It’s #TravelTuesday with me, Dave Williams, and today I’m in the KelbyOne studios recording some classes for you beautiful people! If you’re waiting to learn a little more about how to make some money and about how to prepare for travel photography, you’ll love my two new classes! But before they land, I’d love all you KelbyOne members to join me in an exclusive webcast about where to shoot in Iceland, and if you aren’t a KelbyOne member you can sign-up for a free.
Today I want to touch on something else. Right now I’m planning on changing my camera, and it made me think a little about that age-old conundrum – whether or not gear makes the photographer. Well my answer is no, and my argument is that if you give a pro photographer a $700 camera, and give a rookie a $5,000 camera, the pro will produce the better image. One main reason for this argument is that the pro will be concentrating on the creativity whereas the rookie is more likely to be focused on the gear. Here’s why: –
When a pro photographer and a rookie photographer each shoot 100 images, the pro is more likely to say that one is good, and the rookie is more likely to say that 90 are good. If they then look at each others images the pro is likely to say that one of the rookie’s is good, and the rookie is likely to say that 90 of the pro’s are good. Self criticism lands front and centre, and the pro is far more critical of themselves than others. But it goes beyond that: –
When the pro screws up, they are far more likely to blame themselves than to blame the gear. They are probably shooting Manual, may have added some extra gear such as filters or lighting, and have planned the shot. If something goes wrong they are far more likely to blame the application of their knowledge than they are to blame the gear. Here’s the point – they will use the same gear and try again until they get it right, working on correcting their technique rather than switching out the gear.
There’s a lesson to be taken from this. Being honest about your skills, having the understanding to apply them, and giving objective evaluation to your creative vision will help you to become a better photographer and not to rely on the gear, rather to rely on yourself. I’ve been through this process and continue to do so, as does every other pro photographer, and it’s extremely valuable to think this way.
I hope to catch you all in the comments tomorrow on The Grid!