Behind The Shot: A Look Into My Process
Today I wanted to share some of my favorite photos from international workshops, along with the stories and techniques behind them. I’m also including the EXIF data of each photo so you can see my settings. Enjoy!
Behind the Shot: Ho Chi Minh City Vietnam: Roberto Valenzuela
During the shoot with model Yen, it began to rain. We were stuck in a little neighborhood in the middle of Ho Chi Minh City in Vietnam. While we waited for the rain to recede, I was inspired by the old world look of the neighborhood in front of me. To add to the nostalgia of the scene, I used a technique I created called “Flash Flare,” where a flash is inches from the lens pointed right at the lens to hit the sensor.
Because I wanted to add to the old world feel of this place, I added a ½ CTO filter to the light to give it an “In Camera” vintage look. I posed the model as if she was taking a stroll around her neighborhood. Another flash was used to illuminate the model. The officer on the motorcycle to the right, contributes beautifully to the cinematic old world feel of the scene.
Behind the Shot: Hanoi Vietnam
This photograph was created with quite a bit of luck. The model Thuy was actually the MC for the Canon EOS R event in Vietnam. I asked her if I could take some quick photos of her in the old district. With her beautiful red dress, I thought it would go nicely with the old vintage feel of the old district in Hanoi.
Once there, to my surprise, we ran into these two soldiers dressed in uniform on the street playing a game. I politely asked, with the help of my translator, if we could include them in the photograph. Not only did they say yes, but they were excited about it. To bring visual attention to our model Thuy, I used a Profoto B10 with a beauty dish to illuminate her.
Behind the Shot: Hong Kong
This photo was taken in a very odd place. As we explored our surroundings in Hong Kong, I noticed a tiny little island on the Google Maps app on my phone. This island is called Magazine Island. Even though it was a long shot, I asked our boat driver if it was possible for us to go to that island. She laughed, but she did it.
Once we got there, we hiked to the top to take advantage of the interesting rock formations. So I asked the model Fanny to lay on the floor and frame her face with her arms. We used a Profoto B10 very close to her face to create this flattering illumination on Fanny’s face.