It’s Guest Blog Wednesday featuring Brad Moore!
Not Every Shoot Is A Winner
Here’s the scenario: You go do a shoot, download the images, go through the take, pick the keepers, do your editing, and deliver the shots. The client loves them! But you don’t. They’re okay, but they don’t quite send you to your happy place.
Sound familiar? If it does, I have some good news for you. You’re not alone.
I would guess that most photographers go through this, even the best ones. No matter how much we try to make the best possible images we can, not every shoot is going to result in a new portfolio image. You can plan all you want, put together your shot list, research the location, research your subject, make inspiration/mood boards, clean your lenses and sensor, and carry your lucky rabbit’s foot; but when you do the shoot, the shots are decent, but not great. The client is happy, so you’re happy that you’re getting paid, but you wanted to come away with better shots.
Sometimes your subject just isn’t ideal. Or the location you picked days ahead of time fell through on the day of the shoot and you had to quickly find something else that worked. Or you were unexpectedly battling the harsh sun on what was supposed to be a cloudy day. Or you just flat out had an off day of shooting and don’t know why.
For me, it’s concerts. There are so many things that come into play here that can make or break an image. How’s the lighting? If there’s lighting, is it always the same or constantly changing (to give variety to the shots)? Is the band doing fun and crazy stuff, or are they all just standing in one spot throughout the performance? Is there so much going on that I don’t even know where to point my camera to try and capture peak moments? Can I get to the spot in the pit I want to be in, or are there twenty other photographers vying for position and I’m stuck where I’m at?
I get lucky sometimes and I’m in the ideal position as the guitarist jumps off her amp in the perfect light, and my camera focuses, fires, and I nail the shot. Other times I see it happening out of the corner of my eye and turn to try to capture the moment from the wrong spot and there’s so little light on her that my camera can’t lock focus, and I get a blurry shot. Or a lot of the time I get what are, for me, mediocre shots of the singer with their mouth open and eyes closed standing in front of a mic. It’s a perfectly fine shot that you’ve seen it a million times, but you won’t see it in my portfolio.
But here’s the thing… You’ve gotta keep shooting. You have to push through those bad days to get to the good ones. I once heard Jay Maisel explain it this way to a frustrated photographer:
“It’s like, if I’m trying to be a well built body builder… If I go to the gym on Monday next week maybe or maybe Thursday, or just when I find a day, then it’s not going to happen. You have to go to the gym and work out. I don’t go to the gym and work out as a photographer, but I do the visual pushups everyday. If you shoot once in a while you may get some nice pictures, and if you shoot very rarely you’ll get fewer. But if you shoot all the time, the number is going to go up.”
So don’t let a bad shoot or two get you down. Keep doing those visual pushups so you increase your chances of finding those holy grail shots that you add to your portfolio. When you get them, we’ll rejoice with you. And if you don’t, just remember… You’re not alone!