB Memory Cards
I recommended SD cards last year too but, like I said then, memory cards are like batteries: you can never have enough of them. Last year’s cards were 633x SDHC 32-GB cards with read speeds up to 95 MB/s; this year’s cards are 1066x SDXC 64-GB cards with read speeds up to 160 MB/s. These faster and higher-capacity SD cards will be so welcome by the photographer on your gift list. Photographers are always putting off buying new cards, so when you buy these for them, it’s hero time. Plus, these are so inexpensive now (around $35), you can’t go wrong (and they’ll think you spent a lot more)!
This is just a handy little gadget. It’s a clever round Arca mounting plate to use with your ballhead that makes attaching and removing your camera so easy, and it just works so well. It also screws right onto a tripod or Platypod or whatever. Really smartly designed and the price is right (and now you don’t have to buy the whole Multi Accessory Kit just to get one; you can buy them individually).
Rain happens. When it happens to the photographer on your Holiday list, they’ll think of you (and thank you, even if not verbally at the time, but certainly mentally), as they reach in their camera bag and pull out one of these easy-to-use, smartly designed, clear rain covers. They can keep right on shooting, and they’re so small (and so ridiculously inexpensive) that they’ll always keep one or two with them.
Price: $8.00 (pack of two)(link) Note: if they live in Seattle, consider the 40-pack for $160 that, for some weird reason, is the exact same price if you bought 20 of the 2 packs by themselves. (link)
Vello BL-HS1 Low Profile Bubble Level
This one is so awesome I recently wrote about it here on my blog. It’s a very small, super-low-profile bubble level that sits in their camera’s hot-shoe mount, and lets them see at a glance if the camera is level. With this handy little gadget, they’ll finally stop submitting landscape images with crooked horizon lines for the monthly blind critiques episode of The Grid. But I digress. This is such a great gift at such a great price.
I so love mine! It holds four batteries of the most commonly used size for most mirrorless or DSLR cameras these days, and it keeps things neat and organized (no more digging around your bag trying to find a fresh battery). I can’t tell you how simple and awesome these are. This gift is a guaranteed hit!
Think Tank Photo Secure Pixel Pocket Rocket Memory Card Holder
I love this almost as much as my Think Tank Battery Holder, but this one is a memory card holder that works wonderfully well, and it’s so lightweight and easy to use. It’s the Secure Pixel Pocket Rocket from Think Tank and it’s what I use to carry all my extra and backup cards with me when I’m shooting. It’s not fancy; it just works. Comes in two colors. They’ll love it.
A few years back, Adobe reworked their built-in tethering feature, where you connect your camera to your computer so when you take a photo, instead of it just showing up on the tiny 3″ screen on the back of your camera, it appears in Lightroom on your computer so you can see it much larger, which makes a huge difference. Tethering is so much better, faster, and more reliable now that it has really become “the thing,” and getting one of these cables is what you need to get started. When you go to Tether Tools’ site, they have an online wizard that helps you pick the right cable for the camera’s connector and the computer that the photographer on your gift list uses. Once they tether, they’ll wonder how they lived without it. Tip: Don’t get the 3′ cable; it’s too short.
Price: $24.95–$56.95 (depending on the length and style) (link)
Westcott 5-in-1 Reflector Disc
This is one of those gifts that seems like it costs way more than it does, and that’s partially because what it does is worth way more than it costs. It’s four reflectors and an all-important 1-stop diffuser (for people who shoot outdoors in natural light or who use flash without a softbox but want to soften their light big time). You get a white, silver, black, and gold reflector, plus that diffuser, and it all collapses down into a small pouch that they can toss into their camera bag. Everybody needs one of these.
This looks like a tiny reflector, but what it does is help the photographer on your Holiday gift list nail their white balance every time. It’s super small, super lightweight, and the price is right at around $40. There are cheaper alternatives out there, but this is the one they’d want. Plus, it collapses to such a tiny size (by the way, get the smallest-sized one, which is 12″, because that’s all they need). This is a better gift than it sounds.
