Monthly Archives June 2019

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It’s #TravelTuesday with me, Dave Williams, and today I’m in the KelbyOne studios recording some classes for you beautiful people! If you’re waiting to learn a little more about how to make some money and about how to prepare for travel photography, you’ll love my two new classes! But before they land, I’d love all you KelbyOne members to join me in an exclusive webcast about where to shoot in Iceland, and if you aren’t a KelbyOne member you can sign-up for a free.

Today I want to touch on something else. Right now I’m planning on changing my camera, and it made me think a little about that age-old conundrum – whether or not gear makes the photographer. Well my answer is no, and my argument is that if you give a pro photographer a $700 camera, and give a rookie a $5,000 camera, the pro will produce the better image. One main reason for this argument is that the pro will be concentrating on the creativity whereas the rookie is more likely to be focused on the gear. Here’s why: –

When a pro photographer and a rookie photographer each shoot 100 images, the pro is more likely to say that one is good, and the rookie is more likely to say that 90 are good. If they then look at each others images the pro is likely to say that one of the rookie’s is good, and the rookie is likely to say that 90 of the pro’s are good. Self criticism lands front and centre, and the pro is far more critical of themselves than others. But it goes beyond that: –

When the pro screws up, they are far more likely to blame themselves than to blame the gear. They are probably shooting Manual, may have added some extra gear such as filters or lighting, and have planned the shot. If something goes wrong they are far more likely to blame the application of their knowledge than they are to blame the gear. Here’s the point – they will use the same gear and try again until they get it right, working on correcting their technique rather than switching out the gear.

There’s a lesson to be taken from this. Being honest about your skills, having the understanding to apply them, and giving objective evaluation to your creative vision will help you to become a better photographer and not to rely on the gear, rather to rely on yourself. I’ve been through this process and continue to do so, as does every other pro photographer, and it’s extremely valuable to think this way.

I hope to catch you all in the comments tomorrow on The Grid!

Much love

Dave

OK, it may be more than a few, but it includes lots of behind-the-scenes shots (often including camera settings), and shots from my travel workshop there, and from my trip to Provence to shoot the Lavender fields, and the story behind it all.

If you’ve got a minute and want to start off your Monday in a “French crepe with Bananas and Nutella” kinda way, I hope you’ll give it a quick look. Here’s the link:

https://spark.adobe.com/page/iu1Zv6auT0fu5/

Thanks, everybody, and here’s wishing you bakery baguette kind of morning.

Merci,

-Scott

I was hoping to share the shots and stories from my Paris trip today, but with catching up at work and all, I couldn’t get it done in time, but I did want to share something I’m particularly excited about. Remember that trip I took out to the aircraft carrier, the USS Harry S. Truman (link)? The images and story from that trip are featured in a 12-page article in the June issue of the International Society of Aviation Photography’s (ISAP) official magazine (ISnAP), and I am psyched!

Here’s a look at the spreads from the page.

If you want to see more images from the trip (or at least larger ones than shown here), you can check out Adobe Spark page on the trip.

Many thanks to ISnAP for including me in their awesome magazine. Very honored indeed.

Have a great weekend everybody!

-Scott

P.S. Chicago area photographers — I’m heading up there next month with my new full-day seminar, “The Ultimate Photography Crash Course.” Details and tickets right here.

20 Quick & Practical Photoshop Tricks with Unmesh Dinda

Learn how to work faster and more efficiently in Photoshop with Unmesh Dinda! In this class you’ll learn how to match colors, correct perspective while cropping, add drama to skies, make your colors pop, leverage automatic functions in Photoshop, fix motion blur, discover hidden tools and settings, save your looks as presets, and so much more. You’ll be amazed at all of things you’ll be able to add to your workflow to make your Photoshop life so much easier.

In Case You Missed It: Jaw-Dropping, Heart-Stopping, Eye-Popping Photoshop Effects

Join Unmesh Dinda and take your Photoshop skills to the next level! This class is jam-packed with tricks and techniques that will make your jaw drop. You’ll learn how to retouch any surface without damaging texture, how to selectively apply blur for dramatic effect, how to scale a photo without damaging the main subject, how to automate actions to work faster, how to gain unlimited filters through the Gradient Map, and so much more. Unmesh has a great knack for making complicated techniques simple and approachable, and he even provides files for you to download and practice with as you learn. By this end of the class these lessons will serve as a go-to reference to come back to anytime you need a refresher.

Photographer Mat Hayward wearing oversized red glasses and a red feather boa
Mat Hayward will be teaching at Photoshop World Las Vegas, taking place August 21-23, so register now to come see him in person!

When my family and I were searching for the perfect puppy, my wife thought we were buying him for our children and as a household companion. Little did she know that I had a hidden agenda. I was on the hunt for the perfect stock model. While she was worried about temperament and overall health, my only requirement was that he be photogenic. Hold your judgment; Hudson is by far my best-selling model earning me thousands of dollars, and his modeling fee is just one piece of popcorn.

Hudson the Golden Retriever, emerging from a pile of leaves to steal your heart.
Hudson the Golden Retriever, emerging from a pile of leaves to steal your heart.

