This week for #TravelTuesday, we’re going to sleuth around and learn to easily and quickly find any images we may feel have been stolen and used online. I’m Dave Williams, and every week I’m here for Travel Tuesday with Dave. Let’s crack on!
I’ve written recently about the problem with image theft and the problems it causes. In the post, I mentioned reverse image searches. This is a search function incorporated well by Google into their search engine, but it’s particularly well done with the Google app. Here’s an image I took from Cape Canaveral a couple of years ago, having been told about the spot by Erik “the Rocketman” Kuna.
The reason I’m choosing to search this image is because I know it’s out there on the internet, so Google should be able to find it wherever it exists. I said in the intro that there’s a very easy way to do this in the Google app, and here it is:
First up, fire up the app.
At the right side of the search bar, there’s a camera icon. Go ahead and tap that.
Google Lens will open up. This is a very smart searching tool so I encourage you to try it out, but what we’ll do instead is change the mode to the image search by tapping the framed image beside the shutter/search button.
We now have our camera roll, and from here we can choose the image we want to search. I’ve selected the image and this screen came back to me:
The top match is presented, along with the option to “See more.” This top result is from The Express, a British newspaper.
Now we can simply go over the results to make sure any use of our images complies with any permissions or licenses we’ve granted. It’s as simple as that!
Hi team! Dave here for #TravelTuesday again, and this week my congratulations go out to Italy for winning the European Championships over here on this side of the pond! It didn’t come home, but there’s always next time. Personally I think we have some work to do in terms of dealing with hate first, though. But that’s another story.
Shifting the focus back to photography, this week I want to touch on watermarks.
If, like me, you’re a member of any photography groups on Facebook, you’ll notice that the question of whether or not to watermark an image is a good idea. By ‘good’ I mean whether it offers any advantage to us in terms of protecting our photos and therefore protecting us as photographers and creators.
Ultimately the decision is yours. I’ll get straight to highlighting my stance, but I’ll offer arguments for both cases. But mostly mine ;)
The base argument for Team Yes is that applying a watermark to an image, be it bold and aggressive or minimally intrusive on the content, means that anyone considering using an image where they perhaps shouldn’t had a moral dilemma. If they misappropriate our watermarked image they are displaying to the world (or the one viewer, whichever it may be) that they have taken it from elsewhere and it belongs to someone else. The watermark itself may even prevent this from happening in the first instance.
Team No generally have one of two thought processes. Either they don’t care if their image is stolen, or they will allow it to be stolen and deal with the matter afterwards, proportionally and professionally. I take the latter stance. Images contain metadata and although this can be altered, it takes someone who knows a little about what they’re doing to make the necessary changes and even so it doesn’t change the fact that the copyright belongs to us. There are also reverse image search engines, Google being the simplest to use, that we can employ to find our images if we fear they have been used. This is easy, but quite arduous. We can have this done automatically by using services like Pixar.com to find our images for us and even issue takedown notices or proceed with legal action.
The reason I don’t watermark my images is because I will use these systems to find my images and take action where it’s appropriate. If someone shares my photo on Facebook it’s no biggie deal to me, but if a company uses my image to advertise their services or products it definitely is a big deal and I’ll send them a bill along with an explanation. I haven’t had anyone refuse to settle the bill yet. If I’ve created a photo for a client with any exclusivity, I simply won’t be sharing it and therefore there’s no risk of it being stolen.
Watermarks are horrible looking things that take a lot away from an image I created and I’d much rather deal with image theft than ruin my photos. Looking over the responses to this question on the Facebook groups I belong to it’s quite clear that there’s a strong divide between those who watermark and those who don’t.
Hi all! Dave Williams here for another #TravelTuesday post. I hope you’re all well and that you all had a great day on Sunday for the 4th!
Straight off the bay, I couldn’t come up with a better feature image for this post than what I’m going to call ‘real life Photoshop’ with my bestie Peter Treadway.
Today I want to touch on something that’s come off the back of a bit of news from Norway. Legislators there have made it a legal requirement for influencers and advertisers to label images that have been retouched or have filters applied in a bid to address “body pressure in society.”
The law is an amendment to the marketing Act 2009 and was passed with an overwhelming majority support of 75 to 15 in Norwegian Parliament.