The Real Deal: Field Notes from the Life of a Working Photographer by Joe McNally
Joe is one of the greatest storytellers anywhere, and he does it visually with his images and just as equally with his words, and they both come together in this book that’s half coffee-table book, half stories from the field, and fully awesome. It’s inspirational, often funny, insightful, and always intriguing. What a life this guy has lived. And of course, the images are nothing short of stunning. Any photographer would love to add this book to their collection.
Price: $50 (Print edition comes out January 25, 2022, but you can preorder it for the person on your gift list) (link)
B&H Gift Card
This is always a perfect gift because: (a) B&H Photo is the greatest camera store in the world, and (b) whatever the photographer on your gift list wants, B&H has it in stock and ready to ship. They’re the magical unicorn of camera stores. Get them a gift card from here and they’ll follow you anywhere.
If you want to get something that will make you look like you spent a bundle, this may be the ticket. It’s actually a great deal. It’s a smallish, compact speedlight that does what every other speedlight does: it emits a bright flash of light. It doesn’t have all the bells and whistles of the big expensive speedlights but, if they’re not into flash, they wouldn’t use all that stuff anyway. They will super-dig it, and dig you. Maybe a bit too much.
I use Think Tank’s Airport Essentials backpack, and I love its size, weight, and the fact that it holds way more than it looks like it possibly could. This is perfect for photographers who love a backpack-style gear bag, but don’t want one of those giant monster-sized backpacks like Mr. Erik Kuna uses, because he carries the kitchen sink with him everywhere he goes, which is great for everyone around him, but it’s heavy as heck for him. It’s okay, because he’s “strong like Russian bear,” but for the rest of us, this Airport Essentials backpack is just the ticket (and fits in the overhead of even smaller planes).
A buddy of mine bought this for me this year as a gift, and I have to tell you, I’m mightily impressed with its build quality, size, and weight. Just a beautifully built piece of essential photography gear that the person on your holiday list will love like you cannot believe. Get them the medium size with the knob clamp (comes in different colors, too). They run out of stock often, so don’t dilly-dally (I don’t even know what that means, but I’ve heard old people say that).
The 2022 Version of ON1 Effects Lightroom or Photoshop Plug-In
This is my new go-to plug-in when I want to add a special look or effect to my images. I start doing my standard editing stuff in Lightroom or Photoshop and then I launch this plug-in to add my “finishing moves.” It has a ton of built-in presets, so they don’t have to become an expert to get great looks. It’s pretty amazing what you can do in this plug-in and they’ll fall in love with it big time.
Note:KelbyOne Pro members can save 30% off their next ON1 purchase by clicking here to grab the discount code from our Discounts section on the KelbyOne site.
Send Them One of Your Prints
If you want to send them something very personal, this is it. This gift is something that’s unique, something they can’t get anywhere else, and something that means a lot to photographers. Go to bayphoto.com or to mpix.com (two great photo labs that I highly recommend), upload your photo, choose a large size (like a 16×24″ print), and the lab does the rest. You can even have it shipped directly to them (just tell them not to open until Christmas or Hanukkah or “Scott Day”). This is a can’t-miss gift.
Price: At Bay Photo Lab choose one of their 16×24″ Fine Art prints on Hahnemühle FineArt Baryta Satin paper: $63.10 (link)
At mpix.com choose one of their 16×24″ Giclee prints: $42.99 (link)
WWII Aviation Artwork, and the Stories Behind These Beautiful Birds by Joe Glyda
Joe is a wonderful top pro photographer, a brilliant storyteller, and a Photoshop whiz, and in this book he combines all three passions to create something very special for any photographer who’s into aviation photography. Each chapter is about a specific “War Bird,” and not only are the stories absolutely captivating and info-packed, but Joe also mixes in his own work, his own family historic photos, and archival photos. Best of all, he came up with a process in Photoshop to turn his photographs of these awesome planes into art. They look like they were painted on white seamless, but they still maintain their photographic quality. I honestly don’t know how Joe did it, but it makes for a striking book with incredible art, photography, and stories. This is marvelous.
