It’s Guest Blog Wednesday featuring Brad Moore!

Brad pulls up a photo on his phone from the previous night’s secret show to show Chris Dudley during tech rehearsal. Photo by Chris Dudley

The Rebirth of Underoath
A few years ago, the band Underoath played what was then to be their final tour ever as a band. They did their farewell tour, made a documentary about the whole thing, and then each of the members moved on to the next phase in their lives, but they all remained friends after this.

Christopher Dudley, Timothy McTague, Spencer Chamberlain, Grant Brandell, and James Smith of Underoath perform their final show on January 26, 2013 at Jannus Live in St. Petersburg, Florida

Fast forward to late last year, and they’re all on a group text joking about what it would be like to tour again. Then the joking turned serious and, after much discussion and figuring out logistics, they decided to reunite to tour once again and play their two most popular albums, They’re Only Chasing Safety and Define The Great Line, back to back on the Underoath Rebirth Tour.

The first official show of the tour is tonight in St. Petersburg, Florida at Jannus Live, the same venue where they played the final show of their last tour. And the band has allowed me to document some behind the scenes images of the events leading up to this show.

Last week, they invited me to come out to their practice space and document one of their final practices before taking the stage once again. The space is a storage unit, lit solely by one fluorescent light inside, and some typical parking lot lights outside. Thankfully, I had two Canon 1DX bodies at my side, coupled with the 70-200mm f/2.8 and 16-35mm f/2.8 lenses, to handle the high ISO situation.

perform on at in

perform on at in

perform on at in

perform on at in

perform on at in

As the band practiced, I tried to cover them from every angle I could think of while staying out of their way as best as possible. During this time, they’re focused on making sure they remember how to play the songs and are all on the same page with everything rather than performing. So while they’re into it, it’s definitely a lower energy situation than a live performance.

perform on at in

perform on at in

perform on at in

perform on at in

For post processing, I prefer converting behind the scenes/documentary images to black and white. I just think it gives them a more timeless feel, and helps differentiate the images from my live concert work. In this particular case, I used Macphun’s Tonality Pro plug-in to do the black and white conversions. I started with the software’s Bold Contrast preset, then tweaked it to best fit these images and created my own preset. Once I had that in place, I did a batch process of the images and ran my preset at 50% so the images didn’t look over-processed. This gave the shots a nice but gritty look that almost made them feel like they were shot on film.

perform on at in

perform on at in

While many of the band’s shows on the tour are already sold out, including their first show tonight at an approximately 2,000-person capacity venue, they announced a “secret show” at a 400-person capacity venue in Tampa on Sunday night. This show was $10 at the door on a first come, first serve basis; and once it was full, it was full.

The venues they normally play at have big stages and a barricade/photo pit between the crowd and the band. Not so at this one, as you can see in the video below:

This crowd is INSANE!! No fans like @underoathband fans! #underoath #uorebirth #UØ

A video posted by Brad Moore (@bmoorevisuals) on

This time I was armed with the same Canon 1DX bodies and 70-200mm f/2.8, but this time I had the 11-24mm f/4 and 24-70mm f/2.8 lenses as well. The latter two ended up being the only ones I used during Underoath’s set since it was such a small venue. I started off right in front of the stage in the crowd during the opening bands and was fine. But once Underoath took the stage, I only lasted for two songs before I escaped the flying bodies and pummeling from the fans to try to catch my breath and make my torso cease feeling pain.




As my friend Andrew described seeing me upon my escape, “I wish I would have snapped a photo of you when you came up off the floor at the beginning. It looked like a cartoon version of someone that had just been caught in a tornado, it was great! I’ll have that image burned into my head for ever, I was sooo worried for a second and then processed what happened and just immediately burst out laughing.”




From then on, I shot from the side and back of the stage where the rest of the friends and family of the band were standing. But they weren’t standing there for long. Most of them wound up diving into the crowd from the stage before the show was over! This vantage point allowed me to get shots of the band up close and personal that aren’t usually possible at a larger venue. Plus, just due to the nature of the show, I was actually able to get out on the stage and shoot a few short bursts then get out of the way again.







To say it was a crazy night would be an understatement, but it was an absolute blast and one to remember for sure.

This show allowed the band to perform in front of a crowd for the first time since their last tour three years ago and allowed them to get back into that groove again. Now that they’ve got the playing and energy parts down, time for “tech rehearsals…”





This is when artists go to a rehearsal space (sometimes a space dedicated to just this purpose, sometimes a smaller venue that happens to be available for the time they need to dial everything in), so they can set up their full production (video screens, lights, and all the other things that go into a show) and run through their set to work out any kinks or technical difficulties before they play in front of an audience.





So for the two days between the “secret show” and their first official show of the tour, that’s what they did. The first day was mostly getting everything set up and plugged in and wired and rigged up correctly. Just enough for the band to run through and make sure all their gear is synced up properly.





Since the lights and video screens were still in the process of being fully set up, I decided to treat the first day’s shoot as behind the scenes, and thus converted these image to black and white.








When I arrived at day two of tech rehearsal, the full production was up and running, so it was kind of like my own private preview of the concert! With the band allowing me access to cover these days, I was able to get some shots that would just be darn near impossible to get during the actual concert.




They’re not going to put up with a photographer running around the stage the entire time they’re trying to perform, no matter how good of a friend they may be. But that’s basically what I was able to do here.





Well, it wasn’t really my own private preview… Some of the band members’ wives and kids were on hand to see their husbands/dads at work too ;-)



Not your typical “bring your kids to work day,” right?!

I hope you’ve enjoyed this glimpse into a band reunited and getting ready to hit the road again. As you’re reading this, there’s a good chance I’ll either be on my way to the venue, or at the venue documenting the band as they’re prepping for tonight’s show, or shooting the actual show!

You can see more of Brad’s work at, and follow him on Instagram and Twitter.

  1. Great stuff Brad. I really liked the band shots more than words can say, but the last one with the little girl holding her ears is priceless!!

  2. Great stuff. I started with concert photography because I didn’t want to pay for tickets. Be careful of tinitus. On the other side. You can’t really be a ‘Guest Blogger’ for Scott. You’re more like the step brother that lives in the basement…wait, this is Florida…make that the room above the garage.

  3. Love your post, images and way of thinking. I use to do concert photography many moons ago during the rock & roll/heavy metal days and understand all that you go through to get that shot! And you do it so flawlessly!
    Also enjoyed your photo walk at WPPI!!! Do more walks…!

  4. That last silhouette shot with the guy’s hair waving gets me, man. Wow. The color tones you captured are dreamy as heck. Those rock lighting gradients are killer. It makes me want to sample all of them and save pallets for design work or something. Such cool work.

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