The law, due to be introduced shortly, will require that any sponsored or advertising posts need to declare where a “body’s shape, size or skin has been changed by retouching or other manipulation” be clearly marked to declare the presence of edits. Failure to mark such images will result in a fine being issued.
The changes are outlined with a list of examples that includes enlarged lips, narrowed waists, pronounced muscles, and other such edits. But what’s behind all this?
We all know that it’s extremely rare for one of our images to be Straight Out Of Camera (SOOC) and not edited or retouched in some way. If we take this news at first glance, that is to say that we haven’t made ourselves familiar with the finer details about the extent of the retouching done, it can appear that almost every image on social media in Norway is to display this label of having been retouched. Society has normalised retouching but it is in a different way to that we expect as photographers. When we retouch images we tend to approach it from the perspective that we are looking to make the image more appealing, to gain more traction, or to attract more clients for ourselves because of the quality and calibre of our work both in camera and in post. We’ve ended up in a situation where we are stuck in a bit of a touch position because the world uses the word ‘Photoshop’ as a verb, so an image that looks good is seen as something that must have been ‘Photoshopped’. An unfortunate circumstance that has come out of this is that the youth of our society are influenced, hence the term ‘influencer’ I suppose, but with that come negative implications in that body dysmorphia comes to the forefront, sometimes to quite extreme ends.
Young people, particularly young girls, grow up receiving the influence of the world around them and with that comes an impression cast upon them of what they are meant to be like, and look like. There are those breaking the trend, of course, but this is still commonplace and carries a certain mental health stigma in that people will go to extreme lengths in order to appear a particular way because of something or someone they’ve seen on social media, such as a Kardashian with a warped door frame behind their retouched body parts, or extra hands for example. There was a campaign some years ago by Snickers that highlighted this quite well. I took a moment to retouch Snickers advertising image and ‘fix it’. Here’s the image highlighting the errors: –
It isn’t these errors that are causing a problem, of course. It’s the photos that are passing as genuine and in turn having a negative impact on the youth worldwide who pick up on the retouched images and perceive them as being real, altering their habits and aspiring to be something that isn’t real because society is leaving that impression. I for one hope none of us are the cause of this and that it actually is the influencers and advertisers, but it’s important that we, as photographers, consider our actions when retouching and the impact it could have. Perhaps Norway have taken a step in the right direction.
Dave Williams here again, just like every #TravelTuesday on ScottKelby.com, and this week I want to touch on some iPhone photography tips that might be useful. Today, the iPhone Photography Conference kicks off, with the pre-con having been held yesterday with Scott and Larry Becker. iPhone photography is huge—we all have a camera in our pocket and learning to use it properly will bring out a whole range of new skills and creative ideas. So, in preparation for these big moves, let’s take a look at some top iPhone photography tips:
The absolute top-of-the-list iPhone photography tip is something we often overlook, or perhaps we wait until it presents a problem rather than preventing the problem in the first place. It’s something we do with our main camera all the time, yet we forget to do it with our iPhone camera.
1. Clean Your Lens
Our iPhone camera’s lens gets dirty from being in our hands, our pockets, our purses, and cleaning the lens with a lens wipe, microfiber cloth, or even just using our clothing will make our photos much sharper.
2. Use the Grid
We can activate the gridlines overlay on our image preview from within our camera settings. Use these lines to their full advantage to help create better iPhone photos, particularly for better composition and a level horizon.
3. Level Your Flat Lays
When we take shots straight down, such as flat lay shots, two plus signs appear on our screen: one white and one yellow. We can use these two plus signs to ensure our image is taken straight down by aligning them for a level image.
4. Zoom with Your Feet
Just like we would with a prime lens, zooming with our feet when shooting on iPhone helps preserve image quality. When we are shooting at the native focal length we use the entire capacity of the sensor, however, when we zoom we’re actually performing a digital zoom and just cropping on pixels, thus degrading the image quality.
5. Use Portrait Mode for Depth
Portrait Mode is a great feature of the iPhone camera and it takes the view of two lenses to create a quasi-bokeh effect. By utilising bokeh, like we would normally in our photography, we afford more focus to the subject of our photos.