Got kind of a nerdy shooter on your list? I have just the thing: how about some cufflinks that look like the mode dial from a camera? Come on, it reeks of “I’m a geek and proud of it.” Imagine them strolling into the party in their freshly pressed tux and all eyes are upon them as they deftly adjust their camera mode cufflinks, and everyone gasps and swoons, and…aw, who am I kidding? Not only do they not own a tux, they don’t even rent them. Still, it’ll make them smile and then imagine themselves strolling into the party in their freshly pressed…
The gallery YellowKorner sells three of my fine-art prints of classic interiors at various sizes (you can get some really nice large sizes) and styles, and I for one would be honored if you saw fit to give one as a gift. Imagine how tickled I’d be if you saw fit to give three or four? Or even three or four hundred? The mind reels, doesn’t it? Anyway, it would make a great addition to any photography collection (said the artist, so his opinion is marginally biased). If you purchase one, please post a pic on social media, and tag me in it, so I can share it as well.
I know this is going to sound hard to believe, but I don’t buy a bunch of lenses. I have my go-to lenses that I rely on, but this year I actually bought two lenses, and this one is a peach (a peach, I tell ya!). One of my go-to lenses was my 16–35mm f/4, and you may have heard me raving about this lens over the years. I’d have kept right on using it too if it weren’t for this new awesome lens, which goes wider than 16mm, all the way down to 14mm. That means I don’t have to lug my 14mm prime lens with me any longer so, when I saw that, I couldn’t buy it fast enough. So great, so sharp, and made for Canon mirrorless. It’s ranked as one of the top “wished-for” lenses at B&H.
Price: It’s not cheap at $1,699, but at least it’s worth it. They’ll love you to death if you get them this one! (link)
Tamron SP 150–600mm f/5-6.3 Di VC USD G2
This is the other lens I bought this year, and I wish I’d bought it sooner. I got this for shooting air shows but I can also use it for daytime sports or wildlife photography, and it’s size and weight make it ideal. It has fast focus, it looks great, it feels great in your hands, it’s really sharp, and you just can’t beat the price for this quality of a lens. My hats off to Tamron for what they did with this lens. This is a top gift idea; just so great for the money.
Price: Canon: $1,399 (link); Nikon: $1,399 (link);Sony: Tamron doesn’t make a Sony version, but Sigma does. It’s $1,499. (link)
Xencelabs Pen Tablet Medium Bundle with Quick Keys
If the photographer on your gift list does any portrait retouching, this is the tool for them (so they’d retouch using a pen and tablet rather than a mouse or trackpad). It’s a new graphics tablet I’ve been using, and they’re really well built, they use an industry standard 16:9 aspect ratio, and they come with extra goodies, such as multiple pens and a really nice carrying case. Best of all, they’re priced right. They will love, love, love it!
Price: Medium Tablet Only: $279.99 (link); Medium Tablet Bundle with Quick Keys: $359.99 (link)
Westcott FJ400 Wireless Flash System
I mentioned this one last year and now I have three of them because they’re awesome. Even better than I was hoping and, again, the price is just incredible for what you get. They’re about the same price as a Nikon or Canon speedlight, which are around 60 watts, eat up batteries like crazy, and have pretty horrible user interfaces. This is 400 watts, has a large rechargeable battery, and you’re literally taking a small studio light with you, wireless, anywhere you go. Can’t say enough about ’em, and had to list ’em again this year ’cause they’re one of the deals of the year.
This was on my list last year, but it hadn’t come out yet, so I preordered it just based on its specs. It’s everything I hoped it would be and more. Hands-down the best Canon camera I’ve ever used. I absolutely love it! It has the sensor of the much more expensive Canon EOS-1D X Mark III so the low-noise performance is insane, but it’s got all the features of Canon’s latest mirrorless line, and a price that’s actually mind-blowing for what you get. Perfect for the Canon shooter on your holiday gift list. They’ll lose their minds when you give them this!