It’s not just my dog. No one in my life is safe from my camera. My wife, my kids, friends, cousins and co-workers, really anyone who happens to be in my line of site. A few years ago my dad broke his leg on a walk. He was rushed to the hospital and as I drove to see him I was worried about the poor guy. All that worry disappeared when I entered his room. The first thing I saw was floor to ceiling windows…the light was beautiful! I thanked my dad for the great stock photo op and started shooting away. It doesn’t matter what the situation is, I’ve always got stock on the brain.

Broken leg in cast with patient in hospital bed

Stock photography has been an effective way for me to supplement my income as a professional photographer. For the past 10 years I have been focused on shooting celebrity-based entertainment events in the Pacific Northwest and around the world. I love this work as it presents so many unique challenges and diverse opportunities leaving me rarely bored. Every week is different whether it be in a photo pit for a concert, on a red carpet for a film premiere or festival, snapping portraits of various movie stars, musicians or whomever. 

Jason Momoa kissing his reflection
Jason Momoa
Lady Gaga in a white dress at the Academy Awards
Lady Gaga
Dave Grohl of Foo Fighters performing on stage
Dave Grohl
Russell Wilson getting slimed
Russell Wilson

When I find myself with a bit of down time I shoot stock. Not only does it allow me to push myself creatively and try different styles and techniques, but more importantly I enjoy the constant revenue stream it creates for me.

Watch Mat behind the scenes during an Adobe Stock photo shoot!

My stock portfolio is generating income 24 hours a day, 7 days a week. I love waking up to sales notifications. I made money in my sleep! Here is a crazy fact about my portfolio. I have earned more money on this image of jellybeans than any celebrity image I have ever taken. I know what you must be thinking…well yeah, this jellybean shot is incredible! Right?…….

Bright, colorful jellybeans in red, green, pink, blue, yellow and orange colors.
Bright, colorful jellybeans in red, green, pink, blue, yellow and orange colors.

In my commercial stock portfolio, I have found the greatest success with general lifestyle imagery featuring real people, like my family and friends doing real things in real situations. It’s easy to upload and keyword images and videos for Adobe Stock, and the content is usually online within a day or two. My day-time career is to be an Evangelist for Adobe Stock, so of course I’m biased towards our service. But I was already submitting to Fotolia before it was acquired by Adobe, and you could say I’ve been walking the walk a lot longer than talking the talk. Anyone can create a contributor account and submit to Adobe Stock simply by signing in with an Adobe ID on the Contributor Portal.

Woman smiling on NYC street
Couple at home reading book

What should you shoot you ask? Let me answer that question with another question. What do you love to shoot? There is a huge market for authentic and diverse stock content. Whatever you are passionate about is where you should start. Shooting stock has become a part of who I am and is top of mind whenever I have my camera in hand. If you haven’t already given it a shot (pun intended) I highly recommend you do so. Good luck!

Woman with blue hair and red glasses wearing black and white striped shirt, standing in front of yellow background, holding pink and yellow balloons with confetti falling around her

You can see more of Mat Hayward’s work at MatHaywardPhoto.com, and keep up with him on Instagram, Facebook, and Twitter.

It’s #TravelTuesday with Dave! I’m Dave Williams and I’m here every Tuesday with something for you from the world of Photoshop, Photography, Travel, or life, and today was never going to be the exception! This past Saturday I had the pleasure of hooking up with The Kelby’s in my home town, London, England. Scott and his son, Jordan, were over in Europe on a trip and we went on a little jaunt to Greenwich in South East London, and this is the inspiration for today’s post.

Travel photography doesn’t actually require travel! Big news, right? Well here’s why: – the whole point behind travel photography is to make the viewer want to be there, in the photo, seeing the sights, smelling the smells, and feeling the feels. It doesn’t mean you, the photographer, have to be in another country, rather it means the viewer needs to be seeing a place with which they aren’t familiar or where they want to go. Whatever the underlying style, be it landscape, architecture, lifestyle, portraits, so long as the image makes the viewer want to be in the place depicted you’re succeeding as a travel photographer.

From this we know that travel photography can be a little closer to home for us, so that’s exactly what I did with Scott and Jordan. We went to Greenwich to shoot travel – architecture in this instance, but travel nonetheless. The location is just down the road from me, thousands of miles from Scott and Jordan, but regardless of distance it’s travel in that we wanted to show the location in its best light and, from our photos, make people want to be there. Well, Scott and I did. Jordan maybe not so much, but it seemed he was having a good time learning that the paint on the walls is probably older than the USA!

As Scott explained here yesterday, he was here to be a tourist. He wanted to get some shots checked off the list. For me the little exploration mission was travel photography, but it wasn’t travel. I hadn’t actually gone anywhere. It hit the point home that travel photography isn’t necessarily about the photographer travelling, rather it’s about everything else I’ve mentioned. We had a good look around at Greenwich before heading back to central London: –

What a pleasure it was to take Scott and Jordan on tour in London, and next week I’ll be writing from KelbyOne where I’ll be recording some classes. Show me your travel photography and keep up with mine on Instagram!

Much love

Dave

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