Hello, and welcome! It’s #TravelTuesday here at Scott Kelby’s Photoshop Insider, which of course means that I, Dave Williams, am here, in your face, loud and proud with some industry nuggets of gold to share with you!
First off, news time:
Workshop – If you’re up for a workshop in Iceland, I’ll be running one this summer alongside my brother from another mother, Peter Treadway. Keep your eyes peeled over on my social media (@capturewithdave) for more info!
Webinar – On January 5th, on the amazing Photoshop and Photography Facebook Group, I’ll be hosting a webinar all about drones and drone photography. It’ll go live at 9 p.m. UK time, 4 p.m. EST, and 1 p.m. PST.
Photowalks – Following the awesome time we all had in London on our recent photowalk, it is my intention to run more! The good folks at BlackRapid thought this was a brilliant idea, and they’ve thrown a whole bunch of straps my way to give away at future photowalks. So, if you’re in London (or willing to get there), watch my social for more walks!
Seminar – Sorry to those of you in the USA and the rest of the world, but here’s another UK one: – In the new year, I’ll be hosting a seminar at the Sim Imaging gallery in Hatfield, Herts, and it’d be great to have you there! Again, details will go live over on my social.
So, the blog!
There are Christmas markets dotted throughout the world right now and they bring an amazing atmosphere, beautiful decorations, and sparkly lights.
The best time to take Christmas photos is during the hours of darkness when the decorations and displays are enticing and almost magical. I highly recommend that you get out and find a Christmas market or two, and get some awesome shots yourself!
Now, you and I know that rules are meant to be broken, so I’ll start with a rule-breaking example from Riga, Latvia. Christmas photos may be best at night, but that doesn’t mean they must be taken at night. Take a look: –
But, when we are shooting the Christmas markets and decorations at night, we need to consider the light and the action, as well as the detail.
Capturing those actions is a great opportunity to play with long exposures. With this giant Ferris wheel, I’ve taken an exposure of a few seconds to capture the movement in a very slight trail of light. It’s only possible to do this with a solid base, such as a tripod or Platypod, but carrying that extra piece of kit with you is totally worth it when you see the results.
This shot is inside the Brandenberg Gate in Berlin, Germany. When shooting a location at Christmas it’s worth incorporating the location to give the viewer a sense of place. In this image, I’ve got that hint of Christmas from the tree in view, just slightly tucked away, adding a little festivity to an otherwise ordinary scene.
At the other extreme, you can go full-on Christmas mode! In this shot, I’ve filled the entire frame with two trees, one foreground and one background element, giving the viewer an overwhelming yet beautiful feel for the season.
Going back to the sense of place, this time the situation is reversed in that the place becomes part of the Christmas scene, rather than the other way around. Christmas has clearly taken over here and overcome its surroundings, but highlighting those surroundings in amongst the action makes for a winning shot.
So, now that the Christmas holiday season has landed, spreading joy, peace on earth, and goodwill to all men, etc., etc., get out there with your camera and capture it!