While I don’t have this camera myself, I’ve talked with friends in the industry who have shot with it, and they’re losing their minds over it. The specs on this camera are just through the roof, and while it’s probably the best camera Nikon has ever made, there are folks out there saying it’s the best camera ever made, period. It’s expensive, but it’s a top-pro camera. It’s expected to ship around mid-December so if you’re going to get the photographer on your Holiday gift list one of these puppies, you better get on the preorder list now. Warning: If you get them this, they’ll know at that moment that you truly love them. They may not reciprocate that love, but at least they’ll get a good photo of you crying.
If they love online training, we have a special membership level that just focuses on the online classes, giving them access to almost 400 classes, and it goes for just $9.99 a month. Give ’em a 12-month Plus membership for $96, and they’ll love you all year. If you really want to bowl them over, get them a KelbyOne Pro membership; it has more classes (900+), more features, and an incredible worldwide community of photographers helping each other get better. It’s for accelerated learning, and they’ll have full access to everything. They’ll love you (and so will I).
Price: Plus Membership: $9.99/month; $96/annually
Pro Membership: $19.99/month; $199/annually (link)
My New Lightroom Classic Book
This is a major update to my bestselling The Adobe Photoshop Lightroom Classic Book, the one used in colleges and universities around the world to teach Lightroom. This latest edition has all the new masking features included in it (I held up the book from going to press until I could get all that awesome new stuff in there). But beyond just the new features, I’ve updated, improved, enhanced, and added so much to the book. They’ll learn a lot, and they’ll love what they can do with the new masking features (and I have some cool tricks on different ways to use the masking).
Price: Print: $49.99 (Amazon shows it hitting December 17, 2021); Kindle: $29.99 (available now) (link)
Cool KelbyOne Swag
We have all sorts of T-shirts, mugs, hats, masks, and well, you name it, for the KelbyOne fan on your list, and best of all, 100% of the profits from the sales of K1 swag go to the Springs of Hope Orphanage in Nakuru, Kenya, so you’re getting a great gift and helping some great kids. Plus, you can get 20% off your first order.
As an extra-special bonus, I asked Erik Kuna to share with us some of his favorite gear for the astrophotographer on your gift list. Astrophotography is all the rage, so the odds are even higher this year that you know someone who is into shooting the night sky.
ASTROPHOTOGRAPHY GEAR GUIDE
By Erik Kuna
EverBrite Rechargeable Headlamp
Okay, I know this isn’t the coolest piece of gear, but it’s one that will definitely come in handy. There’s one thing we can count on with night photography: It’s going to be dark! If you’re hiking in or out of a remote spot, you might need a bright white light; or if you don’t want to attract bugs, you might need a bright green light; or if you want to save your night vision while still being able to see your gear, you might want a red light. Well, this headlamp has all three, plus it has a memory mode to remember your last setting. As a bonus, it comes with a red tail light so people can see you from behind. It even has an SOS mode with an attached whistle, just in case. If that wasn’t enough, it has a rechargeable battery to save on battery replacement costs.
Here’s another one of those not-so-cool pieces of gear, but this one is hot! There’s nothing worse than shooting at night when the outside temperature quickly reaches the dew point. What happens next ruins our photos: Our lenses fog up with dew and we’ve lost the night (well, at least the next hour while we try to heat the lens back up). For just a few cents, we can rubber band a piece of mind around our lens hoods. Putting these hand warmers on the end of your lens at the beginning of the night will ensure that you’ll never have to deal with this headache again. I speak from experience (a.k.a. failure).
You show up at the parking lot with a weak cell signal, turn on your headlamp, and start the mile hike in, but how do you get there safely? Halfway to your destination, your cell signal drops and you’re lost. Worse yet, what happens when you have to hike out at 2 a.m. in the pitch black. That’s where Gaia GPS can save the day or just keep you safe and secure. The GPS signal on your iOS or Android device works off satellites and can track your location even without a network signal. Just download your offline maps, start up the app, and have it track you from your car. Now, you’ll never get lost again.
ON1 NoNoise AI Plug-In for Lightroom Classic and Photoshop
As night photographers, one thing we all have to deal with when it comes to shooting everything from Milky Way landscapes to deep-space astrophotography is noise. Luckily, we have some great tools for dealing with noise in our images, even on our RAW files before we process them. ON1 NoNoise AI is one of those must-have products, wiping out noise from your RAW files, making images shot at 6,400 ISO look as if they were shot at 1,600 ISO. The best part is that you still get a RAW DNG file after it processes out the noise. Did I mention it’s super fast too?