6. Live Mode
Live Mode gives us a lot more creative flexibility with our iPhone shots, including the ability to create a long exposure or a Boomerang. It also helps us to save a moment if it’s missed, but still happened just either side of us pressing the shutter button, because we can select the best frame from a series of images. To make sure Live Mode is enabled, open the camera app and tap the circles in the top right-hand corner, ensuring they are yellow.
7. Shoot Wide
The 0.5 lens is an amazing wide-angle lens built right into the iPhone. Having an adapter mounted to shoot wide-angle is a thing of the past and we can now pack a lot more into the frame with no extra hardware to buy.
8. Vertical Panoramas Are a Thing
Sometimes it can be in our interest to shoot a vertical pano in order to squeeze a lot more into the shot. Simply activate Pano Mode as normal, then turn your iPhone sideways, tilting up or down rather than from side to side.
These eight iPhone photography tips will immediately set you on your path to taking better iPhone photos, but there’s a whole load more to learn if you want to.
Something we all look for on social media to help boost our performance and convert that performance into revenue, be that through sales or influence, is engagement. Engagement falls from several factors and one of those is likes. The problem that has come from this of late is the damage caused by likes on people’s mental health—feeling inadequate when a post doesn’t receive as many likes as they would perhaps like or in comparison with peers. Instagram, headed up by Facebook, has recognised this and has taken a bold step to relieve some of the pressure caused by the number of likes an image may attract.
Instagram now lets us hide the publicly visible like count on a post. Instagram said the reason behind this was to “depressurize people’s experience” on the platform, following a series of trials that have ended up with a global roll-out. The fact now stands that we no longer stand openly in comparison to other accounts and, therefore, perhaps the stigma associated with the feeling of under-performance can fade, giving people a better user experience when posting and leaving the metrics in place behind the scenes where, perhaps, they belong. The performance of a post is determined by those metrics, but there’s no real reason for them being on public display.
There are two ways to hide the like count of our posts: The first is to do it retrospectively, tapping the three dots in the top-right corner of a post and selecting Hide Like Count.
The second method relates to future posts, which we do in our settings by tapping on the three lines in the top right corner of your page, selecting Settings, then Privacy, and then Posts, and then turning on Hide Like and View Counts.
Our performance absolutely does affect our ability to monetise social media platforms but, as I’ve mentioned, this metric doesn’t necessarily need to be public, and if we take a step to reduce the negative aspects associated with engagement that result in detrimental effects on mental health, we can create a better platform for all. I, for one, have decided to hide my like counts.
After a slight delay because of Covid it was awesome to get a Platyball Elite in my hands. This was a pre-production model for beta testing ahead of general release which is anticipated to be in December. I know there are a lot of people that backed the Kickstarter and are keen to get theirs, so I figured I’d shows how everything’s back on track!
Here it is in all its glory, mounted on a Platypod Max with a misty background of Corfe Castle in Dorset, here in the UK. I put the Platyball Elite through its paces here, moving across the terrain and seeing how quickly I could adjust the angle to compensate for each different surface using the chunky, ergonomic buttons to tighten and loosen the hold. I’m doing this I discovered a brand new form of entertainment, and perhaps the best new game in photography. The game is this: –
The aim of the game is to line up the cross in the middle of the screen! It’s great fun! The Platyball Elite features a screen showing the perfect alignment of the horizon and the tilt, helping us get a perfectly level horizon, or in pointing our camera dead-ahead if we want a 50/50 horizon line. This level indicator is an excellent feature of the Elite, and was especially useful for the slope I was on at the tim when used in tandem with the spikes on the Max to hold everything in place.
All this followed a 3:45 alarm call, and I can’t stress how great that actually felt. It’s a ridiculous time, and I’m well aware that some people didn’t even realise that 3:45 had an AM, but getting up with nature and being in position ready for the sun to warm the earth ready for the day is something that gets better every single time I do it. Here’s what I got, using the Platypod Max and Platyball Elite together for real for the first time.
Unfortunately the mist didn’t dip low enough for the castle to fully emerge, which was the shot I’d planned, but this contrast of warm and cold with a 1,000 year old demolished castle lurking within it will have to do.
Set your alarm early and go shoot a sunrise. Even if it doesn’t go to plan, it won’t disappoint.