Note: KelbyOne Pro members can save 30% off their next ON1 purchase by clicking here to grab the discount code from our Discounts section on the KelbyOne site.
Lume Cube Panel Mini LED and Light Stand
It’s best to get the shot in one exposure, but if you don’t light paint your Milky Way landscapes, you’re probably going to end up with a black silhouette. Light painting with bright lights, however, can be inconsistent as well as annoying to other photographers. That’s where using very dim LED lights on light stands can add just enough light to balance landscape and Milky Way exposures over the 15–25 seconds it takes. The Lume Cube Panel Mini is perfect for this application. It can blend between 3200–5600K and dim all the way down to just 1% (which is where I usually have it set, with the diffusion on). Couple that with the Lume Cube light stand that folds up to fit in any camera bag, and you have the best portable low-level light-painting package.
Price: Lume Cube Panel Mini: $59.99 (link); Lume Cube Light Stand: $59.99 (link)
MIOPS RemotePlus Camera Remote
Do you have reliable Wi-Fi control in your camera? If so, this might not be for you. If you don’t, however, this piece of equipment is worth it, especially if you’ll be using that brand-new iOptron star tracker in the Cha-Ching! section on the next page. Yes, we can use wired triggers or the self-timer, but if there’s one thing I’ve learned the hard way is that any time you have to touch the camera, you introduce shake, or run the risk of bumping the tripod out of alignment. This piece of gear triggers the camera wirelessly via an app available on iOS or Android, but it does so much more. You can program it to trigger by sound, lightning, or a laser beam for remote shooting, time-lapses, HDR photos, or timed releases.
The number-one thing you need to do to create awesome Milky Way landscapes is capture light, and not bright light; we’re talking starlight! That’s where a wide-aperture lens is a must. A wide-angle f/2.8 is the best place to start. It lets in tons of light and allows you to keep the shutter open longer without star trails. The Rokinon 14mm f/2.8 is a good balance between the two, while also being affordable and accessible to most photographers.
This is the secret weapon for astrophotography…period! If you want those great dynamic shots of deep-space nebulae or minutes-long tracked shots of the Milky Way, you need a star tracker. There are a bunch to choose from, and many are designed for large telescopes or complex rigs. Maybe you just want to use your DSLR and mirrorless gear you already have in your bag, and that’s where the iOptron SkyGuider Pro EQ Camera Mount comes in. Once you lock the polar scope on Polaris, you can track anything in the sky over minutes rather than seconds without any star trails. It’s scientifically magical.
The Black Friday sales are here (well, it is Black Friday), and so are a bunch of cool deals. Here’s some I dug up from around the Web, and I included our KelbyOne deal links as well (and we’d love to have you join as a member – 2022 is going to be an incredible year of learning). Anyway, on to the deals (and I’ve got a bunch!):
Gravity Backdrops are 50% Off
These are the hand-painted backdrops I use myself. They are awesome, and they are 50% Off PLUS free shipping (and they were already a deal for this level of quality).
KelbyOne Pro Memberships(our best price of the year)
If you’ve always thought of becoming a part of the KelbyOne Online Educational Community, this is the best time ever, at our best price of the year. Just $149 for a full year, full access to everything (over 800+ courses, and thousands and thousands of lessons, plus a subscription to Photoshop User magazine).
They’re offering 30% off across the board on their award-winning plug-ins (I use their Effects 2022, their AI Portrait 2022, and their HDR 2022. Erik uses their AI Noise big time for his astrophotography).
Topaz Plug-ins For Photoshop & Lightroom (and a code for better than Black Friday pricing)
Here’s a discount code you can use that will get you 15% off Topaz Labs Black Friday prices (and that should give you the lowest price I’ve ever seen on Topaz plug-ins).
The code (at checkout) is GROSTAMI but you have to use THIS LINK to get this extra 15% off double-savings deal.
Here’s some of their bundle deals: Their Image Bundle, which include Denoize AI, their absolutely killer sharpening plug-in (Kuna swears by it) and Gigapixel AI is usually $259.97, but it’s on sale for just $84.99. Their “Everything” bundle (which includes all their plug-ins) is normally $559.96, but for Black Friday it’s $169.98.
B&H Photo Black Friday Deals
And they have a BUNCH of them!!! The best camera store in the world!
They’ve got their deals separated into handy little categories, and they’ve got lots of great gear (I use their FJ-400s strobes and their FJ 80 flashes, along with their Rapid Box series of soft boxes for flash and studio lights. Great stuff and insanely good prices).
Our “Holiday Gear Guide” Episode of “The Grid” is Here!
If you’re not sure what to buy the photographer on your Holiday Gift List, here’s a whole show packed full of ideas, with me and my guest Terry White (who always has gift ideas nobody else is covering). You can watch the episode below – tons of great ideas, from stocking stuffers on up.
Much more coming next Monday!
Next Monday is “Cyber Monday” and Larry Becker and I are hosting our annual “Super Cyber” 10-minute only deals live broadcast at the top of every hour. We asked some of our friends in the industry to offer a crazy insane deals on their gear but just for 10-minutes only, and their deals are just ludicrous. More details here on Monday, but make sure you don’t miss it – the deals they offer are just nuts!
Have a great Holiday weekend everybody. Happy Shopping!
PROGRAMMING NOTE:Tomorrow’s we kick off the Photoshop World Conference — the first ever virtual edition, but we’ve worked hard to make it as close to the in-person event as possible. Today we have the pre-conference workshops and tomorrow we kick things off with our opening keynote with a presentation from Adobe. Keeping with tradition, we do have a silly, (I mean awesome) opening movie to kick the event off, and we have everything from the Guru Awards to Midnight Madness, to the attendee party, and so much more. If you haven’t signed up – it’s not too late. Head over to PhotoshopWorld.com for tickets and details. 3-days, 3-full-tracks (Lightroom, Photoshop, and photography), and it’s going to an incredible educational experience all the way around. Hope you can make it.
Apparently, My R6 Was Pretty Messed Up!
Here’s a quick update on my Canon EOS R6’s persistent Error 70 issue. Even after the firmware update to the camera (which I had hoped would solve the problem), it still happened again to me numerous times while I was shooting the Oshkosh Airshow. So, I contacted Canon and they had me try the standard stuff (take the battery out, put it back in, try a different memory card. The process of elimination stuff) and finally when nothing worked they said I’d better send it in for repair (it was still well under warranty).
From the research I’ve done online, there are not many folks out there who have experienced this same issue (figures), so there weren’t many options or fixes or workarounds out there other than sending it back to Canon, so I popped it back in the original box and off it went.
Well, Canon turned it around pretty quickly (like 3-days), and they said it there were “Multiple errors causing power issues,” and they replaced the Main Board and the CMOS Sensor Assembly. So, hopefully now we’re back up and running (won’t know for a few day because of Photoshop World kicking off tomorrow), but that’s it below dressed in factory plastic and it’s ready to rock! I’m not expecting any more issue, but if somehow there is, they will hear my screaming up at the Int’l Space Station. ;-)
My New Lens Is Here!
I placed the pre-order the day it was announced, and just a few days ago I got a notice from B&H Photo (greatest camera store in the world), that my new 14-35mm f/4 RF-mount (for Canon mirrorless) was on its way, and it just arrived. It’ll be a few days before I get a chance to shoot with it, but the fact that it’s 14mm on the super wide end is what made me pull the trigger and pick it up. What a fantastic range (thought that’s probably the last I’ll use my 14mm f/2.8). Very excited about it, and more on it once I get a chance to shoot with it.
OK, my camera’s working again, and I’ve got a new lens, but first – Photoshop World – then we play! :)
Looking forward to seeing everybody this week at the conference. We have really put a ton into it and honoring the traditions and fun of the in-person event and I hope you learn a lot, laugh a lot, and make some new friends in the community. It’s going to be an amazing week! :)